The Best Of Forbes Photography 2022

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World-class photography has been a trademark of Forbes for more than 100 years. Whether it’s a definitive portrait of a billionaire entrepreneur on the cover of our print magazine or a Rube Goldberg-like factory floor, these images take the reader beyond the text and tell the story in a more human way.

Some of our best photography this year has been for our marquee packages. Tim Tadder’s kinetic, kaleidoscopic snaps brought our annual 30 Under 30 honorees to life in a way that words could never do. The Internet’s Top Creators were rendered both moody and optimistic through the lens of Guerin Blask. Rebecca Miller and Gabriela Hasbun created floral masterpieces for our 50 Over 50 list, which honors women who have achieved major breakthroughs in the second half of life.

Under the overall direction of Forbes’ Creative Director Alicia Hallett-Chan, each photograph was carefully shepherded through the process from assignment to final retouching by our Photo Director, Robyn Selman and we are grateful for her talents every day.

The Editors


Photography by Tim Tadder for Forbes

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KygoTim Tadder for forbes

Beaches And Billionaires: Inside DJ Kygo’s Quest To Become The Gen-Z Jimmy Buffett

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Weed vs. Greed: How America Botched Legalizing Pot

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How To Get A First Job If You Aren’t LinkedIn

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The Secretive World Of MEV, Where Bots Front-Run Crypto Investors For Big Profits

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How Crypto’s Original Bubble Boy Rode Ethereum And Is Now Pulling The Strings Of The DeFi Boom

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Photography by Rebecca Miller & Gabriela Hasbun for Forbes

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Meet The Most Successful Female Entrepreneur In American History

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Reinventing Anna: Fake Heiress Anna ‘Delvey’ Sorokin Is Ready For Her Next Close-Up

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Deepfake Epidemic Is Looming—And Adobe Is Preparing For The Worst

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With Sam Bankman-Fried’s Hedge Fund Gone, Crypto Trading Firm Wintermute Emerges

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Meet Billionaire Tennessee Titans Owner Amy Adams Strunk—And Nine Other Women Changing The Game In The NFL

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How Selling $160 Sweatpants Turned A SoCal Surfer Into One Of America’s Richest Women

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Mark CubanGuerin Blask for Forbes

Mark Cuban Considering Leaving Shark Tank As He Bets His Legacy On Low-Cost Drugs

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Photography by Guerin Blask for Forbes

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Millennial Billionaire Ryan Breslow Created Buzz, And Enemies, Attacking Stripe And Shopify. He’s Just Getting Started.

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How Two Africans Overcame Bias To Build A Startup Worth Billions

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The Pandemic Crushed Most Movie Theaters—But This 27-Year-Old’s Chain Doubled In Size

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Facebook Made This 29-Year-Old Rich; War Made Him A Billionaire

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Creating a photography portfolio that gets more clients

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In this article, I’m going to explore the steps you need to take in order to create a photography portfolio that will help get you more clients. I’ll also offer some advice on how to make sure your portfolio stands out from your competitors. It should also be something that potential customers will find attractive and engaging.

More of a visual learner? Check out the video I made:

Creating a Photography Portfolio in 7 Steps

7 steps to build a photography portfolio that gets more clients

Figure out your channel

The first step in creating a photography portfolio that gets more clients is to figure out the best channel for showcasing your work. Do you want to use a website, blog, or social media? Consider the cost and features of each platform when making this decision. Some websites offer free galleries while others require paid subscriptions. Also, think about where your ideal clients are and which platform they use most.

Coming from a marketing background, I highly recommend that you have your own website. It’s find to also have your portfolio on social media, but a website is a must as well.

Now when it comes to actually building one, there are many options. You can choose to code your own site or use a CMS (Content Management System) such as Squarespace, Wix, or WordPress.

I highly recommend using WordPress because it is the most versatile platform in my opinion. Unlike the other CMS’s, WordPress allows you to be in “free roam” mode and does not inhibit you from certain SEO tasks that will allow your website and blog to scale.

WordPress does have a slightly higher learning curve, but if you take the time to learn it, you will be rewarded.

If you just care to use your website strictly for portfolio purposes and don’t plan on driving a lot of traffic to your blog, then going the Squarespace or Wix route is perfectly fine.

Determine photography style and ideal client

Once you have decided on your channel, it’s time to decide what kind of photography style suits you best and what type of client do you want to target.

Are you a wedding photographer or product photographer? Do you prefer fashion or nature?

No matter what type of photography style you choose, it should be something that will showcase your skills and reflect your personality.

Think about the type of client that you want to attract as well. Are they looking for a particular style or aesthetic? Once you have identified your ideal client, you can create a portfolio that speaks directly to them.

Choose images carefully

Now comes the fun part: Selecting what images to feature in your portfolio.

When selecting images, make sure that you only pick the ones that showcase your best work. Don’t be afraid to leave out photographs that don’t reflect your style or brand. Also, avoid including too many images – quality is always more important than quantity when it comes to a photography portfolio.

Also, make sure to include a variety of different types of images. This will show potential clients that you have the versatility to do different kinds of photography and that you can adapt to whatever their needs may be.

But make sure the types of images are style within a cohesive style, ex. bright and airy, moody, cinematic, grainy, etc.

Be consistent with style

When creating a portfolio, it’s important to create a consistent style throughout. This is because it will help potential clients easily identify your work and make them more likely to hire you.

Consistency doesn’t just apply to the images you choose – think about how they are presented as well. For example, if you opt for a more minimalistic approach, make sure that all of your images follow this style.

Also, be sure to include contact information and a short bio in each page of your portfolio. This will help potential clients get in touch with you quickly and easily.

If you’ve ever created an infographic for school or work, it’s kind of like that in terms of image selection and consistency in style. You want it to be cohesive and tell a story.

Get feedback on your portfolio

Now that you have created your portfolio, it’s time to get feedback. Ask your friends and family for their honest opinion about what works and what can be improved. They may be able to pick up on things that you didn’t think of.

You can also ask potential clients for feedback. They will be able to provide insight on what they would like to see in your portfolio and how you can make it more appealing.

With this feedback, you can iterate on your portfolio until you are completely happy with the end result.

Pay attention to UX and pagespeed

You should pay attention to the user experience (UX) and page speed of your portfolio. Make sure that it is easy for potential clients to navigate and view your images quickly.

Coming from a marketing background, I’ve seen the major difference a fast loading page has over a slow loading page in terms of conversion rate.

As a photographer, the conversion rate for us would be the number of people who visit our portfolio divided by the people who reach out and contact us regarding a session:

CVR (conversion rate) for a photographer

If they can’t load your page fast enough or find what they are looking for, then they will likely leave. In addition, optimize your images for the web to ensure that they load quickly and look great on any device.

To test the speed of your portfolio, enter your page URL into Google Pagespeed Insights.

Being photographers, the biggest culprit that slows down our website is our images and their large file size.

In order to remedy this, then it’s important you compress your images and make them into a smaller file size while retaining quality (lossless compression).

Compression tools I recommend online include Optimizilla or Compressor.io.

To use these tools, simply upload your image into them, select Lossless Compression, convert the image file and then re-download the newly compressed image and upload that to your site.

I did that to all my images and now I have good pagespeed score on my own portfolio:

Google Pagespeed Insights passing score on my portfolio

Look at analytics and monitor

Not many other photographers mention this last part when it comes to portfolios and I believe this is one of the most important steps.

Once your portfolio is set up, you need to monitor its success and look at the analytics. This will help you figure out what works and what doesn’t work in terms of getting more clients.

You can use tools like Google Analytics to track how often people visit your site and how long they stay on each page. You can also track the source of the visits, such as if they came from a blog post or an ad.

This information will be invaluable when it comes to improving your portfolio and making it more successful in terms of attracting clients.

By keeping track of all this data you can see what pages are working well and which ones need improvement.

I won’t be diving into the weeds of Google Analytics or how to set it up because there are many tutorials out there but once you set it up, the easiest metric you can take a look at is the average session duration for both desktop and mobile.

The longer duration the better because that will mean users are taking the time to look at your photos.

For example, my portfolio of only ~10 photos has an average session duration of 1 minute which is an improvement for my own portfolio which lets me know people aren’t leaving the portfolio quickly because the images aren’t loading or because they aren’t resonating with my portfolio.

Average time on page for my portfolio page on both mobile and desktop

Although we are photographers, it’s important to look at the business and marketing side of UX, pagespeed, and session duration to make sure our portfolios are successful.

By paying attention to these details, you can be sure that your portfolio will be well received by potential clients and you’ll have an easier time getting more business in the future. Good luck!

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Ray Hennessy – Easily One Of The Best Bird Photography Portfolio Out There And You Will Find Out Why

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Before We actually get to the Interview Part, I want to quote that this will be the best bird photography portfolio on any photography blog hands down and so easy. Meet this Contemporary Master Bird Photographer, Ray Hennessy.

Portraits of Birds along their natural habitat could well be the theme but what is so astounding about this portfolio is the brilliance put into every frame. Masterpiece interms of light and Ray’s individuality and his desire to stand out from the crowd of wildlife photographers is very much a success.

Three things I love about this Portfolio:

  1. Actually there is n number of things which I admire here, firstly the light. To be honest this portfolio is a sheer surprise for me. I do understand what amount of patience and perseverance goes into making a good bird photograph. Backlit portraits are such a delight to watch.
  2. More of environmental portraits creates more interest and eagerness to learn about the bird rather than just starring at the feathers.
  3. Richness and presentation, be it the bokeh’s or the colors or the composition. This is certainly high class stuff.

Stay Inspired folks.

Ray Hennessy - Bird Photographer

Few words about Ray Hennessy?

Starting in 2007 my fascination with nature photography began. In the years since wildlife photography with a focus on birds has become a very passionate hobby of mine. I spend most of my free time in natural areas searching for birds and any other wildlife that comes along. I concentrate on using creative natural lighting and interesting compositions to capture unique images of common and rare wildlife. My favorite style is a more scenic photo that includes some of the habitat wildlife lives in.

Ray Hennessy - Bird Photographer

Why photography & A big how for bird photography?

My father introduced me to bird photography. I find bird photography to be the most challenging of the different photography types I have done. It is also easy to find birds all around you no matter where you live.

Ray Hennessy - Bird Photographer

According to Ray, what are some basic attributes a bird photographer should have?

Patience is probably the most important attribute for a bird photographer. I have often had to wait for hours for a bird to come close enough to photograph. I also think it helps to be willing to fail. The more difficult subjects or locations to take photos often lead to a higher chance of failure but the reward can be great when you capture that special image.

Ray Hennessy - Bird Photographer

What are your homework before you go out to shoot these wonderful creatures?

Most of the time the only preparation I do before going out to shoot is to make sure my batteries are charge and camera cards ready to go. Most of the homework has been done in the months and years before by learning what birds are around during certain times of years and in what habitat they can be found in.

Ray Hennessy - Bird Photographer

How does your style stay unique when compared to other bird photographers out there?

The style I strive for is a bird photograph with a creative composition that include more of the bird’s habitat in the photo. Lately I have also been working hard to find and use different lighting, specifically backlight, to stand out from the crowd. I find that many photographers are all about getting close and filling the frame with the bird. While this can be great to show off the detail of the feathers it doesn’t show much more.

Ray Hennessy - Bird Photographer

Could you reveal something you have learnt over the years in this genre?

I’ve learned over the years that the more time you can spend in the field the more opportunity you have to capture a unique photo or interesting behavior. I have also learned that many times great images require countless hours of scouting. Capturing a great photo of a bird is not only about finding their habitat which can sometimes be easy but about finding them in a habitat that can provide a great photo location. Many times I’ve seen great birds in locations that are not great for photography. You need to find a location that has good access to get the correct perspective, great light and close enough to the bird, these are just some of the main ingredients.

Ray Hennessy - Bird Photographer

What drives you for the constant passion for photography?

I love the challenge to try to capture very difficult species and to try to capture the common in an uncommon way. Always trying to better a previous bird photo that I’ve gotten keeps me coming back for more.

Ray Hennessy - Bird Photographer

A necessary ingredient for success as a photographer?

I think really being able to see light and use it how you would like is incredibly important and often one of the hardest things to learn. I personally had a great base in using natural light from my wedding photography. I’ve applied many of the lighting techniques I learned taking portraits to my bird photography.

Ray Hennessy - Bird Photographer

How do you plan a day out for photography?

Most outings start well before sunrise for me. I love to be on location and ready to go as the sun is coming over the horizon. If it’s an overcast day then I’ll usually start later but often I’m leaving home in the dark. I gather my gear together the night before and make sure I have the proper clothing ready to go. Usually I’ll just shoot in the morning then wrap it up once the light starts to get harsh which can sometimes be only an hour or two after sunrise. When I’m planning on shooting all day long I’ll spend the middle of the day scouting new locations and then wrap up with another session of photography just before sunset.

Ray Hennessy - Bird Photographer

Your gear?

I use all Nikon gear, currently I shoot a Nikon D4s and mainly a Nikon 500mm f/4 VR lens for my bird photography. Occasionally I’ll add a Nikon 1.4x Teleconverter or use a Nikon 300mm f/4 PF lens. When shooting water or ground level I use a Naturescapes Ground Pod to keep a low angle perspective, other then that I like to be mobile so I use a monopod which is much more portable and flexible then a tripod in my opinion.

Ray Hennessy - Bird Photographer

Your inspiration?

Oddly enough I don’t spend a lot of time looking at other’s photography. I don’t have a lot of free time so I try to spend most of that working on shooting new photos or editing existing shots. In any case I tend to follow and gain inspiration from photographers who shoot very differently often using dramatic and creative lighting.

Ray Hennessy - Bird Photographer

Your favorite location?

I don’t have a specific location that I visit often so I don’t really have a favorite location. I will say my favorite thing is watching the sun rise while out in nature when it’s just me and the birds.

Ray Hennessy - Bird Photographer

Any final word of advice or thought for aspirants in this field?

I always tell people just getting into bird photography the best thing you can do to grow and learn this photography or any photography for that matter, is to get out and shoot. It can certainly be helpful to read, watch tutorials or take workshops but there is no substitute for getting out there and photographing birds yourself. Get out as often as you can and try capturing many different types of birds, you will learn many different skills when you try to photograph different species. Lastly, don’t be afraid to get dirty and go where other photographers don’t. It seems obvious when written out that to create unique images you should do something different but I can’t tell you how many times I see a group of photographers huddled together all taking the relatively same photo. There of course is nothing wrong with those photos but if you want to stand out from the crowd something as easy as standing in a different spot can help make that happen.

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

You can find Ray Hennessy on the Web :

Copyrights:
All the pictures in this post are copyrighted Ray Hennessy. Their reproduction, even in part, is forbidden without the explicit approval of the rightful owners.

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Dikan Center Accra Ghana Photography Library Opening

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Ghana has steadily become a cultural and artistic hotspot as of late. In terms of music, Vic Mensa and Chance the Rapper recently announced plans to launch the first ever Black Star Line Festival — deemed “a celebration of Pan-Africanism, building bridges between Black people and artists of The Diaspora with The Continent.” Across art, Accra’s own Amoako Boafa unveiled a new multi-purpose art space in the Ghanaian capital that will serve as a hub for the creative community.

Accra is also now home to the Dikan Center, Africa’s largest photography library. Founded by photographer and filmmaker Paul Ninson, the library boasts over 30,000 archival books that he’s collected from across the continent and the African diaspora. Dikan Center also features a photo studio, gallery, classrooms and space for workshops and a fellowship program aimed at visual artists and documentarians.

In an interview with the Guardian, Ninson spoke about the genesis for the non-profit center:

“I started buying African photo books, with the idea of sharing them with young photographers back home, but as my collection grew, it dawned on me that I could create a library dedicated to photography and visual education, so I started reaching out to booksellers for donations. I also received donations from private galleries and collectors.”

Dikan, which means “take the lead” in Asante, was specially chosen to carry Ghana’s rich photography lineage for a new generation of aspiring artists. Stay up to date with the new photography center on Instagram.

Elsewhere in art, Louis Vuitton and Yayoi Kusama team up for an ethereal night in Hong Kong.

Dikan Center
HR3J+GP2, Third Kaadjano St,
Accra, Ghana



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20+ Cute Dog Photos from the 2022 Dog Photography Awards

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Dog Running Agility

“The first obstacle of the course is the moment I prefer most of all. There, where it all begins, where the bond between Human and Dog is expressed in such a clear way by such a magnetic look, where you can see the power of dog’s muscles contracting and releasing energy at every handler’s nod.” (Photo: Francesco Junior Mura, 1st Place, Action)

For the second year, the Dog Photography Awards shines a spotlight on the best pet photography around the globe. This annual contest shows the artistry behind capturing the spirit of our furry friends in all their forms. From high-action shots to dogs at work to pensive portraits, the winning photographs are a tribute to these special animals.

Created by dog photographers Audrey Bellot and Claudio Piccoli, the contest invites professional and amateur photographers to enter their work into four categories—Action, Portrait & Landscape, Studio, and Dogs & People. After a strong showing, the pool of finalists was whittled down to the top three photographs in each category.

Francesco Junior Mura was awarded the top prize in the Action category for his striking photo of a collie on an agility course. With its body nearly flat, this collie rockets itself over the initial hurdle of the event and Mura was able to perfectly capture the strength and power of the moment.

Border collie Kyron is the star of the image that won the Portrait & Landscape category. The pooch was photographed while training as an avalanche rescue dog. In this exercise, Kyron was digging out photographer Dalia Fichmann, who was shadowing a rescue team in Switzerland. Right as the dog dug its way through the snow, she was able to snap this incredible portrait showing the intense concentration of the border collie at work.

In the Studio category, Su Kaye plays with our expectations of pet photography with an innovative take on a portrait. By capturing the underside of the French bulldog’s neck, we’re treated to the squishy wrinkles that are part of its unique character. Taking this artistic risk paid off with a win in the category.

Check out even more dog photography below; and, if you want to try your hand at capturing the spirit of your pet, check out the My Modern Met Academy online course on pet photography by renowned photographer Belinda Richards.

Check out the winners of the 2022 Dog Photography Awards.

Portrait of an Avalanche Rescuedog

“Away from the pistes, away from the hustle and bustle, enjoying the softness of the powder snow, the untouchedness. The dark side of it: every year people are buried by avalanches. The search in rough terrain is usually very difficult. The avalanche rescue dogs are often the first responders, fighting their way through the avalanche cones on their four paws with a lot of perseverance to look for the buried people, who are sometimes buried several meters under the snow masses. In Melchsee-Frutt (Switzerland) I have accompanied the rescue teams led by Nicole Dammann with the camera for a day. The dogs are trained using positive reinforcement to keep them enjoying the search. To capture the moment when the dog finds the buried person and digs through the snow, I lay down with the camera in a small, dark ice cave and let the dogs search for me. The moment when the snow cover opens up, the first ray of light penetrates the cave, the paws dig away the snow and the dog’s nose sniffs towards you is wonderful.
A big compliment to all the dog handlers with their four-legged friends who invest a lot of time and patience.
In an emergency, they risk their own lives. Thanks to all!
The picture shows Border Collie Kyron, who was looking for me and fortunately found me.” (Photo: Dalia Fichmann, 1st Place, Portrait and Landscape)

Dalmatian Running in the Water

“This was the first picture I edited after the workshop in Belgium with Claudio.
I saw it already during the shooting on the beach and it made me so excited. The post-processing was not easy because I don’t like the blue colour so much. It was really difficult to edit the picture in those blue tones because I feel more comfortable with the warm colors. At the End I was satisfied with the result and thankful for that workshop.” (Photo: Sylvie Lettal, Finalist, Action)

2022 Dog Photography Awards

“Just trying to do something different from the norm and create something unique in my studio and a new style. Not something I’ve seen other people doing and has created a great response and good reactions.” (Photo: Su Kaye, 1st Place, Studio)

2022 Dog Photography Awards

“Unconditional Love” (Photo: Sabrina Theden, 1st Place, Dogs and People)

Cute Dog Portrait

Photo: Fleur Scholte, Finalist, Portrait and Landscape

Pet photographers were asked to submit their work to one of four categories.

Dog Running in the Landscape

“I took this picture during our vacation in Norway. It was very foggy that day, so I wanted to create a friendly and sunny look.” (Photo: Julia Haßelkuß, 3rd Place, Action)

Dalmatian in Misty Landcsape

“This shot of Amber my Dalmatian is so special to me as this was one of the first walks we were able to do off lead since her two leg operations. It fills me with emotion seeing her so independent and captivated by the beauty of nature and wildlife.” (Photo: Sophia Hutchinson, 2nd Place, Portrait and Landscape)

Cute Greenland Dog Photography

“These photos are of Greenland Dogs (Greenlandic: Kalaallit Qimmiat, Danish: Grønlandshund) in Ilulissat, Greenland behaving naturally on the land provided to them by the government. There used be 30,000 Greenland Dogs and now there are only around 15,000. In Greenland they are exclusively used as working sled dogs. Climate change has reduced their use in favour of skidoos, which are better able to handle marginal ice conditions. Puppies up until about 6 months of age are allowed to roam untethered in order to socialize them and are friendly and playful. Adults are chained and kept separate. Housing and veterinary care is provided by the government.” (Photo: Joanne Liu, 3rd Place, Portrait and Landscape)

Dog Sitting on Bale of Hay

“An azawakh, on lookout. Always on look out and ready for action.” (Photo: Sanna Sander, Finalist, Portrait and Landscape)

Dog Color Powder Portrait

Photo: Desina Zbranková Albaniová, Finalist, Action

Dog Leaping in the Air Over Its Owner

“Took at sunrise in Slovenia. (Photo: Kjara Kocbek, 2nd Place, Action)

The photos highlight all aspects of our canine friends—from cute portraits at rest to dynamic action shots.

Portrait of Cute Dog

Photo: Cornelia Deigner, Finalist, Portrait and Landscape

Photo of Newborn Puppy Cupped in Someone's Hands

Photo: Daniela Schmid, 3rd Place, Studio

Woman and Her Dogs at Sunset

Photo: Sarah Ebner, 2nd Place, Dogs & People

2022 Dog Photography Awards

“Walking the dog along the beach. Photo taken by DJI Mavic Air2 drone of my partner walking our dog, Luna.” (Photo: Russell Charters, 3rd Place, Dogs and People)

2022 Dog Photography Awards

Photo: Elke Braet, Finalist, Portrait and Landscape

Terrier Dog Portrait

“Mimi’s Backstory” (Photo: Jane Thomson, 2nd Place, Studio)

Cute Dog in Fall Leaves

“Levy loves the nature. He enjoyed sitting between the coloured leafs and I took his nose up and smelt here and there… He looked happy and so I was happy to take this picture.” (Photo: Christin Scholz, Finalist, Portrait and Landscape)

Dachshund Peeking Out of Owner's Scarf

Photo: Emma Pope, Finalist, Dogs and People

2022 Dog Photography Awards

“Luis is our friend Karin’s Afghan, he’s relaxing on the couch.” (Photo: Tanja Zech, Finalist, Studio)

Dog Photography Awards: Website | Instagram | Facebook 

My Modern Met granted permission to feature photos by the Dog Photography Awards.

Related Articles:

12 Photographers Who Have Elevated Pet Photography Into an Art Form

Adorable Dog Photography That Will Make You Happy by Alicja Zmyslowska

Learn To Take Professional Photos of Your Pup in This Introductory Pet Photography Class

These Funny Animal Photos Are the Winners of the 2022 Comedy Pet Photography Awards



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33 Stunning Winning Photos From The Close-Up Photographer Of The Year 2022

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Here are the 33 stunning winning photos from the Close-Up Photographer Of The Year 2022. Over 9,000 pictures from 54 countries were entered this year across the eleven categories. Here in this gallery, you can find Winner, 2nd Place, and 3rd Place photographs across eleven categories: Animals, Insects, Butterflies and Dragonflies, Invertebrate Portrait, Micro, Young, Fungi, Plants, Intimate Landscape, Underwater, and Manmade.

This year Close-up Photographer of the Year was won by Canadian photographer Samantha Stephens for her photo titled “Nature’s Pitfall”. This photo is also the Overall winner & Animal category winner.

Congratulations to all the winners, you can find the full gallery from the below link.

You can find more info about The CUPOTY:

#1 Close-up Photographer of the Year, Overall winner & Animals winner – “Nature’s Pitfall” by Samantha Stephens

Close-Up Photographer Of The Year 2022

‘Northern Pitcher Plants (Sarracenia purpurea) are carnivorous, allowing them to survive in nutrient-poor bog environments. Here there is no rich soil, but rather a floating mat of Sphagnum moss. Instead of drawing nutrients up through their roots, this plant relies on trapping prey in its specialised bell-shaped leaves, called pitchers. Typically, these plants feast on invertebrates – such as moths and flies – but recently, researchers at the Algonquin Wildlife Research Station discovered a surprising new item on the plant’s menu: juvenile Spotted Salamanders (Ambystoma maculatum).

This population of Northern Pitcher Plants in Algonquin Provincial Park is the first to be found regularly consuming a vertebrate prey. For a plant that’s used to capturing tiny invertebrate, a juvenile Spotted Salamander is a hefty feast!

On the day I made this image, I was following researchers on their daily surveys of the plants. Pitchers typically contain just one salamander prey at a time, although occasionally they catch multiple salamanders simultaneously. When I saw a pitcher that had two salamanders, both at the same stage of decay floating at the surface of the pitcher’s fluid, I knew it was a special and fleeting moment. The next day, both salamanders had sunk to the bottom of the pitcher.’


#2 Animals, 2nd Place – “The Footprint Friend” by Juan J. Gonzalez Ahumada

Close-Up Photographer Of The Year 2022

‘As this pond dried up near Monda, Spain, hundreds of miniature toads, barely a centimetre in size began to wander around seeking refuge. A pair of them found safety in the huge paw print of a mastiff that was left in the mud when it came to quench its thirst at the water’s edge.’


#3 Animals, 3rd Place – “A Tale in the Sand” by Paul Lennart Schmid

Close-Up Photographer Of The Year 2022

‘After three luckless attempts of searching for Sahara sand vipers (Cerastes vipera) in rainy conditions, we finally had a dry day and night that brought us success. We followed the tracks of this snake for over a hundred metres through the dunes of the Negev desert in Israel. At times, our eyes were almost directly over the sand so as not to lose the trail. We even saw that it had crossed our foot tracks from earlier in the night. After quite a while we finally found this specimen digging itself into the sand to get into an ambush position, right next to the tracks of a dune gecko (Stenodactylus petrii) that had turned around at the right moment before becoming a meal.’


#4 Insects, Winner – “Intruder” by Anirban Dutta

Close-Up Photographer Of The Year 2022

‘Before the start of the monsoon every year, some species of termite swarm in the late afternoon and early evening – this behaviour is known as nuptial flight. One day I witnessed this event near a petrol pump in the town of Cooch Behar, India. There were thousands of termites drawn to the powerful street light, and one black drongo. This bird spent almost 20 minutes swooping through the termites, snatching and eating them as it went.

I shot multiple exposures to capture this event, which I had never seen before. Three frames were recorded and combined in-camera. The first one with a high shutter speed and in Kelvin white balance, the second with a high shutter speed isolating the drongo and the third with a slow shutter speed in Tungsten white balance.’


#5 Insects, 2nd Place – “Violet Ghost” by Bernard Van Elegem

Close-Up Photographer Of The Year 2022

‘This ground beetle Carabus germari is locally common in forests of Italy and Slovenia. The species is mostly active during the night, but when sexually active the beetles can also be found running or foraging during the daytime. I found this beetle running along a small forest road one hot July evening in Boca de Piombo, Albaville, Italy.

I have taken several hundred images of running ground beetles over the years, but it is extremely difficult to get a decent image. The beetle often moves in several directions while he runs: his body moves up and down and often from the left to right or vice versa… Moreover, it is very difficult to keep the beetle in focus while following him with a macro lens that has a very small depth of field.

In this instance, I noticed that the beetle was running through sunny patches every so often. I knew this could have the same effect as a fill in flash, but with the beautiful, natural colours of the evening light. My aim was to have an image showing enough movement to illustrate the speed of the beetle, while illustrating the elegance of the beetle with its superb violet and turquoise colours. Much to my surprise one image came close to what I had in mind!’


#6 Insects, 3rd Place – “Little Naughty Draw Circle” by Minghui Yuan

Close-Up Photographer Of The Year 2022

‘The beetle Aplosonyx nigriceps has developed a clever tactic to be able to eat the Alocasia macrorrhiza leaves and avoid the toxic alkalis that the plant secretes. It nibbles a 3cm circle on the leaves to cut off the toxin transmission before feasting inside the circle free of poison.

This example was photographed in Nonggang National Reserve, Guangxi Province, China.’


#7 Plants, Winner – “Next To My Tree” by Sébastien Blomme

Close-Up Photographer Of The Year 2022

‘Snake’s-head fritillary is one of my favourite flowers. This one was taken in the city of Toulouse, France. It usually grows on wet meadows but can also be found in forests. In this image, I wanted to introduce some context, but keep the flower as the centre of interest. I managed to get a tree in the background and decided to keep it out of focus so that its shape is only suggested.’


#8 Plants, 2nd Place – “Thawing Beauty” by Jay Birmingham

Close-Up Photographer Of The Year 2022

‘I am fortunate enough to live near a location where snake’s head fritillaries grow natively. Broad Meadow, near Tamworth in the UK, floods regularly and creates the ideal conditions for these beautiful flowers. The flowers move easily in the wind, so I waited for a morning where there was no breeze. There had also been an overnight frost. This combined with the mist and rising sun, created some beautiful conditions for photography.

In order to maximise focus and make sure the flower stood out against the background, I shot wide open at f/2.8 using a 180mm macro lens. I then stacked a few images together where I had focused on different parts of the flower.’


#9 Plants, 3rd Place – “Sun Worshippers” by Henrik Spranz

Close-Up Photographer Of The Year 2022

‘Three greater pasque flowers (Pulsatilla grandis) right after sunrise in early spring near Vienna – with Sahara dust in the air. It’s a rare occasion and always gives an unreal light condition.’


#10 Fungi, Winner – “Ice Encrusted Comatricha” by Barry Webb

Close-Up Photographer Of The Year 2022

‘In January last year, following two days of freezing fog and sub-zero temperatures, I found some mature Comatricha, growing on an old fence post lying on a pile of discarded, rotting timber. I was attracted to the way the ice had encased the slime mould, creating strange, windswept, leaf-like shapes. The tallest one was only 3mm high, including the ice. The final image is the result of 55 focus-bracketed images combined in Zerene Stacker.’


#11 Fungi, 2nd Place – “Scarlet Waxcap in Early Morning Dew ” by Jeremy Lintott

Close-Up Photographer Of The Year 2022

‘Arriving early on a beautiful misty morning to meet a fellow enthusiast for a day of fungi photography at Ebernoe Woods last October, I spotted a large number of waxcaps growing around the periphery of a nearby cricket pitch. The whole area was covered in spider webs and early morning dew creating an ethereal scene. Using a small beanbag to rest my camera at ground level I took a series of 12 focus-bracketed images at a wide aperture. This enabled me to achieve maximum detail in the waxcap whilst maintaining the soft back- and foreground.’


#12 Fungi, 3rd Place – “Slime Mould Didymium Squamulosum on Holly Leaf” by Andy Sands

Close-Up Photographer Of The Year 2022

‘Many happy hours in winter can be spent crawling around under a holly tree searching for slime moulds. This tiny slime mould, around 1mm tall, often grows in leaf litter. These three were found growing along the edge of a holly leaf in a Hertfordshire woodland in January.

The challenge photographing slime moulds such as these is their tiny size. I used my 60mm Macro lens with three extension tubes mounted between the lens and camera to achieve the required magnification. I then used focus bracketing to take a series of images in natural light, 28 in total, and combined them in post production at home using Zerene Stacker.’


#13 Underwater, Winner – “Little Predator” by Viktor Lyagushkin

Close-Up Photographer Of The Year 2022

‘This is a Lucernaria quadricornis (Stauromedusae), a stalked jellyfish, photographed beneath the ice of the White Sea in Russia – the only freezing sea in Europe. The green colour of the water is a sign of spring as algae grows.

The “leg” of the jellyfish helps it to attach to a stone or seaweed. Its tentacles project up or down, waiting for prey. If its hunt is successful, it catches the prey and collapses its tentacles into a fist. If the hunting site is no good, Lucernaria walks away on its “leg” or sometimes its “hands”.’


#14 Underwater, 2nd Place – “Beauty and the Beast” by Kate Jonker

Close-Up Photographer Of The Year 2022

‘As I was shallowing up after a 25-metre dive at Steenbras Deep in the centre of False Bay, South Africa I came across a small patch of Mediterranean mussels. This invasive species, brought to the waters off Cape Town in the bilge of passing ships in the 1980s, is a beast, replacing the colourful marine life on shallower sections of some reefs with dark patches.

Whilst I was investigating the impact these mussels were having on this particular section of reef, I found a beautiful Bluespotted klipfish (Pavoclinus caeruleopunctatus) perched amongst the mussel shells. He peered up at me cautiously, watching my attempts to battle the surge whilst photographing him with a shallow depth of field. My aim was to capture his beauty whilst softening the sharp edges of the mussels. A challenge not only due to the limited dive time I had remaining, but because of the surge that was washing me to and fro whilst I tried to focus on his eye.’


#15 Underwater, 3rd Place – “The Martian” by Pietro Cremone

Close-Up Photographer Of The Year 2022

‘At night, many planktonic forms of animals come up from the deep sea, making it possible to take pictures of these fantastic critters. This is the larval form of a mimic octopus (Wonderpus photogenicus). It was taken while I was floating 300ft below the surface at Anilao, Philippines in complete darkness without any points of reference.’


#16 Butterflies & Dragonflies, Winner – “Veiled” by Wim Vooijs

Close-Up Photographer Of The Year 2022

‘I found this dew-covered male Banded Demoiselle on a reed stem among the streams near my hometown, Ede in the Netherlands. Banded Demoiselles are easy to approach as they rest and dry in the early morning. I tried to find an angle that would produce bokeh bubbles in the warm light, creating the atmosphere that I desired in the picture.

I like to emphasise the beauty of these insects by showing their strength and vulnerability. I’m not after a record shot, more an emotional portrait – maybe this is due to my background as a portrait photographer.’


#17 Butterflies & Dragonflies, 2nd Place – “Atlas Moth” by Uday Hegde

Close-Up Photographer Of The Year 2022

‘This beautiful Atlas moth (Attacus atlas) was found during my daily walk in our areca nut plantation in Sirsi, India. As our plantation is surrounded by evergreen forest a lot of frogs, snakes, insects and butterflies take shelter there.

These huge moths often have a wingspan that extends beyond nine inches. I wanted to show the moth in its habitat, so I decided to shoot this picture with a wide-angle macro lens. I set-up the camera, tripod, flash and trigger away from the moth so that it would not get disturbed. Once I felt happy with the set-up I placed my camera near the moth, composed the frame and took 5-6 shots.’


#18 Butterflies & Dragonflies, 3rd Place – “Common Winter Damselfly” by Kai Rösler

Close-Up Photographer Of The Year 2022

‘This picture was taken in July, in a small nature reserve close to the town of Fribourg, Switzerland. The damselfly was sitting on a blade of grass, but flew away when I slowly approached, eventually placing itself on the tip of these grass spikelets. I managed to take some shots, trying to align my camera with the body of the damselfly. The constant moving of the grass caused by the wind and the insect’s movements made things tricky, but after a few seconds, despite the damselfly flying off, I had my shot.’


#19 Invertebrate Portrait, Winner – “Mayan Derriere” by Jamie Hall

Close-Up Photographer Of The Year 2022

‘This Triangular Spider species (Arkys curtulus) is an ambush predator, not a web-based hunter like most. To hunt its prey, it sits compact and curled up on a leaf, mimicking bird poo or other bio-debris. Balanced abdomen-side down, eyes up, it looks to the sky and watches for an unsuspecting fly or other insect to wander onto the leaf. The abdomen on this species has some very pronounced and interesting markings, which reminded me of the Mayan carvings on rocks and stone. This individual was photographed in a conservation park in Brisbane, Australia.’


#20 Invertebrate Portrait, 2nd Place – “Gordian Worm Knot” by Ben Revell

Close-Up Photographer Of The Year 2022

‘It was early autumn as a friend and I were exploring the rainforest creeks of the Australian Sunshine Coast Hinterland by night when we stumbled upon this remarkable scene. Emerging from the abdomen of a fire back huntsman spider was this long cylindrical worm. I had read about these horrific creatures before, but this was the first time I had witnessed a Gordian Worm.

Named after the impossible knots they form when out of water, these parasitic worms thankfully only infect invertebrates. After hatching, their microscopic larvae swim free in water and are ingested by drinking insects. They grow inside the stomach of the insect until they move through the stomach lining and begin devouring the non-vital organs of its victim. Reaching maturity, the worm releases a mind controlling agent, forcing its now zombie like host to walk to water where it bursts through the abdomen and drops into the water to complete its life cycle.’


#21 Invertebrate Portrait, 3rd Place – “Shining Snail” by Alex Pansier

Close-Up Photographer Of The Year 2022

‘A common snail on a blade of grass, taken with a flash, so that the detail can be seen nicely against a dark background.’


#22 Intimate Landscape, Winner – “Frequency” by Mike Curry

Close-Up Photographer Of The Year 2022

‘This is a reflection of a building at Canary Wharf in London taken in November. The water was moving in a very fluid way and I was there to try out my new Sony DSC-RX100M6 – I was particularly keen to test the camera’s fast burst and slow motion video modes. I was struggling to get it to focus on the water’s surface, but after about two hours of failed attempts it suddenly worked, and the results were amazing!’


#23 Intimate Landscape, 2nd Place – “Artwork of Nature II” by Klaus Axelsen

Close-Up Photographer Of The Year 2022

‘A July capture from Marmorslottet in Nordland, Norway. The rock formations and the water flowing through it invited an intimate capture of the details and structures of these unique rock formations and potholes.’


#24 Intimate Landscape, 3rd Place – “Sea in Fan” by Angelo Richardson

Close-Up Photographer Of The Year 2022

‘The steady trade winds and the waves they produce, make the rugged northeast coast of the island of Aruba, in the Dutch Caribbean, a true beachcombers paradise. These sea fans are one of the most common jewels you can find there along the beach. I dipped one into the sea and photographed the waves crashing on the rocks through it. The tiny seawater lenses captured a different view of that same moment.’


#25 Manmade, Winner – “Oil & Water 44” by Matt Vacca

Close-Up Photographer Of The Year 2022

‘This picture was captured as two drops of oil were merging. I’m intrigued by polarity and experimenting with oil and water has become a rich source of abstract expression. The symbiotic relationship that evolves from naturally opposing elements has become metaphoric for me. I am constantly learning and finding new inspiration, as I watch and continue to be fascinated by the dance that plays out through a macro lens.’


#26 Manmade, 2nd Place – “Fishing Nets” by Nigel Halliwell

Close-Up Photographer Of The Year 2022

‘Many landscape photographers with an interest in manmade and abstract subjects will know of Dungeness on the Kent Coast, UK. It was there that I came across this bundle of fishing nets. The striking blue colour initially drew me to this composition. But as I looked more closely the S-shape coming out of the lighter blue net convinced me to set-up my large-format Ebony camera and capture a couple of frames of Velvia 50.’


#27 Manmade, 3rd Place – “Colour Study 35” by Paul Gravett

Close-Up Photographer Of The Year 2022

‘Despite their painterly appearances, each Colour Study starts with a camera and a series of photographs of papers and colour acetates, layered three to five deep on a stack of glass shelves. The images are layered and blended in the computer to create abstractions that reference contemporary art, including pointillism, colour fields, transparencies, collage, and painterly techniques. The hallmark of this experimental process is unpredictability and discovery, leading to startling and unexpected images that blur the boundary of photography and contemporary art, and trick the eye and test our assumptions about photography.’


#28 Micro, Winner – “Batrachospermum Red Algae” by Marek Miś

Close-Up Photographer Of The Year 2022

‘I took a sample of Batrachospermum (a kind of red algae) from a small river in Wigry National Park, Poland. Although it has natural beauty, it doesn’t look great using bright-field illumination. However, by combining polarised light and darkfield techniques I managed to get a colourful and interesting picture.

It was challenging to show more than one or two “twigs” of algae, because even a 4x microscope objective shows too small a part. To capture it properly, I made a panorama consisting of nine images stitched together during post-processing. To expand the depth of field, which is very shallow using a microscope, each of the nine images consist of several frames combined in one output image in Helicon Focus. The final image is the result of combining more than 100 separate shots.’


#29 Micro, 2nd Place – “Pollen Tubes Growing Through the Pistil of Arabidopsis Thaliana” by Jan Martinek

Close-Up Photographer Of The Year 2022

‘In this fluorescence microphotograph, you can see yellow pollen tubes growing through the blue pistil of Arabidopsis thaliana (Thale cress) to fertilise the eggs. This sample was chemically cleared, so the plant tissues become partially transparent, and the pollen tubes growing inside the pistil can be seen.’


#30 Micro, 3rd Place – “Schistidium Capsule” by Harald Cederlund

Close-Up Photographer Of The Year 2022

‘I am fascinated by the Schistidium mosses. The intricate capsules look like tiny flowers when viewed up close. With the peristome teeth extended, the capsule is only about 1mm wide, yet from afar the mosses often give a drab blackish impression. They thrive on exposed surfaces such as rocks on the shoreline or forest edge and persist unnoticed on concrete slabs in city locations. I picked this one up from a concrete foundation close to where I live in Ulleråker, Sweden and shot it in my living room. By combining long exposures with a flash I could create some ambience and not just a black background.’


#31 Young Close-Up Photographer Of The Year – “Hemitrichia calyculata” by Nathan Benstead

Close-Up Photographer Of The Year 2022

‘I was walking through my local woodland, inspecting rotten logs and sticks last winter, when I came across a log covered in slime mould fruiting bodies or sporangia. I set up my camera gear and focused on a small cluster amongst the moss.’


#32 Young CUPOTY, 2nd Place – “Demoiselle Wing” by Nathan Benstead

Close-Up Photographer Of The Year 2022

‘The wing of the damselfly is incredibly detailed and delicate. The banded demoiselle (Calopteryx splendens) males have dark coloured bands on their wings, which I decided to try and photograph on my trip to the New Forest, Hampshire back in June. After finding a stunning male individual I set my lens to 2x magnification to get as close as possible and took the shot. You can see the drops of dew on the wing as the image was taken very early in the morning. I then left the demoiselle to dry off and warm up in the early morning sun.’


#33 Young CUPOTY, 3rd Place – “Doner Kebab and Pizza” by Anton Trexler

Close-Up Photographer Of The Year 2022

‘In Berlin there is a lot of urban wildlife, such as this population of starlings living at Alexanderplatz. When my photographer friend Richard Pohl and I tried some creative photography we noticed the birds eating the leftovers from humans. I positioned my wide-angle lens on the table and triggered the camera wireless when the starlings came close to it. With this picture I want to show the coexistence between human and nature and how interesting and diverse this relationship can be.’


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Sophia Lawson’s Debut Photography Show Celebrates Her Second Home, the Mohawk: Sabrina Ellis performs at Lawson’s “Still Sounds” on Wednesday – Music

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Black Midi in Sept. 2022 (photo by Sophia Lawson)

For Sophia Lawson, Red River Street institution the Mohawk represents her starting point in the local music scene. The former Mohawk intern’s name is set to adorn the chalkboard marquee for her debut exhibition, “Still Sounds,” celebrating a decade in freelance photography.

“Mohawk is the place where I’ve seen and photographed the most shows,” says Lawson, also a former part-time marketing employee at the ‘Hawk. “Its mantra is ‘All Are Welcome,’ and that’s why I love it. It’s a second home for me. I can go to a show there alone and not feel alone.”

“Still Sounds” – on Wednesday, Jan. 18, 7pm – is free, with RSVP required through the Mohawk website. The gallery will include 14 framed poster-sized photographs by Austin native Lawson. The one-night photo show also promises a solo performance by Sabrina Ellis of A Giant Dog and Sweet Spirit, and pizza from neighboring Hoboken Pie.

The selected images – including photos of Japanese Breakfast, Phoebe Bridgers, Big Freedia, and Spoon – commemorate a few of the venue’s best moments since reopening in May 2021.

Sophia Lawson (photo by Jake Villarreal)

“I tried to feature the entire decade, but it was too much to sift through,” Lawson says. “When I decided to narrow it down, I thought of how proud I was that Mohawk bounced back from the pandemic, so I wanted to feature images from this time period.”

As the milestone of 10 years in concert photography approached, Lawson wanted to showcase her work in a physical medium – a genuine attempt to differentiate from the experience of observing photos via social media. She took the idea to friend and Mohawk production manager Zach Teesdale, who eventually looped in brand manager Heather Kaplan. From there, the inklings of a celebration transformed into a fully formed exhibition.

“It’s very rare [that] photos are printed and shared, particularly with this subject matter,” Lawson says. “Seeing the scale and the color of these images in person, versus pulling it up on Instagram, is a huge contrast. Showing these photos will hopefully allow people to look back on their own experiences at Mohawk.”

Alongside traditional prints, video snippets and images taken by Lawson will be shown on walls of retro CRT TVs and projections in a visual installation designed by local Phantastic Lights, who provided lighting design for the Black Angels on their fall tour. Lawson says her visual style is more documentary than graphic art, with intentional uses of color, saturation, and placement. Additionally, the “Still Sounds” selection depicts how versatile a photographer must be at Mohawk, because, unlike other venues, there’s no photo pit or designated area for shutterbugs.

“Mohawk is not an easy place to shoot, because you’re kind of going against the crowd,” Lawson says. “Sometimes a hand flies up in front of you and ruins your shot.”

Self-described as reserved and shy, Lawson remains her toughest critic and often battles imposter syndrome. But with the support of her friends and peers, she’s excited to showcase at her second home in a way she didn’t think possible a few months ago.

“That’s why this works – I know the space so well, I know the people so well,” Lawson describes. “I have great photographs from other places, venues, and artists, but this idea was strictly Mohawk. I didn’t think it would make sense to show any of these photos anywhere else.”



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Rest of World Photography Contest 2023 ($1,000 cash prize)

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Deadline: January 31, 2023

Applications are invited for the Rest of World Photography Contest 2023. Drones flying vaccines to remote communities in Nepal. App-based delivery drivers navigating traffic in Bangkok. Nickel mining in the jungles of Indonesia. Technology is all around us, changing the way we live and engage with others.

This year, Rest of World wants to see how you are experiencing these profound changes, and how tech impacts you and your communities — from how you work to how you shop to how you eat. For the inaugural Rest of World Photography Contest, they want to see your images of technology’s impact.

Prizes

  • The first-place winner will be awarded a $1,000 cash prize.
  • The second- and third-place winners will be awarded $500 and $250, respectively.

Eligibility

  • Open to photographers of any skill level, living and working in the non-Western world.
  • Each photographer may enter a single image made within the last three years. 

Application

Photographers may submit one image to the contest. Images should be no less than 2,500 pixels on their longest side and in JPG format. They should be emailed to [email protected] with “Photography Contest” in the subject line.

The email must include the photographer’s full name and location, as well as a one- or two-sentence description of the image. Any submission that does not follow these guidelines will be disqualified.

For more information, visit Rest of World Photography Contest.

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CJPOTY round twelve winners – Camera Jabber

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The theme for the twelfth round of the Camera Jabber Photographer of the Year (CJPOTY) competition was ‘Food, glorious food’ and our mouths were watering as we selected our favourite images.

Now, we can reveal that the following images will go onto our shortlist to be judged by our illustrious panel over the next few days.

One of these ten shortlisted images has also been selected as the round winner with the photographer being awarded a voucher from MPB worth £500 – scroll down to find out who.

CJPOTY December 2022 Wonderful Woodlands shortlisted images

Sara Jazbar

CJPOTY round twelve winners

Although Sara’s images have featured several times in the CJPOTY shortlist, and two of her images feature in this month’s selection, this is the first time that we’ve seen any of her images captured on her new Nikon Z9 with the Nikon Z 70-200mm f/2.8 VR S she bought from MPB using some of her winnings. Sara says, ‘This picture was taken in Bhaktapur, in Nepal. It was the first vacation I took in an eastern country and was amazed by the people. I don’t usually photograph humans, but in Nepal, the people were the thing that mostly appealed to me. Their way of life, their calm, reflecting nature simply touched my heart.’

CJPOTY round twelve winners

This is another image that Sara shot in Nepal using her new Nikon Z9. This time she was in Bandipur and she used her Nikon Z 24-70mm f/2.8 S lens.

John Thorndike

CJPOTY round twelve winners

Several of John’s images have featured in our shortlist, but this is the first studio image we have seen from him and we love it. It has a very attractive ‘Old Masters’ look to it but it was captured using a Canon EOS 5D Mark II with a Canon EF 24-105mm f/4L lens mounted.

Linda Wride

CJPOTY round twelve winners

Linda tells us, ‘I photographed this stall holder at a food market in Santa Cruz, Bolivia. I loved the way she was surrounded by pink sacks containing the most luscious looking vegetables!’ Linda shot the image with her Nikon D750.

Emma Dunham

CJPOTY round twelve winners

Emma’s vision and creativity is clear in this stunning image of Medusa, the mythical greek goddess with a headdress made from spring onions, leeks and Romanesco. The image was captured using Emma’s Nikon D810.

CJPOTY round twelve winners

Emma’s second shortlisted image, also captured with her Nikon D810, is very different from her first and it really makes your mouth water. As she says, ’10 pancakes, blueberries, icing sugar and syrup – what could go wrong…’ We’re placing our breakfast order now!

Fo Bugler

CJPOTY round twelve winners

Fo used her imagination to create this fabulous image with her Canon EOS 5D Mark II and Canon EF 24-105mm f/4L lens. We don’t know if you used this image for your Christmas card, Fo, but you definitely should, it’s brilliant.

CJPOTY round twelve winners

If Fo’s second shortlisted image doesn’t make you want to pop the kettle on and make a cup of tea to go with the pie, then nothing will. The pie looks delicious and the surroundings complement it perfectly.

Booker Skelding

CJPOTY round twelve winners

Booker has managed to give a sense of temptation and danger in this shot. We love simplicity of the image and the lighting is perfect. Captured using a Nikon D750.

Nadja Wendt

CJPOTY round twelve winners

Nadja’s image is another that is reminiscent of an Old Master painting. The colours, tone and lighting combine well to make an attractive image that would look great framed on the wall of a dinning room.

CJPOTY December 2022 winner: Fo Bugler

CJPOTY round twelve winners

Congratulations Fo, a voucher to the value of £500 from MPB is heading your way!

Fo’s image will join the other 119 images that have been shortlisted throughout 2022 and we’ll be announcing the overall winner very soon. In the meantime, why not enter the new Camera Jabber Photographer of the Year competition? The theme for January is ‘Winter’.

CJPOTY January 202w: Winter

Winter can seem a very bleak time, but it’s also wonderfully photogenic and there are lots of suitable subjects such as frosty landscapes, snowball fights, wintery details and cosy fireside scenes. 

You can submit up to three entries for £2.00 plus payment processing costs (£0.26). Images should be Jpegs and at least 1920 pixels along their longest side but no larger than 1MB.

This round of our monthly competition is open for submissions until 23:59 GMT (00:59 CET and 15:59 PST) on 31st January.

To submit your entry visit cjpoty.com or click on the ‘CJPOTY’ button at the top of this page. You can submit up to three entries for £2.00 plus payment processing costs (£0.26). Images should be Jpegs at least 1920 pixels along their longest side but no larger than 1MB.

Camera Jabber Photographer of the Year prizes

At the end of the month, the Camera Jabber team will pick one winning image and nine runners up from the December entries. The photographer of the winning image will receive a voucher from MPB.com to the value of £500 which can be spent on anything from a huge range of kit from the World’s biggest platform for used photographic gear.

All 10 of the selected images will go into our shortlist for the year.

We’ll do this each month in 2023 so that by the end of the year, there will be 120 shortlisted images. These will then go before our fantastic panel of judges (to be announced soon) who will decide the 1st, 2nd and 3rd-placed images.

The photographer of the first-placed image overall, as decided by the panel of judges , will receive a voucher to the value of £1000 from MPB.com as well as a trophy and the title ‘Camera Jabber Photographer of the Year 2023‘. The photographers who come second and third will receive vouchers worth £500 and £250 respectively.

MPB

About MPB

Founded by Matt Barker in 2011, MPB is the world’s largest platform for used photography and videography kit. MPB has transformed the way people buy, sell and trade equipment, making photography more accessible, affordable and sustainable.

Headquartered in the creative communities of Brighton, Brooklyn and Berlin, the MPB team includes trained camera experts and seasoned photographers and videographers who bring their passion to work every day to deliver outstanding service. Every piece of kit is inspected carefully by product specialists and comes with a six-month warranty to give customers peace of mind that buying used doesn’t mean sacrificing reliability.

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Dramatic Art Photography By Sukron Mamun Which Will Leave You Speechless

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Some eternal bliss in the name of photography or photo art however you may call it. Meet Sukron from Indonesia who does wonders with his incredible style of photography. There is a wonderful fusion between photography and art with his works which makes us go in awe, the perfection he derives from his creations is stellar in every aspect of photography.

As he himself calls it as photo-art but Ipoenk does apply the conventional rules of photography. We do know that art doesn’t have rules and if it does have a few, photography is no distant either. Let us get to hear more from the photographer himself.

Can you please introduce yourself?

My real name is Sukron Ma’mun a.k.a Ipoenk Graphic. I am a simple man who was born and brought up in Cirebon, West Java, Indonesia. I’m a professional photographer. I do Wedding photography as my profession and Photo Art is just the other side of my artistic soul.

Can you please explain the flow behind your photo art?

Photo Art for me is a form of the unusual genre of photography. This is all about a photo containing elements of drama inside it with every character nuance, be it the dramatic lighting, dense fog, or vibrant color.  I really love the idea behind a photo montage, but it is very important to apply the basic rules of photography.

Your Inspiration?

Many great photographers in the world and of course from Indonesia too, hve inspired me a lot.

Any Tips for our readers?

My principles and tips would be, Please just select a genre of photography that you love, because with love you will live and pursue it well, until finally we can provide the best and be one of the best. Keep shooting and enjoy.

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Dramatic Art Photography By Sukron Mamun

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Dramatic Art Photography By Sukron Mamun

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Dramatic Art Photography By Sukron Mamun

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Dramatic Art Photography By Sukron Mamun

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Dramatic Art Photography By Sukron Mamun

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Dramatic Art Photography By Sukron Mamun

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Dramatic Art Photography By Sukron Mamun

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Dramatic Art Photography By Sukron Mamun

You can find Sukron Ma’mun on the Web:

Copyrights:
All the pictures in this post are copyrighted to Sukron Ma’mun. Their reproduction, even in part, is forbidden without the explicit approval of the rightful owners.

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