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Best cameras for low light photography 2023: Jump Menu
Having the best cameras for low light photography is a game-changer, regardless of your experience level. Whether you’re just starting out or an astrophotography pro, these cameras are your best companion when shooting in low light environments, be it indoors or outdoors.
Cameras are made to capture light, but it’s important to remember that taking photos in low-light situations can be challenging, in a similar way to how our eyes struggle to see in the dark. However, technological advances in recent years means that digital cameras can produce breathtaking nightscapes and beautiful results in dark environments too, especially when you pair them with the Best lenses for astrophotography.
To cut through the jargon and confusion, check out our low light cameras FAQ for answers to your top questions.
Space.com is here to cut through the noise and help you find the perfect camera for your needs, budget and abilities. We’ll be looking at our favorite cameras for low light photography from all our favorite big brands — Canon, Sony, Nikon, Fujifilm and more.
If it’s astrophotography specifically that you’re looking to purchase a new camera for, you may want to read our guide to the Best cameras for astrophotography — these cameras have more astro specific features. Or if something more generalist is on the cards check out the Best cameras for photos and videos. This guide includes many different cameras that perform well in various types of low-light situations, that photographers of all types will benefit from.
The quick list
Best all-rounder
Particularly good for astro and low-light photography, but excels in all photographic styles, the Z7 II is the ideal all-rounder for most photographers.
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Best DSLR
This DSLR still competes with mirrorless models, but for how long? Fantastic image resolution, but low light focusing is beaten by its mirrorless counterparts.
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Best hybrid model
An absolute beast with a massive 61MP sensor that can do it all, but its comprehensive list of features and premium price could be overkill for some users.
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Best for intermediates
With impressive ISO handling and accurate autofocus, this is a great option for intermediate users looking for a reliable shooting partner.
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Best for beginners
A perfect combination of top-notch technology with simplicity and ease of use — a great affordable option for beginners.
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Canon PowerShot G1 X Mark III
Best compact option
A great pick if you want a small and compact camera — perfect for beginner vloggers with image stabilization and wide focal length.
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Olympus OM-D E-M10 Mark IV
Best micro four thirds camera
An impressive blend of quality, usability and an easy-to-understand interface, all in a neat little package perfect for traveling. Though more experienced photographers may outgrow it quickly.
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Best budget option
If you’re on a budget then this is a great option for low light photography. It doesn’t have the most detailed sensor, but it has a wide aperture lens to let lots of light in for low light shooting.
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Best cameras for low light photography 2023
Best all rounder
Buy it if
You shoot different styles: This camera excels at shooting many different styles of photography thanks to its detailed sensor and processing power.
Don’t buy it if:
You’re only shooting astro: The 45.7MP sensor would likely be too much if you only shoot astrophotography, and there are cheaper models out there that will be more suited.
You’re a beginner: Although it’s gradually coming down in price as time goes on, it’s still an expensive camera and will likely price out beginners.
The bottom line
Nikon Z7 II Combines power, speed and precision with a simple interface and organized button layout in an attempt to master all trades — although it would be overkill for just astrophotography. ★★★★½
The Nikon Z7 II tops our list, a few entries above its predecessor, the Nikon Z6 II. Although it’s visually identical to the Nikon Z6 II in terms of design, we noticed some worthwhile differences when it came to image quality and functionality in our Nikon Z7 II review.
The Z7 II camera has a significant improvement — it now has dual memory card slots. This allows you to select where you want to store your photos or use one card as a backup. With this setup, every picture you take is automatically saved to both cards. So, if one card gets damaged, you’ll still have all your photos safely stored on the other one. This may not seem like a big deal, but it’s extremely useful for professional photographers and gives everyone more peace of mind during their photo sessions.
The other obvious difference is the Z7 II has almost double the amount of megapixels — 45.7MP vs the 24.5 megapixels of the Z6 II, giving absolutely mind-blowing resolution. While this isn’t crucial for excellent astro shots (and can sometimes be a hindrance), you may benefit from the extra megapixels if you’re going to be producing large prints or shooting other styles of photography, such as landscape, or shooting long-lens wildlife photos where stunning detail makes the world of difference.
| Attributes | Notes |
|---|---|
| Design | Weather sealing protects it from the elements |
| Performance | High ISO image noise is fantastic |
| Functionality | Plenty of customization |
Best DSLR
Buy it if
You’re a pro looking for a second camera: Produces high-resolution images without breaking the bank, and it’s just about the best DSLR for professional use.
Don’t buy it if:
You want something that’s futureproofed: DSLRs are gradually being phased out, so there won’t be any newer versions or lenses released as most companies are focusing on mirrorless models going forward.
The bottom line
Nikon D850 A 45.4MP beast, the Nikon D850 will capture every single star you can possibly see and then some, thanks to its wide ISO range — although DSLRs are being phased out in favor of mirrorless models. ★★★★½
Professional photographers absolutely love the D850 because it’s a true workhorse that can withstand any environment. It’s built with a tough and lightweight magnesium alloy, and it’s completely weather-sealed, so it’s durable and reliable. But even if you’re not a pro, you can still benefit from it. The D850 has an amazing ISO range of up to 102,400, which is quite impressive considering it’s been around for over five years now. The full frame BSI CMOS sensor handles ISO noise well thanks to the processing ability of the EXPEED 5 image processor — take a look at our Nikon D850 review for our full thoughts on this camera.
Unfortunately, the camera itself doesn’t have in-body image stabilization. However, if you use F-mount lenses, you can benefit from Nikon’s Vibration Reduction which can provide up to 4.5 stops of stabilization. This comes in handy when capturing shots in low-light conditions. You can choose from a series of stills when shooting in continuous burst mode that captures up to 9FPS, which may not sound like much, but when you consider each image is 45.7MP — that’s a serious amount of data capture. Not to mention, low-light photography doesn’t necessarily require fast burst rates. It also keeps up with the competition regarding video, providing 4K30p video recording with zebra stripes that help highlight potential exposure issues in certain areas.
The camera is great for shooting videos in low light conditions because it can focus really well even in dark environments (down to -4EV). It uses an autofocus sensor module called Multi-CAM 20K with TTL phase detection and 153 focus points. If you need extra light for your low-light scenes, there’s a hot shoe and PC sync connector on the camera body to connect external lights, both on the camera and off it. Plus, there’s a handy feature called face-priority autofocus, which makes it easier to focus on portrait subjects without having to switch to manual focus.
| Attributes | Notes |
|---|---|
| Design | Back illuminated buttons to help see in the dark |
| Performance | Good low light AF detection |
| Functionality | Huge stills resolution |
Best hybrid model
Buy it if
You want insanely high resolution: Currently, this is the highest resolution full-frame camera thanks to its massive 61MP sensor.
Don’t buy it if:
You’re a beginner: Not because you wouldn’t get on well with it, just because it would likely be overkill and you probably wouldn’t need 61 megapixels.
The bottom line
Sony A7R IV An incredible camera that was revolutionary when it was released due to its incredibly detailed sensor. It’s expensive, sure, but you can’t argue with the quality of the images it produces, although you’ll need a powerful computer to be able to process them. ★★★★½
With a huge 61-megapixel resolution, the Sony A7R IV can bring out exceptional detail, even in the darkest shadows. At the time of writing, it is the highest-resolution full-frame camera on the market and shoots 4K max video resolution.
It would make a fantastic option for astrophotographers as it performs remarkably well in low light. Our Sony A7R IV review found that noise only started to creep in after pushing the ISO up to ISO 6400.
The battery life is equally impressive. During our tests, we surpassed Sony’s claim of 670 shots using the rear screen and managed to capture over 2000 shots on a single charge, with the battery still showing 65% power remaining. Based on this, we think you could potentially exceed Sony’s claims. However, it’s worth noting that astrophotography, with its longer shutter speeds, may consume more battery power.
We’ve ranked it number one in our best cameras for photos and videos guide and its astronomy variant the Sony A7R IVA is ranked third in our best cameras for astrophotography guide.
The camera’s 7.5cm screen is of incredibly high quality, with over 1.4 million dots, which makes the images look fantastic. However, for astrophotography, one helpful improvement would be to have a fully articulating screen, which would be especially useful when taking pictures in portrait mode or pointing the camera upwards to capture the stars. Having a fully flexible screen like this would make it easier and more convenient to capture stunning astrophotos from various angles.
Considering the massive image sizes, we wouldn’t suggest using this camera for sports or action photography due to the buffer lag (unless you have a seriously fast card). However, when it comes to astrophotography, low-light portraiture and landscape photography, you simply can’t go wrong with this camera. We’ll be reviewing the newer Sony A7R V very soon, so keep your eyes peeled for that.
| Attributes | Notes |
|---|---|
| Design | Comfortable and lightweight for a full frame camera |
| Performance | Excellent autofocus and tracking |
| Functionality | Highest megapixel mirrorless camera to date |
Best for intermediates
Buy it if
You’re on a budget: While cameras, in general, are not cheap, this is certainly one of the more affordable options available.
You’re making the jump to mirrorless: This would be a great camera to choose if you’re switching from a DSLR over to a mirrorless setup.
Don’t buy it if:
You already have the Z6: While there have been upgrades, they aren’t substantial enough to warrant upgrading to if you already own the Z6.
The bottom line
Nikon Z6 II The Z6 II is the perfect camera for semi-pros or advanced amateurs looking to make the first leap to mirrorless and could also work well as a second camera for professionals. ★★★★
One of the challenges when shooting in low light is the performance of the camera’s autofocus, which tends to search around the frame and face difficulties in dim conditions. However, the Z6 II(and the original Z6) addresses this issue remarkably well. It boasts one of the finest autofocus and exposure metering systems among cameras, allowing it to autofocus even in extremely dark situations, reaching an impressive -6EV. This capability ensures that you can achieve accurate and reliable autofocus performance, even when the lighting conditions are far from optimal.
In our Nikon Z6 II review, one of the things we loved about this camera is that it has eye-detection autofocus and animal-detection autofocus. These clever features automatically keep the focus on your subjects, so you don’t have to keep adjusting it all the time. This makes taking clear portraits and pictures of animals much easier, whether you’re inside or outside in low-light conditions like dusk or dawn. With this camera, you can effortlessly capture great shots because it takes care of keeping your subjects in focus for you.
The camera can handle any low light shooting with a native ISO range of 51,200 and can be increased to 204,800. Even though it doesn’t quite have the highest ISO range in its class, its ISO handling is impressive, with minimal image noise in still images. That’s all thanks to using the same image sensor as its more expensive pro model, the Z7 II (see our review of the Nikon Z7 II), but with a drop in resolution, which can help alleviate noise.
When shooting in low light, longer shutter speeds are often necessary to capture enough light for photos and videos. However, this can make it difficult to keep your shots steady. Thankfully, the Z6 II comes equipped with 5-axis in-body image stabilization, which provides up to five stops of stabilization. This feature not only benefits newer lenses but also extends to older F-mount lenses originally designed for Nikon DSLR camera bodies. Even when using non-stabilized lenses with the FTZ lens mount adapter, you can still enjoy up to 3-axis stabilization, resulting in smoother and steadier shots.
| Attributes | Notes |
|---|---|
| Design | Durable feel and comfortable grip |
| Performance | Subtle but impressive improvements over predecessor |
| Functionality | Consistent and impressive |
Best for low light video recording
Buy it if
You shoot a lot of astro/low light: This camera has an insanely high expanded maximum ISO, making those low-light images much more achievable.
Don’t buy it if:
You’re on a budget: Full-frame cameras are rarely ever cheap, and this is no exception.
You don’t shoot video: This camera doesn’t claim to be a still-only camera, so if you’re only taking photos with it, it is quite expensive.
The bottom line
Sony a7S III This camera excels in low light situations, especially for video recording. Though it is fairly expensive if you don’t shoot any video, and there are better cameras for less money ★★★★
The Sony a7S III, which came out in 2020, is a great mirrorless camera ideal for shooting in low light conditions. It’s specifically made for videographers and filmmakers who need a compact yet powerful camera that can shoot 4K video at an impressive 120FPS, enabling super slow-motion shots. Moreover, it smoothly integrates into professional video workflows with its 16-bit RAW HDMI output and the capability to record simultaneously in-camera.
It captures 12.1MP stills photographs, which is very low resolution compared to the latest mirrorless cameras, but it doesn’t claim to be a stills-oriented camera either. However, it does include 5-axis in-body image stabilization that steadies the frame up to a fantastic 5.5 stops for sharper handheld low-light photos and smoother video recording.
The expandable ISO range of 40 – 409,600 on this camera is seriously mind-blowing. It’s absolutely perfect for shooting in low light because you can crank up the ISO sensitivity to make the most of available light without having to mess around with your aperture or shutter speed too much. Plus, the hybrid autofocusing technology of the a7S III is an absolute game-changer in low light conditions, working even in extreme darkness down to -6EV. With all these features combined, you can confidently capture steady and sharp pictures in any low light situation.
RAW images and video can be pushed even further in post-production thanks to the camera’s wide 15-stop dynamic range, capturing more detail and data in scenes with extreme contrasts in brightness — for example, a dimly lit portrait on the street next to bright street lights.
| Attributes | Notes |
|---|---|
| Design | Compact yet powerful |
| Performance | Best ISO handling in its class |
| Functionality | Low resolution stills compared to others |
Best for beginners
Buy it if
You’re upgrading: If you’re upgrading from your beginner camera or from an old DSLR then this would be a great option.
Don’t buy it if:
You’re on a budget: While it isn’t the most expensive camera by any means, there are certainly cheaper options available.
The bottom line
Fujifilm X-T4 Offers a simplified digital experience, coupled with a solid build and features like the insanely high ISO and the articulating screen that make astro and night photography easier to achieve. ★★★★
The X-T4 is an excellent option for low-light shooting and astrophotography enthusiasts. The vari-angle screen makes composing shots much more comfortable than if it only had a tilt screen, particularly if you’re shooting in portrait orientation.
Fujifilm’s cameras exude an overall stylish aesthetic reminiscent of classic film cameras. However, what sets them apart is their intuitive body-mounted dial controls, which enhance usability even in low-light environments — as long as you can remember which dial controls what function. The 26.1MP APS-C sensor produces excellent image quality, and there is a wide choice of X-mount lenses that fit the X-T4s, adding even more versatility. It’s a perfect blend of timeless design and impressive performance.
The Fujifilm X-T4 uses the NP-W235 battery and has a CIPA rating of around 500 shots per charge. During our hands-on Fujifilm X-T4 review, we noticed that the battery life is usually much better when shooting during the daytime, but it tends to drain much faster when taking longer exposures at night. The main downside of this battery type is that you have to charge the entire camera instead of just the battery, so make sure it’s fully charged before you start your shooting session.
The X-T4 comes with 6.5 stops of in-body image stabilization (something the X-T30 II lacks), excellent low-light performance, and a high-speed processing engine — ideal for action or sports photography and astro.
We have given the newer Fujifilm X-T5 a review, but we felt that although it does perform well, it wasn’t strong enough in low light to warrant a place on this list, so if astrophotography is what you’re shooting, we’d recommend saving the extra money and go for the X-T4.
| Attributes | Notes |
|---|---|
| Design | Reminiscent of retro film cameras |
| Performance | Impressive ISO capabilities |
| Functionality | Good in-body stabilization |
Best compact option
Buy it if
You need something lightweight: This camera weighs just under 400g, and has an impressive sensor for that you’d usually find in bigger DSLRs.
You’re a beginner vlogger: Although it doesn’t have 4K video, the 5-axis image stabilization ensures footage is smooth and steady.
Don’t buy it if:
You’re on a budget: This certainly isn’t the cheapest option out there, particularly for a fixed lens point-and-shoot camera.
You want different lenses: This camera has a fixed lens, so you can’t swap and change lenses to suit different photographic styles.
The bottom line
Canon PowerShot G1 X Mark III Canon equipped this camera with a DSLR-style sensor while keeping the body compact, meaning less image noise in low light shooting. Though it is a bit costly for a fixed-lens camera. ★★★★
The PowerShot G1 X Mark III serves as Canon’s solution to the challenges faced by compact cameras when it comes to low-light photography. Typically, compact cameras struggle with image noise due to their fixed lens and small image sensors, making them less suitable for low-light shooting. However, Canon has effectively addressed this issue by equipping the PowerShot G1 X Mark III with a 24.2MP APS-C picture sensor, similar to what you would find in a DSLR camera. This enhancement significantly improves its performance in low-light conditions, providing users with better image quality and reduced noise.
Another benefit of this camera is its electronic viewfinder, which proves invaluable when capturing stills or videos in the dark. It enhances visibility by boosting the perceived brightness of low-light environments. Additionally, the four stops of image stabilization work wonders in stabilizing the scene, ensuring sharp results even when shooting handheld with longer exposure times.
The fixed lens zooms from a wide 15mm to 45mm focal length for 3x optical zoom. The Dual Pixel CMOS AF provides quick and reliable focusing, and the 7FPS continuous shooting gives you many options.
As mentioned earlier, the PowerShot G1 X Mark III is a good option for people who want to shoot videos as well. Although it doesn’t have 4K capabilities and is limited to full HD 1080 60p video, the 5-axis Advanced Dynamic IS ensures that the content you create looks professional and smooth. So, if you’re a beginner vlogger or content creator aiming for professional-looking videos, this camera is perfectly suitable for your needs.
| Attributes | Notes |
|---|---|
| Design | Small and compact |
| Performance | Reduced noise in low light shooting |
| Functionality | Similar sensor to a bigger DSLR |
Best Micro Four Thirds camera
Buy it if
You want great quality in a lightweight package: This camera combines top-notch image quality with the ability to interchange lenses while still keeping things small and lightweight.
Don’t buy it if:
You’re a professional: While we don’t deny that this camera gives pleasing results, professional photographers tend to go for more powerful full-frame cameras.
The bottom line
Olympus OM-D E-M10 Mark IV A small, lightweight camera that offers a great balance between usability, quality and an easy-to-understand, beginner-friendly interface. That said, more experienced photographers may get frustrated quickly. ★★★★
Olympus has gone above and beyond with its newest mirrorless MFT (micro four-thirds) camera. They’ve pushed the limits by improving the image sensor detail while still maintaining the convenience of having interchangeable lenses. This camera is a dream for beginners and photography enthusiasts who desire the flexibility to grow their equipment whenever they like. It’s all about providing top-notch image quality and empowering photographers to personalize their kit as they wish.
We found the in-body image stabilization outstanding when we reviewed the Olympus OM-D E-M10 Mark IV. It operates over a 5-axis range and provides an equivalent of 4.5 stops of optical stabilization, which is impressive given the camera’s lower price. A fast 8.7FPS burst speed can capture the action as it unfolds, giving plenty of extra chances to low-light shooters who are sometimes disappointed with single-shot mode shooting due to the blur from camera shake to nail the shot.
The electronic viewfinder is big and bright, with 2.36 million dots for a detailed display, and the rear screen is a tiltable 3-inch touchscreen that allows the photographer to see the screen easily at more awkward shooting angles. It can even flip down 180 degrees for selfie shooting.
This inexpensive MFT camera does have its limits, though, and the autofocus detection range is where it suffers. Compared to this list’s much more expensive mirrorless models, this camera can only manage -2EV autofocus range so photographers will likely need to manually focus and use one of the best tripods. Still, the ISO range is impressive, topping out at 25,600.
| Attributes | Notes |
|---|---|
| Design | Lightweight design aids portability |
| Performance | Autofocus up there with the best in its class |
| Functionality | 5 axis image stabilization |
Best budget option
Buy it if
You travel a lot: Compact cameras are much smaller and lighter than interchangeable lens cameras, so if you travel a lot and want to take photos along your travels, this would be ideal.
You aren’t confident with focus: This camera has a clever ‘post focus’ function which lets you select your desired focus point after the photo has been taken, so if you missed focus in a particular shot, you can go back and correct it.
Don’t buy it if:
You want to do a range of photographic styles: While you technically can do whatever style you like and get ok results, having a fixed lens means you’re limited to what you can do because you can’t change to a more suited lens for each photographic style.
The bottom line
Panasonic LX100 II For a neat little camera for less than $1000, you can’t go wrong if you want to use it for traveling or for low light photography thanks to its wide aperture. Though if you want to expand your photography skills into the future, you may need to upgrade ★★★½
The Panasonic Lumix LX100 II is a fantastic compact camera that really shines in low light conditions, and the best part is, it won’t break the bank. It sports a sleek design with controls on top that give it an SLR or rangefinder camera feel. Plus, you get two dials — one for adjusting the shutter speed and the other for tweaking exposure correction — giving you that extra level of control to capture the perfect shot without having to go into the menu. It’s a pro-level camera that doesn’t compromise on style or performance.
Unlike typical compact cameras, this one has a micro four-thirds image sensor, which means it can take great pictures and capture impressive details, especially when used with a lens like the f/1.7-2.8 24-75mm Leica DC Vario-Summilux. This lens has a wide aperture range, allowing it to gather lots of light while keeping the shutter speed quick. That means you can take handheld shots even in low-light situations without needing a tripod.
What makes the LX100 II stand out from its competitors is its amazing post-focus function. This feature lets you select the desired focus point in a photo even after it has been taken, which proves to be a significant advantage in low-light photography. We’ve all experienced that frustration when reviewing our photos and realizing that the photo that would’ve been ‘the shot’ turned out to be out of focus. Manual and autofocus systems tend to struggle in darker environments, where the subject is challenging to see, resulting in misplaced focus points. However, with this camera, you have the incredible ability to adjust the focus point after capturing the shot — truly remarkable!
For less than $1,000 at Amazon, this camera is much more affordable than most of its competitors — ideal if you’re just starting out in low-light photography or want to upgrade your kit for less.
| Attributes | Notes |
|---|---|
| Design | Compact body with large MFT sensor |
| Performance | Wide aperture lens |
| Functionality | Post Focus feature lets you choose focus point after shooting |
Best cameras for low light photography FAQ
Which camera is best for low light photography?
The Nikon Z7 II is the best for low light photography. We think it strikes a good balance between excellent image quality, competitive price, and flexibility for generalist shooting, too.
What ISO is best for low light photography?
The critical factor in finding the best camera for low light photography is how it deals with light sensitivity. The ISO range determines this — the higher the ISO sensitivity, the better the camera will capture well-exposed images in darker environments.
The flip side of a higher ISO is that it brings noise into the image, so you’ll also want to look for a camera with a larger image sensor (it physically takes up more space so it can capture more light) and one with fewer megapixels to mitigate the noise. This is why compact cameras with fixed lenses aren’t traditionally favorites for low light photography — unless they have specialized sensors like the Canon PowerShot G1 X Mark III.
Which camera is best for autofocusing in low light?
The Nikon Z6 II and Sony a7S III are the best for autofocusing in low light from our guide because their exposure value goes as low as -6EV. However, another important consideration in low light photography is focus, which keeps images sharp. Autofocusing functions struggle in darker environments, so you’ll want to look at how low the exposure value (EV) range on each camera goes. The lower the number, the better the camera will cope with autofocusing in less-than-ideal light conditions.
What should I look for in a camera for low light?
In-body stabilization is vital, especially in dark environments, as it lets you shoot handheld without needing a tripod, making sure video footage isn’t shaky and stills come out sharp. For this purpose, you’ll also want a camera with a fast lens (or one compatible with fast and wide aperture lenses) to maximize the amount of light coming through the image sensor. For more in-depth guidance about choosing lenses for low light photography, check out our guides to the best lenses for astrophotography and the best zoom lenses.
Design and ergonomics are other factors to look out for when choosing a camera. Not just for aesthetics — some people prefer on-screen menus whereas some prefer buttons or dials. Consider whether you’ll want something more portable and versatile, or a specialized camera dedicated solely to low light photography.
Tied into these considerations is, of course, your budget — we’ve included cameras at various price points, so you’ll be sure to find something that works for you.
How we test the best cameras for low light photography
To guarantee you’re getting honest, up-to-date recommendations on the best cameras to buy here at Space.com we make sure to put every camera through a rigorous review to fully test each product. Each camera is reviewed based on a multitude of aspects, from its construction and design, to how well it functions as an optical instrument and its performance in the field.
Each camera is carefully tested by either our expert staff or knowledgeable freelance contributors who know their subject areas in depth. This ensures fair reviewing is backed by personal, hands-on experience with each camera and is judged based on its price point, class and destined use. For example, comparing a 60MP full-frame mirrorless camera to a sleek little crop-sensor DSLR wouldn’t be appropriate, though each camera might be the best-performing product in its own class.
We look at how easy each camera is to operate, whether it contains the latest up-to-date imaging technology, whether the cameras can shoot high-quality stills photos and high-resolution video and also make suggestions if a particular camera would benefit from any additional kit to give you the best viewing experience possible.
With complete editorial independence, Space.com are here to ensure you get the best buying advice on cameras, whether you should purchase an instrument or not, making our buying guides and reviews reliable and transparent.
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