I used the latest GoPro for astrophotography. Here’s how I got on

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Can a GoPro do astrophotography? Common sense says an action camera primarily designed for filming high-octane videos of bike rides and TikTok shorts isn’t going to be much use when the sun goes down. However, just as smartphone cameras now use low-noise sensors to fuel impressive ‘night modes’ so the GoPro is, with every iteration, getting better at coping with low light and even complete darkness.

‘Night Photo’ and ‘Night Lapse’ have been available on the GoPro for a few years, but new to the GoPro Hero 11 Black and GoPro Hero 11 Black Mini are three new night effects modes – ‘Star Trails’, ‘Light Painting’ and ‘Vehicle Light Trails’. They join ‘Night Photo’ (only on the Go Pro Hero 11 Black) and ‘Night Lapse’ to create a generous niche of night effects. 

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Peak Design Micro Clutch: The Perfect Hand Strap for Mirrorless Shooters

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Peak Design has announced the Micro Clutch, a low-profile hand strap specially crafted to meet the unique needs of mirrorless photographers. This is Peak Design’s 11th Kickstarter campaign, and the launch of the Micro Clutch sees a return to the company’s origins in camera carry innovation.

Mirrorless cameras such as the Nikon Z8 and Canon EOS R6 II are known for their compact size. Unfortunately, the small size often means compact handgrips, making it challenging to achieve a decent purchase. However, the Micro Clutch is specifically designed to address this issue. It features a recycled aluminium base plate with a sliding screw slot and a stitchless hypalon hand pad with rotating pivot points. These elements allow you to customise the fit while effortlessly transitioning between carrying and shooting, ensuring comfort and safety.

In addition to its ergonomic design, the Micro Clutch offers a practical solution for quick battery access—an often overlooked aspect in other mirrorless hand straps. With the cleverly hidden adjustment tool, photographers can loosen the base plate of the Micro Clutch with a simple 360° turn, releasing the plate and enabling easy access to the battery door. This eliminates the need for additional tools and eliminates the risk of dropping parts.

Peter Dering, the Founder and CEO of Peak Design, expressed his excitement about the Micro Clutch, stating, “Our original Clutch hand strap has been a favourite among our core photo customers, but we recognise that the industry is shifting toward powerful, smaller mirrorless cameras. The Micro Clutch perfectly balances minimalist design and optimal comfort and grip. We’re not only thrilled about the product itself but also about reconnecting with our endemic photo community through this new offering and our 11th Kickstarter campaign.”

To cater to different mirrorless camera models, Peak Design offers different models of the Micro Clutch. Photographers can choose between an “L” style base plate for bodies with built-in grips and an “I” base plate for straight bodies without grips, ensuring a perfect fit for their specific camera.

The Micro Clutch is available for presale discount starting May 16, 2023, on Kickstarter as part of Peak Design’s 11th campaign. It will be available for direct-to-consumer purchase in early July. For more information about the Micro Clutch and to secure your own, visit the official website at https://bit.ly/42TOkTm. 

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Ducks At The Lake: Photo Of The Day

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LAKESIDE, CA — Patch editor Kristina Houck captured this photo of ducks at Lindo Lake County Park in Lakeside.

We want to see your photos!

If you have an awesome picture of nature, breathtaking scenery, kids caught being kids, a pet doing something funny or something unusual you happen to catch with your camera, we’d love to feature it on Patch.

We’re looking for high-resolution, horizontal images that reflect the beauty that is San Diego County, and that show off your unique talents.

Send your photos to [email protected]. Be sure to include photo credit information, when and where the shot was taken, and any other details about what was going on.

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Samsung’s Galaxy A54 Already Feels Outdated Now That the Pixel 7a Is Out

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It’s a bit difficult to justify buying Samsung’s mid-tier Galaxy A54 when the Google Pixel 7a comes with the same processor as its flagship counterpart and has already proven it’s a better camera phone. But the Galaxy A54 starts at $450 compared to the 7a’s $500, boasting some of its flagship sibling’s marquee features at a slightly lower price point than Google’s budget option. Those features include a high-resolution display, excellent battery life, and a design that I felt was more comfortable than the Pixel’s rectangle angles and stark camera bar. The sacrifice is Samsung flagship-level camera quality, wireless charging, and storage space options.

Samsung’s Galaxy A54 doesn’t look like a budget phone

The trick to selling a mid-range device is to make sure it doesn’t look cheap. That’s what Google did with its A-series and what Samsung has decided to do going forward. Last year’s Galaxy A53 was dull if you were buying it in black. But at least this year’s Galaxy A54 appears styled after its flagship counterpart.

A photo of the Galaxy A54

The Galaxy A54 is styled after its flagship counterparts.
Photo: Florence Ion / Gizmodo

The phone looks less “mid-range” than last year’s A53, even in black. Still, I love the periwinkle blue colorway on our review unit (it appears purple in Samsung’s official renders). It looks almost pearlescent in direct light, and it offers a chic aura that doesn’t immediately make you think this is a sub-$500 device. The A54’s build is durable, with the Galaxy A54 boasting tough glass on either side of the chassis, plus an IP67 water and dust resistance rating. There’s still some plastic on the outside frame, but you can barely tell at first glance.

A photo of the Galaxy A54

The Galaxy A54 (left) versus the Galaxy A53 (right).
Photo: Florence Ion / Gizmodo

The Galaxy A54’s 6.4-inch display is bold and beautiful. It’s bigger than the 6.1-inch screen you get on the Pixel 7a and way more saturated, but it’s that high-resolution Samsung AMOLED shining through with its smooth-scrolling 120Hz refresh rate that does it for me. The Pixel 7a display’s color temperature veers warmer, whereas Samsung’s displays are bluer, so video and graphics appear more vibrant. The maximum brightness for the A54 is 1,000 nits, and I found it just a smidge easier to read in direct sunlight than the Pixel 7a.

A photo of the Galaxy A54

It’s plastic all around but you can’t really tell.
Photo: Florence Ion / Gizmodo

Samsung’s Exynos vs. Google’s Tensor

Samsung’s Galaxy A54 runs on Samsung-made hardware, but it’s not exactly in the same vein as Google’s homemade Tensor G2, which powers the Pixel 7a and its flagship siblings. The Exynos 1380 processor is Samsung’s latest mid-range, 8-core chipset. It benchmarks better than last year’s Galaxy A53 but remains hampered by 6GB of RAM. When jumping between apps, you can feel the A54’s relative choppiness. It’s not often, but it’s occasional enough that any sluggishness is more noticeable than on the Pixel 7a (although that phone’s 60Hz default refresh rate presents its own issues when it comes to smooth scrolling).

In battery tests, the Galaxy A54 outlasted its flagship brethren and the Google Pixel 7a. Its 5,000 mAh battery is larger than the 7a’s 4,385 mAh. It lasted about 18 hours and 48 minutes in our battery rundown test, compared to the Pixel 7a’s 16 hours and 11 minutes. It’s good to know Samsung’s mid-range can last a long time, especially since it’s pushing out a 120Hz refresh rate.

A photo of the Galaxy A54

The three-camera system could use a telephoto.
Photo: Florence Ion / Gizmodo

I’m bummed there isn’t wireless charging on the Galaxy A54, even if it is a sub-$500 phone. I have managed to build out a network of chargers around my home, where I live and work, and it’s imperative I can plop down a device to charge it. I can do that with Google’s Pixel 7a but not with the Galaxy A54.

Not the best phone camera for night shots

Two test shots with the Galaxy A54 during mid-day.

Two test shots with the Galaxy A54 during mid-day.
Image: Florence Ion / Gizmodo

The Galaxy A54’s three-lens camera system includes a 50-MP primary camera with OIS and an aperture of f/1.8, a 12-MP ultrawide, and a 5-megapixel macro that seems unnecessary. I never thought to use it during my testing period and would have preferred telephoto glass for that third camera on the back for a little more optical zoom. The front-facing camera is 32-MP.

A Galaxy A54 nighttime landscape shot.

The Galaxy A54’s nighttime landscape shot.
Photo: Florence Ion / Gizmodo

Overall, the Galaxy A54’s camera system gets the job done if you’re outside and the weather is bright. Blues and reds are “punched up” with every photo, and you can use the on-screen camera controls to adjust the scene when it’s the golden hour. Just ensure you set the focus point in the right spot, or it could cost you a well-balanced photo. The maximum video recording resolution on the Galaxy A54 is 4K at 30 frames per second, which is smooth enough. It kept up with my kid panning the rows at a colorful car show, and the microphones were solid at mitigating the wind noise.

The Galaxy A54 will not get you astrophotography like a Google Pixel. Even with its dedicated night mode, it struggled to temper photos and capture enough light. And when it did produce an image in the dark, you can see the pixelation, as if evidence of an algorithmic struggle. That’s not as apparent in the Night Sight photos shot with the Pixel 7a. If it’s night skies and poorly-lit faces you find yourself snapping most, the Galaxy A54 should’t be your first pick.

Samsung’s version of Android is still good

Samsung’s Galaxy A54 runs Android 13 with OneUI 5.1. This gets you access to Samsung-exclusive features like Bixby Modes, widget stacks, and an improved screenshot manager. The company has promised four years of software updates for the Galaxy A54 and five years of security updates. That’s better than on the Pixel A-series, which gets four years of updates plus a sprinkling of quarterly Pixel-exclusive feature drops (though, like game loot, you never know what you’ll get and when).

A photo of the Galaxy A54

Samsung adopted Android 13’s uniform icons.
Photo: Florence Ion / Gizmodo

I appreciate that Samsung’s Android 13 has adopted unified icons. They make the interface look less cartoony than its colorful stock icons. There’s also an option to dim the wallpaper when you’re in dark mode, which I like for my sensitive eyes.

The Galaxy A54 needs one more flagship feature

Samsung’s Galaxy A54 is $450 if you buy it unlocked. But if you need mmWave connectivity to access the 5G bandwidth you’re paying for, it’s $50 more, which is the variant I’d have to buy if I wanted to use this device on Verizon.

A photo of the Galaxy A54

If you don’t mind the nighttime camera performance, Samsung’s Galaxy A54 is bang for your buck.
Photo: Florence Ion / Gizmodo

The Galaxy A54 needs one or two more flagship-like features to justify its cost relative to the Pixel 7a. It’d be nice to see Samsung add wireless charging or higher storage space tiers for folks who want a mid-ranger that will last them through all five years of its security updates. Concessions like that may not immediately translate to more units sold, but Samsung could establish itself as a mid-range manufacturer promoting longevity. That’s a point where it still has a leg up over the Pixel on the software side, so we’d love to see the hardware match.

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Photographer Charles Brooks Captured The Architectural Wonders Within Musical Instruments

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Get ready to experience the awe-inspiring beauty of the inner workings of musical instruments, captured in stunning detail by a talented photographer Charles Brooks. Using exotic probe lenses and specialized wide-angle macro lenses, Charles has managed to create breathtaking photographs that showcase the hidden architectural spaces within each instrument.

Every shot is a masterpiece, achieved through meticulous focus-stacking of thousands of images to ensure every detail is captured in high definition. The end result is a series of photographs that will leave you speechless – each instrument transformed into a unique and mesmerizing concert hall, showcasing intricate details that would otherwise go unnoticed.

Charles Brooks’s collection of photographs is a testament to the beauty that can be found in unexpected places. So come and explore this amazing body of work, and discover the hidden beauty lurking within every musical instrument.

Scroll down and inspire yourself. Check Charles’s Website for more amazing work and information.

You can find Charles Brooks on the Web :

#1 A Rare Cello From 1780

Closeup Photography Of Inside Musical Instruments By Charles Brooks

The breathtaking interior of a rare cello created by English luthier Lockey Hill was completed just prior to his tragic execution for horse theft in 1795. This striking photograph reveals the tool marks left by the master maker, as well as new wood and repairs carried out over the centuries, all culminating in a stunning testament to the instrument’s rich history.

Shot with exceptional precision using a Lumix S1R camera and Laowa Probe lens, this photo is the result of stacking 432 images at various focal distances, resulting in a magnificent, cavernous feel that gives the impression of the cello becoming its own recital hall.


#2 The Inner Workings Of A Fazioli Grand Piano, Crafted From More Than 11,000 Parts

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Deep inside the action (the moving parts) of one of the world’s finest grand pianos. Fazioli makes around 100 of these instruments a year, each handcrafted with over 11,000 individual parts. Shot with a Lumix S1R and a Laowa Probe lens, 100 images at various focal distances have been stacked together for sharpness from front to back, giving a distinct architectural appearance reminiscent of a concert hall or film set.


#3 A Didgeridoo Hollowed Out By Termites!

Closeup Photography Of Inside Musical Instruments By Charles Brooks

A unique view inside an Australian Didgeridoo by Trevor Gillespie/Peckham (Bungerroo) of New South Wales. Didgeridoos are hollowed out by termites, not by hand. Australian legend says that the first Didgeridoo was created when a hollow branch was pointed at the sky and blown to remove the termites. The white termites flew into the air and became the stars, to the sound of incredible music. The rich reds and blacks appear as nebula more at home in the world of astrophotography. Shot with a Lumix S1R and a Laowa Probe lens, 84 images at various focal distances have been stacked together, giving the impression of an organic alien tunnel.


Closeup Photography Of Inside Musical Instruments By Charles Brooks

Super-Octave flutes of the St Marks Church Organ in Auckland, New Zealand. These are the smallest pipes in the organ, responsible for the highest notes. They’re hidden in a chamber in the church tower and are only visible by ascending a series of ladders and platforms.

The organ was built in 1882 and has undergone various refurbishments and expansions since then.

Photographed with a Lumix S1R and a Laowa 15mm Macro lens. 32 images at various focal lengths have been blended together to allow sharp focus and a feeling of space, giving the impression of a golden bamboo forest.


#5 A Bass Clarinet Looks Like An Arthur C. Clarke Spaceship

Closeup Photography Of Inside Musical Instruments By Charles Brooks

The inside of a Buffet Prestige Bass Clarinet, photographed in the workshop of Maurice Reviol in Auckland, New Zealand. In this photo, we can see the subtle colors present in the African Blackwood which has flecks of red and brown in its grain, before it fades into the golden glow of light bouncing through the neck.

This instrument is a model 1193 with a low C, a soloist instrument seen in almost every major symphony orchestra worldwide.


#6 Inside The World’s Most Popular Guitar

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Inside a Taylor GS Mini, one of the world’s most popular guitars.

This image is made up of 67 individual frames, carefully blended together to keep it in sharp focus from front to back. The result is an image that looks like a large concert hall, an effect heightened by the pickups which are reminiscent of stage lights.


#7 A Pipe Organ Or A Corridor Of Skyscrapers

Closeup Photography Of Inside Musical Instruments By Charles Brooks

The pipes of St Marks Church Organ in Auckland, New Zealand. In the foreground are the smallest pipes in the organ, responsible for the highest notes. They’re hidden in a chamber in the church tower and are only visible by ascending a series of ladders and platforms.


#8 Inside A Golden Flute

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Inside a 14-carat rose gold flute by Lillian Burkart, one of the most gifted piccolo and flute makers of all time. This instrument has been used extensively as can be seen by the scratch marks from repeated cleaning, something normally hidden from view. Shot with a Lumix S1R and a Laowa Probe lens, 86 images at various focal distances have been stacked together for sharpness from front to back. Photographed whilst under restoration at Neige Music Atelier in New Zealand.


#9 A Cello Once Hit By A Train!

Closeup Photography Of Inside Musical Instruments By Charles Brooks

This is an instrument with an exceptional story. Built in Germany in the late 1800s, it was sent to New Zealand sometime prior to 1911. In the late 1920s, it was involved in a car-train collision. Usually, this would be enough to write off an instrument, but since it was the depression, and fine instruments were not readily available, it was painstakingly restored.

It has since been through the hands of many luthiers, most of whom have signed their work. We can see signatures inside from 1911, 1930, and 1988, documenting generations of repairs from New Zealand craftsmen.


#10 The Bass Strings Of A Steinway Grand Piano

Closeup Photography Of Inside Musical Instruments By Charles Brooks

The bass strings of a Steinway grand piano. These strings are so tightly wound that they exert more than 20 tonnes of pressure on the frame. Shot with a Lumix S1R and a Laowa Probe lens, 720 images at various focal distances have been stacked together, giving this photo an incredibly wide depth of field and an exaggerated sense of scale, as if you’re standing under the cables of some giant suspension bridge.


#11 100 Years Of Concerts Turned This Saxophone Green

Closeup Photography Of Inside Musical Instruments By Charles Brooks

The interior of a stunning CG Conn C-Melody saxophone, made in 1924. The green oxidization of almost a century of concerts is clearly visible. Unlike every other saxophone out there, the C Melody saxophone (which is bigger than an alto, but smaller than a tenor) plays in concert pitch. This has some obvious practical advantages, such as being able to play from music written for piano, flute, or violin without having to transpose. But despite this, the instrument has all but fallen from usage since its heyday in the early years of the 20th century.


#12 A Grand Piano Looks Like A Laundromat From Dune

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Another shot from the inside of a Fazioli grand piano. This tiny space is only 2 centimetres wide.


#13 A Heavily Repaired Double Bass From 1860

Closeup Photography Of Inside Musical Instruments By Charles Brooks

The inside of a heavily restored double bass by Charles Theress, circa 1860, one of the finest bass makers in the history of the instrument. Photographed in Wellington, New Zealand, with the aid of its present owner Matthew Cave.

This bass has been resident in New Zealand Symphony Orchestra for decades, first brought over in the 1970s, then passed to Matthew in the early 2000s. It was almost lost when the ex-principal of the orchestra was traveling with two basses and the wrong one was sent to Sotheby’s Auction House (this bass rather than a cheaper French instrument he was intending to sell). He only realized when Sothebys called saying the quality of the instrument was far better than they expected…


#14 The Seven Moons Guitar From Chile

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Inside a unique instrument by Chile’s greatest modern luthier Roberto Hernández Cespedes. Roberto fuses pre-Columbian techniques with modern construction methods to create instruments that are literally national treasures. Many are housed in Chile’s most important museums.

This guitar is named ‘Siete Lunas’ or Seven Moons, in reference to the seven sound holes, a signature motif of Roberto’s work. The instrument is made from French Walnut and German Spruce.

Shot with a Lumix S1R and a Laowa Peri-Probe lens, 94 images at various focal distances have been stacked together for sharpness from front to back. Photographed in Roberto’s workshop in Maipu, Chile.


#15 The Carbon Fibre Action Of A Kawai Grand Piano

Closeup Photography Of Inside Musical Instruments By Charles Brooks

The action (moving parts) of a Kawai grand piano. In stark contrast to other manufacturers such as Steinway, Kawai use a carbon fiber-resin composite for their actions. This is one of the most significant developments in piano technology in a century. It allows for faster repetition of notes. Shot with a Lumix S1R and a Laowa Probe lens, 82 images at various focal distances have been stacked together, giving this photo an almost Kubrickesque quality that appears more science fiction than classical music.


#16 A Flute Made From New Zealand Black Maire Wood

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Inside a fine wooden flute made by Maurice Reviol in New Zealand. It’s carved out of Black Maire, a native New Zealand timber considered exceptionally good for woodwind instruments. Photographing this small, dark space was extremely challenging. This image is comprised of 728 individual frames, shot using a combination of focus and exposure bracketing, painstakingly blended together, to render this tiny space vast.


#17 A Violin From The 1800s

Closeup Photography Of Inside Musical Instruments By Charles Brooks

The inside of a violin from the 1800s has the label ‘Hopf’ but it’s likely this was an early counterfeit! Details in the bass bar and the way the neck is joined give it away.


#18 Inside A Steinway Spirio R Self Playing Piano

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Electronic and acoustic components are fused in the action of a Steinway Spirio R grand piano.


#19 Inside A Steinway Grand Piano

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Wippen cushions and capstan screws of the world’s most successful and renowned piano manufacturer, Steinway. These finely tuned mechanisms power the keys of a line of pianos that have been played by more great pianists than any other. Shot with a Lumix S1R and a Laowa Probe lens, 63 images at various focal distances have been stacked together, giving this photo a film-set quality that appears more at home in a Kubrick film than inside an instrument.


#20 A Japanese Saxophone From The 1980s

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Inside a 1980s Yanagisawa T4 Saxophone. Photographed whilst under restoration at Neige Music Atelier in New Zealand. Shot on a Lumix S1r with a Laowa 24mm probe lens. 88 images have been stacked together creating something that looks like a cyberpunk subway station, an effect heightened by the removal of the keys as part of the restoration process.


#21 The Exquisite Architecture Of Steinway

Closeup Photography Of Inside Musical Instruments By Charles Brooks

Wippen Spoons and springs of the world’s most successful and renowned piano manufacturer, Steinway. These finely tuned mechanisms power the keys of a line of pianos that have been played by more great pianists than any other. Shot with a Lumix S1R and a Laowa Probe lens, 106 images at various focal distances have been stacked together, giving this photo an almost Kubrickesque quality that appears more science fiction than classical music.


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Colorado nature photographer John Fielder, facing cancer, basks in beauty he helped preserve

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Colorado nature photographer and environmentalist John Fielder sat on a couch inside his Summit County home recently gazing at jagged Gore Range mountains, not through the frame of a camera but a window — a spectacular scene among thousands that he has immortalized.

A herd of elk had passed outside. A mountain grouse had been singing sonorously at the door.

“Here I am at 72,” Fielder said, “and cancer is trying to take my life.”

He’s been enduring this pancreatic cancer by relying on the same rational approach he honed in handling countless “curveballs” nature hurled while he covered all of Colorado’s 104,094 square miles photographing landscapes. Vehicle breakdowns above timberline, rafts flipping in whitewater rapids dumping him and all his gear, bears bulling into his camp, sudden storms plunging temperatures below freezing — all became challenges for the father of three to overcome by using brainpower, avoiding panic, and summoning strength the way a mountain climber does in ascent.

Fielder also got through personal tragedies — losing his wife, Gigi, after she was diagnosed at 52 with Alzheimer’s disease. He suffered especially after his son died by suicide.

“You know, I have had to self-rescue myself, get out of difficult situations, over 100 times before,” Fielder said. “To me, this is simply self-rescue number 101. It is a problem to be solved.”

Chemotherapy interrupts a slower existence he’d envisioned, skiing with titanium-reinforced knees, hiking and taking photos in Colorado’s Blue River Valley. But the cancer, diagnosed a year ago, also has spurred Fielder to review his life’s work and focus on his mission: helping Coloradans respect nature, most urgently by slowing global warming and stopping environmental destruction.

Taken together, his photos over nearly 50 years give residents an unprecedented perspective on their natural heritage and how large-scale settlement has affected landscapes where the previous human inhabitants, native tribes, lived sustainably on the land. The photos — including 7,300 entrusted to the public at the state’s History Colorado repository — have become the main visual baseline for assessing changes as the climate warms.

“No matter what happens to me in the next six months, my photos are there at History Colorado,” he said as he sat. “Whatever we can do to stave off the impacts of climate warming, maybe my photos can be part of that.”

Fielder grew up in North Carolina, nudged toward a life in commerce. His father excelled in that arena, building up the Ivey’s department store chain and embracing public service. Upon graduation from Duke University, Fielder fell into work as a real estate broker and, married in 1982 with two children and a third on the way, was managing a May D & F store in south metro Denver.

He and Gigi made an escape plan for a life lived largely outdoors. He would turn his nature photography hobby into a business by selling photo calendars and coffee table books. Forty years later, he tallies some 50 collections of photos he has published with roughly 1 million copies sold.

One book — “Colorado: 1870 to 2000” — leverages 19th-century photos by William Henry Jackson, who was sent by the U.S. Geological Survey to document western territories at a time when census records show Colorado had 39,864 residents. Fielder re-photographed what Jackson saw and created a side-by-side comparison at the start of the 21st century — when Colorado had 4.3 million residents and industries including cattle ranching; mining of gravel, gold, coal, gas, and oil; house-building; and tourism. He dedicated the book to the people of Colorado, urging them to “examine our relationship with the land,” declaring “there is no more beautiful place on Earth than Colorado” and “very few places more fragile.”

His photos of high mountains and valleys exposed Colorado to the world, drawing tens of thousands of visitors and new residents and inspiring some to value the wildness that remained in the West. Perhaps only John Denver, with his song “Rocky Mountain High,” drew more attention to Colorado, said Jerry Mallet, a former Chaffee County commissioner who runs the river protection organization Colorado Headwaters.

Looking back, Fielder wrestles with his role. “Obviously, too many people in one place, too many footprints, can destroy the very place you want to protect,” he said. “But the more people that go out and smell, taste, touch, hear, as well as see, Colorado, the more people are likely to vote for the right candidates and issues on their ballots — to not only repair environmental damage but to protect these areas.”

In the early 1990s, he decided he had to do more to save the natural landscapes he photographed. An environmental movement in the state gained momentum under Fielder’s leadership, Mallet said.

Fielder observed a widening degradation from multiple threats: development devouring open space, tourists overrunning national parks, and now the ruinous fires, droughts, and extreme storms driven by climate warming.

His advocacy began as Senator Tim Wirth was leading work under the nation’s 1964 Wilderness Act to save land in Colorado that was “untrammeled by man” and “retaining its primeval character.” Fielder went out and photographed pristine terrain for a book circulated to county commissioners, mayors, chambers of commerce, and others whose support was required for the federal government to designate wilderness.

Now retired, Wirth credits Fielder as “an integral part of the effort” that set aside more than 600,000 acres of Colorado as wilderness. Fielder “is a wonderful enthusiast and advocate, and his photos surely helped to persuade many Coloradans to support our work,” Wirth said.

Former Congressman David Skaggs, who carried the Colorado Wilderness Act of 1993 to final passage, said Fielder’s photos “served to convey something spiritual about the wilderness” that may have “seeped into the pores of some of our skeptical colleagues.”

Fielder also lobbied for land preservation through Great Outdoors Colorado, the program voters launched in 1992 directing the use of Colorado Lottery revenues to protect wildlife habitat and river corridors and to improve parks and trails. And as Colorado’s population exploded, reaching 5.87 million this year, he supported environmental projects, such as efforts to ensure sufficient water in the upper Colorado, Yampa, and Dolores rivers and protect the canyons they carve as new wilderness.

“He’s one of the most consequential conservationists in Colorado history,” said Save the Colorado River Director Gary Wocker, a longtime friend. Fielder has focused on “art and beauty. … a side of things that humans value,” Wockner said. “He knew that, by taking these beautiful photos and selling them, he was probably leading more people to visit the places. But he wasn’t just commodifying them. He has dedicated his life to protecting those places — and restoring them.”

Damage over four decades of population growth and urbanization in Colorado could have been worse, Fielder said, lauding voters who sometimes made saving nature a priority. “We have accomplished much in the past 23 years to deflect inappropriate development.”

But he has seen a transformation.

“Back in the 1980s, there just weren’t as many folks hiking and camping for the sake of just getting away from the city to enjoy the sounds, smells, taste, and touch — the sensuousness of nature.” Crowded conditions inside costly Front Range cities increasingly drive more people out. “People follow other people to the same places they read about online.”

Climate warming with temperatures rising nearly twice as fast as the global average in western Colorado is shrinking snow and favoring droughts, ruinous fires, and insect infestations — ravaging forests where he used to shoot photos. “Just about all of our Colorado forests between 10,000 feet and 12,000 feet in elevation now are dead, not to mention 5 million acres of dead lodgepole pine forest at lower elevations. I can no longer make a beautiful photograph of green trees in the foreground of a Rocky Mountain composition. And most of the snow and ice that were remnants of ancient glaciers has melted. I can no longer include in my designs the dramatic contrast of a white glacier nestled in a rocky cirque,” he said.

“As an artist, I am not sure I can deal with that.”

In the future, more people likely will move to western Colorado, requiring the preservation of more natural landscapes, he said, calling for greater funding by Congress and state lawmakers to make sure federal, state and local public land managers can keep ecosystems healthy.

Much will depend on how fast humans address climate change. Another decade of burning fossil fuels, emitting more heat-trapping carbon dioxide and other gases into the atmosphere, “doesn’t bode well for humanity and for biodiversity,” Fielder said. “We can’t stop climate warming, but we can slow it. There’s a difference between a place that is 120 degrees versus a place that is 100 degrees. That increment could make all the difference….The sooner we get out of the oil and gas business, the sooner we are not part of the problem.”

Meanwhile, on his 20 acres of forest and wildflower meadows, Fielder has been basking in the beauty of a place he has protected, stars still visible in the darkness of night, away from traffic and industrial noise, wonders of evolution over 4 billion years on display.

He counted the elk that surrounded his house — more than 30. The mountain grouse at the door, the first of spring, sang as if wild birds no longer were imperiled.

“With this cancer now, I realize how fortunate I am to be in a place like this,” he said. “It makes all the difference in the world, being in the middle of nature.”

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©2023 MediaNews Group, Inc. Visit at denverpost.com. Distributed by Tribune Content Agency, LLC.

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Teacher hopes to get new lenses for photography classes

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Fort Dorchester High School photography teacher Stephanie Shank says her students and her camera are her focus.


© Provided by Charleston WCSC-TV
Fort Dorchester High School photography teacher Stephanie Shank says her students and her camera are her focus.

NORTH CHARLESTON, S.C. (WCSC) – A North Charleston teacher is finding new ways to develop her students’ photography skills.

Fort Dorchester High School photography teacher Stephanie Shank says her students and her camera are her focus.

From beginner foundation studies to photography and graphic design to advanced placement portfolios, Shank says it’s all offered within her school’s visual art department.

She says more students at her school are taking an interest in her class because of growing class sizes.

“A large percentage of them have cell phones attached to them and are taking pictures of something and sharing their voice and my goal is to do it in a more thoughtful way,” Shank said.

To help, Shank is requesting six 35mm prime lenses for her Donor’s Choose project. She says the lenses will give her students a chance to understand taking advanced photography while outside in a natural setting.

“The little things that can keep them interested and engaged in something they are passionate about make all the difference,” Shank said.

Shank says her imaginative, talented, and motivated photography students are excited for the opportunity to explore even more.

You can also help them by donating to this project for this D-D-2 teacher and her students.

Since the beginning of this school year my classroom champions segments have helped 35 Low Country teachers get supplies, they need in partnership with Donor’s Choose.

Click here to donate to this project right now.

All donations are tax-deductible. Donors Choose collects your money, then buys the items and sends them to the teacher.

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Martinez Photo Of The Day

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Canadian Geese are pictured at the Ferry Point Picnic Area in Martinez.


© Photo by Becki Leahy
Canadian Geese are pictured at the Ferry Point Picnic Area in Martinez.

MARTINEZ, CA — Patch reader Becki Leahy captured this image near the Ferry Point Picnic Area in Martinez. It was taken on Feb. 1, 2020, she told Patch.

It appears someone had all their ducks — geese, actually — in a row that day.

Thanks so much for sharing, Becki!

It’s Your Shot: Pictures You Take and We Share

Have you got the next incredible photo? If you have an awesome photo of nature, breathtaking scenery, kids caught being kids, a pet doing something funny or something unusual you happen to catch, we’d love to feature it on Patch. We’re looking for high-resolution images that reflect the beauty that is the East Bay, and that show off your unique talents.

So, bring ’em on. No selfies. Not here.

Send your photos to [email protected]. In your email, please be sure to include information about when and where the shot was taken and any other details about what was going on.

The article Have Your Ducks (Geese) In A Row: Martinez Photo Of The Day appeared first on Martinez Patch.

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What Is Landscape Astrophotography? 9 Tips for Beginners

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© Provided by MUO


Landscape astrophotography is a type of night photography that involves capturing land and sky. It might seem daunting to beginners given the obstacles a photographer faces when shooting in low-light, let alone capturing the Milky Way.

However, we’re here to tell you that those majestic photographs of celestial objects aren’t as daunting as they first appear. Let’s discuss what landscape astrophotography entails and give you some tips to get started with this genre.

What Is Landscape Astrophotography?

Astrophotography is an umbrella term that includes subgenres such as landscape, planetary, solar, and lunar astrophotography; all of which capture the contents of the sky. Landscape photography is also an umbrella term that hosts subgenres such as storm photography and seascapes; it involves capturing nature scenes.

Put astrophotography and landscape photography together, and you’ve got landscape astrophotography. It’s an amalgamation of land and sky, capturing scenic outdoor shots with the sky being the main element of the composition.

Landscape astrophotography is the most accessible genre of astrophotography—you’ll need more in-depth knowledge and expensive equipment to snap detailed and deep astrophotos. Landscape astrophotography typically doesn’t go beyond capturing what we can already see with the naked eye.

As with any genre of photography, there are certain techniques you can employ in order to get the best results. Your main goal will be letting as much light into the camera as possible without compromising the shot, but that’s not all there is to it.

1. Find a Suitable Location

Getting a shot of the sky isn’t as easy as going outside and snapping away. You need to find a location away from suburbs and cities without too much light pollution, and with some natural landscapes. If you happen to have a mountainous view from your backyard, this might suffice.

If you live far away from a nature spot or don’t frequently go on camping trips, unfortunately, your landscape astro shots will look a little empty when taken near a city. You might still be able to get some nice shots of the moon, but it’s unlikely that you’ll capture many stars.

If you have the opportunity to travel, use a tool like Light Pollution Map to find the best location away from light pollution. If you plan to include the moon in your shot, you can download a moon phase app like My Moon Phase that lets you know where the moon will be at which time, as well as its condition.

2. Prepare for the Night

Astrophotography is about capturing celestial objects, and they’re usually not visible in the daytime. This means that your shoot is going to happen at night.

Bring gloves and a heat pack to keep your hands warm so that you don’t have any difficulty operating the equipment in the cold of the night. And, perhaps more importantly, ensure you will be in a safe location, especially if you’re going out at night alone—stay close to your car.

Lastly, it’s always a good idea to check what the weather will be like in your chosen location. No point in driving somewhere for an hour only for the sky to be covered in clouds.

3. A Full-Frame Camera Is Preferable, but Use What You Have

If you’re new to landscape astrophotography, or photography in general, you might worry about having the right camera. While full-frame cameras do perform better in low-light conditions, crop-sensor cameras will get the job done just fine, especially if you’re still uncertain about pursuing this genre of photography.

Chances are you already own a crop-sensor DSLR, so there’s no need to go out and splurge on an expensive full-frame one—you’ll just need to pay extra attention to the exposure settings. Even your smartphone might suffice if it lets you control the exposure; if not, you can always download a camera app that lets you do this.

4. Use a Wide-Angle Lens

There’s no need to splurge on a new lens for a genre you’ve never tried before. So, use the widest lens you have. And if the kit lens happens to be the only one you own, that’s fine too—most kit lenses are moderately wide-angled.

However, wide-angle lenses that fall within 14-35mm are ideal for landscape astrophotography. They allow you to fit more of the scene into the shot, making them perfect for landscape astrophotography since the sky stretches beyond the landscape—you want to capture as much of it as possible.

It might be worth investing in a wide-angle lens even if it turns out landscape astrophotography isn’t your jam—they’re versatile pieces of equipment.

As for using a zoom vs. a prime lens, both come with benefits and drawbacks for astrophotography. Prime lenses will give you a sharper image, but a zoom will give you more control over the field of view and composition without needing to swap out lenses.

5. Use a Fast Lens

A fast lens is preferable for shooting in low-light conditions since it lets more light into the camera. “Fast” lens means it has a high maximum aperture, and the higher the aperture, the wider the pupil of the lens opens, letting more light in. For any type of night photography, an f/2.8 lens or lower is ideal.

Again, don’t splurge on a new lens if the kit lens is all you own; you might have to rely more on ISO to get the right exposure, but it’ll make do.

You can always rent a fast, wide-angle lens if you’re serious about your first landscape astrophotography shoot. Check out these second-hand photography sites, some of them let you rent camera gear.

6. Set a High ISO (but Not Too High)

A lower ISO means darker images, while a higher ISO will result in brighter images. This might entice you to set the ISO as high as possible for astrophotos, but there’s a trade-off; the image will be noisy/grainy. You can boost the ISO to 3200, but it’s safer to stick to 1600.

7. Use a Long Shutter Speed (but Not Too Long)

A longer (or rather, slower) shutter speed lets more light into the camera. This will allow you to turn down the ISO a bit and avoid grain. But you need to be careful with this—remember, the earth rotates, so if you leave the shutter open for longer than about 30 seconds, the objects in the sky will start looking blurred.

You can always use a very long shutter speed intentionally for creative effect, but this steps into star trailing territory—a different genre that requires specific know-how.

So, if you want the perfect shutter speed and are not after star trails, use the 500 Rule. You can read more about it in this photography rules and formulas guide.

8. Do Exposure Blending

If you’re struggling to get the right shot with your exposure settings, do exposure blending. This involves taking bracketed shots at different exposures and blending them together manually. You can always automate the blending process with HDR software, but manual blending gives you more control.

As a rule of thumb, take one underexposed photo, one near-correctly-exposed photo, and one overexposed photo. If you’re still a beginner, you’ll want to check this exposure bracketing guide for how to take bracketed shots automatically.

Then, merge the shots in your photo editing software. The goal is to get the same image that you saw with your eyes while taking the shot; so removing grain, enhancing the contents of the sky, and improving the image quality overall.

9. Stabilize Your Camera

A slow shutter speed requires the camera to be completely still for the entire duration because the slightest movement can result in a blurred image. This is where a tripod will save the day. It’s pretty much an essential piece of equipment for any type of low-light photography.

We also recommend getting a remote shutter release. They’re relatively affordable and there’s a variety of wired and wireless remotes that are compatible with most cameras. This will avoid further camera shake since you wouldn’t need to touch the camera to take the shot.

Shoot Into the Night

Shooting in low-light conditions requires settings that let as much light into the camera as possible. You might not get it right on the first go, but the more you shoot at night, the faster you’ll become familiar with the settings mentioned above.

That’s really all you need to know before you give landscape astrophotography a try. And if you follow our tips, you should be able to capture some stunning shots.

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GoPro Announces Lower Prices and Exciting Subscriber Benefits

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GoPro has just announced exciting changes to its camera lineup and subscription offerings. With new lower prices on their camera models and enhanced benefits for GoPro Subscribers, it’s the perfect time to gear up for your summer adventures.

Effective immediately, GoPro has adjusted the prices of its flagship camera lineup. The HERO11 Black that I reviewed in September 2022, is now priced at £399.99, offering a fantastic £100 saving. The HERO11 Black Mini which has just arrived in for review is now £299.99, the HERO10 Black for £349.99, and the HERO9 Black for £249.99., check out the reviews of each to find out what I thought of these cameras The HERO11 Black Creator Edition, designed for vloggers and pro-content creators, is now priced at £599.99, bringing the price points closer to pre-pandemic levels.

In addition to the price adjustments, GoPro has also made changes to its subscription program. Previously, GoPro Subscribers enjoyed camera discounts at the time of purchase. However, starting now, GoPro’s lower everyday pricing is available to all shoppers, regardless of their subscription status. This means that the lower camera prices are accessible to everyone worldwide. Existing GoPro Subscribers will continue to enjoy discounted pricing on future camera purchases as part of their subscription benefits.

To make the GoPro Subscription even more enticing, GoPro has introduced new subscription benefits. For an introductory price of £24.99 for the first year and £49.99 upon annual renewal, subscribers gain access to unlimited cloud storage of GoPro footage, automatic footage upload to the cloud while charging, automatic clearing of the camera’s SD card, automatic highlight videos sent to their phone, premium editing tools in the GoPro Quik app, up to 50% off on mounts and accessories at GoPro.com, a £100 discount off the next GoPro at the first annual renewal, guaranteed damaged camera replacement, and live streaming via GoPro.com.

GoPro Subscribers also enjoy exclusive perks, such as Subscriber Sessions hosted by pro athletes and content creators who share their tips and tricks for capturing epic footage. Additionally, GoPro Subscribers will have the opportunity to earn double the cash payout from GoPro Awards when their photos or videos are featured on GoPro’s global social handle, @gopro.

With these changes, GoPro is reaffirming its commitment to providing high-quality cameras at accessible prices and offering valuable benefits to its loyal customers.

To learn more about the latest pricing updates, subscription benefits, and the exciting Double the Dollars GoPro Awards campaign, visit the official GoPro website at https://gopro.com.

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