30 Funny Photos Captured When Animals Were Found At Unusual Locations

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Animals have their own priorities and are not too concerned about their surroundings, which often leads them to be found in unexpected places. Eating, playing, and sleeping are all they need to be happy!

The Facebook group “Animals in Random Places” features a collection of amusing images that capture our furry friends in the most unusual locations. These snapshots showcase the unexpected encounters with animals that will leave you laughing and shaking your head in disbelief. Take a look at some of the most adorable and entertaining moments shared by the group in the gallery below.

Here in this gallery, you can find 30 funny photos from the Instagram account. All photos are linked and lead to the sources from which they were taken. Please feel free to explore further works of these photographers on their collections or their personal sites.

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Labrador In Focus photography exhibit turns a lens on the Big Land

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Photographs from youth in Happy Valley-Goose Bay and Sheshatshiu Innu First Nation are set to be on display this weekend. 

CBC’s Library Partnership Project, CBC Newfoundland and Labrador, Melville Public Library and Newfoundland and Labrador Public Libraries are holding a community Labrador In Focus photography exhibit on Saturday. 

The Labrador In Focus exhibit will be held at the Lawrence O’Brien Arts Centre from 2 p.m. to 4 p.m. AT. Food and drinks will be provided at the free event. 

The Labrador In Focus program is meant to give Labrador youth the tools they need to capture their unique world. The photograph subject is completely up to the young photographers. 

The photographers, aged 13 to 23, chose to depict everything from life celebrations to being out on the land. 

“I loved it so much,” 15-year-old Mary Saunders said of the program. 

“I love this experience and I feel like people should join and try to experience something new.”

Saunders said she learned how to set her white balance and edit images. Saunders’ favourite photograph she took is one of her sister. It was one of the first pictures she took and sparked a love of portrait photography, she said. 



The photography exhibit will be held this weekend at the Lawrence O'Brien Arts Centre.


© Photography by Mary Saunders
The photography exhibit will be held this weekend at the Lawrence O’Brien Arts Centre.

Other photographers took pictures of things that are important to them. Elliot Pike, 20, created his own long exposure photographs showing movements of northern lights with flashlights and lightsabers. 

“I always wanted to learn about photography,” Pike said. “I think I’m really proud to see the exhibit on Saturday.”

The Labrador In Focus program is funded by the CBC Library Partnerships Program. The program is to explore partnership opportunities with public libraries to further community engagement. 

Have thoughts about community programming like the Labrador In Focus photography program? Reach out to the program creator here. 

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Sennheiser’s New EW-DP Wireless Microphone System Simplifies Audio Setups for Filmmakers

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The Sennheiser Evolution Wireless Digital: EW-DP is the latest solution to simplify your DSLR or Mirrorless audio setup and provide unmatched audio quality to your video productions. The EW-DP is a fully digital UHF wireless microphone system that is purpose-built for content creators, filmmakers, and broadcasters.

Sennheiser’s EW-DP is designed to be as simple as possible while providing professional-quality audio. A compact, intelligent receiver with an innovative magnetic stacking system is at the system’s heart. This means you can stack multiple receivers on top of each other for a cleaner and more organised setup. Additionally, the receiver can be controlled remotely via the Smart Assist app.

With the EW-DP series, Sennheiser has developed a series of options to suit your needs. The series includes a bodypack transmitter for clip-on mics (EW-D SK), a handheld transmitter (EW-D SKM-S), and a plug-on transmitter (EW-DP SKP) that will launch in October. As part of the larger Evolution Wireless Digital family, the EW-DP inherits features such as the exceptionally low latency of 1.9 ms and a wide 134 dB dynamic input range.

The compact, stackable EW-DP EK receiver is the heart of the system. Its OLED display ensures optimal visibility regardless of placement, angle, or light. Three sets are available now: The EW-DP ME 2 SET has a bodypack transmitter and the ME 2 omni-directional clip-on (lavalier) microphone, while the EW-DP ME 4 SET includes a cardioid clip-on microphone for noisier environments. The EW-DP 835 SET contains a handheld transmitter with a cardioid MMD 835 dynamic microphone head.

All sets come with a magnetic mounting plate kit, a BA 70 rechargeable battery, two standard AA batteries, a locking 3.5 mm TRS to 3.5 mm TRS cable, a locking 3.5 mm TRS to XLR cable, and a USB-C charging cable for the receiver.

Sennheiser has designed the EW-DP to be intuitive and fast to set up. The system provides the reliability and consistency needed in stressful filming situations and time-sensitive working scenarios and as such the EW-DP is the first portable wireless system with magnetically stackable receivers, a user-facing OLED display, and ergonomically designed controls, all to help with ease and speed of use.

Thanks to the EW-DP’s automated frequency coordination, you can get up and running quickly. The receiver finds a free frequency (which can also be initiated via the Smart Assist app), and then the transmitter is simply synced via Bluetooth. This makes the EW-DP ideal for filmmakers who may not have a dedicated audio person on set.

If any issues should occur, the system will guide you with Smart Notifications that give tips for troubleshooting and show you where to fix a problem. The system sends alerts for audio clipping, low battery, occupied frequencies, muted transmitters, and unlinked devices – and all suggest how to solve the issue quickly.

The EW-DP receiver can be powered by a BA 70 lithium-ion rechargeable battery, two standard AA batteries, or via USB by a power bank, which is an essential feature when working on location. The exact battery runtime in hours and minutes is displayed on the receiver so that you can avoid surprises during long location shoots.

In addition, the EW-DP SKP plug-on transmitter, which will be available from October, features +48V phantom power on board, allowing it to turn any wired XLR microphone into wireless, such as an MKH 416 on a boom pole. The plug-on transmitter also has a locking 3.5 mm mic input for lavaliers and onboard recording, providing videographers with a safety copy of their audio on a micro SD card.

Sennheiser’s 5th generation of Evolution Wireless systems for filmmaking and video applications is purpose-built for content creators, filmmakers, and broadcasters.

If you need a UHF wireless microphone system that requires minimal attention, then the Sennheiser Evolution Wireless Digital: EW-DP looks to be a great choice. For more information, visit https://en-uk.sennheiser.com/ew-dp.

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The Art Of Custom Size Printing: Enhancing Your Photography

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In the world of photography, the quality and presentation of your work can make all the difference. One of the most effective ways to showcase your photography skills is through custom-size printing. Offering an unparalleled level of control and personalization, custom prints can truly bring your images to life.

In this blog post, we will explore six essential tips to help you make the most of custom-size printing for your photographs.

The Art Of Custom Size Printing

Understand The Aspect Ratio

The aspect ratio is the relationship between the width and height of your image, and it plays a crucial role in determining the size of your print. To maintain the integrity of your photographs, it’s essential to choose custom size printing that matches the aspect ratio of your original image.

Common aspect ratios include 3:2, 4:3, and 16:9, and familiarizing yourself with these ratios will help you make informed decisions about your print size.

Know Your DPI

To ensure optimal quality, aim for a DPI of at least 300 when printing your photographs. Remember that increasing the size of your print may require you to increase the DPI to maintain image quality.

The Art Of Custom Size Printing

Choose The Right Paper

The paper you choose for your custom prints can greatly impact the overall look and feel of your photos. Different types of paper offer varying levels of color vibrancy, contrast, and texture. Some popular options include:

  • Matte Paper: Provides a smooth, non-reflective surface that is excellent for fine art photography and images with rich detail.
  • Glossy Paper: Delivers vibrant colors and a shiny finish, ideal for high-contrast and colorful images.
  • Luster Paper: Offers a balance between matte and glossy finishes, with a subtle sheen that enhances color and detail.

Consider the subject matter and style of your photography when selecting the best paper for your prints.

Work With A Reputable Print Provider

To ensure the highest quality custom size prints, it’s essential to work with a reputable print provider. A professional printing service will have access to state-of-the-art equipment and premium materials, and they will work closely with you to achieve the desired results.

When selecting a print provider, consider factors such as customer reviews, turnaround time, and available print options.

The Art Of Custom Size Printing

Color Management

To ensure that the colors in your printed photographs match your original images, it’s essential to calibrate your monitor and use a color-managed workflow. This process involves adjusting your monitor’s settings to accurately represent colors and using color profiles to maintain consistency between your screen and the final print.

A professional print provider can also help you with color management, ensuring that your custom prints accurately represent your original vision.

Experiment With Borders And Framing

When printing your photographs, consider experimenting with borders and framing to add a touch of elegance and sophistication to your prints. Borders can be used to create a visual separation between the image and the frame, while also providing space for a mat or signature.

Framing not only protects your prints but also enhances their overall appearance, making them perfect for display in your home or gallery.

The Art Of Custom Size Printing

In Conclusion

Custom size printing is an invaluable tool for photographers looking to elevate their work and create stunning, personalized pieces. By understanding the importance of aspect ratios, DPI, paper choice, and color management, you can optimize your prints to showcase your unique style and vision. Partnering with a reputable print provider and experimenting with borders and framing will further enhance the final product, resulting in captivating images that leave a lasting impression.


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The artist who rejected a photography prize for his A.I.-generated image is backing a new term

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For decades after its invention in the early 19th century, photography was not considered art. By the late 1850s, French art critic Charles Baudelaire was calling the photographic industry “art’s most mor­tal enemy.”

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Today we face a similar issue: Can A.I.-generated images be considered photography? And do they threaten photographers and other artists? 

One thing is already clear: The art world cannot ignore artificial intelligence. 

Last month, an image depicting two women (see below) took the top prize in the creative category of the prestigious Sony World Photography Awards, only for the winning artist to make clear he produced the work with an A.I. tool, not a camera.

Berlin-based artist Boris Eldagsen explained on his website that he applied to the contest “as cheeky monkey” to find out whether photography competitions “are prepared for A.I. images to enter.”

“They are not,” he concluded. “We, the photo world, need an open discussion. A discussion about what we want to consider photography and what not.” 

Eldagsen produced the image—entitled “Pseudomnesia: The Electrician”—using DALL-E 2, made by OpenAI, the same Microsoft-backed venture behind the A.I. chatbot ChatGPT and its successor GPT-4. 






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His enthusiasm for A.I. image generators—others include Midjourney and Stable Diffusion—comes through in a Scientific American interview published Friday: “When A.I. generators started, I was hooked from the very beginning. For me, as an artist, A.I. generators are absolute freedom. It’s like the tool I have always wanted.”

But he sees the tools as being distinct from photography. In rejecting his prize, he wrote: “A.I. images and photography should not compete with each other in an award like this. They are different entities. A.I. is not photography. Therefore I will not accept the award.”

Eldagsen said in the Scientific American interview that it’s time for some new terminology.

“One thing I propose is to clean up the terminology and not call realistic A.I. art ‘A.I. photography’ anymore, because it’s not photography. And one suggestion that came out of the community was ‘promptography,’ and I just love it. It is large enough to encompass that the result can look like a drawing, like a painting, like a photo.”

Last year, a work entitled “Théâtre D’opéra Spatial,” created with Midjourney, controversially took home the blue ribbon in the Colorado State Fair’s contest for emerging digital artists. The creator, Jason M. Allen, defended his win, even as purists said he cheated and argued not enough skill was involved. 

“Promptography” would seem suitable for the winning entries of both Eldagsen and Allen. Each artist spent considerable time and effort experimenting with the A.I. image generators and finding just the right prompts to create their art.

Eldagsen told Scientific American, “The only thing I can say is that the easy answers on both sides—those who want to go back to analog times and those who say promptography is photography—are nonsense. We need to think deeper than that.”

Do photography and promptography belong in the same museum, festival, gallery, or competition? “It’s very complex,” he said. “I don’t have any answer for that.”

This story was originally featured on Fortune.com

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Blackmagic Design’s DaVinci Resolve 18.5 introduces AI tools and over 150 feature upgrades

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Blackmagic Design has announced the release of DaVinci Resolve 18.5, the latest update to its popular post-production software (Video editor). With over 150 feature upgrades, the new version introduces new AI tools and menus that allow for faster workflows and more creativity.

One of the most significant new features in DaVinci Resolve 18.5 is the addition of four new AI tools. These tools leverage the power of the DaVinci Neural Engine to analyze and sort audio clips based on classification, automatically transcribe speech to text for subtitling and search, and more. With these AI-powered tools, editors can save valuable time and focus more on the creative aspects of their projects.

In addition to the AI tools, DaVinci Resolve 18.5 includes over 150 feature upgrades across the Cut, Color, and Fairlight pages. One of the most notable upgrades is the new Relight FX tool, which allows colourists to add virtual lighting sources to a scene for greater control over lighting and mood. Another major improvement is the ability to transcribe audio within clips to search for media based on narrative content or to quickly generate subtitles for timelines with the automatic speech-to-text feature.

DaVinci Resolve 18.5 introduces new features for audio engineers for group editing and mix automation. Combining related audio tracks or mixer channels into groups allows audio engineers to manage their projects and make editing choices faster. The DaVinci Neural Engine can now classify audio clips based on their content, making locating specific sounds and effects easier.

DaVinci Resolve 18.5 also includes improvements to remote monitoring, with the ability to initiate remote monitoring using just a Blackmagic ID and a session code. Users can stream to multiple computers, iPads, or iPhones simultaneously, making it easier to collaborate with colleagues and clients remotely.

Other new features in DaVinci Resolve 18.5 include support for the Universal Scene Description file format for improved collaboration with VFX artists, the ability to export timelines to the Blackmagic Cloud using the new Presentations feature, and the addition of marker overlays and annotations for timeline and clip markers on the Color page viewer.

“We’re excited to introduce DaVinci Resolve 18.5, which offers our users more creative options and faster workflows,” said Grant Petty, Blackmagic Design CEO. “The new AI tools, menus, and upgrades across the Cut, Color, and Fairlight pages will help users work more efficiently and spend more time being creative.”

DaVinci Resolve 18.5 is available for download now from the Blackmagic Design website. The software is compatible with Mac, Windows, and Linux operating systems and is available in both the free and paid Studio versions.

With its powerful features and easy-to-use interface, DaVinci Resolve has become one of the most popular post-production software options on the market. The new AI tools and feature upgrades in DaVinci Resolve 18.5 only serve to enhance its already impressive capabilities and make it an even more essential tool for photographers and videographers.

For more information head on over to the Blackmagic Design website

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14 Common Mistakes With Photo Edits To Avoid For Your Website

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We live in a time when business is done at a lightning pace. A large reason behind this is that people can purchase things and services digitally.

Fortunately, the ease of e-commerce has created a business model that just about any brand can emulate and have an opportunity to succeed. However, in such a fast-paced industry, your website and marketing strategy needs to be on-brand and custom tailored to you.

This is where photo edits come in. Every brand can use a unique touch to make its photos stand out.

Are you ready to learn the common mistakes with photo edits you should avoid for your site? Then read on, and we’ll walk you through it!

Common Mistakes With Photo Edits

1. Over-editing Images

When an image is scaled down, the details in the photo can become too small to be visible, and the colors can be distorted or look washed out. It’s particularly important to check if the photo resolution is appropriate for the website platform the image will be displayed on.

2. Under-Editing Images

Over-editing can often lead to a lack of realism, but under-editing can be just as damaging. When editing an image, double-check that the colors and shadows are correctly adjusted and that the lighting is even. Make sure the images you produce look professional, polished, and natural.

Try to ensure that the elements on the individual images flow together to create a balanced sense of composition without being over-processed. Additionally, have someone else review your photos to spot mistakes you might have missed. Finally, it is always preferable to use editing software that has presets and tools specifically designed for that type of photo, as this ensures a naturally edited photo when appropriate.

3. Not Using Consistent Filters

Not using consistent filters can make your website look disorganized, sloppy, and unprofessional. If you use too many different filtering and editing styles, your website may look cluttered and can leave visitors feeling overwhelmed. Additionally, not using the same styles between images can make it difficult to maintain a cohesive visual story.

Instead, pick a couple of filters or editing techniques and use them throughout your photos to help create a unified look that tells the story you want your website visitors to see.

4. Not Cropping Images Properly

It is important to ensure that all images are correctly cropped to the right proportions or size. Not cropping images properly often results in important details being cut off or unfocused effects in the image.

Pay attention to the measurements of the image you are cropping. If the size isn’t restrictive, then there should be extra space left on the sides of the subject of the photo to help avoid cutting off any important parts of the image. It is helpful to use guidelines when editing photos to ensure that all images are sized correctly and cropped in a way that displays all of the important details.

Common Mistakes With Photo Edits

5. Using the Wrong File Format

Different file formats are optimized for specific purposes, such as GIFs for web graphics and JPGs for photographs. Choosing the wrong file format can lead to poor-quality images and slow loading speeds. It can also cause photos to look distorted or blurry if they’re too large to fit in the designated space.

The space you’re using for your website also plays a role in which file format to use. For example, if you’re adding an image to an email, an optimized JPG will work great, but if you’re posting something to social media, a PNG might be a better choice.

6. Overusing Text on Images

Many website owners think that putting attractive text or words on a photo would please their viewers and generate interest when in reality, it can really overpower the image and create confusion instead. Having too much text on an image can crowd the image and make any content within it almost impossible to understand – it also distracts the eye from other important information as well.

Try using text sparingly on an image, making sure that any content within it is easily readable and focusing instead on creating an attractive photo composite to generate interest. Too much text or “noise” on an image can turn off potential customers and detract from your image as a whole.

7. Ignoring Image Composition

Good photo composition is fundamental for making an image both eye-catching and effective. Things like the rule of thirds (placing the subject at the intersection of two imaginary lines that divide the image into thirds) or filling the frame (using the photo’s frame to create a border around the subject) are great conventions when creating a photo.

Without paying close attention to composition, it’s unlikely the resulting image will be memorable, no matter how many filters you apply. Take a few moments to consider your subject, experiment with angles, and pay attention to contrasts and other visual elements, and you’ll be sure to foster a compelling image.

8. Not Paying Attention to Color Balance

This will cause the photo to look unnatural and can take away from the appeal of the website. It is important to keep the colors of the image balanced whilst still retaining the original quality of the image. Additionally, a poorly edited photo can also distort elements in the image which can be distracting to viewers.

Common Mistakes With Photo Edits

9. Choosing the Wrong Resolution

If the resolution isn’t right, the size of the image may not be able to achieve the desired outcome. Additionally, selecting an image with a higher resolution than needed can cause file size issues. An image that’s too large might end up slowing down your website’s loading time, hurting the user experience.

When in doubt, err on the side of caution and resize and compress the image file to a lower resolution. If a high-quality resolution is necessary, use the correct resolution and compress the file appropriately.

10. Using Watermarks Incorrectly

Many people make the mistake of covering up too much of the original photo with the watermark, making it difficult to get the intended message across in the image. Some watermarks can also be too low resolution, creating a blurry, distorted image. Additionally, watermarks should always be placed in areas of an image that will not detract from the overall aesthetic.

Overusing watermarks can make an image look cluttered and unprofessional, which can be distracting to viewers. Avoid the mistake of using multiple watermarks on a single photo, and make sure the letters and text used are in alignment with the theme of your website.

11. Using Low-Quality Images

Low-quality images are often provided in low resolution and lack crisp detail, making it difficult to differentiate between the elements included in the photo. Additionally, these images tend to appear blurred or pixelated, which can be unsightly on a website.

Editing these images can often lead to further distortion, such as poor color correction, compression artifacts, or loss of detail. These mistakes can ruin the consistency of a website design and its overall aesthetic appeal.

12. Overusing Stock Images

Although these types of images may make it easy to create a visually pleasing website, too many of the same stock images can create a generic and dull look. To avoid this, try to find unique images with original examples that better represent your business. You can also try customizing stock images with text and other effects.

Common Mistakes With Photo Edits

13. Not Using Transparency

One of the most common mistakes that inexperienced website and graphic designers make with photo editing is not using transparency. Transparency allows for overlays or sections of a photograph to blend into the background, creating a more aesthetic and visually appealing look. Failing to use transparency can lead to an awkward visual layout or presentation.

To avoid this mistake, learn how to make backgrounds transparent. Add a layer over the photo or adjust the alpha (opacity) of a layer in the image. Transparency is also a great way to create a sophisticated look and contrast, like a banner or a logo. Using transparency will ensure that the images on your website look their best and will ensure a clear, professional look with attention to detail.

14. Not Paying Attention to Image Size

If your images are too large or too small, it can cause your website to load slower or even create undesirable visual effects. Smaller images may appear grainy or pixelated, while larger images can distort page formatting and cost more in file size and bandwidth.

To avoid these issues, you should always check the image size before you upload an image to the server. You can use online tools and programs to resize it if it is too small. If the image is too large, simply use the editing functions of your favorite photo software to reduce its file size.

Avoid These Common Mistakes with Photo Edits

Overall, photo edits should be done with great caution, as they can be difficult to undo and can make a photo unappealing. Keeping these common mistakes with photo edits in mind will ensure that the edits you make are minimal and effective, creating a consistent look and feel for your website.
Take the time to ensure the edits you make to photos are right – it’s worth it! For more tips, visit our website now and check out our in-depth guide.

Did you find this article helpful? If so, be sure to check out the rest of our blog posts!


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Crossing the lines: photography without frontiers at Kyotographie 2023 – photo essay | Photography

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Borders is the theme of the 11th annual Kyoto photo festival – Kyotographie – though, as the co-director Lucille Reyboz is keen to emphasise, there are no borders here. The festival brings together the work of artists from as far afield as Ivory Coast and the London borough of Hackney, with projects ranging from the trials of migration to the challenges of living with dementia.

The work displayed in each exhibition is complemented by the choice of venue. The tranquil Ryosokuin Zen temple is the space showing the work of mixed-media artist Joana Choumali.

Ryosokuin Zen Temple in Kyoto, the venue for Joana Choumali’s exhibition ‘Alba’hian’

Her photo-based scenes are embellished with delicate embroidery, a technique Choumali has developed to process trauma in her life; in this case the work helped her deal with her grief over the death of her mother. Threading her emotions through visions of dawn blended with images of people in her community going about their daily business, she says: “It was as if my inner landscape was merging with my outer landscape … it gave me the opportunity to make a journal of what was happening to me. Making the work literally saved my life.”

Let It Out from the series Alba’hian
‘It’s the Deep Breath You Take’ from the series Alba’hian
‘Maybe I Grew Up a Little Too Soon’ from the series Alba’hian

By comparison, photographer Kazuhiko Matsumura invites you into a traditional Kyoto home to experience for yourself the effects of dementia on the elderly couple we imagine may live there.

The traditional family home that hosts the exhibition Heartstrings
From the series Heartstrings – a study of dementia

Looking through these misty images placed in the intimate spaces of domesticity, the atmosphere is one of a whisper of a life barely remembered, the melancholy of losing the sense of space and time and the challenges of living with the condition. Dementia touches the lives of one in five old people in Japan, which has an increasingly ageing population.

From the series Heartstrings - a study of dementia

The photography has a poetic quality, with much of the project focusing on the love and support of family. Matsumura’s purpose is not only to raise awareness of the illness but also to show the significance of the care given to those who are affected.

From the series Heartstrings – a study of dementia

Turning into another Kyoto sidestreet, a little boy on a tricycle leads you along an alley, riding right into the rhythmic world of Dennis Morris, the photographer behind iconic images of Bob Marley among other famous musicians. The work shown here, Coloured Black, captures the everyday life of the West Indian community in 60s and 70s London.

Dennis Morris’s Boy Tricycle

Morris was inspired and encouraged to take up photography by the benefactor of the church he attended as a boy growing up in Dalston. He had dreams of being a conflict photographer but instead found his frontline in his own neighbourhood documenting the sound, style and political aspects of his community as they tried to break away from the discrimination holding them back in British society.

At the heart of the exhibition is a recreation of Dennis Morris’s childhood living room
An image from the exhibition Coloured Black
An image from the exhibition Coloured Black

Style and its origins is the focus of Parallel World, an epic retrospective covering 40 years of work by renowned Japanese fashion photographer Yuriko Takagi. The exhibition has been ambitiously curated in one of Kyoto’s most sacred and ancient buildings, the Ninomaru Palace in Nijo-jo Castle.

An image from the exhibtion Parallel World

Throughout her career Takagi has travelled the world documenting traditional textiles, designs and the people wearing them that influence the grand fashion houses of our time. She displays these in tandem with her commissions for the likes of Issey Miyake, Galliano and Dior.

Left, a commission for Dior, right an example of traditional ethnic clothing
An image seen on the reverse side of a shoji, a traditional Japanese screen

Showing the work in such a historic site, where none of the display can leave so much as a fingerprint trace on the fabric of the building, presented the curation team with particular challenges and so in the first space reproductions dramatically tower above you on floating panels made from shojis, traditional translucent Japanese screens, the bonus being that you can see the photograph from both sides. In the other rooms the images are laid out to be viewed only in natural light as is dictated by the sacred traditions of the building’s heritage but this cleverly creates a subtle atmosphere that enhances the ethereal beauty of the photography.

Images suspended on Shoji panels hang in the historic Nijo-jo Castle

  • Top: a commission for Dior, right an example of traditional ethnic clothing. Middle: An image seen on the reverse side of a shoji, a traditional Japanese screen. Above: Installation view of Takagi’s Parallel World.

No conversation on the theme of Borders would be complete without reference to the issues of migration. During the summer of 2016, César Dezfuli photographed the 118 migrants and refugees he met during operations in the Mediterranean to rescue them from a catastrophic journey from north Africa to Italy. This was a time when authorities were focused on the numbers making the journey and there was a distinct lack of empathy and understanding for the migrants, many of whom were as young as 15.

People rescued from a rubber dinghy drifting 20 miles from the coast of Libya in 2016

Dezfuli was so affected by the state of the people rescued, their trauma and lack of sustenance, that he has made it a mission to follow their progress and reclaim their humanity. He began with 23-year-old Amadou Sumaila from Mali who he reconnected with through Facebook.

Amadou Sumaila at the time of his rescue from the Mediterranean in 2016
Amadou photographed in Spain

After spending years in a migration centre Amadou is now living in Spain, a trained plumber and electrician and part-time model. In 2022 he was granted humanitarian protection by the Spanish government which gives him opportunities to work and study. To date, Dezfuli has located 105 of those rescued in that single operation in 2016, and photographed 75 of them again. Some were fleeing political persecution, some from conflict, some from the devastation of Ebola. It’s his hope that telling their stories will build empathy and understanding, an opportunity to be forward thinking and prevent their plight from being forgotten.

On January 2, 2022, Aryane married Binta, his childhood girlfriend, with whom he had maintained a long-distance relationship for over six years of his journey. Their wedding took place in Conakry, the capital of Guinea, with their friends and family. Aryane, who currently lives in Bologna (Italy), has obtained Italian residency, which allows him to travel back to his country. He has begun the legal process so that Binta can be reunited with him in Italy soon.

Kyotographie 2023 runs until 14 May at venues across Kyoto, Japan.

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DJI tease new product, it has to be the DJI Mavic 4

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At present, we no nothing more than the launch will happen at 2pm on the 25th of April – Excited we are! But let’s speculate that it’s the DJI Mavic 4, why? well there’s quite a hint with that Hasselblad lens in the image..

DJI has released a teaser for its latest drone, and while the company hasn’t revealed many details, the upgraded camera is the highlight of the new release. It’s widely speculated that this could be the DJI Mavic 4, or perhaps even a completely new model.

One of the biggest hints that this could be the DJI Mavic 4 is the camera, which has been developed in partnership with Hasselblad, so this would be consistant with the Mavic 3 and Mavic 3 Classic. The quality of Hasselblad cameras is widely recognised by professional photographers and videographers, so this partnership has already piqued the interest of the industry.

It’s also rumored that the new drone will have a larger sensor than previous models, which would allow for better low-light performance and greater dynamic range. This could be a significant improvement for those who need to capture high-quality footage in challenging lighting conditions.

But what’s even more exciting is the possibility that the new drone could have an interchangeable lens system. This would give photographers and videographers greater flexibility in the types of shots they can capture, allowing them to choose from a range of lenses to suit their specific needs.

Of course, these are just rumors, and we’ll have to wait for DJI to release more information about the new drone, which possibly, could be the DJI Mavic 4. But one thing is for sure, the company is known for pushing the boundaries of drone technology, and this release is likely to be no different.

If you want to keep up to date with the latest news from DJI, you can check out their teaser video at https://www.dji.com/uk/teaser?utm_source=newsletter&utm_medium=edm&utm_campaign=teaser-261&sc_src=email_6241731&sc_eh=0cc316f3d5fa44b01&sc_llid=243733&sc_lid=415780402&sc_uid=uLJd0WBua9. We’ll be sure to keep you updated with any new developments as they arise.

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Publish Your AI Generated Panoramas on 360Cities – 360Cities Blog

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We’re pleased to confirm that we are accepting AI generated panoramas. In fact, we already have some interesting examples to share with you:

Fantasy Landscape AI by Fabrice Monchâtre

Lavander in the Fields AI by Fabrice Monchâtre

Digital painting of Sunflowers fields in Provence by Alain AUZERAL

Digital painting of Lavander fields in Provence by Alain AUZERAL

Of course, AI generated panoramas need to meet the 360Cities requirements. Once approved, your AI panoramas will be added to our beloved ‘Out Of This World‘ category alongside computer generated panoramic images, drawings and paintings, and other panoramas that depict locations either not on Earth (like Mars, the Moon, and Outer Space in general) or do not realistically represent a geographic location on Earth  because they have too many special effects.

Don’t forget to add the keyword ‘ai’ as a tag when submitting your AI generated panoramas so they can be easily found by those looking for AI-based panoramic photography.

If you have any questions or concerns, please don’t hesitate to contact us. You can reach us through email or our forum.

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