(CNN) — A playful polar bear cub, two nuzzling red foxes and golden snub-nosed monkeys huddled together are among the shortlisted images for the Wildlife Photographer of the Year People’s Choice Award 2022.
The pictures “spotlight important stories of nature from across the globe” and were chosen from 38,575 entries across 93 countries, according to a news release from London’s Natural History Museum, which runs the annual competition.
Through powerful photography, the museum hopes to inspire people to engage with nature and help to protect the planet.
Some photos in the shortlist highlight the threats to wildlife, such as one taken by Eladio Fernandez of fishermen in the Dominican Republic catching endangered glass eels during the night.
Another of golden snub-nosed monkeys huddling together in extreme winter cold in China raises awareness of the endangered species threatened by deforestation.
Dutch photographer Auke-Florian Hiemstra was shortlisted for his image showing a fish trapped in a discarded rubber glove, found in the canals of Leiden.
“The photo confronts us with our throw-away society,” Hiemstra told CNN on Wednesday. “I would like to dedicate this photo to all our clean-up volunteers and litter pickers worldwide, who try to prevent the impact of plastic on our wildlife.”
“Humanity is addicted to plastic, but animals have to face the consequences,” he added. “Hopefully, the image makes people think about their own behavior.”
Members of the public can vote for their favorite of the 25 images using interactive screens at an exhibition at the museum. The top five will be displayed online, alongside category winners from the competition that were chosen by judges and announced earlier this year.
“Voters will have a challenge to choose from this stunning range of photographs which tell vital stories and connect people to issues across the planet,” said Douglas Gurr, director of the Natural History Museum, in the news release.
Voting is open until February 2 and the winner will be part of an exhibition that closes on July 2.
In a new study in Nature Communications an international team of researchers explored if there were consistent patterns across sites and regions regarding how different animals use their day. This forms an important basis for potential future research into the impact of human activity.
Professor Douglas Sheil from Wageningen University & Research who helps lead the project explained the idea: “At first sight the faunas of different tropical regions are distinct. There are no gorillas or elephants in the tropical forests of the Americas, no tapirs in Africa and no armadillos in Asia. This is the result of the detailed histories of species exchange, isolation and evolution within each region. But if we look deeper and consider how each of these animals make their living there may be similarities hidden within the differences: for example, each region has a range of species of different sizes that feed on plants, insects and other animals. How deep do similarities go if we consider how animals use time? For example, might coexisting species result in similar tendencies to prefer day or night-time activity according to the needs and constraints that act upon them?”
Over 2 million pictures
Lead author Andrea Vallejo Vargas, from the Norwegian University of Life Science: “Our eyes in the forest are the many camera-traps that permit us to know when even the most secretive animals are active. Thanks to the more than 2.3 million pictures collected by the Tropical Ecology Assessment and Monitoring (TEAM) Network, we studied the activity of mammals in 16 protected areas across regions. We used the time when 166 species were recorded to examine if feeding needs and size influence when each species is more or less active. We compared these patterns among continents and how these conform to prevailing theories.”
Consistent daily activity
The study revealed consistent daily activity of tropical mammals among continents depending on their body size and their feeding needs. Large species that consume fruits, or leaves and insects (except in the Neotropics in Middle and South America) are more likely to be active during the night than smaller species. The researchers found that the increase of nocturnal activity correlates with an increase of body size respond to temperature. In contrast, large carnivores and omnivores are more likely to be active during the day than smaller species of these that share similar feeding requirements. It appeared that interactions are the key factor in shaping the activity of carnivores, and omnivores.
Insectivores were the one exception where the pattern differed across continents: larger species were more likely to be active in the day in the Americas while the reverse was true in Africa and Asia. The reasons are unclear but the behavior of neotropical insectivores reflect very different needs to those that evolved elsewhere. This likely arises from the long evolutionary isolation of the South American continent.
In addition, the researchers found that the behavior of predators and prey influence each other. Notably top-predators follow activity patterns that match their prey. This impacts also on other species.
Why does this matter?
Aside from being fascinating in itself it is valuable to know how natural and near-natural communities behave and interact so that we have a reference for exploring such patterns in less pristine sites. For example, we know little about the impacts of human activities such as hunting or the presence of artificial light as well as about communities where certain species, such as the large carnivores, are now rare or absent. Such explorations will be the subject of future research.
Text: Wageningen Environmental Research Photos: Tropical Ecology Assessment and Monitoring (TEAM) Network (lead photo: primate with young. Picture taken by a camera trap); Benjamin Drummond en Sara Joy Steele
Hasan Sojib, JU | Published:
November 30, 2022 19:06:27
Projapoti Mela-2022 (Butterfly Fair) will be held at Jahangirnagar University for the 12th time with the slogan – ‘Urle Akashe Projapoti, Prokriti Pay Notun Goti,’ on December 02 (Friday).
The Zoology Department of the University will organise the fair to increase public awareness of butterfly conservation.
Monowar Hossain, the convenor of the fair and Professor of Zoology, promulgated this information in a press conference organised at the Teachers’ Lounge of the Central Cafeteria of the university on Wednesday (November 30) at 3:00 pm.
‘Butterfly Award-2022’ will be given to TaruPallab, a pioneering organisation working to protect ecological heritage by planting trees, and creating awareness about tree plantation and gardening, to contribute to nature conservation. Butterfly Young Enthusiast-2022 Award will be given to Dipto Bishwas, a student of the Zoology Department of Dhaka University.
On the occasion of the fair, the butterfly park and research centre will have live butterflies, butterfly-friendly trees and open gardens with butterfly breeding grounds. A pamphlet will also be unwrapped with illustrations of butterfly larvae and butterfly-dependent plants, where butterflies and plants growing naturally at Jahangirnagar University will be published.
The day-long activities of the fair include rallies and puppet shows on butterflies, a drawing competition for children, a quiz competition on butterflies, a nature photography exhibition and competition, kite flying resembling a butterfly, a Barwari debate competition, a butterfly recognition competition, documentary, prize distribution and closing ceremony.
In the press conference, the convenor of the fair, Professor Monowar Hossain, said that there were once about 450 species of butterflies found in the country. Jahangirnagar University was home to 110 species of butterflies. Due to ongoing development activities and the destruction of shrubs/vines, the number has come down to 52 species. Last year, 60 species of butterflies were spotted at the university.
He also said that butterflies are biodiversity indicators. Public awareness is essential to save this aesthetic pest. If we are not immediately aware, it may not be possible to display live butterflies in butterfly fairs. Then we have to show a paper or other process-made dummy butterflies to our children.
The entomology branch of the Zoology Department of the University organises this fair every year. This year ‘Projapoti Mela’ is going to be organised for the 12th time.
The nature cameraman and his professional partner Jowita Przystal have not been in the dance off during this years Strictly series so far.
A TV insider told The Sun: ‘He’s been nothing short of a sensation on Strictly this year, coming from being a virtual unknown to becoming a huge favourite among viewers and judges alike.
‘That’s why he’s invariably been near the top of the scoreboard every week and has never been in the dance-off.
The Countryfile and Animal Park presenter is hoping to follow in the footsteps of his idol natural historian Sir David Attenborough, who he has not yet met in person.
Last month, Sir David provided a voiceover for one of the dances on the show, hosted by Tess Daly and Claudia Winkleman, in celebration of the BBC turning 100.
It comes after Hamza revealed he’s struggling to adjust to his newfound fame after earning a legion of fans from the BBC ballroom show.
The CBeebies star, typically spends a lot of time in solicitude while working on his wildlife shows but is now spending his weeks in intense training sessions with Jowita.
During a joint appearance on last Thursday’s Loose Women the pair were asked how they’re finding the process.
Addressing the initial backlash when he signed on the show, Hamza said: ‘When I got announced it was “who is he?”
‘Normally I’m not under the spotlight and Jowita told me it would all be fine, she gets me through and then I just flip her on a Saturday! It is a lot for me because I can spend weeks by myself.’
Hamza – who has worked on Countryfile and Animal Park – is known to younger viewers under the guise of Ranger Hamza, presenting CBeebies live-action show Let’s Go For A Walk and new series Ranger Hamza’s Eco Quest.
He comes from humble roots and previously revealed that he was voluntarily homeless for nine months as he tried to achieve his dream of becoming a wildlife photographer.
The presenter left home when he was 21 after being inspired by a family holiday to a remote Scottish village on the west coast peninsula of Ardnamurchan.
He decided to stay in the village to observe the wildlife, despite having no job and nowhere to live, with his parents convinced it was just a phase.
Hamza soon made a name for himself on the island and would have locals approach him to tell him of their wildlife spots.
He has lived there ever since and recently fronted Channel 4 documentary Scotland: My Life in the Wild and Scotland: Escape to the Wilderness, in which he guided celebrity companions on journeys through western and eastern Scotland and the Highlands.
HYDERABAD: Age is just a number and this couple proved it right as they found no barriers to pursuing their passion for photography. For Dr Seetha Khambhampati who is about 71 years old and Dr Srinivasa Rao Somanchi who is 81, these numbers are just figures that keep increasing year after year, but their zeal to travel and capture the best of photographs is what makes this couple special. Seetha and Srinivasa Rao, who hail from Warangal, have now settled in Hyderabad. The two retired teachers have left no stone unturned to make the impossible, possible. A passion towards travel and photography made them authors of a wonderful coffee table book which showcases birds from the length and breadth of India that were captured through their lens.
Their association with photography started off as a passion and evolved into something much deeper. Srinivasa says, “We love birds and basically we are travellers, we travel a lot. I can say that this is not just our passion but our obsession. As we were travelling, we started first with recording the whole journey and because of our luggage we had taken smaller cameras. Then we started with SLR cameras. Soon, we started to use a zoom lens which is around 7 to 8 kg.
First, it was travel, then nature photography, wildlife photography. Since the last four years, we are exclusively into bird photography. This book is just pictures that were selected, we have captured pictures which are more than a lakh and selecting pictures from a lot is difficult. Then we came up with Beautiful Birds as the name for our book. We travelled from down South from Kerala, up north we went up to the Himalayas. In the process, we visited several beautiful places which we kept going back to get shots of different birds in different seasons. All this was possible because of the digitalisation of photography.”
The traditional mindset of people assuming that only men could do better in photography than a woman has never stopped Dr Seetha from pursuing her passion. Though there were many challenges, she managed to overcome them. “When we photograph a single bird, we are never satisfied. We want more angles of the same bird in different forms. Sometimes I may get a few good shots, while my husband does not manage to do so.”
Dr Seetha and Dr Srinivasa say they get into arguments over their work. Getting the best shot and framing a great photo is all that matters to them. “While editing our pictures we compare our pictures. We have different laptops and desktops to work on. Only after the editing is done, we talk to each other regarding the pictures. When we are on the field and if I am obstructing her view, she pushes me aside and takes the shot. I don’t do so and her position is the priority. We also have our fixed positions on the field,” says Dr Srinivasa.
Recollecting their memories of shooting these birds is very pleasurable, the couple says. These have piled up over a period. “There is a bird which is generally seen at a place named Tunganath (near Kedarnath). When the temple opens, people go by truck, steps or go by horse and come back. We went when the temple was not open. Whoever wanted to go towards the temple had to walk. The journey was very difficult, but we managed it.
We forgot our age at that time as we just wanted to do our work first. We took a shot of the bird that we were looking for. Here, the main difficulty was that our knees started to hurt. Last summer, we wanted to photograph a bird named Western Trogopon and we had to go to Sarhan Himachal for it. We were lucky, or rather the bird obliged us to capture it. Our lens did not work but we quickly changed our lens and then clicked it. Western Trogopon is a State bird of Himachal. It is quite a rare bird,” mention the couple.
Going around the thick forest area is no easy task and taking a safari is expensive. But the couple still managed to get good shots of all birds. “We have been travelling for the last 40 years and our experience helps us a lot. “Once, we got into a vehicle that had two women with mobile phones. We had a lot of camera equipment. A local tribal was driving the vehicle and they only knew one word Chelo (Go). These two ladies would click a picture with their phone and ask them to move. By the time it was our turn we would miss the shot. Such hurdles are common,” Dr Seetha adds.
Dr Srinivasa is also a wood sculpture artiste, several of them which he showcases in his living room. Giving advice to budding photographers, Dr Seetha says, “This profession needs a lot of patience and determination.” For travelling photographers, she says they must take adequate preacuations such as carrying medicine kits and using local guides.
Their association with photography started off as a passion and evolved into something much deeper. Srinivasa says, “We love birds and basically we are travellers, we travel a lot. I can say that this is not just our passion but our obsession. As we were travelling, we started first with recording the whole journey and because of our luggage we had taken smaller cameras. Then we started with SLR cameras. Soon, we started to use a zoom lens which is around 7 to 8 kg.
First, it was travel, then nature photography, wildlife photography. Since the last four years, we are exclusively into bird photography. This book is just pictures that were selected, we have captured pictures which are more than a lakh and selecting pictures from a lot is difficult. Then we came up with Beautiful Birds as the name for our book. We travelled from down South from Kerala, up north we went up to the Himalayas. In the process, we visited several beautiful places which we kept going back to get shots of different birds in different seasons. All this was possible because of the digitalisation of photography.”
The traditional mindset of people assuming that only men could do better in photography than a woman has never stopped Dr Seetha from pursuing her passion. Though there were many challenges, she managed to overcome them. “When we photograph a single bird, we are never satisfied. We want more angles of the same bird in different forms. Sometimes I may get a few good shots, while my husband does not manage to do so.”
Dr Seetha and Dr Srinivasa say they get into arguments over their work. Getting the best shot and framing a great photo is all that matters to them. “While editing our pictures we compare our pictures. We have different laptops and desktops to work on. Only after the editing is done, we talk to each other regarding the pictures. When we are on the field and if I am obstructing her view, she pushes me aside and takes the shot. I don’t do so and her position is the priority. We also have our fixed positions on the field,” says Dr Srinivasa.
Recollecting their memories of shooting these birds is very pleasurable, the couple says. These have piled up over a period. “There is a bird which is generally seen at a place named Tunganath (near Kedarnath). When the temple opens, people go by truck, steps or go by horse and come back. We went when the temple was not open. Whoever wanted to go towards the temple had to walk. The journey was very difficult, but we managed it.
We forgot our age at that time as we just wanted to do our work first. We took a shot of the bird that we were looking for. Here, the main difficulty was that our knees started to hurt. Last summer, we wanted to photograph a bird named Western Trogopon and we had to go to Sarhan Himachal for it. We were lucky, or rather the bird obliged us to capture it. Our lens did not work but we quickly changed our lens and then clicked it. Western Trogopon is a State bird of Himachal. It is quite a rare bird,” mention the couple.
Going around the thick forest area is no easy task and taking a safari is expensive. But the couple still managed to get good shots of all birds. “We have been travelling for the last 40 years and our experience helps us a lot. “Once, we got into a vehicle that had two women with mobile phones. We had a lot of camera equipment. A local tribal was driving the vehicle and they only knew one word Chelo (Go). These two ladies would click a picture with their phone and ask them to move. By the time it was our turn we would miss the shot. Such hurdles are common,” Dr Seetha adds.
Dr Srinivasa is also a wood sculpture artiste, several of them which he showcases in his living room. Giving advice to budding photographers, Dr Seetha says, “This profession needs a lot of patience and determination.” For travelling photographers, she says they must take adequate preacuations such as carrying medicine kits and using local guides.
Italian photographer and creative director Stella Asia Consonni has interpreted the “One More Life” collection created by Caterina Zhou in five photographs. Zhou is the designer who won the first edition of “The Upcycling Challenge”, the scouting project of CONAI – Consorzio Nazionale Imballaggi in collaboration with Vogue Italia. Stella Asia Consonni’s shots poetically highlight the relationship between Zhou’s garments – each one dedicated to a packaging material such as steel, aluminium, paper and cardboard, wood, plastic, biodegradable and compostable plastic, and glass – and the natural environment, creating an evocative union. The creative thread that unites the two artists is the transformative capacity, “knowing how to give new life”, examining the perspective from which one looks. Consonni’s work invites us to reflect on our responsibility towards the health of the planet, on the active role we can play to bring about positive change.
Stella Asia Consonni is a creative director, director and photographer based between NYC and London. She was born and raised in a small town in Northern Italy, close to the Alps. At the age of 14, a camera became her favourite excuse to skip Ancient Greek class as she captured her restless friends and their journeys into adulthood. A couple of years later, Stella held her first solo exhibition in Milan with a collection of these images.
At 19, Stella packed up her camera, gave a big kiss to her mamma, and moved to London to attend photography at University of the Arts (with the help of Google Translate).
Photography served as Stella’s introduction to filmmaking, the medium granting her the opportunity to dive deeper into the themes and ideas she grew up cherishing.
To this date, Stella has directed and shot for the likes of i-D, Dazed & Confused, Nowness, Vogue Italia and British Vogue, along with campaigns for Gucci, Burberry, Prada, Armani, Nike, Adidas, Sony Music, Atlantic Records and Google.
Representing raw humanity is what drives Stella’s work, in all its tumultuous and delicate aspects.
As humans warm the planet, biodiversity is plummeting. These two global crises are connected in multiple ways. But the details of the intricate feedback loops between biodiversity decline and climate change are astonishingly under-studied.
It is well known that climate extremes such as droughts and heatwaves can have devastating impacts on ecosystems and, in turn, that degraded ecosystems have a reduced capacity to protect humanity against the social and physical impacts of such events. Yet only a few such relationships have been probed in detail. Even less well known is whether biodiversity-depleted ecosystems will also have a negative effect on climate, provoking or exacerbating weather extremes.
For us, a group of researchers living and working mainly in Central Europe, the wake-up call was the sequence of heatwaves of 2018, 2019 and 2022. It felt unreal to watch a floodplain forest suffer drought stress in Leipzig, Germany. Across Germany, more than 380,000 hectares of trees have now been damaged (see go.nature.com/3etrrnp; in German), and the forestry sector is struggling with how to plan restoration activities over the coming decades1. What could have protected these ecosystems against such extremes? And how will the resultant damage further impact our climate?
Nature-based solutions can help cool the planet — if we act now
In June 2021, the Intergovernmental Panel on Climate Change (IPCC) and the Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) published their first joint report2, acknowledging the need for more collaborative work between these two domains. And some good policy moves are afoot: the new EU Forest Strategy for 2030, released in July 2021, and other high-level policy initiatives by the European Commission, formally recognize the multifunctional value of forests, including their role in regulating atmospheric processes and climate. But much more remains to be done.
To thoroughly quantify the risk that lies ahead, ecologists, climate scientists, remote-sensing experts, modellers and data scientists need to work together. The upcoming meeting of the United Nations Convention on Biological Diversity in Montreal, Canada, in December is a good opportunity to catalyse such collaboration.
Buffers and responses
When lamenting the decline in biodiversity, most people think first about the tragedy of species driven to extinction. There are more subtle changes under way, too.
For instance, a study across Germany showed that over the past century, most plant species have declined in cover, with only a few increasing in abundance3. Also affected is species functionality4 — genetic diversity, and the diversity of form and structure that can make communities more or less efficient at taking up nutrients, resisting heat or surviving pathogen attacks.
When entire ecosystems are transformed, their functionality is often degraded. They are left with less capacity to absorb pollution, store carbon dioxide, soak up water, regulate temperature and support vital functions for other organisms, including humans5. Conversely, higher levels of functional biodiversity increase the odds of an ecosystem coping with unexpected events, including climate extremes. This is known as the insurance effect6.
The effect is well documented in field experiments and modelling studies. And there is mounting evidence of it in ecosystem responses to natural events. A global synthesis of various drought conditions showed, for instance, that forests were more resilient when trees with a greater diversity of strategies for using and transporting water lived together7.
However, biodiversity cannot protect all ecosystems against all kinds of impacts. In a study this year across plots in the United States and Canada, for example, mortality was shown to be higher in diverse forest ecosystems8. The proposed explanation for this unexpected result was that greater biodiversity could also foster more competition for resources. When extreme events induce stress, resources can become scarce in areas with high biomass and competition can suddenly drive mortality, overwhelming the benefits of cohabitation. Whether or not higher biodiversity protects an ecosystem from an extreme is highly site-specific.
Some plants respond to drought by reducing photosynthesis and transpiration immediately; others can maintain business as usual for much longer, stabilizing the response of the ecosystem as a whole. So the exact response of ecosystems to extremes depends on interactions between the type of event, plant strategies, vegetation composition and structure.
Which plant strategies will prevail is hard to predict and highly dependent on the duration and severity of the climatic extreme, and on previous extremes9. Researchers cannot fully explain why some forests, tree species or individual plants survive in certain regions hit by extreme climate conditions, whereas entire stands disappear elsewhere10. One study of beech trees in Germany showed that survival chances had a genomic basis11, yet it is not clear whether the genetic variability present in forests will be sufficient to cope with future conditions.
And it can take years for ecosystem impacts to play out. The effects of the two consecutive hot drought years, 2018 and 2019, were an eye-opener for many of us. In Leipzig, tree growth declined, pathogens proliferated and ash and maple trees died. The double blow, interrupted by a mild winter, on top of the long-term loss of soil moisture, led to trees dying at 4–20 times the usual rate throughout Germany, depending on the species (see go.nature.com/3etrrnp; in German). The devastation peaked in 2020.
Ecosystem changes can also affect atmospheric conditions and climate. Notably, land-use change can alter the brightness (albedo) of the planet’s surface and its capacity for heat exchange. But there are more-complex mechanisms of influence.
Vegetation can be a source or sink for atmospheric substances. A study published in 2020 showed that vegetation under stress is less capable of removing ozone than are unstressed plants, leading to higher levels of air pollution12. Pollen and other biogenic particles emitted from certain plants can induce the freezing of supercooled cloud droplets, allowing ice in clouds to form at much warmer temperatures13, with consequences for rainfall14. Changes to species composition and stress can alter the dynamics of these particle emissions. Plant stress also modifies the emission of biogenic volatile organic gases, which can form secondary particles. Wildfires — enhanced by drought and monocultures — affect clouds, weather and climate through the emission of greenhouse gases and smoke particles. Satellite data show that afforestation can boost the formation of low-level, cooling cloud cover15 by enhancing the supply of water to the atmosphere.
Research priorities
An important question is whether there is a feedback loop: will more intense, and more frequent, extremes accelerate the degradation and homogenization of ecosystems, which then, in turn, promote further climate extremes? So far, we don’t know.
One reason for this lack of knowledge is that research has so far been selective: most studies have focused on the impacts of droughts and heatwaves on ecosystems. Relatively little is known about the impacts of other kinds of extremes, such as a ‘false spring’ caused by an early-season bout of warm weather, a late spring frost, heavy rainfall events, ozone maxima, or exposure to high levels of solar radiation during dry, cloudless weather.
Researchers have no overview, much less a global catalogue, of how each dimension of biodiversity interacts with the full breadth of climate extremes in different combinations and at multiple scales. In an ideal world, scientists would know, for example, how the variation in canopy density, vegetation age, and species diversity protects against storm damage; and whether and how the diversity of canopy structures controls atmospheric processes such as cloud formation in the wake of extremes. Researchers need to link spatiotemporal patterns of biodiversity with the responses of ecosystem processes to climate extremes.
Biodiversity needs every tool in the box: use OECMs
Creating such a catalogue is a huge challenge, particularly given the more frequent occurrence of extremes with little or no precedent16. Scientists will also need to account for the increasing likelihood of pile-ups of climate stressors. The ways in which ecosystems respond to compound events17 could be quite different. Researchers will have to study which facets of biodiversity (genetic, physiological, structural) are required to stabilize ecosystems and their functions against these onslaughts.
There is at least one piece of good news: tools for data collection and analysis are improving fast, with huge advances over the past decade in satellite-based observations for both climate and biodiversity monitoring. The European Copernicus Earth-observation programme, for example — which includes the Sentinel 1 and 2 satellite fleet, and other recently launched missions that cover the most important wavelengths of the electromagnetic spectrum — offer metre-scale resolution observations of the biochemical status of plants and canopy structure. Atmospheric states are recorded in unprecedented detail, vertically and in time.
Scientists must now make these data interoperable and integrate them with in situ observations. The latter is challenging. On the ground, a new generation of data are being collected by researchers and by citizen scientists18. For example, unique insights into plant responses to stress are coming from time-lapse photography of leaf orientation; accelerometer measures of movement patterns of stems have been shown to provide proxies for the drought stress of trees19.
High-quality models are needed to turn these data into predictions. The development of functional ‘digital twins’ of the climate system is now in reach. These models replicate hydrometeorological processes at the metre scale, and are fast enough to allow for rapid scenario development and testing20. The analogous models for ecosystems are still in a more conceptual phase. Artificial-intelligence methods will be key here, to study links between climate extremes and biodiversity.
Researchers can no longer afford to track global transformations of the Earth system in disciplinary silos. Instead, ecologists and climate scientists need to establish a joint agenda, so that humanity is properly forewarned: of the risks of removing biodiversity buffers against climate extremes, and of the risk of thereby amplifying these extremes.
If you consider yourself to be artsy fartsy and can’t resist works of art, you’ve probably visited most of the exhibitions and museums in Singapore to get your fix. If so, I bet you’d love to check out brand new artworks by teamLab at ArtScience Museum and The Shoppes. Here’s what you can expect:
New gallery at Future World
Image credit: Marina Bay Sands
You probably know Future World as that exhibition that appears on everyone’s IG feeds time and again. Well, the exhibit has now reopened with a fresh new gallery – it’s time to pay it another visit to discover something new.
Exploring New Frontiers is a new interactive gallery with 3 new artworks by teamLab. In addition to the already interactive visuals, visitors can unleash their creative prowess and get involved in the beautiful displays.
Image credit: Marina Bay Sands
Autonomous Abstraction, Continuous Phenomena from the Universe to the Self encourages visitors to interact with the artwork by moving the vibrantly coloured light points any way they’d like. The colours will then disperse and change in hue until the points of lights have synchronised and start beating as one again.
A full body interactive experience
Image credit: Marina Bay Sands
You’re never too old to relive your old playground days. Unleash your free spirit at Aerial Climbing Through a Flock of Colored Birds.This elevated display with suspended horizontal bars is for visitors to climb and navigate their way around it. And in true teamLab fashion, movements will influence the surrounding environment and those around them to create different patterns of lights, colours, and sounds.
Whip out your camera and snap some pics while you’re on here – the setting makes for a one-of-a-kind picture.
Image credit: Marina Bay Sands
In addition to the already interactive display, virtual flocks of birds soar above you. Watch them change colour when they’re near so you can get a better look.
Unleash your inner Picasso
Image credit: Marina Bay Sands
Feeling inspired by now? You too, can get involved in the creation of these beautiful artworks. Grab those colour pencils and paper at Sketch Flight and let your imagination run wild.
Draw and colour in whatever you want – a butterfly, hawk or aeroplanes – on papers provided, and pop them into the scanner. These will then be projected against the giant screen and added to the colourful display in the gallery. But that’s not all, there’s a new interactive feature – visitors will be able to navigate and steer their creations around the exhibit from the tablets provided.
Nature-inspired art installation at MBS
Image credit: Marina Bay Sands
Most of us have seen the famous LED panel at Marina Bay Sands. Kids waddle around in amusement while you sip on starbies, wishing you could have just as much fun as they are.
Well, nowthere’s a new artwork featuring a digital ecosystem with plants and adorable lil critters drawn by the public called Graffiti Nature – Red List, Digital Light Canvas. In fact, this marks the first ever change in artwork since Digital Light Canvas was launched in 2017. But here’s another fun fact: every animal shown in this exhibit is an endangered species from the Red List of the International Union for Conservation of Nature.
Image credit: Marina Bay Sands
Walk around the LED panel to interact with the colourful creatures. To up the ante, these creations on the panel will then form a giant display where the animals interact and either eat or be eaten by other animals. Observe the survival of the fittest and see if your creation makes the cut.
Image credit: Marina Bay Sands
Don’t worry about losing your new friend, that’s not the last you’ll see of these colourful critters. You can also customiseyour own designs with your creations and bring them home as personal souvenirs. Show them off on either a shirt, tote bag, or tin badge. Just place an order at the order terminal while you’re there and it’ll be made on the spot – talk about speedy service.
Check out these new artworks by teamLab
From aerial exhibitions to watching your creations come to life, there’s so much to see and experience in person at the ArtScience Museum and The Shoppes at Marina Bay Sands. It’s the perfect place for the kids or you and bae to be immersed in bright, vibrant visuals – and unleash your creativity while you’re at it.
From 26th November till 31st December 2022, you’ll also be able to purchase your ticket in a bundle pack for both the displays at the Future World and Digital Light Canvas at $28.
Book your tickets for Future World & Digital Light Canvas
Birders and other nature lovers should flock to the Arbor Gallery this week to see the amazingly realistic collection of bird portraits by Stephanie Pete. Titled Ontario Birds – A Series of Oil Paintings. The exhibition runs from November 24 to December 18, with the vernissage taking place on Thursday December 1, from 7 p.m. to 9 p.m.
“This collection developed out my admiration of nature photography and a desire to create paintings about the realities of wildlife in Ontario,” says Pete. “I have learned not only about the diversity of birds in Ontario, but also about their status in nature, which is often showing them to be species at risk”
Pete worked with photographers around the province to recreate the vignettes they have captured on camera. The series also shows the birds in their natural habitats, ranging from their perches in urban centres to their treetop and meadow locations in the country.
Pete owns an art school in Vankleek Hill at 16 High Street, called the Art and Dream Studio. In addition to teaching art to children, teens and adults, she runs art camps in the summer and throughout the year.
Giving Wednesday
In case you missed Giving Tuesday on November 29, there is still time to donate to the Arbor Gallery and receive a tax receipt which you can use when filing your income tax. As a not-for-profit and registered charity, the gallery relies heavily on donations and is nearly entirely run by volunteers. To continue to expand the gallery’s exciting and affordable programs, it needs your help and donations.
Coming up
The gallery’s Holiday Pop-up Shops continue every weekend until December 18. This weekend (December 3and 4) will feature Reenie Marx (Fine Arts Photography) and Alison Collard (Pottery). On Christmas parade evening, December 2, the gallery will be open and both artists will be present from 5:30 p.m. to 7:30 p.m. for coffee and hot chocolate.
Arbor Gallery – Galerie Arbor is located at 36 Home Avenue, in the heart of Vankleek Hill. The gallery is open Wednesday to Sunday, noon to 4 pm. From November 16 to December 18, Saturday hours are 10am-4pm. More information about programming and events is available on Arbor Gallery’s Facebook page, website or Twitter, by subscribing to the gallery’s newsletter at www.arborgallery.org or by email at [email protected].
Just a few miles northwest of our home in Tiberias lies Mount Arbel and on its slopes, the Ancient Synagogue of Arbel. The Arbel is reputed to be the final resting place of Jacob’s sons Reuben and Simeon and his daughter Dinah, and was also the home of Nitai the Arbeli, the Head of the Sanhedrin in the first Century BCE. The Ancient Synagogue, built in the fourth Century, is now, what one might call an open-plan Synagogue with good views in each direction, particularly of Mount Arbel and the neighboring Mount Nitai.
Arbel Ancient Synagogue [Julian Alper]
Aside from the remnants of the Ancient Synagogue, and a distant view of the caves and protecting wall on the opposite peak (which are not approachable at present due to the unstable cliffs) there’s not much to see from that era, so now Mount Arbel is best known for its stunning views over the Kinneret and much of the Galilee, as well as the creatures and plants of the nature reserve itself.
View from the Arbel Cliff [Julian Alper]
Even in the parking lot, you’re quite likely to see great-tits and crested larks. The larks are fairly small brown birds, perhaps about the same size as blackbirds, and they scuttle along the ground as you get close to them. They spend a lot of time on the ground; indeed, nesting there, or sometimes in trees or shrubs just a few feet above ground level. When disturbed, if they think you’re a predator, they fly up suddenly, high above your head, taking your attention away from their eggs and hatchlings.
Crested Lark near the Arbel Reserve Parking Lot [Julian Alper]
Leaving the parking lot and walking towards the cliff-side walk facing Mount Nitai, and then walking up to the Carob tree lookout, one can be almost sure to see a variety of birds and animals along the rocky trail.
Sitting on a welcome bench, sheltered from the sun under the shade of a tree, you’ll not only be able to enjoy panoramic views of the Nitai Valley and be able to trace the course of the Nachal Amud all the way up to Tzfat, but you’ll often be rewarded by spotting various birds of prey, including long-legged buzzards, kestrels, snake eagles and horned owls, but on a recent visit my wife and I were privileged to see a pair of far less frequently seen Egyptian vultures soaring overhead on the thermals in the heat of the day. The Egyptian vulture is a medium-sized raptor and is classified as an endangered species. They nest on rocky cliffs, so the Arbel mountain and the Egyptian vulture seem like a perfect match. Near the cliff edge there are also blue rock thrushes, but it’s quite hard to get close to them – they seem frustratingly camera-shy.
Egyptian Vulture seen from the Arbel Cliff [Julian Alper]
One afternoon in mid-September, we were treated to a fly-past of scores or maybe even hundreds of raptors, mostly European honey buzzards, but a few falcons as well. They flew overhead in groups of five or six every two or three minutes. It was almost like they wanted to see the specification of my camera. I could look them in the eye and get a clear view of their specifications in return.
European Honey Buzzard seen from the Arbel Cliff [Julian Alper]
On my first visit to the nature reserve quite some years ago, I saw what looked like a small koala bear, but clearly that wouldn’t have been possible unless it had been a remarkable swimmer or had escaped from a zoo. I subsequently discovered, as I got closer to it, that it was a Syrian rock hyrax, which is one of the most intriguing animals that reside in Israel. It’s a small animal, perhaps about 50 centimeters long, but its gestation period is six or seven months, which is very long for its size. Compare this to a fox which is somewhat bigger than the hyrax and produces its young in just 50 to 60 days, or to the rabbit, which is a little smaller than the hyrax and has a gestation period of about a month. Curious though this is, it’s not the most fascinating aspect of a hyrax. What is almost unbelievable is that the hyrax’s nearest family member in the animal kingdom is the elephant. Almost unbelievable it might be, but true it is. Despite seeing hyraxes on quite a regular basis I still get that same thrill in observing them as I did when I saw my first koala-like little animal friend.
In Psalms 104:18 we read that the rocks are a shelter for the hyraxes. Well, the Arbel seems perfectly designed for the hyraxes who have plenty of opportunity to dart for cover among the many, many rocks along the cliff edge.
Near the Carob tree lookout, from where you can see the entire Lake Kinneret and much of the Galilee, more likely than not (in the spring and summer at least) there are butterflies to be seen – my favourite being the wonderful yellow swallowtail. This large and spectacular insect glides effortlessly and tantalizingly within inches of you, but rarely settles for any length of time.
Swallowtail on Mount Arbel [Julian Alper]
Wonderful as it is to see raptors, hyraxes, larks and, if you’re lucky, mountain gazelles, striped hyenas, wolves, golden jackals, red foxes, wild boars, European badgers, honey badgers and Egyptian mongooses there is one species that is unique to the Arbel. It might not be as exciting to see as wolves or eagles, but the Arbel Cristataria (or Cristataria genezerethana, to give it its full scientific name) is a small snail that can only be seen at the Arbel and nowhere else in the world. Just after it rains you can see these snails on the rocks near the parking lot. They emerge from crevices in the rock to feast on the algae on the rock faces.
Arbel Cristataria [Julian Alper]
You might want to keep your distance from wolves and wild boar, but do try to get a glimpse of the Cristataria genezerethana on your next rainy-day visit to the Arbel.
[My thanks to Moti Dolev and Sandra Mabjish for their help, especially in locating the Arbel Cristataria and identifying the raptors we see.]
Arbel Cristataria [Julian Alper]
Blue Rock Thrush on Mount Arbel [Julian Alper]
Mount Nitai (left) and Mount Arbel (right) [Julian Alper]
I am an Amateur Photographer living in Tiberias, having made Aliyah from Manchester, UK. When not out and about with my camera I work as a Hi Tech Consultant. This is my website – https://natureofisrael.blogspot.com/.
You can see my contributions to Wikipedia – https://en.wikipedia.org/wiki/User:JulianAlper.
And this is my YouTube channel – https://www.youtube.com/user/JulianAlper1