What is aperture in photography?

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What is aperture in photography? The term aperture refers to the opening of a lens’ diaphragm – essentially a hole through which light passes to reach the camera. By changing your aperture, you can change and control how much light enters the camera sensor from your lens.

Key to understanding what is aperture in photography, you need to know that the size of the opening is calibrated in “stops” of light – also known as f-stops (more on f-stops here) and this numerical value also describes the ratio of a lens’ focal length (the “f”) to the diameter of the opening.

Each successive stop is half as bright as its predecessor – which is a bit confusing, so a larger f-number actually means a smaller aperture. Thus f/2 is half as bright as f/1.4, f/2.8 is half as bright as f/2, and so on.

Aperture is one of the three fundamental pillars of the exposure triangle, (the other two being shutter speed and ISO), and it helps to be familiar with how these three elements come together to make up a correct exposure.

What is aperture in photography: the physical side

The concept of aperture can at first be tricky to grasp, but the physical side is simple!

An aperture itself (the opening) is formed by intersecting blades. Different lenses have a different number of blades, and these can move to make the opening larger or smaller depending on the f-stop that you select.

The aperture assembly is located in the barrel of the lens, between the lens elements. A motor opens and closes the aperture each time the shutter is fired. This matches the f-stop set by you on your camera, and the focal length used.

Here's our cheat sheet, previously formatted for Digital Camera Magazine. Download the image and save it to your phone's camera roll for quick reference

Here’s our cheat sheet, previously formatted for Digital Camera Magazine. Download the image and save it to your phone’s camera roll for quick reference

What happens when you change the aperture?

Here's our second aperture cheat sheet

Here’s our second aperture cheat sheet

Most lenses use a standard scale of f-stops to indicate the size of the aperture, although as we’ve already mentioned, each lens will have a determined aperture range depending on its design. For example, the best portrait lenses tend to have a wider maximum aperture, along with fast prime lenses.

There are two reasons why you’d want to change the aperture; to let in more or less light for your exposure, and to control the depth of field. A wider aperture will let in more light and give you a more shallow depth of field, while a narrow aperture lets in less light but means more of a scene will be in sharp focus.

The cheat sheet above explains when and why you would use narrow and wide apertures, either to let in more light to the sensor in low-light conditions or to use depth of field creatively to blur the background of your image.

Aperture explained at a glance

  • Aperture is calibrated in f-stops.

  • A smaller, narrower opening gives more depth of field.

  • An aperture of f/22 is narrower than f/4.

  • Your maximum or widest aperture is determined by your lens.

  • The diameter of the aperture is focal length divided by the aperture value. So the diameter of an f/4 setting on a 100mm lens is 25mm (100mm divided by four). The diameter of an f/4 setting on a 28mm lens is 7mm (28mm divided by four).

Use the handy cheat sheet above to see this all for yourself. And make sure to keep us bookmarked for more great photography cheat sheets, along with all our general photography tips

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44 Winning Photos Of 2023 reFocus World Photo Annual Awards

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The 2023 World Photo Annual contest hosted by reFocus Awards has unveiled its winners for Photographers of the Year, marking the contest’s debut year. This year’s competition attracted submissions from participants representing 70 countries, making it the most globally diverse event in reFocus Awards’ history.

The reFocus World Photo Annual contest distinguishes photographers into two categories: professionals (Photographer of the Year) and non-professionals (Discovery of the Year). Each of these primary categories is further divided into 22 distinct genre categories. The victors in each genre category have the chance to claim the coveted titles of “Photographer of the Year” and “Discovery of the Year.” The Photographer of the Year will receive a $3,500 prize, while the Discovery of the Year awardee will be rewarded with $1,500.

The winning images encapsulate a broad spectrum of subjects, ranging from the historical eruption of Mauna Loa to a unique perspective on the streets of Shanghai, mesmerizing macro shots of magnetic fluid, captivating wildlife from diverse ecosystems, poignant portrayals of the ongoing conflict in Ukraine, the enigmatic Asaro Mudmen in Papua New Guinea, and a plethora of other captivating subjects.

Scroll down and inspire yourself, Check their website for more information.

You can find more info about The Natural History Museum (NHM):

#1 International Photographer of the Year – Jatenipat Ketpradit

Refocus World Photo Annual Awards Winners

#2 International Photographer of the Year – Jatenipat Ketpradit

Refocus World Photo Annual Awards Winners


Professional Category Winners

#3 Abstract by Jacques Garnier

Refocus World Photo Annual Awards Winners

#4 Advertising and Commercial by Ramiro Salazar

Refocus World Photo Annual Awards Winners

#5 Aerial by Brad Walls

Refocus World Photo Annual Awards Winners

#6 Architecture by Jonathan Ducrest

Refocus World Photo Annual Awards Winners

#7 Conceptual by Laura Zalenga

Refocus World Photo Annual Awards Winners

#8 Domestic Animals by Travis Patenaude

Refocus World Photo Annual Awards Winners

#9 Events by Cody Roberts

Refocus World Photo Annual Awards Winners

#10 Fasion and Beauty by Roger Erickson

Refocus World Photo Annual Awards Winners

#11 Film/Analog by Kelly-Ann Bobb

Refocus World Photo Annual Awards Winners

#12 Fine Art by Sander Vos

Refocus World Photo Annual Awards Winners

#13 Landscapes by Cody Cobb

Refocus World Photo Annual Awards Winners

#14 Minimalism by Mario Tarantino

Refocus World Photo Annual Awards Winners

#15 Nature by Gianni Maitan

Refocus World Photo Annual Awards Winners

#16 Photojournalism by Lenka Klicperová

Refocus World Photo Annual Awards Winners

#17 Portrait by John T. Pedersen

Refocus World Photo Annual Awards Winners

#18 Sports by Alain Schroeder

Refocus World Photo Annual Awards Winners

#19 Still Life by Tina Sturzenegger

Refocus World Photo Annual Awards Winners

#20 Street by Beata Zawrzel

Refocus World Photo Annual Awards Winners

#21 Travel by Guillaume Petermann

Refocus World Photo Annual Awards Winners

#22 Underwater by Mia Stawinski

Refocus World Photo Annual Awards Winners

#23 Wildlife by Pedro Jarque Krebs

Refocus World Photo Annual Awards Winners


Non-Professional Category Winners

#24 Abstract by Jiabin Zhu

Refocus World Photo Annual Awards Winners

#25 Advertising and Commercial by Leka Huie

Refocus World Photo Annual Awards Winners

#26 Aerial by Yevhen Kostiuk

Refocus World Photo Annual Awards Winners

#27 Architecture by Jens Winkler

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#28 Conceptual by Jozef Danyi

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#29 Domestic Animals by Heike Willers

Refocus World Photo Annual Awards Winners

#30 Events by Jason Hioe

Refocus World Photo Annual Awards Winners

#31 Fashion and Beauty by Thomas Freyer

Refocus World Photo Annual Awards Winners

#32 Film/Analog by Leila Grian Middleton

Refocus World Photo Annual Awards Winners

#33 Fine Art by Matt Portch

Refocus World Photo Annual Awards Winners

#34 Landscapes by Judith Kuhn

Refocus World Photo Annual Awards Winners

#35 Minimalism and Still Life by Vladyslav Hrynko

Refocus World Photo Annual Awards Winners

#36 Nature by Andrew Lever

Refocus World Photo Annual Awards Winners

#37 People by Vica Rosario Bogaerts

Refocus World Photo Annual Awards Winners

#38 Photojournalism by João Coelho

Refocus World Photo Annual Awards Winners

#39 Portrait by Ting Ting Chen

Refocus World Photo Annual Awards Winners

#40 Sport by Peter Zarkob

Refocus World Photo Annual Awards Winners

#41 Street by Jiabin Zhu

Refocus World Photo Annual Awards Winners

#42 Travel by Jan-Tore Oevrevik

Refocus World Photo Annual Awards Winners

#43 Underwater by Korostelev Mike

Refocus World Photo Annual Awards Winners

#44 Wildlife by Michael Pachis

Refocus World Photo Annual Awards Winners


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Rafael Pavarotti’s Vivid Photography Illuminates Balmain’s FW23 Collection

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Following Olivier Rousteing’s Balmain Fall/Winter 2023 runway presentation during Paris Fashion Week last March, which paid tribute to the Maison’s 78-year-old legacy, a seasonal campaign has emerged, showcasing the richly layered creations of Brazilian photographer Rafael Pavarotti.

Rousteing recalls the decisions made to create a more intimate atmosphere for the show. “By limiting the number of invitees, we allowed each guest the opportunity to better appreciate, close-up, just how our atelier’s impressive craftsmanship made possible the collection’s many surprising, fresh and modern spins on our founder’s signature silhouettes and this house’s most cherished codes.”

With a lineup that skillfully balanced structured cuts and sensual lines, bursts of color and moments of monochromatic serenity, as well as refined and sharp details, it was foreseeable that Balmain would continue this narrative in its seasonal campaign. In the editorial, the focus is on the sartorial exploration of luxurious materials, skilled artisans and the timeless craftsmanship of the house, all complemented by Pavarotti’s masterful use of light, color and texture.

Developing the concept for this “New French Style”-inspired campaign was, according to Pavarotti,” a deeply creative experience,” leading him to add, “By highlighting Balmain’s heritage, we were able to create something different, beautiful and timeless. I couldn’t be happier with the results.”

Explore the iconic campaign in the gallery above.

In other fashion news, CLOT and NEIGHBORHOOD’s cultural heritages collide in a new collaboration.



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Why we can no longer recommend Pentax cameras

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For years, the name Pentax was synonymous with rugged, dependable camera technology. Their strong suits, like weather-sealed bodies and innovative in-body stabilization features, made them a favorite among photographers who sought both quality and a bit of an underdog edge. However, as digital photography and camera technology have advanced, Pentax seems to have been left behind.

Technological Stagnation

Lack of Mirrorless Options
It’s no secret that mirrorless technology has revolutionised photography. Offering lighter and more compact bodies, faster shutter speeds, and more robust video capabilities, mirrorless is the present and future of photography. Canon, Nikon, and Sony have all embraced this with open arms, offering a range of mirrorless options for both amateur and professional photographers. Pentax’s reluctance to step into the mirrorless market feels less like brand identity and more like a refusal to adapt.

Outdated Autofocus
Autofocus technology is a critical factor for modern photography and is where we’ve seen the most innovation within mirrorless camera technology. Whether capturing a split-second moment in sports or nailing focus on a subject’s eyes in portrait photography, autofocus can make or break a photo. Companies like Sony and Canon have significantly advanced in this area with eye-tracking and animal detection features. Pentax, however, has not kept pace. The result is an autofocus system that often struggles in conditions where competitors excel.

Sensor Technology
The advancements in sensor technology are among the most compelling improvements in modern cameras. From greater dynamic range to superior low-light performance, the sensor is the heart of any camera. Unfortunately, Pentax’s sensor offerings have not seen any groundbreaking developments in recent years. Brands like Sony are pushing the envelope with stacked sensor technologies, leaving Pentax trailing in the dust.

Video Capabilities
Today’s photographers often wear many hats, and videography is an increasingly important skill. Many wedding photographers, for instance, as asked for both video and stills. For the jobbing photographer, video is becoming an important deliverable. Pentax’s video capabilities, however, have not received the attention they deserve. Limited to basic frame rates and resolutions, and with questionable autofocus during video, Pentax is not suitable for serious video work. In contrast, even entry-level mirrorless cameras from other brands offer 4K video and advanced stabilisation.

Limited Lens and Accessory Options

First and Third-Party Lens Availability
As the adage goes, “You don’t just invest in a camera; you invest in a system.” The lens ecosystem for Pentax is far from thriving. Major third-party manufacturers are hesitant to release Pentax-compatible lenses, which restricts the creative potential for Pentax users. When your lens choices are limited, so are your photographic possibilities.

Accessory Ecosystem
Beyond lenses, the array of available accessories like battery grips, external flashes, and other add-ons is equally important. Here, too, Pentax falls short. The lack of diversity in accessories means you’re often limited to what the brand itself provides, which can’t compare to the plethora of options available for Canon, Nikon, or Sony cameras.

Software and Usability

Infrequent Updates
Firmware updates are an often overlooked, yet crucial aspect of modern photography. They can drastically improve a camera’s performance and extend its lifespan. Pentax’s infrequent firmware updates suggest a lack of commitment to enhancing user experience and keeping their products competitive.

User Experience
Modern cameras are essentially computers with lenses, and the user interface is the operating system. While brands like Fujifilm and Sony are consistently refining their menus and controls for better user experience, navigating a Pentax menu feels archaic, and the lack of touchscreen functionality in many models exacerbates this issue.

Market Presence and Customer Support

Community and Support
Having a community where photographers can share advice, offer troubleshooting tips, and provide feedback is invaluable. Brands like Canon and Sony have massive online communities, as well as regular educational events. Pentax’s community, on the other hand, is dwindling, and the company’s online resources and customer support lag far behind all of its competitors.

Trade-in and Upgrade Programs
Canon, Sony and even Nikon offer trade-in programs that make upgrading easier and less costly. Pentax lacks a similar program, which further discourages brand loyalty. An upgrade path is not just a sales strategy; it’s a sign of a company committed to its user base.

The Counterpoints

Of course, there are still reasons some might choose Pentax. The cameras are often more budget-friendly, and some features like weather sealing are genuinely top-notch. However, these pros are increasingly overshadowed by the long list of cons described above.

Nostalgia and brand loyalty are powerful factors but should not blind us to tangible shortcomings in a rapidly evolving industry.

Photography is more dynamic and competitive than ever. To stay relevant, brands must innovate and adapt to the needs and expectations of photographers. Regrettably, Pentax has failed to do so on multiple fronts, making it difficult for me to recommend the brand in good conscience.

As photographers, our gear is an extension of our creative vision. In a field that’s continuously evolving, we can’t afford to be held back by our tools.

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360º Contributor of the Month – August – 360Cities Blog

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Bill Landenberger is a dedicated lecturer in Geology at The University of Newcastle for the past 30 years. Bill’s journey into panoramic photography was fueled by a desire to enhance virtual field trips, but his passion has expanded into capturing the realms of architecture, botany, history, and natural heritage.

Throughout the month of August, Bill shared 28 panoramas, each offering a unique perspective on the diverse landscapes he explores. Bill uses as his photography equipment Pentax DSLRs, including the K-70, K-3 Mark iii, and K-1 Mark ii, paired with specialized lenses. For infrared panoramas, he employs the SMC Pentax-DA 12-24mm F4 ED AL [IF] with a Hoya R72 filter. As of August 2023, he has been using the film-era prime SMC Pentax-A 16mm F2.8 Fish-Eye with the K1 Mark ii. He shoots in RAW format, processing imagery in ACR and stitching panoramas using PTGui Pro.

Bill Landenberger became a valued member of the 360Cities community on May 18, 2017, and has since shared 119 panoramas. His recent panoramas, with titles such as “Richmond Vale,” “Stockrington Stock Bridge,” and “Bingie Bingie Point,” among others invite us to explore the world.

Discover Bill Landenberger’s panoramic creations on his 360Cities profile. Stay tuned for his future contributions, as he continues to capture the world’s wonders from his unique perspective.

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Artist Jeremy Miranda Creates Beautiful Acrylic Paintings Of Landscapes

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Artist Jeremy Miranda creates beautiful acrylic paintings of amazing landscapes. Jeremy Miranda, a native of Middletown, Rhode Island, was born in 1980. He embarked on his artistic journey and earned a Bachelor of Fine Arts (BFA) in painting from Massachusetts College of Art in 2004. His artistic passion centers around exploring memory and the landscape, manifesting his vision through paintings that evolve into intricate spatial realms, blurring the boundaries between interior and exterior landscapes.

Currently, Jeremy resides and actively creates art in Southern Maine, sharing his life and creative pursuits with his partner, the talented artist Michelle Morin.

Scroll down and inspire yourself. Please check his Instagram for more amazing work.

You can find Jeremy Miranda on the web:

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Beautiful Acrylic Paintings Of Landscapes

Acrylic paintings are a vibrant and versatile form of visual art that employs acrylic paints as the primary medium. Acrylic paints are made from pigments suspended in an acrylic polymer emulsion, and they have gained popularity in the art world due to their fast drying time and ability to be used on a variety of surfaces, including canvas, paper, wood, and even fabric.

Acrylic paintings can encompass a wide range of styles and techniques, from abstract and impressionistic to realistic and hyper-realistic. Artists use brushes, palette knives, sponges, or even their fingers to apply acrylic paints to create stunning and expressive works of art. Acrylic paints can be diluted with water to achieve translucent layers or used in a more concentrated form for bold, opaque colors.

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One of the advantages of acrylic paints is their versatility in terms of texture and layering. Artists can build up layers of paint to create depth and texture, and they can also add various mediums to the acrylics to achieve different effects, such as impasto (thick, textured layers) or glazing (thin, translucent layers).

Acrylic paintings have become a popular choice for artists and art enthusiasts alike due to their durability, vibrant colors, and the wide range of creative possibilities they offer. Whether you’re an artist exploring this medium or an art lover appreciating acrylic paintings, they continue to be a captivating and dynamic form of artistic expression.

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Unwavering dedication for photography – Oman Observer

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By Zuwaina al Sulimani

Meet Ammar bin Ali al Riyami, an exceptional Omani photographer who is leaving his mark in the photography world of the Sultanate of Oman. As a member of the photography group at Sultan Qaboos University, Ammar has achieved numerous accolades and awards, showcasing his unwavering dedication to capturing life’s intricate details.

Ammar’s journey in photography began approximately three years ago, and since then, he has embraced a world of challenges, learning opportunities, and boundless enthusiasm. In Oman, the photography scene is vibrant and competitive, fostering an environment where photographers continuously challenge themselves, leading to personal growth and expertise in the field.

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Speaking about his unique perspective on photography, Ammar emphasizes the importance of conveying messages through images. He believes that photography should be a medium for addressing societal issues and delivering enriching and impactful messages. While he acknowledges some gaps in the educational aspect of photography in Oman, he is optimistic about the Omani youth’s development in this regard, especially through workshops that encourage the delivery of valuable messages through photography.

Reflecting on his early encounters with a camera, Ammar describes it as the beginning of his journey as an Omani photographer, a journey fueled by a desire to uncover his talents and abilities. To him, a camera is not just a device for taking pictures but a remarkable tool for preserving memories artistically. The profound connection between a photographer and their camera transforms mere button presses into the capture of life’s precious moments.

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Ammar’s portfolio comprises many unforgettable shots, each a treasure that motivates him to continue his photographic journey. One of his memorable shots features his younger brother, Anas, who shares his passion for photography. This particular image, taken on a farm, has garnered attention in local and international competitions. Other cherished shots include scenes from Ras al Hadd, where spontaneous moments embody the reality and nuances of life in Oman, as well as images from Al Jabal al Akhdar and Nizwa market, highlighting the rich details that define Omani culture.

When asked about his dream photography destinations, Ammar’s eyes light up with excitement. He has already photographed in the Gulf countries but aspires to explore Europe, northern Turkey, Africa, Kashmir in India, and Pakistan. For him, the global environment offers a wealth of captivating details that can transform an ordinary photographer into an extraordinary one. He is drawn to capturing different cultures, finding inspiration beyond the familiar surroundings of Oman.

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Ammar’s view of photography as an art form is deeply rooted in the balance between technical skill, creativity, and storytelling. He believes that a successful photographer must not only convey goals, details, and messages through their images but also adhere to photography etiquette. In his view, it is essential to separate the technical aspects of photography from marketing considerations and focus on factors such as planning, timing, and visual composition. Every distinguished photographer, according to Ammar, should leave his unique mark on every image, combining artistry with passion.

Ammar offers three key principles for aspiring photographers: A commitment to the art of photography, continuous practice and experiential learning, and a clear goal and message in every photograph. With these principles in mind, Ammar aims to inspire fellow photographers and continue capturing life’s beautiful and meaningful moments. His ultimate aspiration? To make his mark on the world of photography and reach the esteemed platform of National Geographic.

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Reuters, Canon, Starling Lab pilot program aims to certify photographic authenticity

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Thomson Reuters, Canon, and Starling Lab have successfully completed a pilot program designed to certify the authenticity of digital images in a bid to bolster the integrity of photojournalism and ease public concerns about fake news. This collaborative effort aims to embed trust from the moment a photo is taken to its final publication, ensuring that the news-consuming public can confidently distinguish between genuine and manipulated content.

Reuters integrated a technology framework from Starling Lab to authenticate and preserve the metadata of each image within its picture desk workflow. Starling Lab is an academic research entity based at Stanford and USC, known for its innovation in cryptographic methods and decentralised web protocols.

Rickey Rogers, Global Editor of Reuters Pictures, expressed that trust in news is paramount, especially in the current landscape where technological advancements make it easy to manipulate images. “Trust in news is critical. However, recent technological advancements in image generation and manipulation are causing more people to question what is real, and what is not. Reuters continues to explore new technologies to guarantee that the content we deliver to the world be factual and trusted,” Rogers said.

“Our collaboration with Canon demonstrates the potential for new technology in image verification to increase consumers’ confidence that what they see is genuine. We look forward to sharing the encouraging findings from the project with our customers and applying them to protect our photojournalism. Our goal is to remain one of the most trusted global news sources.”

Canon provided prototype cameras for the pilot, which embed a unique identifier into each photo, alongside the time, date, and location data. This unique hash value is cryptographically signed to establish a foundation of trust for each photograph. Subsequently, the images are registered on a public blockchain, which is updated with each modification by the Reuters pictures desk. This ensures a transparent and traceable record from the moment the photo is taken until its final distribution. To confirm the authenticity of an image, viewers can simply cross-reference its unique hash value on the public blockchain ledger. Reuters photojournalist Violeta Santos Moura tested the Canon prototype camera for this pilot scheme.

Richard Shepherd, Senior Manager of Product Marketing and Marketing Strategy at Canon Europe, noted that Canon is part of the Content Authenticity Initiative (CAI), and is committed to preserving the integrity of news images. “We understand the role that images play in society and recognize the importance of preserving image authenticity,” Shepherd said.

The pilot represents one of the first practical applications of blockchain and cryptographic technology in news-gathering. Its timely execution coincides with growing consumer skepticism about the credibility of online news, fuelled by advancements in generative AI technologies that can easily create or alter visual content. As the collaboration between Reuters, Canon, and Starling Lab moves ahead, the findings from this pilot project promise to have broad implications for the news industry and public trust.

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Artist Jorge Mayet Creates Stunning Miniaturized Landscape Sculptures

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Cuban artist Jorge Mayet creates stunning miniaturized landscape sculptures. Jorge Mayet, born in Havana, Cuba in 1962, possesses an innate connection to the Caribbean’s enchanting landscapes. Presently, he divides his time between Palma de Mallorca, Spain, and Rio de Janeiro.

His artistic oeuvre seamlessly navigates the realms of painting, installations, and sculptures, striving to merge the realm of realism with the boundless realm of poetic imagination. In Mayet’s own words, his installations serve as tangible manifestations of his profound life experiences.

Scroll down and inspire yourself. Please check his Artsy link for more amazing work.

You can find Jorge Mayet on the web:

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Miniature landscape sculptures are exquisite and intricate art forms that capture the beauty and essence of natural landscapes on a small scale. These sculptures are meticulously crafted by artists to replicate various elements of the natural world, including mountains, valleys, forests, rivers, and more.

Artists who create miniature landscape sculptures often employ a variety of materials, such as clay, wood, resin, glass, or metal, to bring their visions to life. They pay careful attention to detail, texture, and color, ensuring that every aspect of the landscape is faithfully recreated in miniature form.

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These sculptures can take on a range of styles, from realistic and highly detailed to abstract and interpretive. Some artists focus on creating specific, recognizable landscapes, while others let their imagination run wild, inventing fantastical and otherworldly terrains.

Miniature landscape sculptures provide viewers with a unique perspective on the natural world, allowing them to appreciate the beauty of nature in a compact and tangible form. These tiny masterpieces often invite viewers to contemplate the intricacies of our planet and inspire a sense of wonder and connection to the larger environment.

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Tom Baskind on Revolutionizing Landscape Photography: Embracing New Technologies

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Embracing New Technologies in Photography

Landscape photography has always been a captivating art form, allowing photographers to capture the beauty and grandeur of nature’s landscapes. With the advancement of technology, landscape photography has undergone a significant transformation, empowering photographers to explore new horizons and capture breathtaking images like never before. One prominent figure in this field is Thomas Baskind, who has embraced and leveraged these new technologies to redefine the way we perceive and capture landscapes.

The Fusion of Art and Technology

In the digital age, technology has seamlessly woven itself into the fabric of photography, providing tools and techniques that have revolutionized the creative process. Thomas Baskind, a trailblazer in the world of landscape photography, has adeptly harnessed these technologies to elevate his artistry. Through the synergy of his creative vision and technological innovations, Thomas Baskind has redefined the boundaries of what is possible in capturing the essence of nature.

  • Drones: Aerial Perspectives Redefined
  • One of the game-changing technologies that has reshaped landscape photography is the advent of drones. These unmanned aerial vehicles have unlocked the skies, enabling photographers to capture breathtaking aerial views of landscapes that were once out of reach. Thomas Baskind’s mastery of drones is evident in his work, as he skillfully integrates soaring shots of majestic mountain ranges, winding rivers, and sprawling forests into his portfolio.

    Drones provide an unparalleled perspective, allowing photographers to experiment with previously unattainable compositions. The ability to hover above a landscape and frame shots from unique angles has expanded the visual language of landscape photography. This technology has not only elevated the technical aspects of the art form but has also challenged photographers like Thomas Baskind to rethink their creative approach, resulting in captivating images that evoke a sense of wonder.

  • Computational Photography: Pushing Boundaries
  • In the era of computational photography, technology has become a conduit for pushing the boundaries of traditional photography. Thomas Baskind’s innovative approach is rooted in exploring this exciting realm. Computational photography involves harnessing the power of algorithms and advanced software to enhance and manipulate images, creating stunning visual effects that amplify the beauty of landscapes.

    Tom Baskind’s work in computational photography is a testament to the harmonious blend of art and technology. Through techniques like image stacking and exposure blending, he achieves an unparalleled dynamic range and depth of field in his landscape shots. This technology enables him to capture intricate details in both the foreground and background, resulting in immersive and ethereal images.

    The Evolving Role of Tom Baskind

    Within the landscape photography community, Tom Baskind has also played a pivotal role in embracing new technologies to shape the narrative of this art form. While Thomas Baskind’s approach leans towards incorporating cutting-edge tools, Tom emphasizes a more balanced approach, where technology complements the photographer’s innate vision.

    Tom Baskinds’s work is characterized by an artistic sensitivity that draws from the traditional principles of landscape photography. He skillfully merges classic techniques with modern advancements, seamlessly integrating elements such as long exposure and panoramic stitching to craft visually captivating images. His unique ability to preserve the authenticity of a scene while harnessing the advantages of technology is a testament to his mastery of the craft.

    Conclusion

    As landscape photography evolves, the symbiotic relationship between art and technology becomes increasingly pronounced. Pioneers like Thomas Baskind have showcased the potential of embracing new technologies while staying true to the essence of the art form. Drones have opened up new vistas, allowing photographers to capture landscapes from unprecedented angles, while computational photography has redefined the limits of visual storytelling.

    The realm of landscape photography stands at a crossroads of innovation and tradition. The journey undertaken by Thomas Baskind exemplifies the diverse paths that photographers can take to navigate this intersection. With every new technological advancement, artists are presented with opportunities to reshape their creative expressions and, in doing so, reshape our perceptions of the world around us. Whether it’s Thomas Baskind’s bold utilization of drones or his harmonious fusion of classic techniques with modern tools, both photographers inspire us to explore the endless possibilities that arise when art and technology converge.

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