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Sigma releases astrophotography-centric 14mm F1.4 DG DN

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The stars my destination. Sigma reckons that its new 14mm F1.4 DG DN | Art is the world’s only non-fisheye lens that combines an ultra-wide angle of 14mm with a maximum aperture of F1.4. You want starfields? You got ‘em.

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Photography of Patients During Healthcare Checkups is Not Permitted

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Photography of Patients During Healthcare Checkups is Not Permitted

© KuwaitMoments
Photography of Patients During Healthcare Checkups is Not Permitted

The Ministry of Health reaffirmed that photographing patients while they are receiving medication orders was completely forbidden by law and was unethical except in certain circumstances outlined by law (Article 21). This applies to all third parties regardless of the reason for or means used for photographing.

Read More: Kuwait to Receive International Medical Technology in

Three Months

Read More: 180 Pakistani Medical Professionals Arrived in Kuwait in February 2023

A secure electronic system with specific controls is used to prescribe medications. For the correct dispensation of medications, expatriates must fulfill specific criteria, including proof of legal status, health insurance, and payment of prescribed fees.

The Ministry of Health expresses concern about recurrent cases in which patients’ privacy was infringed by illegal photography while receiving their prescription medications at hospital pharmacies or health clinics. Such photographs should not be shared on social media sites as it violates the values of patient confidentiality and regard.

This article was posted on KuwaitMoments

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Sunset Reflected In Carlsbad: Photo Of The Day

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CARLSBAD, CA — Patch reader Ray E. Liles captured this photo at sunset at Robert Frazee State Beach.

Thanks for sharing!

If you have an awesome picture of nature, breathtaking scenery, kids caught being kids, a pet doing something funny or something unusual you happen to catch with your camera, we’d love to feature it on Patch.

We’re looking for high-resolution, horizontal images that reflect the beauty that is San Diego County, and that show off your unique talents.

Send your photos to [email protected]. Be sure to include photo credit information, when and where the shot was taken, and any other details about what was going on.

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NBA: Nuggets must defy human nature to close out series, says Michael Malone | NBA News

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DENVER: Denver Nuggets head coach Michael Malone knows the mind can play tricks on players when it comes to crunch time in the NBA Finals, so he’s trying out some mental games himself.
His team needs one more win against the Miami Heat to secure their first NBA championship title, after Friday’s victory in South Florida gave them a 3-1 lead in the series.
Back on home court Monday, the odds favor the Nuggets who in the last two games have had the measure of Miami in every department of the game.
The home crowd will turn up expecting a celebration and the pundits will talk of Denver needing to simply wrap-up the series but Malone knows that kind of mood spells danger.
“My biggest concern going into any close-out game is human nature and fighting against that,” he told reporters.
“You’re up 3-1. Most teams, when you’re up 3-1, they come up for air. They relax and they just kind of take it for granted that, ‘oh, we’re going to win this,'” he said.
“The neat thing for us is that going back to the (Covid) bubble, we’ve been down 3-1. We’ve come back and won. We know anything is possible,” he said.
Three years ago the Nuggets pulled off the relatively rare series comeback twice in the same post-season.
They overturned the Utah Jazz’s 3-1 lead in the Western Conference first round and then did the same against the Los Angeles Clippers in the semi-finals.
So Malone has told his team to put themselves in Miami’s shoes and play like a team who have to win to survive in the series.

“That’s why my message to our team (on Sunday) was our approach has to be we are down 3-1. They are desperate; we have to be more desperate. They are hungry; we have to be hungrier,” he said.
“There is no celebrating after game four. We have another game that we have to win, and the close-out game is always the hardest game ever,” he said.
There have only been eleven other cases in the NBA of a team winning from a 3-1 deficit and only once has it occurred in the finals — in 2016 when the Cleveland Cavaliers fought back against the Golden State Warriors.
At the same time, while demanding that hunger, Malone has been reminding his team that they must stick with the approach that has taken them to their first ever finals.
“Stay in the moment and once that jump ball goes up tomorrow night, our players, every possession, every moment of that game can’t be (thinking) ‘We have to win this game.'”
“We have to stay true to ourselves, trust what’s gotten us to this point,” he said.
“After game four in Miami, everybody was yelling, ‘Just one more win.’ Hey, let’s just win the first quarter tomorrow night. Take it in small bites. And if you do that possession by possession, quarter by quarter, hopefully when 48 minutes are over, you’ve done what you needed to do.”
That is a mindset that requires cool heads and luckily for Malone, his star man Luka Jokic is ice-cool.
Asked about how he and the team would handle the emotions of such a momentous game, Jokic was utterly on-brand.
“I think it’s not going to be emotional,” said the Serb.
“It’s going to be a job that we need to do to be done. I think we are ready. I think we are going to be locked in and ready to go. It’s just going to be a game that we need to win.”

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AI and the future of professional photography: evolution, not extinction

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In the era of artificial intelligence, industries across the board have been subject to transformative changes. The photography industry, like many others, is poised at the precipice of a revolution. The rise of generative AI, capable of creating unique, never-before-seen images in response to a given prompt, threatens to upend the conventional norms of professional photography. But does this signify the death of an industry, or merely its evolution?

The capabilities of AI have grown at an astonishing rate, with its algorithms creating art, composing music, and even writing text that is nearly indistinguishable from human work. The arrival of AI systems that can create realistic images based on specific briefs presents an undeniable potential for disruption in the realm of professional photography.

This evolution calls into question the very relevance of traditional, human-centric stock imagery and commissioned shoots. With the costs associated with AI-driven image creation expected to decrease over time, the prospect of generative AI replacing certain aspects of the photography market seems plausible. After all, why would a picture editor pay for stock imagery when AI can generate it quickly and economically?

Yet, as alarming as this prospect might seem for professional photographers, it is crucial to consider the whole picture. While the capabilities of AI are impressive, there is an array of elements intrinsic to human-driven photography that, as of yet, remains out of reach for AI.

Photography, at its heart, is not just about snapping pictures—it is a form of communication, telling stories through a blend of technical skill, creative instinct, and an eye for detail. It is about capturing moments, evoking emotions, and creating narratives. This nuanced understanding of context, empathy, and the human condition is something AI currently lacks, despite its impressive strides.

Moreover, there’s a significant element of human experience that feeds into a photographer’s work—understanding a client’s needs, their personalities, their brand ethos, and more. These subtle, yet critical, nuances often make the difference between a good photograph and a great one. Until AI can demonstrate this level of sophistication, there will always be a niche for professional photographers.

So, what’s next for the professionals? Will they become obsolete in this brave new world of generative AI? Far from it. Rather than fearing the rise of AI, it would be more constructive to embrace it as a tool that can elevate their craft.

Generative AI can help alleviate the mundane tasks and allow photographers to focus more on creativity and innovation. It can serve as an aid, providing preliminary drafts that photographers can build upon, thus augmenting their capabilities rather than replacing them outright. Photographers can also harness AI to offer a greater range of services and open up new avenues for their businesses.

The future will likely see a blend of AI and human creativity, with each pushing the other to new heights. The intersection of photography and AI is not a death knell but rather an opportunity for photographers to explore new terrains, push their creative boundaries, and redefine their roles in this evolving landscape.

Change is inevitable. Like every other industry disrupted by technology, professional photography must adapt. However, one thing remains certain amidst this flux: as long as there is a need for human connection, empathy, and creative expression, there will be a need for the human touch in photography, AI or not. So, rather than killing the market for professional photography, generative AI might just breathe new life into it.

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Jungle know-how, connect with nature helped kids survive 40-day Amazon ordeal

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BOGOTA: Lost for 40 days in the Colombian Amazon, four Indigenous children survived eating seeds, roots and plants they knew were edible thanks to their upbringing. And it was in part down to the local knowledge of Indigenous adults involved in the search alongside Colombian troops that they were ultimately found alive.

The four siblings, ages 1 to 13, survived a small plane crash on May 1 that took the lives of the pilot, their mother and a third adult. The “children of the bush”, as their grandfather called them, survived eating yucca flour that was aboard the doomed plane, and scavenging from relief parcels dropped by search helicopters. But they also ate seeds, fruits, roots and plants that they identified as edible from their upbringing in the Amazon region, Luis Acosta of the National Indigenous Organization of Colombia (ONIC), said. “We have a particular connection to nature,” Javier Betancourt, another ONIC leader, said. “The world needs this kind of special relation with nature, to favour those like the Indigenous who live in the jungle and take care of it.”

The siblings were recuperating at a military hospital in Bogota, the capital, and were said to be in good health and spirits Saturday, when they were visited by President Gustavo Petro and other officials. Defence minister Ivan Velsquez praised the oldest, Lesly Mucutuy, 13, for ensuring the survival of the group. “We have to recognise not only her courage, but also her leadership,” he said. “It was because of her that the three little siblings were able to survive by her side, with her care, with her knowledge of the jungle.” Lesly’s 9-year-old sister, Soleiny, “talks a lot,” said Astrid Caceres, director of thechild welfare agency. Tien, 5, is asking for books to read, while the 1-year-old “has a tranquility to work with the nurses that you cannot imagine”, he added.

Manuel Ranoque, father of the two youngest children, said on Sunday that the eldest Lesly told him their mother was alive for about four days after the plane crashed. Ranoque said before she died, the mother likely would have told them: “go away”, apparently asking them to leave the wreckage site to survive. He provided no more details.

Over 80 volunteers from Indigenous territories joined around 100 soldiers in what was dubbed “Operation Hope”. While soldiers planned operational details, Indigenous knowledge was used to adapt to the jungle conditions. Army helicopters broadcast recordings of the kids’ grandmother telling them in the Indigenous Huitoto language to stay put in one spot. Two of the kids’ birthdays passed during their time in the jungle. Tien turned 5 and the youngest, Cristin, turned 1. “The celebration of the birthdays is overdue,” Cacere said.

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Photographer Anthimos Ntagkas Captured Stunning Street Photos That Show Timing Is Everything

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Introducing Anthimos Ntagkas, a talented street photographer hailing from Greece. His photographs encapsulate amusing and occasionally uncanny coincidences, painting a vivid picture of everyday moments. Yet, it is not solely the happenstance that defines his work, but rather the keen eye and constant vigilance of the photographer himself.

Ntagkas possesses the remarkable ability to position himself at precisely the right place and time, directing his camera towards a specific scene at the perfect moment. The result is a collection of photographs that capture ordinary occurrences with an extraordinary twist.

In Ntagkas’ words, “Street photography goes beyond mere documentation; it is an art form that requires creativity. It involves capturing the essence of both the moment and the people in the streets, while also serving as an artistic director to harmonize individuals and elements into a captivating perspective.” Join us as we immerse ourselves in his latest series of captivating shots, and appreciate his artistic approach to the world of street photography.