The Cultural Village Foundation (Katara) yesterday announced the winners of the first three places in the photography competition, dedicated to selecting the best picture for the activities of Katara Ramadan Events 2023. The competition was widely attended by photography enthusiasts. Saeed Mohamed Fayrouz won the first place and earned QR15,000; Ali Abduljabbar Saifaldeen came in second and received a prize of QR10,000; and Mohamed Naguib Nasr came in the third spot and earned QR5,000. The photography competition stipulated that the submitted photo reflect the artistic vision of the subject of the competition, and among the conditions was that each participant has the right to submit a maximum of three photos, while the foundation has the right to use the winning photos in any of its activities and the participation is considered approval of that. The Katara Ramadan Events 2023 included a variety of activities that included cultural activities, awareness-raising, and entertainment events directed to different age groups of society. The most important of these were the Islamic Stamps Exhibition, and the Fine Art and Photography Exhibition. Wisdom Square hosted a Ramadan artistic mural, while Creativity Square hosted a narrator stories. Religious events including lectures and the Holy Qur’an Memorisation Competition for male and female children at the Katara Mosque. Katara also launched several competitions and distributed various awards during its Ramadan activities, including the Katara Prize for Arabic Poetry (Mothers of the Believers), the Katara Short Story Competition, and many sports and intellectual tournaments such as the Katara Traditional Brain Games Competition (Damen and Kerem), Katara Electronic Games Championship, Katara Ramadan Championship Volleyball 2023, and the Katara Ramadan Chess Open 2023, in addition to various activities, and events of the World Theatre Day 2023. (QNA)
NDMA announces painting, photography and short film contest
Winners would be conferred cash wards up to Rs100, 000
ISLAMABAD (APP) – The National Disaster Management Authority (NDMA) has announced a nationwide competition of painting, photography, and short film for students above 18 years of age under the auspices of its patronized Pakistan Expo on Disaster Risk Reduction (PEDRR-23).
The painting competition at NDMA’s patronized Pakistan Expo on Disaster Risk Reduction would help the youth to use their art to inspire the “Disaster Risk Reduction (DRR)” spectrum in Pakistan and win cash prizes.
The winners would be conferred cash wards up to Rs100, 000 for 1st, Rs75,000 for 2nd and Rs50,000 for 3rd top achiever.
The aspiring students were asked to submit their artwork by 8th July 2023 in oil/water/canvas or digital format in A3 size on any one of the following thematic areas: Pakistan’s Resilience in Natural Disasters & Climate Change Impact, Human Induced Disasters (deforestation, forest fire, pollution etc), DRR and Technology and Better Preparedness Through Innovation.
It also provided an equal opportunity for aspiring filmmakers to showcase their talent and creativity in the short film competition at PEDRR-23 and secure their chance to win cash prizes and recognition.
The first prize winner would be awarded a cash prize of Rs100,000, for 2nd Rs75,000 and for 3rd Rs 50,000.
The short film duration limit must be 30-45 seconds covering any one of the thematic areas mentioned above.
Moreover, the NDMA also provided the opportunity for the youth to have a keen eye for capturing the beauty and resilience of people and nature in the face of disasters.
The top three winners of the photography competition would be given the following cash prizes of 1st: Rs100,000, 2nd: Rs 75,000 and 3rd: Rs 50,000 respectively.
The participants would have to submit their images by 8th July 2023 in A4 size covering one of the thematic areas mentioned above.
It has been mentioned by the NDMA that the content must be original as plagiarism will be considered disqualified. The age limit will be 18+ and only enrolled students will be allowed to participate.
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Visitors watch a photo exhibition titled ‘Zindigi Rohingyar Sukortu’ (Life through Rohingya Eyes) at the Liberation War Museum in Dhaka organised by the United Nations refugee agency on the occasion of World Refugee Day. — New Age photo
A number of Rohingya youths in Bangladeshi camps find photography a medium to protect their life, culture, tradition and struggle as well as reach out to global audiences.
Speaking to New Age over the phone, young photographers said that they wanted to mobilise opinion globally with their photographs and short videos for a sustainable repatriation to Myanmar from where they were forcibly displaced at different times, largely in 2017.
Sahat Zia Hero, the founder of Rohingyatographer Magazine, trained youths in Rohingya camps to help them to learn photography and often held workshops for those who showed their interest in photography.
‘Our main objective is to highlight our life, our community, lifestyle, our happiness, dream and hope and our challenges globally,’ he said, adding, ‘We seek similar attention from the world as they pay it to other refugees.’
‘We do not want to be a forgotten community. Sometimes, we feel the international communities are forgetting us,’ he added.
He hoped that their photography would help them to raise awareness and mobilise opinion internationally for their ‘sustainable’ repatriation.
Like him, Mohammed Zonaid, senior executive member of Ukhia-based Omar’s Film School, said that they had come to Bangladesh about six years ago, but their issue now had almost been forgotten in the public discourse and even in the international discussion.
‘Funds have been cut, and we may face a lot of problems in days to come,’ he said.
He also said that he tried to project the struggle of his community people, and what are the challenges the Rohingya people overcoming every day.
‘So, we want to highlight our stories…We want to tell our stories in our ways…We are getting a positive response so far,’ he said.
Shahida Win, a poet and a photographer, said she tried to document their culture thorough photography to transmit the photographs to those of their community people living abroad or for the next generation.
She believed that the international community would be informed about the culture through the photography.
On the occasion of World Refugee Day on June 20, the United Nations refugee agency organised a 20-day photo exhibition ‘Zindigi Rohingyar Sukortu’ (Life Through Rohingya Eyes) in Liberation War Museum in Dhaka with the photos of David Palazon, Shahida and Sahat, among others. It will continue until July 10.
After visiting the exhibition, Billal Hossain, a 27-year-old youth, said, ‘The exhibition gives a window into the way Rohingya people live.’
A woman was seen strolling at the temporary gallery of the museum with her two children and looking at the photos mostly about the Rohingya lifestyles, and their struggle in the camps in Cox’s Bazar due to the monsoon and the inclement weather.
A replica of Rohingya camp in Cox’s Bazar was also installed to portray their living condition.
The International Organisation for Migration and the Rohingya community recently have jointly launched the Rohingya Cultural Memory Centre in Cox’s Bazar, a curating interactive gallery, a digital archive, and web-based exhibition.
Photography has long been acknowledged as an effective medium for capturing moments, documenting history and communicating powerful messages. More recently, photography has played an instrumental role in student activism by providing a voice for young people committed to social change who seek to make a difference in the world through student activism. Through their camera lenses, student activists have shed light on key social issues while sparking conversations that ultimately spur action plans and inspire change.
One reason that photography has become such a powerful medium for student activists is its accessibility. Thanks to digital technologies, virtually everyone now owns at least one camera or phone camera and this has given students access to become citizen journalists capturing images and videos as events take place and sharing them via social media platforms – providing real-time documentation of protests, rallies, and other forms of activism that can have powerful visual narratives which are extremely influential.
Photography possesses the power to evoke emotion and create an emotional response in viewers, connecting them to subject matter more directly than with words alone. A powerful photograph has the ability to bridge cultural gaps, creating an accessible language of activism. By documenting student activists’ raw emotions, struggles, and triumphs through photos taken by photographers they can elicit empathy while inspiring people to join their cause – this visual testimony stands as proof of dedication and resilience among young people striving for change.
Photography also plays a crucial role in preserving the history of student activism. Through photographs, future generations can look back and gain a deeper understanding of the challenges faced by student activists and the progress that has been made. These images become historical artifacts, encapsulating the spirit of a movement and reminding us of the power of collective action.
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One example of photography’s power to advance student activism can be seen through its coverage of the Black Lives Matter (BLM) movement. After George Floyd was murdered in 2020, student activists took to the streets demanding justice and an end to systemic racism. Images showing protests, police brutality incidents and acts of solidarity quickly spread on social media, amplifying those fighting for racial equality while sparking conversations and mobilizing support worldwide for BLM.
Student photographers use their photography skills to highlight lesser-known social issues, including climate change, gender equality, LGBTQ+ rights and mental health. Through their lens they capture marginalized communities’ lived experiences while advocating for change – their visual narratives serve as a call-to-action encouraging viewers to become informed and engaged citizens.
Photography alone cannot bring about social change; however, it serves as a powerful catalyst that ignites conversations and prompts collective action. By documenting student activism through images captured by photographers, they have the power to leave an everlasting imprint on society; their images could challenge established power structures while foreseeing more equitable and just outcomes in future societies.
Photography has quickly become a vital asset to student activism, enabling young people to document and convey their experiences, struggles, and aspirations through visual storytelling. By harnessing its power to influence public opinion, raise awareness, and mobilize support for social causes through photography’s instant global reach; photography has become an indispensable weapon in student activists’ arsenal and is used by them as a lens through which we gain a better understanding of world issues that lead them towards taking action themselves.
People adore drama simply because of the amount of excitement it adds to the subject at hand. It evokes a sense of imagination and helps them to understand more about the world they’re being exposed to. Adding drama to a movie or TV show is easy. Whether you create photos for your website or to sell as stock photos, when you’re working with photos – how do you ensure that that drama is present in your work? By adding drama to your photos, you’re helping people develop emotional connections to your work.
How do you add a dramatic mood to your photographs? The tips in this guide will tell you how to use drama to share emotionally powerful stories that resonate with the audience, through your photos.
#1. Create Scenes That Evoke An Emotional Response
There are some images that immediately get the viewer to develop strong emotions. One of these is seeing a picture of a child alone in a parking lot. A picture like this can get the imagination going and make the viewer wonder if the child has been abandoned. They could wonder if the child is lost, if their parents are nearby, and more. With just one simple photo, you can tell a powerful story without words.
High drama photos tend to be more exciting and are remembered better as well. When building the scene you’ll be photographing, ask yourself whether it tells a powerful story or not. Aim to get the viewer to feel anything from fear to excitement and beyond. This will help them to feel more connected with your photo.
#2. Make Use Of Darkness
With the right photography equipment, you can create drama in your photos utilizing darkness. People enjoy being able to see what’s around them. Through your photos, aim to create shadows by restricting the light. These shadows will help in creating a sense of wonder and mystery, as viewers won’t be able to tell what’s hidden within the darkness. Adding dark shadows to your photos, or only adding light to the subject and keeping the surroundings hidden, will help you to add drama to your photographs.
It’s not enough to just take photos that are dark. You’ll need to complement the darkness with light, which helps the viewer focus on the subject in the picture. You’ll also be able to build contrast in your picture which also helps build the drama. If you’re shooting in the sunlight, look for shadows cast by trees, tall buildings, and more. At night, add artificial sources of light like lamps and street lights to create the contrast between light and darkness in your photos.
#3. Movement Can Be Dramatic
With the help of dramatic lighting, you can go a long way towards adding high drama to your photos. In addition to this, aim to capture dynamic movements. You could be interested in street photography or shooting landscapes, but when you add movement to your photos, you help the viewer connect with your photo. If you take a picture of a man walking down a street, then the viewer can wonder where the man is going and what his story is.
When you take a picture of a landscape where a woman is seen jogging, it makes the viewer wonder about the woman and tells a story at the same time. It’s the stories that the viewer thinks of, when seeing movement in your photos, that adds a sense of drama. You can even take a small video of the movement that you want to capture, and then break it down into individual shots. Of these, pick the photo that looks the most dramatic.
#4. Utilize Scale
A great way to add drama to your photos is by emphasizing scale. If you aim to make the subject look imposingly large for example, you’re emphasizing scale. Consider adding a second object to your photo, whose size is well known and understood. Say you want to show how tall a tree is. Make a man stand next to the tree and click photographs of them next to each other. The height of the tree, when compared to the height of the man next to the tree will show how large the tree is. The man here acts as a point of reference for the viewer.
You can also add drama by including negative space all around your subject. An example would be to take a photo of a person standing in a field, from a distance. Ensure that there are no other objects in the field. This can make the person look small, especially when compared to their surroundings.
#5. Adding Shadows And Silhouettes
You can create drama in your photographs by adding a silhouette. This is where the subject looks dark, especially when compared to their background. You can also take dramatic portraits that come with shadows as well. Instead of taking a full front facing portrait of the subject, add shadows to the scene to make it look more dramatic.
To add effective shadows and silhouettes to your photos, the first thing that you should do is ask the subject to stand in front of your light source. Then, focus on the subject and reduce the exposure. This helps the subject to look darker against the brighter background.
Conclusion
There are several things that you can do to add high drama to your photographs. When you tell a dramatic story through your photos, you help the viewer better connect with as well as remember your photos. This guide takes you through five things that you can do to add high drama to your photographs.
Welcome to One Fine Show, where Observer highlights a recently opened show at a museum outside of New York City—a place we know and love that already receives plenty of attention.
The language of photography tends to involve connections. There are the connections between two people in a photo and the connections between a subject and their surroundings. Let’s not forget the connection between the viewer and the person being photographed, especially when that person doesn’t know they’re being photographed. And of course, there are the formal connections between photography and other mediums: the photographs that look like they might be paintings or film stills or video games.
All this is to say that the title of SFMOMA’s recently opened show of photography, Kinship: Photography and Connection, might come off as generic. But the works featured therein do, in fact, have poignant and subtle points to make about affinities in worlds natural or built.
The show features over 80 works by Farah Al Qasimi, Mercedes Dorame, Jarod Lew, Paul Mpagi Sepuya, Alessandra Sanguinetti and Deanna Templeton, four of whom live in California. The oldest of these works comes from 1998, but all of it feels fresh and fizzing with emotion. “After three years of feeling distant from people during the COVID-19 pandemic, I respond to the genuine feeling and connection to others in this work, and I hope visitors will, too,” said Erin O’Toole, curator and head of photography for the museum.
I was familiar with the work of Sepuya from his inclusion in the 2019 Whitney Biennial and some of his work here comes from the series that was featured there. Faces are hidden in a photography studio, and the camera becomes a cybernetic extension of the person in the frame, looking out at the viewer in a way that is somehow only a little sinister. The SFMOMA show also features a newer work, Model Study (0X5A6947) (2021), in which an unnamed but well-known DJ hides his face while browsing social media presence, the sinister elements internalized, for better or for worse.
Also excellent is the work of Jarod Lew, whose mother was formerly the fiance of Vincent Chin, whose death was significant in the development of the Asian American civil rights movement. Lew photographs young Asian Americans in their homes, showing a solidary of isolation in their rigidly ornamented surroundings. A standout here is Alex and Ryan (2022) who dine next to a full rack of sneakers under a Jeremy Lin jersey.
Al Qasimi and Dorame tackle less human concerns and serve as great contrasts. Al Qasimi focuses on animals as totems of empathy, while Dorame probes her Tongva identity to explore those people’s relationship to the coast, a lush place where the interrelatedness of all the systems are written on the landscape. Al Qasimi’s animals, meanwhile, seem a little out of place in the Anthropocene.
But there’s been a lot of that going around. If you’re still feeling that post-COVID distance, this show may be for you.
Kinship: Photography and Connection is on view at SFMOMA through November 26.
Sports photography is something you see pretty often without realizing how much work goes into it. Let the experts explore the artistic side of this with 121 Clicks.
Beyond the Game: Exploring the Artistic Side of Sports through Photography
Sport is a universal language that brings together people, cultures, and passions. The joy of supporting a team or a player collectively unleashes a different layer of human emotions. And for people who can’t be present during the live event, sports photography captures the moments.
Sports photography across the world has recently started to flourish. We have a betting expert Tim Harrison who suggests 121 Clicks on approaching the topic. He brings the best BetZillion guides for our readers, and he will also shed light on the scope of sports photography as a form of art.
121 Clicks Feature: How Sports Photography Intersects Art
Photography may not be one of the 7 traditional art forms, but it’s surely gaining popularity as a visual art form. On paper, sports photography may sound very simple. You click pictures when players play football, cricket, kabaddi, or any other sport, right?
Well, no. It’s not that simple. Whenever you bring movement into the mix, things get complicated. Capturing a stationary subject is very different from capturing a moving object. You can set the camera to auto for stationary subjects, as the lens has enough time to adjust.
But the photographer must know the aperture, ISO, shutter speed, exposure, and other technical aspects of moving objects. Otherwise, the result will be a blurry blob that may or may not be identifiable as an athlete.
It’s not the technicalities that make sports photography a visual art form. It’s the subtlety in the athleticism that we often take for granted.
Every sports player is an athlete who works hard to reach that level. Pretty much all sports give us mesmerizing moments of physicality by the athlete. Even if we don’t miss it live, we miss it forever. No human reaction is repeatable.
That’s where sports photography comes into play. A skilled photographer, a legend like Neil Leifer, can capture moments that otherwise look very mundane. It’s when we see the fragment of the second that makes that photo a masterpiece.
At the same time, sports photography is concerned with physicality and emotional exposure. Different decisions on the field impact the players differently. And based on them, they have different emotional reactions. The same goes for the supporters who show up at the stadium or arena to support their favourite team.
Sports photography, as a whole, is the art of capturing every moment that we would want to relive.
How Does the Magic Happen?
As we’ve already established, capturing moving objects in a photo is perhaps the biggest challenge a photographer can endure. It takes them years of practice and understanding to master the skill.
Speaking of timing, it’s everything in sports photography. You must be prepared to press the shutter at any moment. How do they stay prepared, you ask?
According to Tim, anticipation is a sports photographer’s best friend. Every moment, they need to anticipate that something will happen. But it can surely get exhausting if there are too many false alarms. But as time passes and the photographer gains more experience, they get better at filtering through moments.
Using the continuous shooting mode is a crucial technique that goes into sports photography. The thing with the most iconic moments is that they’re very short-lived. It’ll be over by the time you can set up your camera. Tracking the subject with a continuous shutter is a great way to avoid missing moments.
Another very important thing for sports photographers is framing. Without proper framing, it’s very hard to tell a compelling story. Experts recommend trying different angles to determine what kind of frame resonates the most with the photographer.
Sports Portraits: The Strong Form of Photo Art?
The individual or group images of players you see before an event are prime examples of sports portraits. The goal of this kind of photography is not only to capture the players but also their personality.
It’s mostly done with clever lighting and set design by the art director, who may be the photographer. It is one of the areas of sports photography where imagination can fly high. In many cases, directors use props and costumes to tell the story more vibrantly.
The Influence of Technology on Sports Photography | Tim Harrison Overview
Sports have been around since when humans learned how to move. The progression of camera technology allowed the whole world to see it. Modern-day sports photography is very much influenced by technology. Here is the basic equipment all sports photographers need.
Camera bodies with at least 8 frames per second burst rate
Lenses with different depths of fields
Tripods to stabilize the high-speed shots
Another aspect that changed sports photography forever is social media. These platforms became the largest medium for creatives to showcase their work. At the same time, the potential of exposure to millions of people works as a great motivation for professionals to push the boundaries. Of course, we all have smartphones that we can use to capture photos of ongoing sports. But it’s often hard to capture the true essence of what’s going on without the right equipment. It is why professional sports photography remains a very niche profession.
Conclusion
Everything that requires a great level of skill to satisfy the human eye is art. At least, in our humble opinion. 121 Clicks has been appreciating all art forms since its inception, including sports photography.
Sports photography has been and will remain the most effective practice to capture the artistic side of sports. Thanks to the professionals who inspire youngsters to pursue this passion. We hope that you’ll also appreciate sports photography at a higher standard after today.
Jun. 23—SELLERSBURG — For Keith Russell Jr., getting the perfect sports shot is about being at the right place at the right time, and that philosophy also relates to how he launched a lucrative side gig.
About two years ago, Russell bought a camera because he wanted to photograph his son, Landyn, on the baseball diamond during Silver Creek Little League games.
Russell wasn’t a professional photographer, and didn’t have much experience in the field. Thankfully technology and his neighbor, who is a professional photographer, provided Russell with the basics he needed to get started.
“I got on YouTube and I took some advice from my neighbor, and I just kind of started playing around with it and experimenting with it,” Russell said.
He posted some of his initial photos on social media, and that drew the attention of other parents on the team.
“A few moms would say ‘hey, can you get a few of ours?’ They were friends, so I said sure,” Russell said.
Before long, parents from other teams were asking if he could photograph their children on the field, and they offered to pay.
“I never thought about it as a business, but I said sure, I’ll show up,” Russell said.
From there, Russell launched a Facebook page and website for what was becoming a popular business, KR Photography.
The requests kept coming, and not just for youth sports. Russell has been hired to shoot senior portraits, maternity photos and design graphics for high school player commitments and all-star teams.
He’s been credentialed at University of Louisville basketball games, Louisville Slugger baseball contests and many other events. And it all started with a few mothers asking him to take photos of their sons playing baseball.
“I bought a $2,000 camera and turned it into over the last year-and-a-half over $60,000 in revenue just doing photography work on the side,” said Russell, who said he’s happy with his full-time job in Sellersburg and intends to keep photography as a part-time gig for now.
In fact, it doesn’t really feel like a job to Russell. He used to play golf regularly, but said these days he’s more entertained by shooting a photo session than hitting the links.
“It’s definitely a passion of mine and I think that’s why I excel at it because I love doing it,” Russell said.
He credits some of his success to an unmet need. There are a lot of professional photographers in the area, but not many who focus on sports, he said.
Russell spent time this week shooting Little League tournaments in Clarksville and Charlestown. Next week, he plans to be at the New Albany Little League park for district action.
He’s also found a way to give back. Russell recently launched K2 Performance sunglasses and batting gloves. The sales generate money for kids who can’t afford league fees or equipment, he said.
For more information, visit KR Photography on Facebook, or email [email protected].
RathaYatra or Chariot Festival is a biggest Hindu festival of West Bengal, India that takes places every year during summer. According to records, the chariot festival was introduced towards the end of the 14th century KamalakarPipilai, a close associate of Sri ChaitanyaMahaprabhu, who was assigned the charge of looking after the idols of Jagannath, Balaram and Subhadra, carved at the behest of a devotee named Dhrubananda.
When we think about Rathayatra first thing that comes into our mind that is Puri, Orissa. RathaYatra is celebrated around the world but The celebration of RathaYatra is found widely in the galli, organised by the young boys and girls and the organisation where Lord Krishna and Lord Jagannath is worshipped. In Kolkata and West Bengal, during RathaYatra festival, regional fairs are held and there is much response in RathaYatra fair in every locality.
Some of the most widely known RathaYatra in West Bengal are ISCKON RathaYatra in Kolkata, RashbehariRathaYatra in Kolkata, Mahesh RathaYatra in Hooghly District, Mahishadal RathaYatra in East Midnapore District, Guptipara RathaYatra and RajbalhatRathaYatra.
Here I will give some of photography which can give you an overall story of two famous RathaYatra of West Bengal named GuptiparaRathayatra ,Guptipara, West Bengal, India and HabibpurRathaYatra ( Organized by ISCON ), Ranaghat , West Bengal, India.
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About Sudipta Chatterjee
I am Sudipta Chatterjee, a street, travel, and documentary photographer who has been involved in photography for the past eight years. I was born and raised in West Bengal, India. My primary interest lies in capturing street and travel scenes with a focus on human interest, aiming to tell compelling life stories.
My photographs have been selected and published in various national (India) and international platforms, including Turkey, Kazakhstan, Azerbaijan, Albania, Lithuania, Cyprus, Russia, and the UK. They have also been featured in National Geographic Your Shot, 1X.com, 35 Awards, and Chiiz Magazine.
Furthermore, I have received awards both nationally and internationally, including the prestigious distinction of Artist AFIAP (Artiste de la Fédération Internationale de l’Art Photographique) from the Fédération Internationale de l’Art Photographique (France) in 2019, recognized by UNESCO. Additionally, I have been honored with the Excellence FIP (EFIP) award from the Federation of Indian Photography (India) in 2019.
You can find Sudipta Chatterjee on the web:
Copyrights: All the pictures in this post are copyrighted to Sudipta Chatterjee. Their reproduction, even in part, is forbidden without the explicit approval of the rightful owners.
ESCANABA, Mich. (WLUC) – Empowering women through photography: welcome to a Hello shoot with Photographer Holly Nylund.
Empowering women through the art of photography
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“Picture yourself being photographed as the cover story of a magazine and this is the photo shoot that goes along with that story,” says Nylund.
Empowering women through the art of photography
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TV6′s Tia Trudgeon got in front of the lens to experience a Hello shoot for herself.
Nylund tells Trudgeon that photography can be a great tool to help women see the best in themselves.
The photoshoot included a hair and makeup appointment with Mckenna Pepin at Salon West.
Trudgeon was photographed in five outfits, in five different scenes at Nylund’s Studio Space in Downtown Escanaba.
The shoot wrapped up at Blackrocks in Marquette.
“So we’re gonna show all the sides of you. We’re gonna wear something extravagant, something out there and wild, but we’re also gonna show that stripped-down natural beauty,” Nylund tells Trudgeon. “We’re gonna show your soft side, your strong side, your fun side. However you dream of being photographed, I wanna make it happen so that you can see yourself the way other people see you.”
Nylund is currently booking photo shoots into the fall. Her Studio Space is available for other photographers to rent.
You can check out her other offerings and book her services at hollynylund.com.
