One of the best astrophotography cameras you can buy is massively reduced at Walmart.
The Olympus OM-D E-M1 Mark II is one of the best astrophotography cameras that money can buy right now – but it doesn’t come cheap. That’s why we were so surprised to stumble upon this doozy of an offer from Walmart.
The retailer is offering the OLYMPUS OM-D E-M1 Mark III for just $1141.97 – a discount of over $650 from the MSRP of $1799. Weirdly, the Walmart page doesn’t mark it down as a deal, but this is indeed a great discount on this lightweight astro camera.
OLYMPUS OM-D E-M1 Mark III – Was $1799,now $1141.97 at Walmart
Save over $650 on one of the best astrophotography cameras around (lens not included)View Deal
One of the best features of the OLYMPUS OM-D E-M1 Mark III is its Starry Sky Autofocus, which means the camera is able to use an algorithm to zero in on the smallest stars visible for an impressively sharp picture.
There are two priority modes, too; one for accuracy, and one for speed. The former is ideal for tripods, but the latter means you can grab some great astrophotography shots with a handheld camera. Don’t worry about your arm getting tired, either – the OLYMPUS OM-D E-M1 Mark III is impressively compact and lightweight.
That small size does mean the sensor is a little smaller, but with the wealth of features on offer we’d say it’s still worth a look.
There’s even a Live Composite mode that keeps the shutter open for six hours, adding exposure when lighting changes, and USB connectivity is ideal for keeping the battery topped up while out and about.
You will need your own lenses, however, as this deal is for the camera body only.
Looking for more of the best cameras around but taking photos of nature instead? Be sure to check out our picks for the best wildlife photography cameras.
Durante los primeros días del mes de mayo podremos ver la lluvia de estrellas de las Eta Acuáridas, unos meteoros que proceden del famoso cometa Halley. La Tierra atraviesa dos veces al año la órbita de este cometa, una ahora dando lugar a las Eta Acuáridas y otra en octubre dando lugar a las Oriónidas.
Estos meteoros son visibles desde el 20 de abril hasta el 20 de mayo aproximadamente y tienen su máximo de actividad la madrugada del 5 al 6 de mayo aunque es una de las lluvias de meteoros que tiene un máximo más disperso, es decir, se pueden observar bastantes meteoros durante toda la semana próxima al teórico pico de actividad. Se trata de una lluvia de estrellas fugaces de actividad moderada pero más intentas que las Líridas que hemos podido disfrutar durante el mes de abril.
Son meteoros visibles desde ambos hemisferios ya que tienen el radiante en la constelación zodiacal de Acuario, concretamente cerca de la estrella Eta Acuarii de la que reciben su nombre. Las primeras horas de la noche son favorables para los observadores australes y las últimas horas antes del amanecer serán más favorables para los observadores boreales.
Se espera una THZ (tasa horaria zenital) de 50 meteoros durante el máximo que está previsto para las 15:00 UTC del día 6 de mayo. Los meteoros entran en la atmósfera a unos 70Km/s dejando estelas brillantes en ocasiones.
¿Cómo observar las Eta Acuáridas en 2023?
Este año 2023 no es muy favorable para la observación de la Eta Acuráridas ya que nos encontraremos en fase de Luna llena y su brillo dificultará mucho la observación de meteoros. Podemos aprovechar los días posteriores al máximo, cuando la Luna todavía no haya salido ( la Luna sale cada día unos 50 minutos más tarde que el anterior), para poder intentar ver alguna estrella fugaz.
Para disfrutar mejor de la experiencia os recomendamos que leáis estos consejos sobre cómo ver las estrellas fugaces.
Many astrophotographers can take advantage of using the best camera accessories for astrophotography because, let’s face it, taking pictures of the night sky isn’t easy. To the untrained eye astrophotography — meant here to mean the creation of nightscapes featuring starry backgrounds (and, if you get the timing right, the Milky Way) — is the same as any other kind of landscape photography. However, there are camera accessories you absolutely must have for astrophotography if you want to produce awe-inspiring images, alongside one of the best cameras for astrophotography and the best lenses for astrophotography.
Things are made even more difficult by the fact that you’ll probably need to travel to indulge in your love of shooting astro. That means it’s best to buy the kind of camera equipment you’re going to be happy traveling with, whether that be in a car in your own country or a more intrepid trip overseas to one of the best locations for astrophotography and stargazing in search of dark skies.
One of the most important things you need for astrophotography is, of course, one of the best tripods for astrophotography. Every single nightscape photo you produce will require some kind of long exposure. Exactly how long depends on your lens’s aperture and how dark the sky is, but a tripod is one of the most important things any astrophotographer needs besides a suitable DSLR or mirrorless camera with manual controls. Something else you’re going to need is a decent camera backpack. Since you’ll have to be traveling with a tripod, find one that can support such a thing easily, as well as how’s your camera(s) and a couple of lenses.
Other accessories we’ve included here comprise a light pollution filter, a red light torch for finding your way around your camera gear at night without ruining your night vision, a power bank that is also a handwarmer, and some star trackers that allow you to make even longer exposures of stars and deep sky objects by keeping in sync with the rotation of our planet.
Best camera accessories for astrophotography April 2023
Best camera accessories for astrophotography 2023
Best camera accessories for astrophotography 2023
Best for keeping your hands free and preserving your night vision
Specifications
LED color: White and Red
Brightness (Lumens): 425 Lumens
Runtime: 60hrs at min lumens/4hrs at max lumens
Waterproof rating: IPX4
Battery type: 1000 mAh Li-on rechargeable
Weight: 2.75oz/78g
Reasons to buy
+
Lots of astro-friendly features
+
USB-C rechargeable
+
Battery weight sits at the back of your head
Reasons to avoid
–
Not 100% waterproof
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Power cable can tangle in long hair
We reviewed the BioLite Headlamp 425 late in 2022, just after it was released, and we loved it — it’s hard to fault.
The red flood light, the ‘run forever’ battery, the glove-friendly power button and the comfortable moisture-wicking headband with the battery weight sitting at the back of your head are all things that will maximize your sky-watching comfort while keeping your hands free and your night vision intact.
The battery will last on a single charge for 60 hours when on the lowest setting and there’s an indicator to show how much power you have left before it needs to be charged using a convenient USB-C cable.
The IPX4 rating means the headlamp can withstand splashing water from any direction, so no need to worry if you do get caught out in a rain shower. It can also handle extreme temperatures of -4F to 140F.
We were really splitting hairs in our BioLite Headlamp 425 review to find anything to fault!
A super-compact and tall tripod that fits in the smallest of camera bags
Specifications
Material: Aluminium
Leg sections: Five
Weight: 3.44lbs/1.56kg
Max load: 20lbs/9.1kg
Folded height: 15.4″/39.1cm
Ball head or pan/tilt head: Ball head
Reasons to buy
+
Easily supports full-frame gear
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Hidden smartphone mount
Reasons to avoid
–
Lacks height
–
Requires Hex Key
If there’s one thing every astrophotographer needs, it’s a sturdy tripod, but since almost all of us need to travel to find dark skies, it also hugely helps if it’s portable.
The Peak Design Travel Tripod, which features in our best tripods buying guide, attempts to create a travel-friendly tripod by being very narrow and short when packed up yet tall enough to use easily. It just about succeeds at the latter, reaching 600 inches/152.4cm when completely unfurled, though it easily achieves the former with a 3.13 -inches/7.9cm diameter and a ball head that tucks away unbelievably neatly.
The five-section legs use soft-close cams that are a dream to open and close, while the Arca-Swiss quick-release tripod plate is streamlined and stable. It’s a shame that the base plate for a camera requires a Hex key and that the one supplied with the Peak Design Tripod is tucked away on one of the tripod legs yet comes loose far too easily. One of the things we found disappointing during our Peak Design Travel Tripod review. That said, we liked the hidden fold-up smartphone clamp stored inside the adjustable center column. Genius!
Three astro-friendly features in one pocketable rugged body
Specifications
Capacity: 6000 mAh
Output ports: 1 x USB Type A
Charging time: 6-12 hours
IP rating: IP65
Weight: 6.2 oz (177 g)
Dimensions: 51.3 x 24.42 x 117.71mm (2″ x .96″ x 4.6″)
Reasons to buy
+
Would be a nice gift
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Multi-functional device
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Space saving kit
Reasons to avoid
–
External charging cable
–
Getting harder to find
The Celestron Elements FireCel Mega 6 is an excellent space-saving bit of kit. It is a power bank, a hand warmer and a four-mode flashlight, including red LEDs to help preserve your night vision.
It is a clever multi-functional design built to withstand the harshest elements. While you won’t be out sky-watching in extreme weather, you’ll likely either get cold out at night, need to find something in the dark, or perhaps need a bit of ‘juice’ in one of your devices. The Firecel Mega 6 can help in all of those situations, and it’s supplied with a handy paracord strip and carabiner to hang it wherever you need.
After our Celestron Elements FireCel Mega 6 review, where we discuss the ins and outs of the product, in ‘real life,’ we have often found ourselves reaching for this in favor of higher capacity power banks because it is so light and pocketable. Moreover, while it’s in your pocket, you can use it to warm your hands up for up to eight hours.
The only real downside is that it needs to be charged using mini-USB; we’d much prefer USB-C. Its USB output is also USB-A, so you may need an adapter if you want to use a USB-C cable.
We’ve found this product increasingly hard to find, but there are a couple of similar models such as the Celestron ThermoCharge (opens in new tab) and ThermoTrek (opens in new tab) which have a slightly lower capacity power bank and no torch.
A lightweight and solid travel tripod that easily supports a full-frame DSLR rig
Specifications
Material: Aluminum
Leg sections: Four
Weight: 3.28 lbs/1.49 kg
Max load: 19.48 lbs/9 kg
Folded height: 15.7”/40 cm
Ball head or pan/tilt head: Ball head
Reasons to buy
+
Versatile ball-head
+
Soft twist leg locks
Reasons to avoid
–
Relatively large when collapsed
–
Not full height
How sturdy is your tripod? An exceptionally lightweight aluminum tripod, the Manfrotto Befree-Advanced Travel Tripod is easy to carry, boasts a simple set-up and take down and is exceptionally still even in strong winds.
Well-sized for a full-frame DSLR camera rig, the exceptionally well-constructed Manfrotto Befree-Advanced Travel Tripod has four-section legs that fasten using rubber twist-locks and unfurl to a maximum height of 59-inches/150cm. Most so-called travel tripods have a wobbly center column to get to that height from a compact size. Not so the Manfrotto Befree-Advanced Travel Tripod, which has a particularly tough and unique locking ring to keep its extending center column super-solid.
As we found in our Manfrotto Befree Advanced Travel Tripod review, there’s also an unusual collapse configuration whereby the three legs fold through 180 degrees to meet the ball head when collapsing the tripod, rather than the other way around. That reduces its travel bulk, but the Manfrotto Befree-Advanced Travel Tripod isn’t particularly compact when packed down. In fact, there’s a lot of room between its legs, taking up a lot of room in a suitcase when astro-traveling. However, we like its aluminum 200PL PRO baseplate, which attaches to a camera using a no-tools-required D-ring that can, if desired, be tightened using an Allen key.
A portable yet powerful way to super-charge Milky Way and starry night photography
Specifications
Weight: 650g
Dimensions: 76x70x103mm
Max payload: 6.6lbs/3kg
Max lens focal length: 100mm
Power: 2 x AA batteries or external USB supply
Reasons to buy
+
Travel-friendly size
+
Accurate and easy to use
Reasons to avoid
–
Polar-scope illuminator is separate
–
Works up to 100mm focal lengths only
What is a star tracker? Based on the same technology that you’ll find in a ‘go to’ computerized telescope or in a dedicated equatorial mount for a telescope, the SkyWatcher Star Adventurer Mini moves your camera in sync with Earth’s rotation.
Like our own planet, the Sky-Watcher Star Adventurer Mini — which attaches to any standard tripod using its 1/4-inch or 3/8-inch adaptors — rotates a DSLR camera through 360 degrees every 23 hours, 56 minutes and 4 seconds. Essentially that means you can do far longer exposures than you can if you just put your DSLR camera on a tripod.
A shrunken version of the original and larger SkyWatcher Star Adventurer, during our Sky-Watcher Star Adventurer Mini review, we were impressed because this diminutive example of a star tracker weighs 650g, about the size of most camera lenses, yet retains superb accuracy.
It’s aligned using a small optical polar alignment scope, which must be done before the camera is mounted upon it, though its polar-scope illuminator is separate and easy to lose. The Sky-Watcher Star Adventurer Mini is best considered for wide-angle nightscapes only since it promises accuracy only for lenses of a focal length of around 100mm.
Hoya Starscape light pollution filter
Don’t let urban skyglow spoil your astro photos
Specifications
Available circular filter sizes: 49mm, 52mm, 55mm, 58mm, 62mm, 67mm, 72mm, 77mm, 82mm and 100mm
Filter insert sizes available: 100mm
Clip-in sizes available: N/A
Reasons to buy
+
Boosts contrast
+
Good value
Reasons to avoid
–
Darkens image by 0.5 stops
–
Not available in 150mm
There are different kinds of light pollution, but the one that amateur astronomers and astrophotographers despise is skyglow as it leaves an orangey-brown glow in your astrophotos.
Luckily, an array of light pollution filters are available to help subdue these unwanted colors. The Japan-made Hoya Starscape, which comes in a vast amount of different sizes, is one of our favorites.
It does an excellent job of dampening the yellowish, greenish and brownish color casts from sodium and mercury-vapor streetlights and general urban skyglow. What you’re left with is clear and contrasty nightscape images with more natural-looking colors than would be possible without.
While it is called ‘starscape’ it can also be used in the daytime for landscape photography, or nighttime cityscapes to help you achieve a more balanced and realistic color.
Super-lightweight device for keeping your astro-landscapes in-sync with the stars
Specifications
Weight: 1.01 lbs/450g
Dimensions: 1.7″ x 3.15″ x 3.9″/43x80x99mm
Max payload: 6.6lbs/3kg
Max lens focal length: 70mm
Power: Built-in lithium-ion battery
Reasons to buy
+
Compact and lightweight
+
Easy to align
Reasons to avoid
–
Can’t handle heavy lenses
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Short battery life
Why buy a star tracker like the Move Shoot Move? To stop the stars trailing and blurring during long exposure photography at night, that’s why.
Part of a new generation of lightweight and easy-to-use star trackers that keep your camera in sync with the Earth’s rotation, the Move Shoot Move allows rigs of up to 6.6lbs/3kg in weight to indulge in exposures of up to three minutes. Cue more light, color and detail that helps reveal a greater amount of starlight, galaxies and nebulae than any 30-second exposure from a stationary tripod can.
The Move Shoot Move is only designed for small set-ups, which means a reasonably lightweight wide-angle lens on a DSLR — and certainly not a heavy zoom lens — so it’s best chosen to create more impactful wide-angle nightscapes.
Alignment with Polaris, the North Star, is manual, using a supplied green laser pointer fixed to the platform’s side. During our MoveShootMove Star Tracker review, we found it to be a little fiddly to set up, but it’s accurate, works for about five hours on one charge and is incredibly easy to fit in a camera bag.
Lowepro ProTactic BP 350 AW II backpack
Uniquely modular camera backpack ideal for those traveling to find dark skies
Specifications
Weight: 4.6 lbs/2.12kg
Dimensions: 11.8”x7”x18.5”/300x180x470mm
Hip-belt: Yes
Volume: 15.89 L
Laptop size: Up to 13″
Material: Nylon/ Polyester
Reasons to buy
+
Modular design
+
Can take a lot of gear
Reasons to avoid
–
Max. 14-inch laptop
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Can look cluttered
Astrophotography is much like landscape photography in that you must be in the right place at the right time to get the shot. However, the former also demands darkness and a complete absence of light pollution, which often necessitates foreign travel. Sensibly realizing that photographers need a backpack that also works as a super sleek in-flight carry-on, Lowepro has designed its ProTactic BP 350 AW II to be both access-all-areas (top, side and back) and entirely modular. We loved the original Lowepro Whistler BP 350 AW and think it’s one of the best camera bags for astrophotography.
In its bare bones guise, it’s hard-sided and can fit everything the average astrophotographer will need to take on a plane, namely a DSLR and lenses. Everything else can travel in a check-in bag, with two tripod straps and a Velcro-attached foot attached when you reach your destination. Ditto a clip-on pouch for storing a water bottle, a phone pouch and even a large hip belt that adds a lot of support for night-hike. However you use the ProTactic BP 350 AW II it’s always compact, though the drawback is that a maximum 13-inch laptop can fit in the laptop sleeve in its back panel.
Celestron Night Vision Flashlight
A simple means of preserving your night vision with this dimmable red light flashlight
Specifications
Weight: 0.25 lbs/120 g
Dimensions: 5.7”x 2.56”x 2.4”/145 x 66 x 61mm
Power: 9V battery (included)
Output: 25-Lumens
Construction material: Plastic
Reasons to buy
+
Helps preserve night vision
+
Brightness can be altered
Reasons to avoid
–
9v battery is inconvenient
Some astrophotographers don’t care so much about the night sky. They may want to capture its many wonders, but they’re not particularly interested in maximizing their own view, just that of their camera. That’s a mistake because only with properly dark adapted eyes can the observer see, and therefore more easily frame, the Milky Way during the summer, which is likely at, or near, the top of your ‘to capture’ list.
Cue the Celestron Night Vision Flashlight, a tiny flashlight that will save your night vision, which takes about 30 minutes to nurture and is killed off instantly by white light (e.g., from a smartphone) by emitting only red light.
Far less damaging to night vision, the Celestron Night Vision Flashlight’s two red LEDs can be dimmed using a handy thumbwheel, further lessening its impact on night vision. A lanyard/wrist strap keeps the Celestron Night Vision Flashlight within easy reach and its 9V battery keeps it going for months.
This device is about as basic as you can get. It isn’t for finding your way around in the dark, but it’s for tweaking your equipment, swapping your eyepiece, reading star charts and so on. If it’s a means of finding your way around in the dark you’re looking for, you’d do well to check out our best headlamps for stargazing and lowlight scenes.
How we test the best camera accessories for astrophotography
To guarantee you’re getting honest, up-to-date recommendations on the best camera accessories for astrophotography to buy here at Space.com we make sure to put every accessory through a rigorous review to fully test each product. Each accessory is reviewed based on a multitude of aspects, from its construction and design, to how well it functions as an optical instrument and its performance in the field.
Each camera accessory for astrophotography is carefully tested by either our expert staff or knowledgeable freelance contributors who know their subject areas in depth. This ensures fair reviewing is backed by personal, hands-on experience with each camera accessory and is judged based on its price point, class and destined use.
We look at how easy each accessory is to operate, whether it contains the latest up-to-date technology, and also make suggestions if there are better or newer options available.
With complete editorial independence, Space.com are here to ensure you get the best buying advice on camera accessories for photographing the cosmos, whether you should purchase an accessory or not, making our buying guides and reviews reliable and transparent.
Editors note: This is part of an on-going bi-weekly photo series called Deep Sky Marianas which you can find every other Saturday on Guampdn.com.
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New photo series: Deep Sky Marianas
On April 20, 2023 after a long five hours under the sun, my first thought was, “Man I should’ve brought a canopy and put on some sunscreen.” As someone who lives with ADHD, I was hyper-focused on capturing photos of the eclipse every five seconds completely disregarding the sun’s intensity leaving me with a burnt bald head and arms and looking like Vin Diesel with a bad sunburn.
However, the experience was worth it. This is the first time I’ve captured a solar eclipse since I started astrophotography in 2020 and I couldn’t help but feel anxious prior to the event. “Is my solar filter going to work? What if it doesn’t and I look through the telescope and possibly go blind.” Thankfully, the process went smoothly and resulted in some great photos. I set up my equipment at Natibu Park here in Tinian at 11:30 a.m. and managed to take some photos of the sun before the eclipse. I also had some spare time to go live on Facebook to show family and friends the sun and its sunspots.
The hybrid solar eclipse began soon after at 2:16 p.m., with its maximum peak at 3:37 p.m. and ending at 4:47 p.m. I took a little over a thousand photos and was ecstatic with the outcome. Astrophotography can be grueling and tasking, but when the photos come out so well, it is extremely rewarding. I’m honored to share my work with everyone and hope the people of the Marianas enjoy this photo I put together showcasing the different phases of this 2023 solar eclipse. Si Yu’us Ma’åse’! See you at the next celestial event!
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Deep Sky Marianas: The Cosmic Fire M42 Orion
PUNE: Besides the planets, stars and galaxies viewed through telescopes, summer night parties are also about astrophotography these days. Scores of enthusiasts are joining camps with astro clubs in Pune only to capture the night sky and its elements in beautiful shots during the overnight star parties held in Panshet, Kamshet, Bhor, Tamhini and other places where light pollution is less.
Ever since digital DSLR cameras came into use widely, individuals taking to astrophotography have increased to a great extent. With costs of cameras and allied equipment dropping, students interested in this field can afford cameras and, there was a rise in the photography aspect of the starry nights. Sanshodhan in collaboration with Khagol Vishwa organizes overnight sky gazing programmes for sky lovers every month at Godham eco-village situated around 40 km from Pune. Mayuresh Prabhune of Sanshodhan said, “Astrophotography has become a hobby and youngsters join the star-gazing sessions as and when they find time. Many spend entire nights with all the equipment, collect data and process it to get stunning visuals.” Prabhune said many enthusiasts have good technical know-how of the camera but not so much about astronomy. “If they are able to understand astronomy and tie up with professional astronomers, study the visuals and then bring out the photographs, then Indian astronomy could go up to the next level.” Photographers interested in the field could look at variable stars, occultation, transient events, extrasolar planets, minor planets, and asteroids and study these elements in the sky then it would give them great results. Suyash Deshpande, who has pursued his love for astrophotography for the past five years, said that at first he would join groups in Pune at star parties. “I developed an interest in photography later on and started taking my camera to star-gazing events. Knowledge of both aspects helped me,” Deshpande said. The oldest astronomy club in Pune, Jyotirvidya Parisanstha, has started a course in astrophotography. Aniruddha Deshpande of JVP said, “We conduct two sessions – the first is a preparatory one the second session is a field exercise to a nearby location in Pune. We also provide the participants with telescopes for imaging and open source software for processing among other materials.”
For the tens of thousands of astrophotographers, eclipse chasers and cosmically minded tourists contemplating the best site from which to view Thursday’s total solar eclipse, the town of Exmouth, perched on a finger of land jutting from Australia’s west coast, was the simplest solution to a problem of extreme scarcity.
The narrow ribbon across the planet from which the eclipse could be seen crossed land in just four places: the remotest reaches of East Timor and Western Papua, in Indonesia; freckle-like Australian islands, one of which is controlled by the oil company Chevron; and Exmouth, a tiny tourist destination and former U.S. naval base 770 miles from the nearest city.
When the moment arrived around midday, the expectant swarm of visitors on the town’s beach watched as bands of palest aquamarine and deep slate gray passed across the sea. Seagulls dispersed. In the shadows of palm fronds, spots of light exploded into crescent moons. Winds changed direction. Stars came twinkling into view, in a strangely foreboding sky. Temperatures plummeted, and people began to hug themselves and one another.
Then, basking in the shrinking sliver of sunlight, Tara D’cruz-Noble, Bob Mackintosh and their children, Eliah and Luella, lay down on the silvery sand and removed their eclipse glasses.
Darkness barreled in, and, for a terrible minute, the moon entirely occluded the light of the sun — except for its dancing orange corona, the outermost part of the sun’s atmosphere that is usually hidden by its powerful light.
Then, just as quickly as it had disappeared, the sun re-emerged on the other side of the moon, and a loud cheer perforated the hush: “Welcome back!” Ms. D’cruz-Noble hugged Luella, then ran her hands up and down her arms. “I’ve still got goose bumps,” she said.
It felt as though the world had stopped.
And yet for Exmouth, a town of 3,000 people, the event was the celestial gift that no one asked for.
Every year, Exmouth sees a regular influx of a few thousand vacationers, drawn by its pristine reef and resident whale sharks. But to accommodate a mass of 20,000 or 30,000 visitors required years of planning and millions of dollars in state support that went toward infrastructure updates, hundreds of portable toilets, dozens of additional emergency workers, the clearing of five acres of forestland and a 1.5-million-gallon water tank.
“It sounds pretty daunting, doesn’t it?” said Darlene Allston, a top local official.
In many instances, hotels and other tourism operators first learned of the eclipse from savvy tourists who booked their accommodations four or more years earlier. When someone emailed the town’s visitor center in 2018 seeking a booking, “We thought it was a joke at first,” said Jessica Smith, who worked there.
The town has no recycling system, only recently got its first store from which one might purchase underwear, and has so few places to eat that locals avoid visiting them too often “so we don’t get sick of the options,” as Sonia Beckwith, who owns a tourism business and is originally from Washington State, put it.
The arrival of tens of thousands of visitors, as well as dozens of food trucks and a free three-night music festival, shook the town to its core. “We’re not used to this,” Ms. Beckwith said.
Some enterprising business owners seized on the opportunity to make a quick buck, or even thousands, with rooms priced at many multiples of their usual high-season peak.
“It’s tough when you have a unique solar event as leverage,” said Laurence Randor, who had driven from Perth at the urging of his three teenage children. “Camping is the price to pay.”
For people like Kryss Katsiavriades, a retired data analyst who had traveled from London with his wife, Talaat Qureshi, to witness his 30th eclipse, weather is an all-important consideration. Exmouth, a town of clinging red dust, silken sands and scrubby sun-bleached grasses, offered excellent odds on a clear blue sky, he said.
“You’ve got to see the whole thing,” he said.
Exmouth’s brush with celestial spectacle was a result of sublime serendipity. If not for the 55-mile-long peninsula on which Exmouth sits, hugging the Indian Ocean, the total eclipse would have missed Australia altogether.
As if to compound this stroke of luck, a Category 4 cyclone that delivered record-breaking winds to Western Australia days earlier missed the peninsula altogether, clearing it by hundreds of miles.
Then there is the astronomical oddity that makes eclipses possible. Of the 227 moons that orbit planets in the solar system, only the Earth’s is the right size and distance away to precisely cover the sun in the sky.
That perfect ratio is changing, as the moon drifts further and further away from the Earth, said Robin Cook, a researcher at the University of Western Australia. In millions of years’ time, “we won’t have total solar eclipses ever again,” he said. “We’ll only have these annular ones” — ring-like eclipses that occur when the moon does not cover the sun — “and, eventually, maybe not solar eclipses at all.”
“All these coincidences — it just seems so unimaginable that it can happen,” Dr. Cook said. “And yet, here we are.”
This year’s eclipse took place almost exactly a century after the 1922 solar eclipse in Australia that provided scientists the opportunity to confirm the “proof” of Albert Einstein’s general theory of relativity.
David Blair, a physicist and professor at the University of Western Australia, called that “the most significant scientific experiment ever done in Australia, in my opinion.” He said that he was thinking of those who had helped with that work, including dozens of Aboriginal people and the wives of scientists, whose efforts had been unsung but who had provided their own “deeply human” accounts of the experience.
On the town beach on Thursday, Ms. D’cruz-Noble, Mr. Mackintosh and their family, who had traveled from the state of New South Wales, looked by turns elated and dazed as light returned to the sky. Despite a shared love of photography, neither had reached for the camera, Ms. D’Cruz-Noble said.
“Mother Nature has a way of saying, ‘You need to take notice, right now,’” she said.
Mr. Mackintosh reached surreptitiously into a cool bag for a bottle of Champagne — which made its presence known as the cork erupted from the bottle and flew onto the sand.
Other viewers, as if called by the waves, plunged into the ocean. (A nine-foot crocodile reported in the area the week before failed to materialize.)
For some, it was a moment months in the making. Wesley Garth, a 16-year-old astrophotography enthusiast from West Gippsland, in the state of Victoria, worked six months of shifts at McDonald’s to fund his journey, which included two flights and a seven-hour bus ride.
It was more than worth the trouble, he said. “Solar prominences, corona, oh my god!” he said. “It was life-changing. I’m still trembling.”
As an amateur astrophotographer or astronomer, there is a good chance you first started exploring the night sky in your backyard. The backyard is where I spend the most time under the stars, and my first experiences exploring the night sky with a telescope happened there.
Your backyard may not be the ideal place for observing the night sky in terms of sky quality and obstructions, but it is the most accessible and comfortable option on most nights. After all, It’s much easier to set up your telescope a few steps from your back door than it is to load it up into the car.
This is exactly where my love for the hobby started (and my inspiration for the name of this website). I saw the rings of the planet Saturn, the Andromeda Galaxy, and the Orion Nebula for the very first time from my backyard. These were unforgettable moments that have shaped my entire life.
The night sky in my backyard glows with artificial light. (Bortle 7)
We know that dark skies are ideal for astrophotography. However, with the excessive use of outdoor light at night, the majority of astrophotographers are having to learn how to deal with heavy amounts of light pollution.
For this reason, you might be interested in learning how dark your backyard is in relation to your surrounding light pollution. There are several ways to measure the sky brightness of your backyard:
Review Image Quality and Detail
Use a Bortle Scale/Light Pollution Map
Participate in the Globe at Night Program
Use a Sky Quality Meter to Measure the Sky Brightness (SQM)
How to Measure Your Sky Quality
Let’s walk through the many ways you can measure the sky quality in your backyard, starting from the most basic.
Image Quality and Detail
It is no secret that images taken under a darker sky will show more detail and contrast. Though it’s not an official measurement, the quality and detail in your images will tell you if you are fighting against light pollution.
If you take photos from a backyard with heavy amounts of light pollution, consider using a light pollution filter. These filters ignore specific wavelengths of light in the visible spectrum associated with artificial light sources, such as a street lamp.
When it comes to collecting great data, there is no substitute for dark skies. However, a light pollution filter may make astrophotography from the city a little more practical and rewarding.
The best way to test if a particular filter is a good fit for your skies is to review examples taken by others from similar conditions. The following photo was taken using the same camera (and filter) from a Bortle 8 and a Bortle 4 sky.
5-minute exposures at ISO 1600 from a bright inner-city sky, and a rural suburban sky.
Photos taken from the city (even with a light pollution filter) usually benefit from shorter exposure lengths than ones you would take from a dark sky site. The image above shows what my single exposures of the California Nebula looked like taken from two different locations.
Bortle Scale/Light Pollution Maps
The Bortle scale is a way of measuring the quality (brightness) of the night sky for a particular location. This is one of the easiest ways to determine the sky quality in your backyard or surrounding area. The scale uses nine levels to rank your night sky brightness, from an excellent dark sky (1) to an inner-city sky (9).
Light pollution map of southern Ontario and bordering states.
A light pollution map will show areas of red, orange, and yellow radiating from the city center and green to blue in rural areas. These colors represent the amount of artificial light in that area, and how bright the night sky will look. I have lived in a Bortle 8, 7, and now 6 which is considered a ‘bright suburban sky’.
To determine your Bortle scale, simply pull up a light pollution map and click on your location. Included in the information provided for that location, will be your Bortle scale number. You can also use an astronomy app that uses your coordinates to display a Bortle class, such as ‘Clear Outside’.
Information displayed for a location on light pollution map, including Bortle scale.
Globe at Night Program
Globe at Night is a citizen science program designed to measure sky brightness to better understand the impacts of sky glow and spread awareness about the impact of light pollution.
The program invites people to measure their night-sky brightness using the constellation stars and the observable details. By submitting your results, you are painting a global picture of the light pollution issue and providing valuable data.
To participate, all you need is an electronic device (i.e. tablet, laptop, smartphone) to submit your observations.
Pegasus Magnitude Chart
How to Participate in Globe at Night:
Select Campaign Date: Globe at Night holds campaigns with pre-selected constellations for you to observe. For example, the January campaign constellations are Canis Major and Orion. Select the constellation that works best for your location given the selected campaign dates. The higher in the sky your constellation appears, the better.
Observe During New Moon: during the new moon phase, go outside an hour (or more) after sunset and let your eyes adjust to the dark for at least 10 minutes before making your first observation.
Find the Constellation: either with a planetarium app on your phone or your know-how, locate your constellation in the night sky.
Fill out Form: using your electronic device, go to the Globe at Night report page. Be sure to utilize the nighttime mode to preserve your night vision.
Choose Your Star Chart: select the star chart that looks most like what you see in your night sky. Pay close attention to the faintest star you can see in the night sky and look for that particular star in the chart provided.
Submit your Data: click on the ‘submit data’ button to complete your observation and submit your information.
Sample Screen for Globe at Night data reporting on iPhone
In order to determine trends and provide an overall representation of the light pollution issue, you are encouraged to submit observations each year. Involve your family and kids in this activity, and use it as an opportunity to educate them about astronomy and the issue of light pollution.
Sky Quality Meter Reader
The most scientific way to measure your backyard darkness is by using a Sky Quality Meter (SQM). These types of devices will produce a reading of the luminance of the night sky in magnitudes per square arcsecond units, squared (MPSAS).
There is a scale used for SQM’s between the numbers of 16.00-22.00. A reading of 16.00 would represent the brightest sky (high amount of luminance) while a reading of 22.00 would represent a dark sky (least amount of luminance). Therefore, the higher the number for the MPSAS reading, the darker the sky.
There are many SQM’s out there, with Unihedron Sky Quality Meter-Lens (SQM-L) being one of the most popular. I used the Pegasus Uranus Meteo Sensor to determine the readings for my backyard, which was 19.10 MPSAS.
This pocket-sized unit is able to measure the brightness of the night sky within seconds, displaying three different scales on the screen (magnitudes per arc second², visual mags, lux). Not only can it measure the quality of your sky, but it can also report the ambient temperature, humidity, pressure, cloud height, cloud coverage, moon phase, astronomical twilight time, and more.
Pegasus Astro Uranus Meteo Sensor can measure sky luminance, humidity, cloud height, and more.
Steps for Measuring Your Sky Quality using the Uranus Meteo Sensor:
Set to Measure: press [>>] (Measure) button for 2 seconds to trigger a Sky Quality measurement.
Point Device: Point the device toward the area of the sky you would like to acquire a light measurement.
Store Reading: Press [<<] (Store) button for 2 seconds to store all retrieved sensor data into the device’s available memory bank.
Turn Off: Keep pressing [>>] (Measure) button for 5 seconds to turn off the display. The device will enter sleep mode. Press any button to turn it on again
Please note: if you have not used the GPS device within 3+ days, the GPS receiver might take longer (up to 30 seconds) to locate and track available satellites.
Impacts of Light Pollution on Sky Quality
The quality of your backyard night sky is largely dependent on the amount of immediate light pollution (i.e excessive artificial light at night) and the overall sky glow in your area.
Things like residential and commercial outdoor lighting, streetlights, billboards, and advertisements contribute to light pollution and increase the apparent brightness of the night sky, known as sky glow.
Sky Glow Impacting the Night Sky | Kerry-Ann Lecky Hepburn
This increase in sky glow alters our view of the sky:
Impacts astronomical research and the hobby of astrophotography
Makes it difficult to see small or faint objects
Reduces the overall contrast between objects and the darkness of the sky
Washes out stars, constellations, galaxies, and nebulae
The Milky Way is no longer visible in the presence of sky glow | Kerry-Ann Lecky Hepburn
Finding Dark Sky Locations
If you find your backyard is not dark enough for astrophotography, you may want to travel to dark sky locations.
Dark sky locations are often found in rural/remote areas. Some of these areas are even being protected through dark sky preservation efforts. Organizations like the International Dark-Sky Association see the value in protecting these areas for their scientific, natural, educational, and cultural heritage significance, in addition to public enjoyment.
Milky Way under Bortle 1 skies at the Okie-Tex Star Party
To find dark sky locations:
Use a Light Pollution Map: use the light pollution map to look for areas furthest away from city light pollution. Areas within a Bortle scale of 1-5 are best. If you want an overnight stay, you can look at Airbnb locations within these areas to enjoy a few nights under the stars.
Attend a Star Party: these are astronomy events held in dark sky locations (usually Bortle 1-2). They bring astronomy lovers together under the same sky with strict rules about white light at night. Star parties are great opportunities to image the dim, broadband targets that you might not be able to image from home.
Visit a Dark Sky Place: the IDA’s conservation program certifies communities, parks, and protected areas in five different categories. They are listed in order of darkness with Dark Sky Sanctuaries being the darkest. Also listed are several dark sky publicly owned parks, reserves, places, and communities.
Camping at the Cherry Springs State Park (an IDA Dark Sky site)
What does the sky look like without light pollution?
A natural night sky without light pollution is breathtaking. You have the ability to see deep-sky objects, like nebulae and galaxies, with the unaided eye. The core of the Milky Way shows great depth and you stare in awe at the true beauty of space.
Milky Way from a Bortle 1 class at the Okie-Tex Star Party
Experiencing the natural night sky provides perspective and inspiration. It leads us to reflect on our place in the universe. Without it, we could not have explored the globe, walked on the moon, or learned about our solar system and beyond.
According to the IDA, less than 100 years ago, everyone could look up and see a starry night sky. Now, millions of people across the globe will never experience the Milky Way where they live.
ZWO acaba de presentar una nueva gama de telescopios que complementan su ya importante porfolio de material astronómico. Durante este pasado NEAF 2023 ZWO ha presentado 4 modelos de refractores el FF65-APO, el FF80-APO, el FF107-APO y el FF130-APO pensados especialmente para el astrofotógrafo aunque también pueden ser usados en visual.
Su diseño óptico corregido ofrece campos planos sin necesidad de añadir aplanador si bien tenemos la opción de incorporar reductores de focal.
Todo esto suena bastante novedoso si no tenemos en cuenta un detalle importante, básicamente son telescopios Askar bajo licencia. El FF65 es un gemelo del 65PHQ , el FF80 es el equivalente al 80PHQ, el FF107 al 107PHQ y el FF130 ¿Adivináis? Si, es un gemelo del 130PHQ. Pero como no hemos hablado todavía de los telescopios Askar en esta web (telescopios muy buenos, todo sea dicho), aprovechamos y damos un repaso a esta gama ahora ofrecida también por ZWO.
ZWO FF65 APO
Este telescopio cuenta con 65mm de apertura y 416mm de distancia focal (f/6.4). Estamos ante un quintuplete APO espaciado con aire (2 de las lentes son ED que corrigen la aberración cromática) con capacidad para soportar sensores full frame gracias a su campo totalmente corregido que no requiere aplanador por lo que nos evitamos la molestia de tener que calcular backfocus.
Incorpora un enfocador de piñón de 2,5″ y reductora 1:10 así como rotador de campo. Podemos ajustar adaptadores incluidos de M68/M54 y M48.
Todo el equipo es muy compacto y pesa solo 2kg (2.8kg con anillas y accesorios). Sin duda una opción a tener en cuenta para grandes campos. Su precio rondará los 1200€.
ZWO FF80 APO
Aquí tenemos un cuadruplete APO espaciado por aire ( 2 de las lentes son ED) con 80mm de apertura y 600mm de distancia focal (f/7.5) que soporta sensores full frame sin necesidad de aplanador ya que cuenta con un campo totalmente corregido. Su peso es de 3,9kg (4,7kg con accesorios)
El enfocador de 3″ y de tipo piñón y cuenta con reductora 1:10 permite acoplar adaptadores M76/M68/M54 y M48. Incluye rotador de 360º. Su precio rondará los 2000€.
ZWO FF107 APO
El FF107 tiene las mismas características que el FF80 pero cuenta con 107mm de apertura y 749mm de distancia focal (f/7). Su peso es de 5,7kg (6,9kg con accesorios)
El enfocador es de 3,4″ y soporta adaptadores M48/M54/M68 y M86. Su precio rondará los 3000€
ZWO FF130 APO
El hermano mayor de la gama tiene 130mm de apertura y 1000mm de distancia focal (f7/7). También es un cuadruplete de características similares a los dos anteriores aunque su peso se va a los 10,5kg (12,5kg con accesorios).
Mientras los dos equipos anteriores ofrecían un círculo de imagen aplanado de 44mm este tubo ofrece 60mm.
Este último equipo estaría más indicado para observatorios fijos por su tamaño y peso. Su precio rondará los 4500€
Amateur astrophotography is becoming increasingly popular among the astronomy community, as advancements in telescope and camera technologies allow individuals from all walks of life to observe the heavens in mind-blowing detail, including our own Sun, albeit with the proper protective equipment.
This was recently demonstrated by Andrew McCarthy (Twitter @AJamesMcCarthy), who owns and operates Cosmic Background Studios, and is originally from Northern California but currently resides in Florence, Arizona.
On 18 March 2023, McCarthy tweeted a video of what appeared to be a tornado on the Sun’s surface.
I spent 3 hours yesterday with my solar telescope pointed at a tall tornado-y looking thing on the sun. This 14-Earths-tall swirling column of plasma was raining moon-sized gobs of incandescent material on the sun. I can’t imagine a more hellish place. pic.twitter.com/dewzNEAEJA
While this feature doesn’t look that big, McCarthy provides a stack of 14 Earths for scale within the video to show the gargantuan size of this tornado-like monstrosity. But while tornadoes are commonplace on Earth, what’s happening on the Sun’s surface to create such a unique phenomenon?
“This is a solar prominence in the sun’s chromosphere,” McCarthy recently told Universe Today. “A mass of plasma caught in a magnetic loop, drawing it away from the photosphere and over a hundred thousand miles into space. Solar material ‘rains’ down from the prominence back into the Sun.”
McCarthy tells Universe Today that this sequence was imaged using a modified telescope that can observe the Sun’s atmosphere in what’s known as hydrogen-alpha band using hundreds of thousands of images over a few hours, and he says this was not a random encounter as he monitors the Sun’s behavior on a daily basis.
“Each frame of the video was a stack of about 500 individual images,” McCarthy tells Universe Today. “The feature was relatively faint against the much brighter solar disc, so it was difficult to resolve the contrast against the glare otherwise.”
Along with the video, McCarthy collaborated with colleague Jason Guenzel (Twitter @TheVastReaches) to produce a breathtaking 140-megapixel still image of the Sun with the tornado visible in the upper portion of the image, with McCarthy telling Universe Today that this image “boasts a dramatic look at the chromosphere and solar corona.”
McCarthy mentions a few layers of the Sun, including the solar prominence, chromosphere, photosphere, and corona. This is because while the Sun appears to be a uniform structure on the surface, it contains layers just like the Earth and other celestial objects.
The photosphere is the visible surface of the Sun which we see daily and in astronomical observations. It is approximately 100 kilometers thick, which is minuscule compared to the Sun’s diameter, which is approximately 1,400,000 kilometers, and has a temperature range of 3700 to 6200 degrees Celsius.
The chromosphere is known as an irregular layer that sits above the photosphere and is approximately 2500 kilometers thick with a temperature range of 6000 to 20,000 degrees Celsius. Solar prominences are the large, bright features that emanate from the Sun, such as the tornado-like feature imaged by McCarthy, and have temperature ranges of 4,700 to 50,000 degrees Celsius.
The solar corona comprises the Sun’s outer atmosphere and exhibits the largest temperature at 2 million degrees Celsius. The corona is only visible during solar eclipses, and McCarthy tells Universe Today that data from the Solar and Heliospheric Observatory and an image from Guenzel of the 2017 total solar eclipse were combined to form these images.
Be sure to check out the fantastic astrophotography from both Andrew McCarthy and Jason Guenzel at their respective Twitter pages and websites (listed below), and please avoid looking directly at the Sun, either during an eclipse or not, without proper eye protection or telescope solar filters.
This article was originally published by Universe Today. Read the original article.
My interest in astronomy began in grade school, when I first looked at the moon with my grandfather through his telescope. This interest stayed with me throughout my life, and after retiring a few years ago following a career in the Coast Guard and the state Department of Energy & Environmental Protection, I finally made the decision to buy a telescope and pursue the hobby. Recently, with a desire to see more in the night sky, I began learning astrophotography, which opened up a whole new world of possibility for viewing the stars and planets.
When I first got my telescope, it took a while to learn how to find objects in the night sky, but soon I got the hang of it. I joined the Thames Amateur Astronomical Society, based in southeastern Connecticut, where I went to observing events (aka “star parties”) to learn more about astronomy. It was a fun way to learn the hobby, and club members were tremendously helpful in giving me pointers on how to find things in the night sky and tips on using my new telescope.
After a while, I started taking pictures of the planets through the telescope’s eyepiece with my cellphone. I can remember how satisfying it was to find Mars for the first time, which appeared as just a tiny red dot in the evening sky. I snapped a picture of it, and though it was not much of a photo, it was a real milestone for me, being able to find and photograph something using my telescope. That led to more and more photos of heavenly bodies, including the moon, Saturn and Jupiter.
Then one day everything changed; it was like a light switch had been turned on. I came across Pat Prokop’s Heavenly Backyard Astronomy YouTube channel, and he was giving a tutorial on how to photograph Saturn. During the tutorial, he started with Saturn’s small, bright disc on his computer screen, taken with his telescope and camera, and began processing it using specialized software to bring out the details. As he scrolled through the program’s menus and clicked on the different settings, the planet’s details truly began to emerge. He finished by producing a full-color image of Saturn with its expansive, sharply defined rings circling the planet and multi-colored, banded atmosphere. The transformation was fascinating, and it was amazing that he was able to produce a spectacular image with only amateur equipment. I was inspired, and my astrophotography adventure began.
Learning astrophotography wasn’t easy for me, since I had very little experience with either astronomy or photography. I looked for websites and YouTube channels for tutorials to learn enough to get the basics. Before long I was totally immersed in the hobby, and upgraded my equipment to take more detailed digital photos. Though it was challenging to learn, it also provided satisfaction when I achieved good results, so I continued on with it. It was well worth it.
Astronomy is a blend of the hard sciences of math, physics and chemistry, and astrophotography adds an element of art to it. When you are able to capture the glowing colors of a nebula or the expansive spiral arms of a distant galaxy, it can also have an element of spirituality. Recently, after someone had seen one of my photos of the Whirlpool Galaxy, he commented “Wow, you’re an artist.” After thinking about that for a minute, I replied, “God is the artist. I’m just the messenger.”
It is easy to see the allure of this hobby. Astrophotography takes astronomy to another level, allowing you to see things you can’t normally see just by looking through a telescope. Astro cameras have specialized sensors that amplify dim light, making it possible to capture a lot more detail. Taking photos of deep-sky objects such as galaxies, nebulae and star clusters is fascinating, and it is amazing these objects are visible to us at all with their great distance from Earth. Just within our own solar system there is enough to keep any astrophotographer busy for a lifetime, capturing details of the sun, moon and planets. I never get tired of taking photos of Saturn’s rings, Jupiter’s great red spot and moons, and the red deserts of Mars. And the details of the moon, with its vast lava fields, bright mountain peaks and harsh cratered landscape come to life when captured by a camera.
When I set up my telescope, a new world opens up. When it is dark, you can look up at the night sky and see the wonders of the heavens. While we are consumed with our daily routines and worries, up above, the universe awaits. You can see galaxies that are light-years away, with their massive spiral arms extending from their center, and clouds of stars and cosmic dust interwoven within the spiral mass. And here we are on our tiny planet Earth, within our Milky Way Galaxy, just one of billions of galaxies in the universe. It gives you a sense of smallness, but at the same time a sense of order and belonging in the grand scheme of things. It somehow makes our daily troubles seem insignificant, and reminds you of our place in the universe. Being able to capture the night sky in greater detail through astrophotography makes the experience all the more meaningful.
John Natale lives in East Haddam. Aspiring astronomers and astrophotographers who would like more information can email him at [email protected].