Mary Grace Varela is a newcomer with a passion for 360º, a fresh face in the 360Cities community who has wasted no time in making her mark. Although we don’t yet know where she is from, her contributions during the month of September have been shot in the Philippines.
Mary Grace officially joined our community on September 18, 2023, and has already shared her perspective through 27 panoramas and 71 360º videos.
Her work takes us on a virtual journey to various breathtaking locations, showcasing the natural beauty and cultural richness of these places. From the Tinuy-an Falls in Bislig, Surigao del Sur, to the Limunsudan Falls, Camiguin Island, Sohoton, Bucas Grande, and Najandig Peak in the Philippines, Mary Grace’s creations offer an immersive experience.
Dive into her panoramas and videos to explore destinations like Hagonoy Island Beach, Tinago Island in Tagana-an, Surigao del Norte, the Santos City Fish Port Complex, and the bustling public fish market in Iligan.
Visit Mary Grace Varela’s profile page and enjoy her 360º world now!
STATEN ISLAND, N.Y. — The NYPD posted a photo on social media of a “ghost gun” allegedly recovered from the suspect in a shooting in Eltingville.
Authorities allege that Dominick Giordano, 57, used the firearm to shoot a 41-year-old neighbor on Pompey Avenue early on Sunday morning after a dispute over fireworks escalated into violence.
The wife and daughter of the victim bore witness to the near-fatal incident, according to prosecutors with the Richmond County District Attorney’s Office.
A post on X, formerly known as Twitter, by the 123rd Precinct credits Lt. Hachemeister, Assistant Det. Hepworth and Officer Quagliata for “getting this gun off the streets of the 123 after apprehending a suspect for a shooting.”
“One ghost gun recovered after search warrant was executed,” the post reads.
Officers armed with a search warrant swarmed the suspect’s home and property on the 400 block of Pompey Avenue on Sunday at about 5:45 p.m., according to police.
Officers recovered a Polymer 80 “ghost gun” in the backyard, court documents allege.
The bullets in the weapon were 9 mm, matching that of a shell casing found at the scene, prosecutors said Monday.
Dominick Giordano was arraigned Monday in Criminal Court, accused of shooting a neighbor in the back during what sources described as a dispute over fireworks. (Gregory P. Mango /pool)Gregory P. Mango / pool
SHOOTING EARLY ON SUNDAY MORNING
Police responded to the scene of the shooting around 12:20 a.m on Pompey Avenue in what started as a dispute over fireworks, sources previously told the Advance/SILive.com. A “Happy 16th Birthday” banner was on display in the victim’s yard on Monday.
Giordano first pointed a gun at the victim’s forehead, then opened fire as the man turned to walk away, according to a criminal complaint filed by investigators.
Giordano allegedly discharged a firearm, striking the 41-year-old man in the rear torso. The 41-year-old was transported in stable condition to Staten Island University Hospital in Ocean Breeze, the police spokesman said.
Giordano was arraigned on Monday in Criminal Court for charges that include second-degree attempted murder, first-degree assault, second-degree assault, criminal use of a firearm and endangering the welfare of a child in connection with the shooting, court records show.
Ghost guns, which are illegally manufactured and untraceable by authorities, have become a focal point of local and federal law enforcement in recent years.
Judge John McPadden issued full orders of protection for the victim’s wife and daughter, who is a minor.
Defense attorney Eliza Pacheco with the Legal-Aid Society requested an exception for incidental contact, given the fact the family lives directly across the street from the defendant. But that was denied by McPadden, who cited the serious nature of the charges.
When McPadden asked the defendant if he understood the conditions of those orders, Giordano replied, “clearly.”
The defendant has a rap sheet that includes multiple violent felonies, qualifying him as a persistent felon in New York with the potential. If convicted on the latest charges he faces lifetime parole, the judge noted. His record also prohibits him from owning a firearm.
The bail requested, Pacheco furthered, was not something Giordano could reasonably attain, noting he works as a mover for a commercial kitchen equipment company making about $50,000 per year. She said he also is dealing with undisclosed medical conditions.
The felonies are all at least 20 years old, said Pacheco, and her client just wants to spend time with his “daughter, who is about to graduate college” and “his six grandchildren.”
McPadden deemed the charges were not sensationalized, given the fact the victim was shot in the back and nearly killed. He set bail higher than what prosecutors requested at $1 million cash, $2 million partially secured bond at a 10% undertaking or $2 million dollars insurance company bond.
“I think this very easily, by a matter of inches or fractions of inches, could be a remand case as a murder,” McPadden said.
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OTHER STATEN ISLAND NEWS:
>> NYPD: Found with 10-inch knife, Staten Island man accused of series of attacks
>> NYPD: Pre-dawn raid on Staten Island nets heroin, crack cocaine, oxycodone
>> Source: Fireworks sparked Staten Island shooting where man, 41, was injured
>> NYPD: Car stop lead to arrests of 2 men in connection with gun seizure on the North Shore of Staten Island
>> Staten Island man, 51, arrested in carjacking attempt; victim allegedly punched
>> 6 years after body was found in Maine fire, Staten Island man arrested
In the vibrant landscape of Berlin, Marius Sperlich emerges as a visionary artist, using the human body, particularly the face, as a canvas for his miniature worlds, surreal narratives, and delightful tales.
With a profound obsession for close-ups that ignite the viewer’s imagination, Sperlich masterfully manipulates the human form, often in unconventional and intriguing ways. His approach mirrors that of a director crafting a cinematic masterpiece. Each photograph is meticulously planned, resembling a script, with a carefully curated atmosphere and emotion guiding the protagonists.
In Sperlich’s creative process, preparation is paramount. He meticulously outlines his productions, only to deconstruct them later, infusing his characters with depth and authenticity. Imperfections and unexpected turns breathe life into his ideas, rendering them captivating, genuine, and tangible. Through his artistry, Sperlich strives to evoke profound emotions in his audience. Rooted in the discomfort of the unfamiliar, his work ventures beyond the confines of comfort, urging viewers to experience the world through a new and exhilarating lens.
Scroll down and inspire yourself. Please check Marius’s Instagram for more amazing work.
Barry Nadell is a name synonymous with success and reinvention. From his early days as a stockbroker in Beverly Hills to becoming a globally published photographer, his journey is nothing short of remarkable. In this article, we delve into the life and career of Barry Nadell, a man whose diverse experiences have shaped him into a celebrated figure in the world of glamour and fashion photography.
A Diverse Path to Success
Barry’s journey to success is a testament to his resilience and adaptability. After graduating with a degree in Finance from Arizona State University, he initially embarked on a career as a stockbroker during a challenging market period. Later, he transitioned to a successful career in life insurance sales. However, it was after his divorce that he decided to reinvent himself and start building for the future.
Undeterred by past setbacks, Barry ventured into the world of entrepreneurship, primarily in direct marketing. His early endeavors included creating a video on using magic for couples to meet and producing infomercials for various products. Although these ventures didn’t align with his long-term goals, they laid the foundation for his future success.
In 1994, a suggestion from a client led Barry to explore the background screening industry. Armed with a simple business card and a trifold brochure, he signed his first client and quickly realized the potential of this business. His expertise in background screening, including rewriting laws in California, led to invitations to serve as an expert witness in legal cases involving background checks.
The Spark of a New Passion
Barry’s career took an unexpected turn when he discovered a passion for horses, specifically Cowboy Mounted Shooting. For over 12 years, he excelled in this sport, traveling the country and winning accolades. However, arthritis in his hand forced him to step away.
It was during this transition period that Barry received an invitation to judge a bikini contest in the Bahamas. Feeling bored, he decided to assist the photographers by carrying their lights. Encouraged by one photographer who offered to mentor him, Barry embraced photography. Armed with new equipment and skills, he embarked on a journey that would see him published in magazines and sought after by models worldwide.
Overcoming Challenges and Achieving Success
Barry’s success in both business and photography can be attributed to his unwavering determination and willingness to take calculated risks. He emphasized the importance of believing in oneself and the value one brings to their chosen field. He learned from the best by investing in photography classes and always striving for improvement.
Balancing Work and Life
As a Virgo, Barry maintains a meticulous approach to balancing work and personal life. He advises against procrastination, emphasizing the importance of completing tasks promptly, even if it means working beyond regular hours. This disciplined approach has undoubtedly contributed to his achievements.
Reflecting on Achievements
Throughout his career, Barry has achieved numerous milestones. These include building a successful business, selling it for millions, and influencing legislation in California through his expertise in background screening. He also takes pride in his role as a supportive parent and his philanthropic efforts.
Barry’s achievement in creating his ranch and cowboy saloon is nothing short of remarkable, offering an outstanding setting for both living and honing his photography skills.
In the realm of photography, Barry’s journey has been punctuated by noteworthy milestones. His work has graced the pages of esteemed publications, and his peers within the photography community have accorded him due recognition, affirming his position as a highly accomplished photographer.
Looking Ahead
In the ever-evolving world of glamour and fashion photography, Barry acknowledges the importance of staying relevant. He recognizes the significance of platforms such as Instagram for models and continually anticipates emerging trends in the industry.
Barry remains ceaselessly dedicated to his current endeavor, a cinematic tribute to the remarkable life of his mother. This extraordinary woman, a true trailblazer, profoundly impacted his life. Emerging from the harrowing circumstances of a battered wife at the tender age of 20, she fearlessly navigated a path that led her to becoming an adored figure within Hollywood. Her roles as both a celebrated dress designer and a philanthropist garnered her immense respect, raising substantial funds for charitable causes through her creative work and charitable gatherings.
Building Professional Relationships
Barry places great value on professional relationships. He maintains friendships from networking groups and believes in honesty and proactive communication. He actively supports charitable events, fostering connections in both his personal and professional life.
A Remarkable Journey Continues
Barry Nadell’s journey from Wall Street to the world of glamour and fashion photography is a testament to his adaptability, resilience, and unwavering determination. His story serves as an inspiration to aspiring entrepreneurs, photographers, and professionals, reminding us that success is attainable through hard work, calculated risks, and a belief in one’s abilities. As he continues to make his mark in the world, Barry is proof that reinvention can lead to extraordinary achievements.
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When my wife and I left Manchester, UK, and immigrated to Israel, we had to decide where to live. We chose Tiberias in northern Israel and settled into an apartment overlooking the Kinneret (the Sea of Galilee), Israel’s largest lake. What an inspired choice that turned out to be for a nature photographer. We have wonderful views from our windows and porch of the Kinneret and the surrounding mountains including, on clear days, a view of Mount Hermon, snow-capped in winter. And we’re right on the bird migration route. Five hundred million birds travel through Israel twice a year. In the fall, they escape the cold winters of Northern Europe and head for the warmer climes of Southern Africa; and in the spring, they travel in the opposite direction to be in Europe for the summer. For many birds, it’s much safer to travel over land than over the sea, and Israel being a “land bridge” between Europe and Africa, is an obvious route. The birds more or less follow the Jordan River, and so the Hula and the Kinneret in the North, and Eilat in the South, are prime locations for birdwatchers.
Living so close to the lake and also to the beautiful countryside all around us has enabled me to get a close-up view of the nature of Israel. As well as photographing the flora and fauna, I’ve started blogging about what I see. You could almost say I’m a naturalist, which is not to be confused with a naturist. For most of the year, there’s so much to see; but sometimes it’s so hot in our region (well over 100 degrees F) that all the animals and birds hibernate (if you know what I mean), and I don’t see anything or anyone apart from mad dogs and other Englishmen. Because of days like this, I decided to have a go at writing some nature poetry. I’ve taken inspiration in doing this from a friend, a retired professor of philosophy, and also from a group of English-speaking poets in Israel, Voices Israel. You can check out the website https://voicesisrael.com/.
There are so many birds to write about, but in this article we will focus on just two – the glossy ibis and the stork. Once a week, my wife and I pick up our grandchildren from their kindergarten in Netanya. Our journey home, on Route 2, takes us northward along the coastal plain. During the summer months, we reach the Zichron Ya’akov junction during dusk, and more often than not we see hundreds of glossy ibis heading westward toward the nearby shoreline. I guess they’re heading for their ibis hotels to spend the night roosting. During the day, we observe them in fishponds near Zichron Ya’akov, where they sift the mud and shallow waters for worms and small crustaceans, their long down-curved beak being perfectly adapted for this sort of foraging. They are large black birds (with brown plumage during the mating season), related to herons, with a distinctive flying profile – long neck and beak to the front (where else?) and feet protruding behind (where else?). Thousands upon thousands travel through Israel on their biannual migration, but a significant number like it here so much that they’ve taken up permanent residence.
Read More…
There is a legend that Moses used ibises during the war with the Ethiopians in the days before he fell out with Pharaoh and had to flee Egypt for his life. Moses led the Egyptian army overland toward Ethiopia, a route that the Ethiopians didn’t consider passable because of the multitude of venomous snakes. Moses used the ibises to kill off the snakes, thus allowing his army to pass unhindered and surprise the unprepared Ethiopians. This legend, or perhaps it is historically true, is recorded in the writings of the historian Josephus in his book The Antiquities of the Jews, written almost 2,000 years ago. Whether true or not, it is certainly true that Egyptians revered the ibis and one of their gods, Thoth, took the form of an ibis-headed man, which I’m sure would have frightened the Ethiopians considerably if they had seen such a sight.
In Israel ,we see two kinds of storks, particularly during the bird migration seasons: the black stork and the white stork, the white being far more common. We sometimes see them roosting on street lamps at the side of highways or even on electricity pylons, where they presumably stop to recharge their batteries.
White stork on lamp on Route 90 near Tiberias (credit: JULIAN ALPER)
In the Torah, we read about the kosher and non-kosher animals, fish, and birds (Leviticus Chapter 11). For the animals and fish, we’re told the signs to look for to determine if they’re kosher or not, but there isn’t a simple rule for birds. Indeed, 24 birds are listed in the Torah as not kosher, and we assume, therefore, that all other birds are kosher. The problem we have, though, is that we’re not sure which species are those that are listed as not kosher. We know the Hebrew words, but determining the exact species of bird is not simple. We do believe, though, that one of the non-kosher birds is the hasidah, the stork. The Talmud tells us that the hasidah is so called because it does kindness (it is a “hassid”) by sharing its food with its companions. This naming gives rise to a question.
Do storks really show kindness to others? It is difficult to know for sure, but recent research (published in the journal Current Biology in January 2020) has shown that African Grey Parrots are kind to each other. This will no doubt be troublesome to Darwin’s “Survival of the Fittest” model for evolution, but for us it gives reason to believe that if parrots can be kind to each other, so too can storks.
Photographing a solar eclipse can be a life-changing, yet challenging experience. This video (recommended to me by Fred Espenack) describes the incredible experience of a total solar eclipse.
You may only get a few chances in your lifetime to view or photograph this celestial event, so you want to make sure you have everything you need. It’s also important to be well-prepared and practice beforehand.
Check the specific safety and photography recommendations for the type of solar eclipse you plan to observe, as the precautions and techniques may vary.
While my personal solar eclipse photography experiences have been limited, I do have some practical advice to share with those preparing for the upcoming annular solar eclipse in October 2023, and the total solar eclipse in 2024.
The equipment I used to photograph the Annular solar eclipse in June 2021. Canon EF 300mm F/4 lens + Certified Safe Solar Filter.
Most importantly, never compromise on eye safety or equipment quality when photographing the Sun.
Here is a quick breakdown of how to photograph a solar eclipse, covered in more detail below.
Research the date, time, and location of the solar eclipse, and look for an unobstructed view of the Sun
Ensure you have all the right equipment, including a manual camera, tripod, telephoto lens, and certified eye protection and solar filters
Attach your solar filter to your camera lens
Set up your equipment, choose your camera settings, and find focus using live view mode only (do not look through the camera’s viewfinder).
Compose your shot using live view mode only (do not look through the camera’s viewfinder)
Take test shots before the eclipse begins to ensure your settings (particularly your exposure) are correct
Start capturing the eclipse as soon as it starts. Include shots over and underexposed to capture all the details
Review your images and adjust accordingly as the brightness will continue to change throughout the eclipse
Take breaks to enjoy the eclipse visually with your solar glasses
Partial Solar Eclipse over Lake Ontario | Trevor Jones.
What is a Solar Eclipse?
As a review, a solar eclipse is a celestial event where the moon passes between the Sun and planet Earth, resulting in the moon blocking our view of the Sun (either totally or partially) from a particular point on Earth.
There are three different types of solar eclipses:
Partial Solar Eclipse: a portion of the Sun is covered
Annular Solar Eclipse: a ‘ring of fire’ shines around the moon, centered in front of the Sun
Total Solar Eclipse: the Sun is fully covered by the moon
The type of eclipse depends on the alignment of the moon, Earth, and the Sun, and how far away the moon is from Earth.
Types of Solar Eclipses. www.timeanddate.com.
When is the Next Solar Eclipse?
The frequency of solar eclipses varies due to the changing distances and angles between the Sun, Moon, and Earth over time.
The alignment of the moon, Sun and Earth takes place approximately every six months during a period of time known as eclipse season. This results in two to five solar eclipses each year, though they are not visible from every location on Earth.
Below is a table of the varying types of solar eclipses and their expected dates for the next few years. For more information and maps, visit Time and Date.
Date
Solar Eclipse Type
Visibility Path
October 14, 2023
Annular
The ‘ring of fire’ is visible along a narrow path that crosses the USA from Oregon to Texas. It passes over parts of Mexico, Belize, Guatemala, Honduras, Nicaragua, Costa Rica, Panama, Colombia, and Brazil. A partial eclipse will be visible in the Americas from Alaska to Argentina.
April 8, 2024
Total
The narrow path of totality runs through Mexico, the USA (from Texas to Maine), and Canada (from Ontario to Newfoundland). A partial eclipse will be visible across nearly all of North America, and a small part of western Europe.
October 2, 2024
Annular
Most of South America, Pacific, Atlantic, Antarctica.
March 29, 2025
Partial
A partial eclipse will be visible in north western Europe, north in Asia, Africa, eastern North America, North in South America, Atlantic, Arctic.
September 21, 2025
Partial
A partial eclipse will be visible in south-eastern Australia, Pacific, Atlantic, Antarctica.
February 17, 2026
Annular
Partial eclipse will be visible in south Africa, Pacific, Atlantic, Indian Ocean, Antarctica.
August 12, 2026
Total
Partial solar eclipse will be visible in most of Europe, northwestern Asia, northwestern Africa, Much of Canada and northeastern US, Pacific, Atlantic, Arctic.
Eye Safety
The most important thing to remember is that it’s not safe to look directly at the Sun without eye protection made for solar viewing.
To prevent eye damage and to view/photograph a solar eclipse safely :
Never view the Sun through a camera lens, telescope, or other optics without a proper solar filter over the front of the optics to avoid serious eye injury.
Solar filters must be attached to the front of any telescope, camera lens or other optics. Do not use non-solar filter drop-in lens filters or place solar filters between your camera and lens.
Do not use solar glasses as a filter for your camera or other optical devices.
All filters should be ISO 12312-2 standard certified. Purchase from a reputable astronomy dealer or company (i.e. Celestron, Lunt Solar Systems, Astrozap etc.)
Inspect your solar viewing gear (i.e. solar glasses, filters, etc.) for any damage before you use them. If there are holes (no matter how small) do not use them.
Do not use the optical viewfinder on your camera (there is no solar protection there), opt for the live view mode on your screen.
Viewing the sun through eclipse glasses
Equipment Needed
There are a few pieces of equipment you will need to photograph a solar eclipse.
You will want to practice setting up your equipment and taking test shots before the eclipse to help you become familiar with your gear and settings.
DSLR/Mirrorless Camera: you will need a camera with manual settings. DSLR and mirrorless cameras are popular choices because they allow for manual control of exposure settings.
Telephoto Lens: a camera lens with at least 300mm focal length, though 400mm – 500mm is better. You can look at renting one if you don’t have a lens this length.
Solar Filter: a certified solar filter (ISO 12312-2 standard) is needed to protect your eyes, camera, and lens from the Sun’s harmful UV rays. Select a filter that fits the size of your lens and never photograph the Sun without a proper solar filter.
Tripod: a stable but lightweight tripod will keep your camera steady, but also allow for easy transport if you need to travel to view your solar eclipse.
Shutter Release Cable: this cable gets plugged into your camera to capture images without having to touch your camera and deal with camera shake. This will help produce sharper images.
Eclipse Glasses: you will want to safely observe the eclipse while your camera is running.
Memory Cards: be sure to have plenty of storage space for the large number of photos you may capture. It’s also a good idea to bring a backup.
Fully Charged Batteries: be sure to fully charge your batteries beforehand, and have fully charged backups just in case.
Solar Eclipse App: use a solar eclipse app to help you predict the timing and duration of the eclipse from your location. Plan your location in advance, while considering the direction of the Sun, to ensure you have an unobstructed view.
Reviewing my Solar Eclipse photos in Adobe Bridge.
Choosing a Camera Lens
The camera lens you choose is arguably the most important piece of gear when shooting a solar eclipse. Your focal length is going to be an important factor when deciding which lens to use.
If you want an up-close view of the Sun, you will need a high focal length. A 200mm lens on a full-frame camera will only produce a tiny view of the Sun, with the extreme of 2000mm potentially cutting off parts of the corona.
A lens in the 800mm – 1200mm range is ideal to get a close-up view and still capture all the details of the corona. Most people do not have access to lenses with such long focal lengths, so you can utilize a crop sensor camera and/or a teleconverter for some extra reach.
I used a Canon EF 300mm F/4 Lens with a 1.4X Teleconverter to photograph the Annular Eclipse in June 2021.
There is also the option to rent a camera lens if you are lucky enough to find a place that hasn’t already rented out all their longer focal length lenses.
Choosing a Solar Filter
As mentioned above, will need a solar filter to photograph a solar eclipse. To choose the appropriate solar filter, you will need to decide on the camera lens or telescope you will be using.
The diameter of your lens/telescope will affect the size of the solar filter since it needs to be placed on the front of the objective lens. If you are unsure of your lens diameter, you can measure across the front, from one side to the other.
The Thousand Oaks Optical SolarLite Solar Filter Film is a great option and allows you to safely cover your binoculars, telescope, or camera lens.
Ensure that the filter you choose is ISO 12312-2 certified. As mentioned above, it is best to purchase your solar filter from reputable sources, such as astronomy equipment suppliers or certified dealers.
It’s a good idea to read reviews and seek recommendations from experienced photographers or astronomers who have successfully used solar filters for eclipse photography. They can often provide recommendations for quality filters.
Types of Solar Filters
You do not have to sacrifice safety if you are on a budget. Solar filters come in a range of different types and prices, with affordable options that meet safety standards.
First off, you will need to consider how the filter will attach to your lens or telescope. Filters can be made with or without the option to firmly mount them to your camera lens or telescope.
Depending on which filter you choose, you will want to make sure you know how to clean it properly.
DIY Solar Filter
The cheapest option for solar filters is the ‘do-it-yourself’ option. You can make your own solar filter for your camera or telescope using solar film, a poster board, and a few other supplies.
For a detailed post about creating your own solar filter, click here.
DIY Solar Filter | Agena Astro
Solar Sheet Filters: a flexible material that can be cut to size to create a custom filter to attach to camera lenses, telescopes etc. Designed specifically for solar viewing and photography and is available in sheets or rolls.
Solar Film Sheets/Rolls from Agena Astro
Universal Solar Filters
Universal filters are made to fit a wide range of camera lenses and telescopes, regardless of their size or diameter. They are adaptable and can be used of many different optical instruments, making them a versatile, and often an affordable option for solar photography.
Universal solar filter made from solar film | Celestron
Fitted Solar Filters
These types of filters are designed for a specific aperture using a combination of flexible solar film or glass and a bracket. They will include a secure method for mounting it to your lens/telescope objective (i.e. hook and loop straps, bracket etc.)
EclipSmart Solar Filter – 6” SCT | Celestron
Threaded Solar Filters
If you are looking to photograph the Sun with your camera lens, this is the best option. A threaded solar filter for your camera lens allows you to safely point your camera at the Sun.
Threaded solar filters are different in that they match the filter threads on your camera lens and are designed to be mounted by screwing directly onto the front of a camera lens or telescope.
They are designed to maintain image clarity and quality and are typically more expensive than universal solar filters due to their glass design and optical performance.
Examples of threaded solar filters include:
Solar Glass Filters: high-quality, coated glass that provides excellent quality, durability, and protection. They are usually manufactured professionally and come in threaded or custom-sized versions to fit camera lenses and telescope apertures.
Thousand Oaks Optical 77mm threaded camera lens filter. Available at Agena Astro.
Hydrogen-Alpha Filters: specialized filters for observing the Sun’s chromosphere. They are commonly used to observe solar prominences and other features in the Sun’s outer atmosphere.
These filters are typically more expensive. The example shown below is the chromosphere model, which is suitable for photographing surface details and broad prominences.
The DayStar Camera Quark Solar Filter with Canon EF Lens Mount. Available at Agena Astro.
How to Photograph a Solar Eclipse
You’re ready to get photograph a solar eclipse, here’s what you need to know.
Plan your Location: before the eclipse, research the date, time, and location using astronomical apps or websites. Pick a spot with an unobstructed view of the Sun.
Gather the necessary equipment: be sure to have the right equipment, including a DSLR/mirrorless camera, 300mm+ telephoto lens, tripod, and solar filter.
Practice safety: when making any adjustments to your framing or focus, never look through the camera’s viewfinder. Use live view on the camera’s screen.
Attach your solar filter: attach your filter securely to your lens, the filter should cover the entire front of the lens
Set up your equipment: mount your camera and set it to manual mode to adjust your settings. Set your ISO, aperture, and shutter speed, and adjust focus. For tips on settings, see the section below.
Compose your shot: using any foreground interest, compose your shot without using the camera’s viewfinder (use live view only). Plan your composition in advance, if possible.
Test your settings: before the eclipse begins, take test shots to ensure your camera settings, particularly your exposure settings, are correct. You will want to expose the Sun’s disk.
Capture the eclipse: start shooting the eclipse and adjust your shutter speed and exposure settings as the Sun goes through different phases of the eclipse. Consider over and under-exposing (i.e. bracketing) a range of frames to capture the disk and corona details of the eclipse for a full dynamic range image.
Review and adjust: review your exposures on your camera’s screen and adjust according. Do not use the camera’s viewfinder.
Enjoy the eclipse: Don’t forget to take a break from shooting to enjoy the event with your solar glasses and observe.
Total Solar Eclipse Corona in HDR. Astronomy Picture of the Day (APOD) Nicolas Lefaudeux.
Photographing a Total Solar Eclipse
When photographing a total solar eclipse, the process will change slightly.
First of all, it is safe to look at the Sun without eye protection when the Sun is completely covered by the moon during the total eclipse phase only. During this phase, solar filters must be removed to capture the details of the Sun’s corona.
Similar to a partial and annular eclipse, be sure to bracket the exposures over a range of shutter speeds (i.e. 1/1000 second to 1 second) to capture the details.
The Diamond Ring Effect during a Total Solar Eclipse | Fred Espenak
When photographing a total solar eclipse, you will want to look for the following effects:
Baily’s beads effect: as the moon covers the Sun during a total solar eclipse, you can see the rugged topography of the moon that allows only sparse amounts of sunlight to shine through in certain areas. Look for these irregularities on the edge of the moon just before totality and immediately afterward.
Diamond ring effect: happens right before or after the moon covers the Sun during a total solar eclipse. With only a small portion of sunlight remaining, it creates the appearance of a shining ‘single diamond’ on the edge of a ring.
Prominences: with only a small portion of sunlight showing during a total solar eclipse, there is the chance to see gaseous formations on the surface of the Sun. They start on the surface and extend out into the Sun’s outer atmosphere (i.e. corona).
Camera Settings
You’re ready to photograph a solar eclipse, here are some settings to try:
ISO: Unlike astrophotography at night, you do not need a high ISO setting to photograph the extremely bright sun. Start with ISO 100, and work your way up from there based on the following settings.
Aperture: You can use your aperture to increase/decrease the amount of light you let into the camera body and onto the sensor. Start with F/4, and increase the f-ratio if your image is too bright.
Shutter Speed: High shutter speeds are the name of the game when it comes to solar photography. 1/1000 is a great place to start. I don’t recommend shooting under 1/500, especially if you are not tracking the Sun.
Focus: Use the edges of the disc of the Sun to focus your camera lens or telescope. From there, use prominences (if possible) or sunspots to dial it in even further.
You can find more information about camera settings in this guide developed by Fred Espenak (also known as Mr. Eclipse).
Samsung Electronics has just released its latest entry into the portable storage market—the Samsung Portable SSD T9. As the newest addition to the revered T series of portable hard drives, the T9 aims to set new standards in speed, capacity, and robust design.
Specifications
Measuring in at just 88 x 60 x 14mm and weighing a mere 122 grams, the Samsung T9 is designed to be compact and easily transportable. Despite its small size, the drive offers substantial storage capacities, available in 1TB, 2TB, and 4TB variants.
At the heart of the Samsung T9 is a state-of-the-art PCB design, a departure from the more commonly used M.2 ultra-fast SSDs. This choice of internal architecture allows for incredible transfer speeds of up to 2000MB/s. To ensure the device stays cool during high-performance use, it’s housed in a sealed aluminium enclosure.
Further enhancing its durability, the drive is encased in a rubber-clad outer layer. Although not waterproof, this design offers a degree of resistance to rain and helps the drive stay in place on surfaces. The drive also features a USB Type-C interface for seamless connection and data transfer. Upon connection, a small blue LED light at the back of the device indicates that the drive is active.
Price Points
For the budget-conscious, the 1TB version of the Samsung Portable SSD T9 is priced at an affordable £117.49. Those looking for more storage can opt for the 2TB version, available at £199.99. The highest capacity 4TB variant comes with a premium price tag of £362.79, but for those in need of considerable storage space and speed, it may well be worth the investment.
Compatibility and Software
The T9 is compatible with both PCs and Macs, but optimal performance on a Mac requires the installation of Samsung Portable SSD Software 1.0. This software is included on the drive and ensures users can experience the maximum data transfer speeds advertised.
A Drive for Professionals and Enthusiasts Alike
The Samsung Portable SSD T9 seems tailored for a range of uses. It’s small enough to accompany videographers using cameras like the Blackmagic Pocket Cinema, and its speed and capacity make it ideal for both video and still photography. Its plug-and-play functionality on PCs and simple software installation on Macs also make it user-friendly, appealing to amateurs and professionals alike.
Final Thoughts
While we await hands-on reviews to get a fuller picture of how the Samsung Portable SSD T9 performs under real-world conditions, on paper, the drive looks set to make a significant impact on the portable storage market. With its combination of speed, capacity, and robust design, it promises to be a compelling option for anyone in need of a high-performance portable storage solution.
For more details and to make a purchase, visit Samsung’s official website or authorised retailers.
In recent months we have taken a close look at some fairly exceptional airshow photography here at The War Zone. This has brought us very close to action including the moment of release of a countermeasures cartridge from an F/A-18 Hornet fighter, as well as the spectacle of a Polish Su-22 ground-attack jet using photo-flash flares to light up the night sky. Now, Twitter user and aviation photographer @Task_Force23 has shared with us a remarkable capture of an F-35A jet popping out a flare in its uniquely stealthy way.
The photo in question was taken on September 30 at the Pacific Airshow over Huntington Beach, California, which features an air display that takes place directly over the water. As to the aircraft, this is the Lightning II from the U.S. Air Force’s F-35A Demonstration Team. You can read more about that team, and its pilot for this season, Maj. Kristin “Beo” Wolfe, in this previous War Zone story. Clearly evident below the rear fuselage of the jet is a small door, behind which a flare cartridge is seen in the process of ejection, just before it spools away and ignites in a fiery ball, as in the photo below.
Of course, infrared decoy flares are a very popular addition to a wide variety of airshow display routines, by fixed-wing aircraft large and small, as well as helicopters. In the past, we have also looked at some of the restrictions that can apply to using these decoys. After all, while they look spectacular, they also come with their own risk, on account of their pyrotechnic nature.
Regardless, the F-35A’s routine at the Pacific Airshow made use of flares, although these countermeasures are perhaps not something immediately associated with the jet.
The full version of the image that appears at the top of this story, showing the moment of flare ejection, while a previously released flare burns brightly. @Task_Force23
As a stealth fighter, the F-35 series, of course, has a wide range of highly advanced tricks when it comes to avoiding hostile air defense systems and other sensors and weapons that the enemy might bring to bear against it.
Nevertheless, defensive countermeasures, in the form of radar-reflecting chaff and infrared decoy flares are tools in its repertoire and remain an effective way of protecting the aircraft from missile threats. Simply put, they are designed to spoof hostile heat-seeking missiles by providing a more enticing target.
Now, thanks to this photo from @Task_Force23, we can look in close detail at how the F-35A goes about launching a flare.
First, TF tells us about how they captured the shot:
“I was hoping the 10 fps on my D500 would be able to catch the instant a flare popped out from the payload door but didn’t expect to catch the moment just before the canister lights up. Was honestly aiming for something like the photo below.”
@Task_Force23
“My attention was actually on the visible compression and expansion waves on the jet while going over the shots on the computer (which are awesome in their own right), but then I noticed the small metal canister when zooming in to check for sharpness.”
“Just got really lucky with the timing on the shutter.”
As for the jet, the key specialty is the fact that, prior to use, the F-35A’s expendable countermeasures are concealed behind dual flip-open doors, located immediately aft of the weapons bays, and these feature serrated edges to help with the aircraft’s low observable radar signature.
The general layout of the defensive systems on a U.S. Marine Corps F-35B. The general location of the infrared countermeasures dispensers, as well as radio-frequency countermeasures dispenser, loaded with flares and towed decoys respectively, are the same as on the F-35A. Lockheed Martin
As to what’s inside those doors, we know that, in the early years of the F-35A’s Air Force service, chaff countermeasures, which release radar reflective material to blind and confuse enemy aircraft and air defenses, were not included. Back in 2019, we reported on how the decision was taken to introduce chaff cartridges, after all.
It’s also worth noting that, just behind the hatch for the expendable countermeasures on the right-hand side is another trapdoor, this time for the potential housing of an electronic warfare-enabled towed decoy known as the AN/ALE-70. This highly advanced store, four of which can apparently be carried, is something that we have discussed in detail in the past.
An annotated photo of an F-35C, showing the dual flip-open infrared countermeasures dispenser door (blue arrow) and the towed decoy deployment door located just aft of it (red arrow). Lockheed Martin
In terms of infrared countermeasures, we don’t know for sure what flares were being used over Huntington Beach, although we have reached out to the F-35A Demonstration Team for more details. In the meantime, we can get an idea about what these cartridges cost, thanks to Pentagon budget documents dating back to 2018. The MJU-61/B flare, for example, cost $75 apiece, in 2018 prices. More capable is the MJU-68/B flare, which costs an eye-watering $3,000 per unit and would make for a very expensive fireworks display.
Another option is the MJU-66/B flare, with a price tag of $135 in 2018, and described by the U.S. Department of Defense as follows:
“MJU-66 decoy Countermeasure Flare is an improved version of the MJU-64 providing increased decoy effectiveness and protection for the A-10, C-130, and F-35 aircraft and HH-53 and HH-60 helicopters and is being evaluated for other aircraft. It is a one-piece aluminum case containing a payload of advanced special material elements, loaded into a multiple jettison unit magazine installed on a countermeasure dispenser. When deployed into the air stream, the special material reacts to emit an infrared signal to decoy infrared-seeking missiles.”
f35.com
The disparity in costs reflects the very different kinds of capabilities that different countermeasures flares can provide. At one end of the scale is the kind of flare that simply provides a heat source, which can be enough to beat a simpler threat. To defeat a more advanced threat, a countermeasure might not only need to match the host aircraft’s thermal signature but might also need to perform aerodynamically in order not to simply fall away. As infrared seekers and their software and hardware backends improve, more advanced countermeasures will are needed.
The F-35A Demonstration Team performs over Lake Washington, including punching out flares, during the 2022 Seafair Air Show:
https://www.youtube.com/watch?v=NShwHGOA9sM
As well as airshow performances, air combat exercises, or real-world combat, there’s another scenario in which an Air Force F-35A might employ flares. This is to provide a clear warning to an intercepted aircraft in peacetime, like the single-engine airplane that ventured into temporary restricted airspace over San Francisco in June this year. While it was intercepted by an F-35A, on that occasion the fighter wasn’t permitted to use flares, but it was cleared to fly a ‘headbutt’ maneuver — typically, flying close to the intercepted aircraft, before pulling up in front of them, sometimes in a steep climb, to get the pilot’s attention. As we suggested at the time, the low altitude of the intercept was likely a factor in no flares being authorized.
All in all, the extensive box of self-protection tricks available to the F-35 pilot means that they can fly into combat against many types of threats with a good degree of confidence that they will survive. Nevertheless, infrared countermeasures have far more value than their use for airshow displays or getting the attention of a civilian pilot flying where they shouldn’t.
With potential adversaries continually working to improve their air defenses, stealthy aircraft such as the F-35 will face ever more threatening environments that will demand a full spectrum of defensive capabilities — including ever more advanced expendable countermeasures, including flares — to ensure they can successfully complete their missions.
Renowned Brazilian-born multimedia artist Lucas Levitan has carved a niche for himself through his innovative project, “Photo Invasion”. Now residing in Madrid, Levitan scours the depths of Instagram, unearthing random photos to which he adds his unique creative touch. Each image is transformed, revealing a previously unseen ‘hidden story’ within the frame.
Levitan’s latest series continues to captivate audiences with its unexpected and imaginative twists. With a spirit of playful experimentation, the artist infuses every piece with his signature creativity, aiming to not only entertain but also to engage his audience in a truly ‘unique and memorable way’. Through his art, Levitan invites viewers into a world where the ordinary becomes extraordinary, and where the boundaries of visual storytelling are pushed to new and exciting limits.
Scroll down and inspire yourself. Please check Lucas’s Instagram link for more amazing work.
You can find Lucas Levitan on the web:
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As a Brazilian multimedia artist based in Madrid, I thrive on exploring a range of creative outlets to express myself. Whether I’m illustrating today, filming yesterday, taking photographs last month, or working as an art director last year, I’m constantly evolving and seeking out new avenues for self-expression. Drawing inspiration from the everyday world around me, I love to add a playful twist to reality through my art. By de-contextualizing ordinary objects and scenes, I create intriguing and captivating images that challenge viewers to see the world in a new light.
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One of my most notable projects is Photo Invasion, where I take photos from strangers on social media and add my own illustrative touch to create unexpected and whimsical stories. My artwork has been showcased in numerous countries, with art installations that have travelled from Brazil to Germany, the UK, America, and Spain. At the heart of my creative process is the desire to have fun and engage my audience in unique and memorable ways.
Marcel Roche brings financial leadership experience from Illumina, Guardant Health, and Mission Bio
RIO RANCHO, N.M., October 03, 2023–(BUSINESS WIRE)–Nature’s Toolbox, Inc. (NTx), a life sciences company facilitating innovative RNA and protein research and manufacturing, today announced the expansion of its leadership team with the appointment of Marcel Roche as Chief Financial Officer. Marcel brings over 20 years of experience as a finance executive at both private and public life science and technology companies, including Illumina, Guardant Health, and Mission Bio.
This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20231003392095/en/
NTx has appointed Marcel Roche as Chief Financial Officer to steer financial strategies and drive growth. (Photo: Business Wire)
During his tenure at Illumina, Marcel deployed the global financial planning practice and systems, led the DNA sequencing cost accounting team, and supported revenue growth from $70 million to over $1 billion. While at Guardant Health, he successfully built out the finance and accounting function, implemented company-wide enterprise resource planning (ERP) and managed Big 4 audits, leading up to an IPO. Most recently, Marcel served as CFO at Mission Bio where he was instrumental in equity financing and the negotiation of lab expansion efforts.
“I am thrilled to be joining a company that delivers a trifecta of seasoned leadership, highly differentiated technology, and multi-billion-dollar addressable markets,” said Marcel Roche. “NTx is uniquely positioned to revolutionize biomanufacturing by expanding access to life saving RNA and protein therapies. Additionally, NTx’s technology enables decentralized vaccine production, securing timely response to pandemics.”
“We are happy to welcome Marcel as the newest member of our leadership team. With a proven track record of financial acumen and strategic thinking, Marcel will play a pivotal role in steering our financial strategies and driving growth,” said Jamie Coffin, Ph.D., CEO of NTx. “We embrace innovation in our vaccine and therapeutic manufacturing capabilities and are confident that Marcel will bring fresh perspectives and financial expertise to help us achieve our strategic goals and enhance our financial performance. Marcel is an incredible addition to the NTx team, and I look forward to working with him closely.”
For more information about Nature’s Toolbox and its proprietary platform, please visit: https://www.ntxbio.com.
About NTx
Nature’s Toolbox, Inc. (NTx) is advancing the healthcare industry with their cutting-edge biomanufacturing solutions. NTx, based in Rio Rancho, New Mexico, is using innovative systems like NTxpress® and NTxscribe® to create life-saving medicines in an eco-friendly and sustainable way. Their proprietary biomanufacturing process uses hollow fiber bioreactors to support the increasing demand for mRNA-based vaccines and protein therapeutics. This easily scalable process enables NTx’s partners to increase production and streamline operations to meet changing global demands. To learn more about their game-changing approach, visit their website at https://www.ntxbio.com.
View source version on businesswire.com: https://www.businesswire.com/news/home/20231003392095/en/
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