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Over the last four years, the latest incarnation of the iPhone Pro Max has become my favorite camera companion, while my Canon DSLR has sat patiently on the shelf waiting for me to rekindle our long-term relationship. A newly acquired iPhone 15 Pro Max has just hammered another nail into the coffin of my Canon DSLR. Here’s why.

When shooting with my DSLR I needed to cart around a kit bag full of lenses, so I could whip out a telephoto to capture candid street photography pictures. I’d then have to swap to a wide-angle lens to fit architectural landmarks into the frame. The iPhone 15 Pro Max packs 7 cameras into its palm-sized frame, with focal lengths ranging from an ultra-wide 13mm to a periscopic zoom-enabled 120mm lens. It’s this new 5x optical zoom that makes me the most excited about the iPhone 15 Pro Max.

• What is a periscope lens on a phone – and do you need one?

The 15 Pro Max is only 8.25mm deep, but it bounces light off multiple mirrors to get the lens far enough away from the sensor to achieve a focal length of 120mm (hence the term periscopic). I find that this extra reach over iPhone 14 Pro Max’s 77mm zoom enables me to remain a ‘fly on the wall’ while I capture candid close-ups of people from a distance.

This freedom to remain less conspicuous than I was with a DSLR and a long lens motivates me to snap far more street photography-style images than I’d normally do. I feel like I’ve developed a superpower!

What is even more exciting is the fact that I can use the 5x (120mm) zoom camera while shooting in the Camera app’s Portrait mode. This enables me to add a DSLR-style background bokeh that makes distant people stand out sharply against blurred backgrounds. This combination of software-added bokeh to a powerful zoom enables me to mimic a classic DSLR telephoto look more effectively than I could using previous iPhone models.

When shooting telephoto images with my DSLR I’d set the camera to shutter priority, and choose a shutter speed fast enough to freeze the subject and avoid the shake-induced motion blur that zoom lenses are prone to. This could lead to a sharp but under-exposed shot that I’d need to brighten up in post.

The iPhone 15 Pro Max captures pin-sharp and well-exposed telephoto shots instantly, due to advances in its sensor-shift image stabilization. As well as moving the sensor horizontally (x) and vertically (y) to counteract camera shake, the 15 Pro Max also vibrates the sensor along the depth (z) axis. This physical three-dimensional movement ensures a telephoto shot that’s free from shake-induced blur.

As a result, every telephoto shot is sharp, well exposed, and ready to share there and then – which is great if you want to satisfy your social media feed’s need for ‘as it happens’ photo content.

Having enjoyed a day shooting street photography I was keen to see how the 15 Pro Max got on with a professional model. I met Eli at London’s Barbican Centre, which has a great range of Brutalist architecture backdrops.

Normally I shoot in Apple’s ProRAW format so I can have full control over colors and tones in the editing stage. Thanks to the main 24mm camera’s wide f/1.78 aperture, I can get a strong and natural bokeh while shooting RAW portraits.

However, thanks to iOS 17, if you shoot a JPEG of a person then a depth map is generated as well (even if you haven’t shot in Portrait mode). This gives you the freedom to add an adjustable bokeh to a wider range of JPEG-format shots in Apple’s Photos app.

This depth map isn’t available if you shoot in RAW, so I found myself shooting far more JPEGs than I’d usually do. As an iOS 17 bonus, you can now change the focal point of a JPEG as well as the blur amount in Apple Photos, which gives photographers even more control in the post-production stage.

Model Eli hadn’t done a shoot with an iPhone before, but as a professional she gave it her all. Over the two-hour shoot, I enjoyed switching from capturing close-ups to wide-angle portraits with a few taps on the iPhone’s display.

I was also able to enthuse Eli by showing her the results of a shot immediately on the iPhone’s vibrant HDR display. By shooting with a low-profile iPhone at the Barbican we weren’t interrupted by security personnel (which can happen if you’re in possession of a ‘big camera’, as policemen like to call it!).

All in all, I’ve loved my first week using the iPhone 15 Pro Max’s cameras and, in 3 separate shoots, I’ve notched up 56,000 steps, capturing a wider range of subjects than I’d normally do. The iPhone 15 Pro Max and I may be in our ‘honeymoon period’ but I am sure we’ll be exploring new photo opportunities together for a long time to come. (Just don’t tell my DSLR.)

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Urban street photography from Lagos and Johannesburg, a musical about Minnesota’s youngest governor, staged opera scenes and arias, and an Indigenous festival on both sides of the Stone Arch Bridge are in store for this week’s cultural schedule. Also, Low Cut Connie heads to First Avenue, bringing the band’s intoxicating theatricality with it, and jazz vocalist Elaine Dame heats up the Dunsmore Room at Crooners.

‘Urban Cadence’: Street scenes from Lagos and Johannesburg

A new exhibition at the Weisman Art Museum features the art of street photography in two cities on opposite sides of the African continent. Using the lens of cadence — a word that refers to rhythm and musicality, often of the human voice — curator Carol MaGee proposes the artists that are part of the show capture the sound and beat of the two vibrant urban centers. Both cities have booming youth populations, and both are international music hotspots. The photographs in the show are filled with movement — from people captured walking, turnin, and engaging with daily life, as cars and public transportation. One particularly striking image comes from Akintunde Akinleye, a Nigerian photographer, whose photograph “Each Passing Day” (2006) offers a view Lagos’ Oshodi terminal, an enormous swath of buses, umbrellas, tightly packed crowds of people and buildings, seen from atop a pedestrian bridge. Other more abstract photographs by the South African photographer Jo Ractliffe play with time as different moments after apartheid are blurred together like a tone poem in music.

The opening party for the exhibition takes place Thursday, Oct. 5, from 7 to 10 p.m. at the Weisman ($20), with Nigerian food by WaZoBia and a cash bar, plus a live performance by the Black Atlantics, led by Afrofusion musician Obi Original. More information here. There’s also a virtual artist talk featuring Akintunde Akinleye on Wednesday, Oct. 25, from 6 to 7:30 p.m. (free). More information here. The exhibition runs through Dec. 31.

‘Boy Wonder’

Playwright Keith Hovis is in some ways uniquely experienced to take on a musical about Minnesota’s 25th governor, Harold Stassen. He’s had a concurrent career working in communications for the likes of Mayor Chris Coleman, Gov. Mark Dayton and different state departments. He’s also a composer, and penned the music for his latest work about Stassen, “Boy Wonder.” Laura Leffler directs the piece, which focuses on Stessen’s achievements — like helping start the United Nations — and his relationships, including with his wife, Esther, played by Emily Dussault. Evan Tyler Wilson takes on the role of Stassen, with Jen Maren, star of “Glensheen,” Bradley Greenwald and Eric Pogi Sumangil among the ensemble cast. Saturday, Oct. 7, at 7:30 p.m., Sunday, Oct. 8, at 2 p.m., through Oct. 29 ($48-74) at the History Theatre. More information here.

Elaine Dame Trio

Chicago-based jazz singer Elaine Dame heads to the Dunsmore Room at Crooners lounge for her third appearance, part of her coast-to-coast tour that highlights old and modern standards filled with her popping expression and deep understanding of rhythm. She’s joined by Twin Cities musicians Kavyesh Kaviraj (piano) and Graydon Peterson (Stand-up Bass). Friday, Oct. 6, from 6:30 to 8 p.m. ($25-35). More information here.

Low Cut Connie

In 2022, Low Cut Connie gave a vibrant, theatrical performance at the Minnesota State Fair, with frontman Adam Weiner delighting audiences with virtuosic piano playing and flamboyant stage presence. The band has a classic rock feel with the panache of artists like Elton John and Billy Joel. This week, the group heads to First Ave, promoting the recently released album, “Art Dealers,” dedicated to Lou Reed. Matthew Logan Vasquez and Mik Cool open. Saturday, Oct. 7, at 8:30 p.m. ($25). More information here.

Bridging the Past, Building the Future: A Concert Fundraiser of Staged Opera Scenes and Arias

The Opera Reading Project will be sharing music from Finnish composer Kaija Saariaho, who died in June of this year and whose last work, “Hush,” had its world premiere on Aug. 24. The group, which focuses on professional development for opera singers, also shares music by living contemporary composers Daniel Catán and Jocelyn Hagen, along with works by Aaron Copland, Wolfgang Amadeus Mozart and Giuseppe Verdi. Marcela Lorca, artistic director of Ten Thousand Things, has staged the scenes, working with ORP’s artistic director Lara Bolton. Saturday, Oct. 7, 2:30 to 4:30 p.m. at the Landmark Center ($30 suggested, $5-10 sliding scale). More information here.

Owámni: Falling Water Festival

Bring your appetite to the Owámni: Falling Water Festival, where a host of Indigenous food trucks — including Tatanka Truck, Pow Wow Grounds, and NATIFS (North American Traditional Indigenous Food Systems, the nonprofit founded by The Sioux Chef Sean Sherman). Also on hand will be Austin Barhold (of Gatherings Cafe) catering and food samples from Chef Johl Whiteduck Ringuette, who will speak about food sovereignty in Canada and across borders. The festival takes place on both sides of the Stone Arch Bridge, at Father Hennepin State Park and Mill Ruins Park, with music on both sides. From vocal groups to the hip-hop of Tall Paul, to a fashion show, it should be a great way to experience Native knowledge and culture and take in the changing colors of the fall landscape. Saturday, Oct. 7, from 1 to 5 p.m. at Mill Ruins Park, Water Works and Father Hennepin Bluff Park (free). More information here.