BBC suspends presenter over alleged teenager photos scandal, World News

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LONDON – Britain’s British Broadcasting Corporation (BBC) suspended a male member of staff on Sunday (July 9) following an allegation that one of its star presenters paid a teenager thousands of pounds to pose for sexually explicit photos, beginning when they were 17 years old.

The broadcaster said it first became aware of a complaint in May, but new allegations of a different nature were made to it on Thursday, and it had informed “external authorities”.

London’s Metropolitan Police said it had received initial contact from the BBC but no formal referral or allegation had been made.

“We will require additional information before determining what further action should follow,” it said in a statement.

The BBC said it was a “complex and fast moving set of circumstances” and it was “working as quickly as possible to establish the facts in order to properly inform appropriate next steps”.

“We can also confirm a male member of staff has been suspended,” it said in a statement.

The statement said “it is important that these matters are handled fairly and with care”, without giving details on the claims.

The Sun newspaper, which first reported the allegations, cited the young person’s mother as saying the unnamed male presenter had paid the teenager more than 35,000 pounds (S$60,484) over three years for the images.

The mother told the newspaper that the teenager had used the cash to fund a crack cocaine habit.

The family complained to the broadcaster on May 19, but the presenter was not immediately taken off air, according to the Sun, which said the family had not requested payment for their story.

Culture Secretary Lucy Frazer held urgent talks with the broadcaster’s director general, Tim Davie, earlier on Sunday about the allegations, which she described as “deeply concerning”.

“(Davie) has assured me the BBC are investigating swiftly and sensitively,” she said on Twitter.

“Given the nature of the allegations it is important that the BBC is now given the space to conduct its investigation, establish the facts and take appropriate action.”

The BBC, which is funded by a licence fee paid by every TV watching household, said it “takes any allegations seriously” and had “robust internal processes in place to proactively deal with such allegations”.

“We have been clear that if – at any point – new information comes to light or is provided to us, this will be acted upon appropriately and actively followed up,” it said.

ALSO READ: BBC chair made ‘errors of judgement’ over Boris Johnson loan, lawmakers say

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Ansel Adams: Eight of the most iconic photos of the American West

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(Image credit: The Ansel Adams Publishing Rights Trust)

The Tetons and Snake River, Grand Teton National Park, Wyoming, 1942

Ansel Adams’ images of national parks and oil derricks from the 30s and 40s are a powerful reminder of the beauty and fragility of the US’s natural landscapes, writes Cath Pound.

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Ansel Adams is one of the giants of 20th Century photography, esteemed for his lush gelatine silver photographs of the national parks that have become icons of the US wilderness. A passionate champion of photography as a legitimate form of fine art, he referred to his most stunning images as his “Mona Lisas”. But Adams was also a tireless conservationist and wilderness preservationist who understood the power of a strong image to sway public and political opinion.

His stirring images of US national parks have no doubt always inspired a desire to protect the natural world. But his lesser-known images of oil derricks and the decimated landscapes in California’s Owens Valley have also taken on a renewed relevance in today’s era of climate change.

Ansel Adams in Our Times at the de Young Museum, San Francisco showcases some of his most celebrated works, as well as those that are less familiar, revealing the ways in which his powerful imagery continues to advocate for the protection of the environment. 

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

1. The Golden Gate Before the Bridge, 1932

San Francisco, the city of Adams’ birth, is where he first took up the large-format camera. “With images like this, one can sense his excitement with this new tool,” the exhibition’s curator, Karen Haas, tells BBC Culture.

“This is the strait that lies between San Francisco and the Marin headlands, a view that had been visible from his childhood home. The beach below is one that he regularly combed as a somewhat lonely and awkward only child, reinforcing his connection with nature even while living in the city and not in Yosemite,” says Haas.

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

2. Clearing Winter Storm, Yosemite National Park, c 1937

When Adams was invited by US President Gerald Ford to visit the White House in 1975, he took with him a copy of Clearing Winter Storm, one of his most celebrated images. At the time Adams was frustrated with the commercial exploitation and poor management of the country’s parks, and as he presented the print he said “Now, Mr President every time you look at this picture I want you to remember your obligation to the national parks.”

“It really speaks to the impact of the image. For Adams it was so much about showing the beauty, and through the beauty advocating for, and bringing concern for, the preservation of that beauty,” assistant curator Sarah Mackay tells BBC Culture.

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

3. Rain, Yosemite Valley, California, c 1940

Yosemite was key to Adams’ development as a photographer and a place for which he felt a great affinity. “It’s where he first took up the camera in 1916. He had been given a Brownie [camera] for a vacation trip when he was just a teenager. He’s one of those young people who really found himself through photography,” says Haas.

The valley was a place he photographed many times and although this particular image may not be as famous as Clearing Winter Storm, it actually takes in the same view, only with the magnificent mountains obscured by mist, revealing Adams’ appreciation of the natural world in all its infinite varieties.

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

4. The Tetons and Snake River, Grand Teton National Park, Wyoming, 1942

“This is one of his most critically acclaimed works, exemplifying Adams’ ability to capture the rich nuance of the environment around him,” Mackay says.

The photo was taken as part of the national parks project, instigated by the Department of the Interior. The department was forced to withdraw funding when the US entered World War Two, but Adams, inspired both by the beauty of the parks and a desire to spread awareness of the need to protect them, successfully applied for two Guggenheim Foundation grants in 1946 and 1948, which enabled him to continue photographing the national parks across the country.

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

5. Denali and Wonder Lake, Denali National Park and Preserve, 1948

Thanks to one of the Guggenheim grants Adams was able to spend a week in Alaska in July 1948. However, the conditions were challenging to say the least. There were only two days without rain and his camera was constantly filled with mosquitos.

He managed to capture the one, truly striking image of that trip at around 1.30am when the Sun, which had only set two hours earlier, was already starting to rise. “Nothing comes above the mountain because it’s the highest peak in the US,” explains Haas. The snowy expanse of the mountain is lit while everything else remains in shadow. “This is one of his Mona Lisas for certain,” she says.

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

6. Burned Trees, Owens Valley, California, c 1936

“The national parks are the pictures that everyone wants to see, but I actually think the most compelling environmental messaging can be found in the images around places like Owens Valley,” says Haas.

While the parks were, and are, protected spaces, Owens Valley had been stripped of much of its natural resources. It had been a centre for silver, lead and zinc mining and the water had been sucked away to serve urban spaces.

“It’s a devastated landscape but he’s finding the beauty in it. He’s very much wanting to call attention to this space,” says Haas.

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

7. Grass and Burned Stump, Sierra Nevada, California, 1935

Grass and Burned Stump is an image that has taken on a meaning that Adams, who would have been used to controlled burns, probably didn’t have in mind at the time. “Today when we look at that picture it has an environmentalist bent, but I think when Adams took that picture what he was compelled by was the aesthetic and physical qualities of the tree trump itself,” says Mackay.

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

(Credit: The Ansel Adams Publishing Rights Trust, Courtesy, Museum of Fine Arts, Boston)

8. Cemetery Statue and Oil Derricks, Long Beach, California, 1939

Twenty-first Century viewers looking at Adams’ striking photograph of a cemetery figure in a mourning pose in front of a sea of oil derricks are undoubtedly going to view it as a comment on the negative impact of oil drilling. Again that may not have been Adams’ original intention, but that certainly does not diminish the contemporary power of the image.

“What I love about that photo is the way that images are reborn or reinterpreted over time and I think that’s a really important element of Ansel Adams’ photographs when we look at them today,” says Mackay.

Ansel Adams in Our Times is at the de Young Museum, San Francisco until 23 July.

If you would like to comment on this story or anything else you have seen on BBC Culture, head over to our Facebook page or message us on Twitter.

And if you liked this story, sign up for the weekly bbc.com features newsletter, called The Essential List. A handpicked selection of stories from BBC Future, Culture, Worklife and Travel, delivered to your inbox every Friday.

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BBC confirms presenter accused of paying teen for explicit photos has been suspended

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bbc

BBC suspends star after explicit photo allegationsOli Scarff – Getty Images

The BBC has confirmed that the presenter accused of paying a teenager for explicit photos has been suspended.

It was reported yesterday (July 8) that a male presenter had allegedly paid more than £35,000 in exchange for explicit photos, with the company confirming it would investigate the matter.

The BBC has today confirmed that the unnamed presenter has been suspended in light of the allegations, with the corporation also revealing that they are co-operating with the police after “new information” emerged on Thursday (July 6).

bbc logo

Carl Court – Getty Images

“The BBC takes any allegations seriously and we have robust internal processes in place to proactively deal with such allegations,” they said in a statement. “This is a complex and fast moving set of circumstances and the BBC is working as quickly as possible to establish the facts in order to properly inform appropriate next steps.

“It is important that these matters are handled fairly and with care. We have been clear that if – at any point – new information comes to light or is provided to us, this will be acted upon appropriately and actively followed up,” it continued.

“The BBC first became aware of a complaint in May. New allegations were put to us on Thursday of a different nature and in addition to our own enquiries we have also been in touch with external authorities, in line with our protocols.

bbc head office in london

Getty Images

“We can also confirm a male member of staff has been suspended. We expect to be in a position to provide a further update in the coming days as the process continues. The BBC Board will continue to be kept up to date,” the statement concluded.

According to The Sun, who first reported the allegations, the BBC star started paying for explicit images when the young person, who is now 20, was 17. The youngster’s family said they submitted a complaint on May 19, and went to the newspaper as they became “frustrated” that the presenter remained on air.

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Show highlights nature photography, sculptures

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PORT TOWNSEND — Kerry Tremain flouts the rules of nature photography, says fellow artist and friend Ray Troll. Famous for his own rule-flouting art, Troll spoke about the photographs on view in “Outside In,” a major exhibition at Northwind Art’s Jeanette Best Gallery.

Troll singled out Tremain’s photo of a black oystercatcher, in which the viewer locks onto a single eye of the ebony-black creature.

“He got the spirit of that bird,” Troll said.

The show also features ethereal landscapes by Brian Goodman, sculptures and jewelry by Sara Mall Johani and bronze works by her late husband Tom Jay.

“‘Outside In’ is a sensory experience,” said Diane Urbani, communications manager for Northwind Art. When it opens today, it will present 23 of Tremain’s photographs from his book “Aves,” including images of white pelicans, trumpeter swans and one angelic bluebird.

Goodman’s photographs from his project, “Solace of Space,” render forests and seashores in ways that invite contemplation.

“My intent is to blur the lines between what we refer to as ‘photography’ and what we refer to as ‘art,’” he said.

“These are images of such
tranquillity,” Urbani said, “a refuge for the mind and heart.”

“Outside In” interweaves the photography and sculptures with a soundtrack of birdsong. On occasion, Tremain and Goodman went out together with their cameras, and the results are shown together in the gallery.

Jay and Johani have 11 works in the show, which is the first gallery exhibition of Jay’s sculptures since his death in 2019. He is remembered as a kind of shaman — a poet, author and sculptor of ravens, fish and other Northwest totem creatures.

Jay and Johani are well-known in the region as both artists and originators of Wild Olympic Salmon, the pioneering wildlife restoration group.

“Like Tremain and Goodman’s photographs,” Urbani said, “the sculptures evoke the spirit of an animal, and the feeling of a place.”

Said Johani in an invitation to friends: “Tom and I are pleased and honored to be invited to exhibit our sculptures along with two formidable photographers.

“Of course, Tom can’t participate in person,” she continued. “But his sculptures stand in for him admirably. It’s almost as if he were here to see his work on display, they are so very Tom.”

On Saturday, “Outside In” will be part of Port Townsend’s Art Walk, when the local galleries stay open until 8 p.m. Tremain has invited another friend — Yup’ik artist, singer and dancer Chuna McIntyre of Eek, Alaska — to sing a welcome song at Jeanette Best Gallery that evening.

“Outside In” will continue through Aug. 27; the regular hours are noon to 5 p.m. Thursdays through Mondays at Jeanette Best Gallery, 701 Water St.

Both Tremain and Goodman moved to Port Townsend several years ago from California: Tremain from the Bay Area and Goodman from Los Angeles. Tremain was an editor of Mother Jones and California magazines; Goodman was a commercial and documentary photographer. The men have begun new lives here, practicing their art and learning firsthand about the nature of the Pacific Northwest.

Last year, Tremain and Goodman worked together on the “Still Here” project, of which Northwind Art was a sponsor. They built a relationship with the Chemakum people, a tribe that had been wrongly listed as extinct. They made large-scale portraits that were hung at Chimacum High School and published in a book, “Still Here: Portraits of the Chemakum,” about the tribe’s living members.

Tremain hopes the exhibit will help bring the “outside” in. As poet Mary Oliver wrote in her famous poem, “Wild Geese,” the artists want visitors to experience how “the world offers itself to your imagination … announcing your place in the family of things.”






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Dead fish surface off Singapore’s Raffles Marina after drop in water quality due to Tuas chemical facility fire

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SINGAPORE (The Straits Times/ANN): Dead fish were found floating in the sea off Raffles Marina after a drop in water quality due to a blaze in a chemical storage facility in Tuas.

In photos on a Facebook page called Complaint Singapore Unlimited, which were first shared on Wednesday, the waters off the marina appear black or brown.

Chinese daily Lianhe Zaobao on Friday published photos showing large numbers of dead fish in the seas off Raffles Marina, which is a country club located in Tuas West Drive. Workers can be seen cleaning up as well.

In response to media queries, the National Environment Agency (NEA) said it is analysing samples of “pungent brown water” in a canal near Tuas West Drive, which discharges into the sea.

The source of the brown water has been traced to run-off waters from fighting a fire in the area at 132 Pioneer Road on Wednesday morning, NEA added.

The fire that wrecked an industrial building owned by chemical wholesaler Megachem was brought under control about four hours after the Singapore Civil Defence Force was notified at 2am.

Megachem sells and distributes speciality chemicals to companies in the oil and gas, semiconductor and pharmaceutical industries.

A Raffles Marina spokesman said the club alerted the authorities about an oil slick in its waters after noticing it at about 8am on Wednesday.

Most of the oil slick was cleaned by the authorities and the club used chemical dispersants to clean the area around the marina, she added.

On Thursday morning, the dead fish appeared, along with a lingering chemical odour, she said. On Friday afternoon, nearly all the fish and oil slick around the marina was cleared, she added, but the club is unable to determine the total cost of the clean-up because it is still underway.

Raffles Marina has used about 650l of chemicals, so far, to clean the marina, Zaobao reported.

A Maritime and Port Authority of Singapore (MPA) spokesman said two patrol craft were deployed to clean up oil patches near Raffles Marina and since then, no further patches have been seen.

Vessel traffic in the area remains unaffected, the spokesman added.

NEA said it will monitor the water quality in the canal for the next few days.

Mr Wade Pearce, who founded the Singapore Marine Guide platform for the leisure marine and boating industry, called the incident “absolutely disastrous to the boating community”.

He said: “At present, everything in the water is dying or dead, (there is an) unbearable smell, fishing charters cancelling, boats deciding to leave the marina or not arrive.

“The potential long term impact is unknown until the chemical reports come back but every part of the boat should be inspected as the chemical may damage the engine, generator, aircon, water maker, paint, even the fibreglass.”

If the chemical is harmful, he estimated that thousands would need to be spent by owners whose boats are berthed in Raffles Marina.

Ms Sue Ye, founder of non-profit group Marine Steward, said members had alerted the group to the impact of the incident.

She said: “A lot of dead fish had floated to the surface after the incident. The pollution would affect wildlife in the area, including fish, turtles, other marine animals, as well as animals up the food chain.

“Fishing activities would be affected as well as anglers would likely avoid the polluted areas, where the fish may be sick.”

Mr Kua Kay Yaw, former chairman of the marine conservation group in Nature Society (Singapore), said the floating brown fluid in photos could be petrochemical residue resulting from the fire.

“Oily chemicals can also prevent oxygen from dissolving in water, thus reducing the available oxygen for marine life, while others can coat the gills of the fish, resulting in suffocation,” he said.

Mr Kua also recommended that fire emergency response plans include procedures for containing chemicals to prevent any impacts to the marine environment in the future.

National water agency PUB said operations at the desalination plants in the area have not been affected by the discharge.

“We have not detected abnormalities in the seawater intake since the fire,” said PUB. – The Straits Times/ANN



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‘Huge increase’ in cuckoos in our garden – Readers’ nature queries – The Irish Times

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We live in Rosmuc, Connemara, where we are mostly surrounded by bogland. This year, we have noticed a huge increase in the number of cuckoos, often flying low through our garden and stopping to rest on our pine trees. Noreen Ryan, Co Galway

Welcome news. During May, the National Parks and Wildlife Service linked up with the BTO Cuckoo team in Britain to satellite track four Irish cuckoos – three from Killarney National Park and one from Burren National Park. The first one from Killarney began the migration south on June 13th and flew down through France into northern Italy. The second, also from Killarney, was in Ravenna, Italy, by June 20th. Both stayed in Italy for at least a week and are now on route to Africa. The Clare bird was still around at the end of June. Track them here.

I found this ladybird larva on my lupins. I remembered you said it was a harlequin ladybird – an invasive species – so I squished it. P McLeer, Drogheda

You did your business right. This is indeed the larva of the harlequin ladybird, identifiable by the two inverted L-shaped rows of orange tubercles along each side of the body and its overall very spiky appearance. This invasive species was first recorded here in Cork in 2009 and has now spread to Limerick and Kerry as well as along the south and east of Ireland. Both the larvae and the adults eat our native ladybirds.

What was this caterpillar that was munching on a recently planted oak tree? O Farrell, Greenore

It is the larva of the Hebrew character moth, so-called because of the conspicuous black mark in the centre of each forewing of the adult, which was considered to be a good representation of a letter in the Hebrew alphabet. The caterpillar feeds on birch and aspen as well as oak.

This huge spider emerged from my shopping when I was unpacking. Is it a native species? Louise M, Clones

It is a native species and one of our largest: Eratigena duellica, the large house spider. It can be up to 18mm, which is really big for an Irish spider. It is identifiable by the pale chevrons on its back and usually hides away in dark, undisturbed locations, where it builds triangular cobwebs and waits for flies to become entangled.

We were on a school nature walk in the Phoenix Park when we came across these caterpillars. We are very concerned to know whether this is the dangerous invasive species of caterpillar or not. Alyssa (6) and Heather (5) Nash, Dublin

They are the caterpillars of the peacock butterfly, a colourful native species. They are not the dangerous invasive processionary oak caterpillars. Peacock caterpillars are black with white spots and are covered with spines. They feed in groups on nettles, under a communal web at first. Several different butterfly species can use nettle as a larval food plant.

Spotted this beautiful flower in a local unmowed lawn. Is it a local native species flower or an import? Brian Gilheany, Co Sligo

So too did David Hughes, who has it growing in his front garden in Kimmage in Dublin, as well as David Smullen, who sees lots of them in Dublin’s Tymon Park and whose orchid picture this one it is. It just goes to show how quickly orchids re-establish from seeds in the soil once mowing stops. This is the pyramidal orchid, which grows on calcareous grassland and is commonly pollinated by the day-flying six-spotted burnet moth.

Please submit your nature query, observation, or photo with a location, via irishtimes.com/eyeonnature

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New art exhibit downtown showcases nature photography

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Northwind Art presents “Outside In,” a large-scale art exhibition combining bird, wildlife, and landscape photography by Kerry Tremain and Brian Goodman with sculptures by the late Tom Jay and his widow, Sara Mall Johani.

The displayed artwork includes unconventional odes to birds, water, salmon, and forests. 

Tremain’s 23 images are featured in his book “Aves: Photographs of Birds,” while Goodman’s work includes photographs from his “Solace of Space” collection. 

Many of these works have never been shown in a gallery before.

The exhibit is at Jeanette Best Gallery (701 Water St., Port Townsend) through Aug. 27. Gallery hours are noon to 5 p.m. daily. 

On Aug. 5, the gallery will be open noon to 8 p.m. for Art Walk.



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Prolific BK Wildlife Photographer Finds Peace from Pain in Prospect Park

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After suffering a debilitating workplace injury in 2004, Jeffrey Jones discovered solace from the physical pain in watching the marvelous and resilient wildlife of Prospect Park.

Almost 20 years ago, Jeffrey Jones suffered a debilitating workplace injury that left him with four steel rods in his back and in daily, excruciating pain.

He was prescribed painkilling drugs like OxyContin and Percocet, but he knew the medication wasn’t for him. It wasn’t until he started visiting Prospect Park in 2009 that Jones found true relief — in the beauty of nature and the park’s wildlife. 

“Ever since, I’ve been coming and sitting by the water, you know, I find that it gives me so much peace,” he said. “Just watching the birds be birds; sometimes I forget that I am in pain.”

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Jeffrey Jones in Prospect Park. Photo: Jessy Edwards for BK Reader.

Not long after that, he got his first camera so he could capture the beautiful moments he observed, in order to share his joy with others.

That turned into a serious hobby, and today, Jones can be found at Prospect Park every single morning, seven days a week, photographing the birds and wildlife of the park on his digital camera with a range of different lenses. 

“As soon as I get here, everything else goes blank, and I just focus on the miniature,” he said. “I forget everything.” 

Jones is a self-described “bushman” and an animal-lover who grew up surrounded by pet monkeys, chickens, dogs and rabbits on a farm in Barbados.

img_9751
A photograph of a Glossy Ibis by birdwatcher and photographer Jeffrey Jones. Photo: Jeffrey Jones for BK Reader.

On a recent Friday, Jones took BK Reader on a walk of his typical route — a long-lens camera slung over his shoulder — pointing out the feathered, shelled and webbed-toed characters of the park he knows so well: A great blue heron, a black cormorant flying low and graceful over the lake, a small but vocal bullfrog hiding in the lily pads.

As he walked, he bumped into fellow park local Sarah Wagner, and the pair discussed how many recently-hatched swan cygnets had survived after one was found with a fishing hook in its mouth and required rescue.

“Jeffrey helps us enormously with rescues,” Wagner said. 

Jones said he worries about the human impact on the wildlife of the park and is the type to dig a hole and bury a dead bird or raccoon he finds on the path or step in if he sees people harming animals.

img_8448
A photograph of a Great Egret by birdwatcher and photographer Jeffrey Jones. Photo: Jeffrey Jones for BK Reader.

“I’m not just a photographer — I’m an animal lover first,” he said.

The resilience of the natural world also inspires him, he said. Two years ago, he saw a turtle get one of its feet bitten off by another turtle. Two years later, that turtle has recovered and is still living his best park life (Jones has the photographic evidence to prove it). 

715ba542-5fcf-4138-a553-493c52173557-2
Image of Jones’ back. Photo: Provided/Jeffrey Jones.

Recalling the damage to his own body makes him cry. Jones said he was employed as an ironworker in 2004, when he jumped in to prevent another employee from being injured and took the impact himself.

He suffered two broken vertebrae in his lower back, a pinched nerve in his neck and two herniated discs, he said. He also had to have his right rotator cuff removed. The injury has left him unable to do hard manual work. However, he has recently been working in the movie industry on the set of “Billions.”

He is also trained in reiki — an energetic healing practice — and loves to chat with fellow parkgoers and make joyful connections, he said.

While the amateur photographer could easily build a profile for himself with his impressive daily wildlife captures, that’s not why he does it, he said.

“I don’t have a website; I don’t sell photography. That is not my purpose. The purpose really is to make people smile.”

One of his biggest goals as a photographer certainly seems to be to make his youngest daughter smile.

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Birdwatcher and photographer Jeffrey Jones said he does it to make people smile. Photo: Jeffrey Jones for BK Reader.

After one day showing her a photo of a bird pooping that had her in fits of laughter, he decided to make a photo book for his kids, entirely dedicated to birds doing their business. Jones is now on his third book in the series. 

The books are an act of love and patience, he said.

“Sometimes it takes me four days to get one bird,” he laughed. “I can show you some amazing bird poop photos.” 



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Powerful images from environmental photography prize show challenges and hope

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By Nell Lewis, CNN

(CNN) — A windswept Arctic fox, a murmuration of birds facing a snowstorm in the Himalayas, and a man and a boy in a flooded living room are among the images recognized in this year’s Prince Albert II of Monaco Foundation’s Environmental Photography Award.

The prize, in its third edition, hopes to deliver a conservation message and show the importance of preserving nature. “Photography is a powerful tool for giving a voice to threatened wildlife and biodiversity,” said jury president Sergio Pitamitz in a press release.

The jury, made up of seven professional photographers, chose the winning photos for each category from a total of 10,000 images, submitted by 2,300 photographers from across the world.

The award’s grand prize went to an image of a distressed elephant trying to defend itself after being struck by a freight train in the Lopé National Park in Gabon, on the west coast of central Africa. The animal’s hip was shattered beyond repair and after it died, the park director distributed the meat amongst the local community.

The photograph serves as a tragic reminder of the consequences of human-animal conflict, which is increasing due to habitat loss from human activities, such as agriculture and development. Photographer Jasper Doest from the Netherlands believes the image “has the power to inspire change.”

Pitamitz noted that this single elephant “represents his entire species in the grip of an uncertain future.”

“Doest was able to react in a split second to this sudden event, documenting his story and giving a voice to the forest elephants of Africa,” he added.

Other images show the positive elements of humans’ relationship with nature. In the “Change Makers: Reasons for Hope” category, one image shows elephants being lifted by a crane into a truck and transported from Liwonde National Park to Kasungu National Park, in Malawi, southeastern Africa. While the process looks peculiar, it’s part of a conservation initiative designed to maintain healthy habitats in the parks and establish stable and resilient elephant populations.

Another shows a fake rhino poaching scene at the Wildlife Forensics Academy in South Africa, as rangers are being taught to collect vital forensic evidence required to convict poachers in court.

The winning images are now being exhibited in Monaco on the Promenade du Lavotto, before touring internationally.

The-CNN-Wire
& © 2023 Cable News Network, Inc., a Warner Bros. Discovery Company. All rights reserved.

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The new Museum of Art & Photography (MAP) stirs up Bengaluru’s art scene | Architectural Digest India

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To protect the artworks and artefacts from ultraviolet light, the main galleries are opaque enclosures with temperature and humidity control.

Björn Wallander

To step into MAP’s premises is to be enveloped in this sense of quietude. Spread over five floors, its 44,000-square-foot area houses a café, a rooftop restaurant, an auditorium, a library, a conservation centre, and five galleries containing more than 60,000 works. MAP’s aim of democratizing art and culture has resulted in an exciting, and excitingly curated, mix of pre-modern, modern, contemporary, tribal, and popular artworks, along with photography, textiles, crafts, and design. To showcase this thrilling mix, Mathew & Ghosh created airy, column-free spaces through which people move fluidly, but at their own pace—at times pausing to reflect, at other times reaching out to touch objects helpfully marked out to indicate tactile exploration.

Björn Wallander

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