A flagship phone with a focus on design and photography

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Vivo X90 Pro review: A flagship phone with a focus on design and photography


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Vivo X90 Pro review: A flagship phone with a focus on design and photography

In a sea of top-tier smartphones where all look and perform alike, the recently launched Vivo X90 Pro stands out. Vivo has not just built on its camera legacy but has come up with a remarkable design as well. But does the phone powered by MediaTek Dimensity 9200 stands a chance again the Snapdragon Gen 2-powered smartphones? Let’s find out.

Stunning beauty

The Vivo X90 Pro, with its sleek and curvaceous design, breaks free from the conventional big and boxy shapes of modern-day smartphones. It’s an embodiment of elegance and sophistication, leaving a lasting impression on anyone who sees it. The moment I held it in my hand, it evoked memories of the Samsung Galaxy 7 Edge and 9 Edge – a true testament to its ergonomic design.

Flip it over, and the rear is crafted with premium vegan leather, complete with a large circular raised camera module that houses all the necessary sensors. While this may not be the first attempt at such a design, as the Asus Zenfone 2 had a similar design back in 2015, it’s hard to deny that the result is nothing short of stunning. The Vivo X90 Pro’s innovative design language truly stands out from the crowd.

Despite its weight of 214.85 grams, the Vivo X90 Pro feels remarkably light to hold, and its comfortable grip ensures that you won’t feel any strain even after prolonged use. In conclusion, the Vivio X90 Pro is the epitome of design and functionality, with its luxurious aesthetics and unparalleled ergonomics. But not at the cost of durability. The IP68 rating keeps it safe from dust and water, with the screen protection from Schott Xensation α – Corning Gorilla Glass’ rival.

Display

With the Vivo X90 Pro, it’s clear that the focus is on style and functionality. But in terms of the display, Vivo has chosen to keep it simple yet effective. While it may not feature the QHD+ resolution found on many flagship devices, the large 6.78-inch AMOLED curved-edge panel still offers an impressive resolution of 2800×1260 pixels. The sunlight legibility at 1300 nits peak brightness is decent but falls short in front of the recently reviewed Samsung Galaxy S23+ with 1750 nits peak brightness. Overall, the screen is bright with punchy colours and also has HDR10+ support.

Photographer’s delight

Vivo phones are all about cameras and photography. And for the X90 Pro, Vivo has gone all in.  Or should I say Vivo has taken mobile photography a notch higher? The setup includes 50MP 1-inch-type IMX989 sensor aligned with 12MP ultrawide and a 50MP, 2x telephoto.

The 1-inch sensor size on a smartphone is not very common and is worthy of all praise. This big sensor captures more light for a deeper dynamic range and better lowlight photography, and is powered using Vivo’s in-house V2 image processing chip.

Most smartphones impress with daylight shots. So does Vivo X90 Pro, as the shots clicked during daylight capture fine details with great colour reproduction. But that’s nothing extraordinary, right? Where it outshines is low-light photography. The biggest challenge while shooting images at night or in low light is to stand still for anywhere between 3 to 7 seconds. But I could use this phone to capture low-light shots quickly. Moreover, the ergonomic design assists in staying still and doesn’t feel heaving on the hand. Unlike many flagships that artificially brighten the low-light or night image, this one doesn’t. During no noon, the night sky, for instance, looks dark. Focusing on subjects with a primary lens often resulted in bokeh life effects images, so I had to be a little careful while framing the shots.

Images captured by default tend to be slightly oversaturated, just like on the Samsung flagships. But if you wish the images looked more natural, the dedicated Zeiss setting within the main camera app captures natural-looking colour images, similar to the results captured for the latest iPhones.

And if you love getting close to the subjects to capture finer details, you will love macro mode. While it gets in action by default, the results were erratic. I preferred turning in on with one tap, and the details it captured, like the dust particles and threads from plants, were mind-blowing. There are also ‘Astro’ and ‘Supermoon’ photography mode, for night sky photography.

I am not a selfie person, but the 32MP sensor is impressive as it captures great images during daylight, but I will recommend asking someone to capture your shorts using the rear camera at night.

Last but not least, the rear camera has Zeiss T* coating on the lens, which actively reduces glare from harsh light sources.

Performance

This is Vivo’s flagship offering, and unlike most top-end ones powered by Qualcomm Snapdragon Gen 2, this one has MediaTek Dimensity 9200. This is MediaTek’s flagship chip resulting in fast and fluid performance. Everything ran smoothly, including video editing and even games like Asphalt 9 but with some heavy graphic games, it stated to stutter. While in real life, the performance of MediaTek’s flagship is nothing to complain about, it falls short of Qualcomm’s flagship chipset on performance benchmarks.

With the app tray housing all the apps, the user interface on the FunTouch OS 13 feels (based on Android 13) intuitive. However, other than the essential Google Services and apps, it has much bloatware such as Snapchat, PhonePe, Uber Eats, Spotify and others. Thankfully most of them can be uninstalled barring a few like Vivo Cloud, V-AppStore, etc.

The X90 Pro, which is accompanied by a proprietary 120W fast wired charger, juices this 4870 mAh battery in just under 30 minutes, which easily lasts a day with extensive camera usage. It also supports 50W wireless charging speeds with a Vivo wireless charger.

Verdict

One of the best camera smartphones, the Vivo falls short in terms of performance compared to Samsung Galaxy S23 Ultra (Rs 1,24,999). But that said, the price difference between the two is huge. Our review unit was the one 12GB RAM and 256GB storage and will retail for Rs 84,999. If you don’t intend to spend Rs 30,000 extra, the Vivo X90 Pro is worth considering.

Price: Rs 84,999

Specs: 6.78-inch AMOLED display, 2800×1260p resolution, 120Hz refersh rate, 50MP + 50MP + 12MP rear camera, 32MP front camera, MediaTek Dimensity 9200 processor, 12GB RAM, 256GB storage, Funtouch OS 13 (Based on Android 13.0), 4870mAh battery

In the box: X90 Pro, USB Cable, Charger, phone case

 

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Unraveling Nature’s Complexity with Molecular Imaging

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In this interview conducted at Pittcon 2023 in Philadelphia, Pennsylvania, we spoke to Ron Heeren, a speaker at the 2023 James L. Waters Symposium.

Please could you introduce yourself, and tell us about your personal background and what first attracted you to this field?

I am Ron Heeren, a distinguished professor of molecular imaging at Maastricht University in the Netherlands. I am also the director of the Maastricht MultiModal Molecular Imaging Institute. I was trained as a physicist, then developed a career in biochemistry, and now I am teaching in a medical center.

I have always wondered about the complexity of nature. One of my heroes, Richard Feynman, once said that you have to stop and think about it to really appreciate nature’s complexity; the inconceivable nature of nature.

I love that quote because it describes what triggered me to go into science: to satisfy my curiosity and understand the complexity of the world around me. The beauty of molecular imaging is that it does precisely that. It shows the inconceivable complexity of nature on a microscope slide.

What is secondary ion mass spectrometry?

The field I am engaging in is molecular imaging using mass spectrometry. There are essentially two ways of generating images with a mass spectrometer. The first is firing lasers at a surface to evaporate and ionize molecules, then analyzing them in the mass spectrometer. The second uses an ion beam, where a primary ion generates secondary ions that are then analyzed by a mass spectrometer.

The latter is the field of secondary ion mass spectrometry. In my work, we use both in concert because each technology has complementary features. The beauty of SIMS is that it can achieve spatial resolutions, such as no other technique in imaging mass spectrometry.

What is molecular imaging more broadly and what are its advantages?

Molecular imaging is a form of molecular photography where we take snapshots of the molecules on highly complex surfaces, such as tissue sections or biopsies of cancer patients, solar cells, or even leaves with microbes growing on them, and we try to visualize them.

Image Credit: SpeedKingz/Shutterstock.com

Image Credit: SpeedKingz/Shutterstock.com

Molecular imaging produces a map or a photograph of the spatial location of the molecules combined with the identity of the molecules themselves.

How can secondary ion mass spectrometry be employed in molecular imaging?

The beauty of secondary ion mass spectrometry is its incredible spatial resolution. These ion beams can be focused down to an extremely small spot, down to 50 nanometers. With molecular imaging, we can generate very small pixels, which provides an insight into what is going on in a single cell in the context of a complete tissue.

Essentially, SIMS brings very high spatial resolution. One added advantage is that we can study an individual single cell, layer by layer, and create a three-dimensional map of all molecules in that single cell.

In what medical fields can advances in digital molecular pathology have an impact?

Molecular imaging is entering digital pathology, a pathologist looking at digital images rather than through a microscope. As molecular imaging using mass spectrometers generates digital images, they can be shared easily with the pathologist.

They can be layered on top of the optical images that they already have. Now, the pathologist can augment how they look at the problem with molecular information. One example is detecting tumor cells in biopsy tissue. We can look at tissue sections from cartilage from damaged knees to understand the healing process and design new drugs.

We can look at pharmaceutical and animal models, where we observe where the drug ends up, how it is metabolized, and if it has an effect. These are all problems in a spatial context. These technologies can be applied with a gold star in biomedicine and pharmaceutical research.

How can innovative imaging technologies offer new insights into life’s complexity?

We see these images in more molecular detail as our mass spectrometers improve. Some of these molecular changes that trigger a disease process or that people want to interfere with when designing a new drug (to circumvent a disease) are related to minute molecular changes.

Modern mass spectrometers enable us to see things like isomeric species. This lipid has a double bond very close to the glycerol backbone or very far away, two very different structures. We can now visualize where that structure differs in a tissue or cell.

Image Credit: Intothelight Photography/Shutterstock.com

Image Credit: Intothelight Photography/Shutterstock.com

Mass spectrometry imaging can unravel this complexity at spatial and molecular detail levels. We can look at the identity of a molecule, where the molecule is in the cell, where that cell is in a piece of tissue, and where that tissue comes from in a patient. This enables the description of the entire translational imaging chain.

The 34th James L. Waters Symposium highlights the development, commercial construction, and recent advances in instrumentation and its applications. What are some of the recent advancements in secondary ion mass spectrometry?

The James L. Waters Symposium highlights instrumentation advances, such as targeted pathology, where people use labeled antibodies to observe targeted proteome processes in detail. Another technology presented that we worked on is using a detector from CERN in the molecular pathology field to accelerate the rate at which we can generate these images.

We would take perhaps a hundred to a thousand pixels per second on a typical commercial instrument. Each pixel corresponds to the mass spectrum. These new detectors from CERN enable the acquisition of a millions of pixels per second, so we are very close to achieving our current goal of scanning one tissue slide in one minute.

This will be perfectly in sync with the pathology workflow. Our molecular imaging technologies with SIMS and CERN would seamlessly fit into the digital pathology workflow.

How important is it to understand the history of the important contributions and cooperations in this field?

The importance of history cannot be stressed enough because we all stand on the shoulders of giants. One of the approaches that we are still working with was developed in the 1960s, but now we have leapfrogged away with all the new technologies that were not available back then, but the basic ideas remain the same.

These early ideas are now accelerating because of all the new available technologies. This symposium beautifully highlighted that as it brought together all these different elements: instrumentation, engineering, application in the clinic, targeted pathology, and the history on which it all was based.

What are the current challenges within the secondary ion mass spectrometry-based molecular imaging field?

One of our biggest challenges is the sheer amount of data we produce. One aspect of this is data storage, as we are obliged by law to keep patient data for up to 15 years. If I generate three terabytes in 10 minutes and store it for 10 or 15 years, then my storage bill will outweigh my electricity bill very quickly.

Researchers are looking into smarter solutions for storing data, maybe only acquiring relevant data to reduce the amount of data we generate.

Image Credit: Gorodenkoff/Shutterstock.com

Image Credit: Gorodenkoff/Shutterstock.com

The other aspect is what we do with the data and how we interpret it. We have a million spectra per second; no human mind could go through these spectra individually. We need more innovative artificial intelligence, machine learning, and neural network tools to explore the data and find the relevant information we seek to understand the complexity of health and disease.

How do you hope your work will help overcome some of the challenges you mentioned?

I am afraid my work will only worsen those two challenges because we are generating more data in a shorter time. However, while we are doing that, we also face these challenges. We have many bioinformaticians that we collaborate with to tackle those problems using machine learning and neural networks.

I think my team’s contribution to this field is that we see that to solve these challenges, we need researchers from many different disciplines. It is not just the tool we develop to solve data analysis challenges but how to collaborate across the boundaries of disciplines.

This is one thing that imaging mass spectrometry excels at because there is the fundamental side, instrumentation, application development, and data handling. They all have to come together. Our contribution is bringing these people together in the institute around the appropriate infrastructure to tackle these challenges.

What are you currently working on that you are particularly excited about?

One project we are excited about is single-cell imaging using our CERN-based detector to build libraries of molecular profiles of immune cells and then automatically recognize these cells in a piece of tissue.

This allows us to understand how the metabolic phenotype of an immune cell changes in the presence of a tumor and as a response to the distance to the tumor. So much more complexity is yet to be discovered and understood, which will significantly contribute to that.

About Professor Ron Heeran

Prof. Dr. Ron M.A. Heeren obtained a PhD degree in technical physics in 1992 at the University of Amsterdam on plasma-surface interactions. He started to work on molecular imaging instrumentation and its application as a research group leader at FOM-AMOLF, Amsterdam. In 2001, he became professor at the chemistry faculty of Utrecht University lecturing on the physical aspects of biomolecular mass spectrometry. In 2014 he started as distinguished professor and Limburg Chair at Maastricht University. He is the founder and scientific director of M4I, the Maastricht MultiModal Molecular Imaging institute on the Brightlands Maastricht Health campus. He was awarded the prestigious 2019 Physics Valorization prize by the Dutch organization for scientific Research, NWO and the 2020 Thomson medal of the international mass spectrometry foundation. In 2021 he was elected as a member of the Royal Dutch Academy of Sciences, KNAW. His academic research interests are mass spectrometry based personalized medicine, translational molecular imaging and “omics” research, high-throughput bioinformatics and the development and validation of innovative molecular analytical imaging techniques across the scientific disciplines. 

About Pittcon

Pittcon is the world’s largest annual premier conference and exposition on laboratory science. Pittcon attracts more than 16,000 attendees from industry, academia and government from over 90 countries worldwide.

Their mission is to sponsor and sustain educational and charitable activities for the advancement and benefit of scientific endeavor.

Pittcon’s target audience is not just “analytical chemists,” but all laboratory scientists — anyone who identifies, quantifies, analyzes or tests the chemical or biological properties of compounds or molecules, or who manages these laboratory scientists.

Having grown beyond its roots in analytical chemistry and spectroscopy, Pittcon has evolved into an event that now also serves a diverse constituency encompassing life sciences, pharmaceutical discovery and QA, food safety, environmental, bioterrorism and other emerging markets.


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CJPOTY round 5: Water – Camera Jabber

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The theme for the fifth round of the 2023/24 Camera Jabber Photographer of the Year (CJPOTY) competition is ‘Water’. Water is essential to life and we are naturally drawn to it, building towns and cities along rivers and lakes, and flocking to water bodies for walks and recreation. It’s also fascinating for photographers who have the choice of whether to freeze or blur its movement through their shutter speed selection.

For this round of CJPOTY, we want to see your best images of water whether it’s in the natural or urban environment; an ebbing tide, a mirror-smooth lake, a meandering river, flowing from a tap, spraying from a hose or trickling down an ornamental fountain.

This round of our monthly competition is open for submissions until 23:59 BST (00:59 CET and 15:59 PST) on 31st May 2023.

To submit your entry follow the link to cjpoty or click on the CJPOTY button at the top of any of our website pages. You can submit up to three entries for £2.00 plus payment processing costs (£0.26). Images should be Jpegs at least 1920 pixels along their longest side but no larger than 2MB.

CJPOTY round 5 May 2023 - an alpine lake

Camera Jabber Photographer of the Year prizes

At the end of the month, the Camera Jabber team will pick one winning image and nine runners-up from the May entries. The photographer of the winning image will receive a voucher from MPB.com to the value of £500 which can be spent on anything from a huge range of kit from the World’s biggest platform for used photographic gear.

All 10 of the selected images will go into our shortlist for the year.

We’ll do this each month in 2023 so that by the end of the year, there will be 120 shortlisted images. These will then go before our fantastic panel of judges who will decide the 1st, 2nd and 3rd-placed images.

The photographer of the first-placed image overall, as decided by the panel of judges, will receive a voucher to the value of £1000 from MPB.com as well as a trophy and the title ‘Camera Jabber Photographer of the Year 2024‘. The photographers who come second and third will receive vouchers worth £500 and £250 respectively.

You don’t have to enter the competition every month, but you are welcome to do so and the more shortlisted images you have at the end of the year, the greater the chance of winning the top prize.

CJPOTY round 5 May 2023 - long exposure of the ocean

CJPOTY VIP Judges

At the end of the year, our illustrious panel of judges has the onerous task of selecting the first, second and third-placed images overall from the shortlist of 120. Our judges are:

Benedict Brain – Photographer, journalist & Sigma ambassador
Sophie Collins – Chief Marketing Office at MPB, Trustee of Royal Photographic Society
Donna Crous – Food photographer, author, Nikon Europe ambassador and Rotolight Master of Light
Ross Hoddinott – Landscape photographer, wildlife photographer, author, tutor, conservationist
Tracy Marshall-Grant – Arts Director, curator and producer
Denise Maxwell – Multi-genre photographer and lecturer
Carolyn Mendelsohn – Artist and portrait photographer
Paul Sanders – fine art photographer
Jemella Ukaegbu – Photographer & founder of UK Black Female Photographers (UKBFTOG)
Christina Vaughan – Founder of Cultura Creative, the home of inclusive stock photography

Follow the link to find out more about the CJPOTY judges.

MPB

About MPB

Founded by Matt Barker in 2011, MPB is the world’s largest platform for used photography and videography kit. MPB has transformed the way people buy, sell and trade equipment, making photography more accessible, affordable and sustainable.

Headquartered in the creative communities of Brighton, Brooklyn and Berlin, the MPB team includes trained camera experts and seasoned photographers and videographers who bring their passion to work every day to deliver outstanding service. Every piece of kit is inspected carefully by product specialists and comes with a six-month warranty to give customers peace of mind that buying used doesn’t mean sacrificing reliability.

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Photo Of The Week: Nature Calling

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FLORIDA — Phone cameras make it so easy to capture great moments any day, any time. Have you taken some photos of flowers in bloom, children frolicking at the beach, breathtaking sunsets, dramatic skylines or a funny photo of the family dogs plunging into the backyard swimming pool?

The Florida Patch sites publish a collection of Photos of the Week each weekend sent in by readers.

Whether you snapped an amazing shot with your smartphone or spent hours capturing the decisive moment on a Nikon D6, send your photos to Tampa Bay Patch editor D’Ann White at [email protected] with the location of the photo and the name of the photographer. You might see your photo featured on Patch.



Sue Gould "This was taken on Honeymoon Island yesterday. We noticed a cormorant who was not very responsive, sleeping some of the time and not moving when we got close to him. We ran into a ranger right afterward who said he was “drunk” on red tide, basically a toxic reaction. They had been trying to catch him for a few days to be rehabilitated and were on the way to get him.


© Provided by Patch
Sue Gould “This was taken on Honeymoon Island yesterday. We noticed a cormorant who was not very responsive, sleeping some of the time and not moving when we got close to him. We ran into a ranger right afterward who said he was “drunk” on red tide, basically a toxic reaction. They had been trying to catch him for a few days to be rehabilitated and were on the way to get him.



Pam OraPam Ora took this photo of bees on a sunflower at the Dunedin Fine Art Center Garden Party.


© Provided by Patch
Pam OraPam Ora took this photo of bees on a sunflower at the Dunedin Fine Art Center Garden Party.

The article Photo Of The Week: Nature Calling appeared first on Tampa Patch.

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Having a goal in mind can improve photography outcomes | Lifestyles

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We talked last month about the importance of waiting to improve the photographs you capture and how the best images are often in the future waiting to be captured.

Now this raises the question, what are you waiting for?

Waiting for light

Years ago, when I was just beginning to catch a passion for panoramic images, I saw a great sunset coming.

It was one of those spring evenings with heavy overcast and rain showers along the Blue Mountains and clear skies far to the west.

It was the kind of evening where you just know there is a good, good chance for that sun to break out beneath the cloud cover and bathe them in glorious golden light.

And with the showers, there was a chance for a rainbow bonus!

Now, if you wait at home for the light to be perfect, you’ll be stuck with gorgeous skies and ugly power lines, trees and the neighbors’ roofs.

Or a ticket for racing 100 mph to get somewhere worthy of the light.







Photography In Lehman's Terms - May 2023

Three panoramics of the old Tertulia vineyards (now Patterson Cellars), south of Walla Walla. When I first arrived (top) I was prepared to wait for something magical. About 12 minutes later the clouds had darkened, but the setting sun was only lighting the vineyard (center). Finally, after a total wait of about 35 minutes, the light was what I’d hoped for and MORE (bottom).



Better to head out to the perfect spot and realize your predicted outcome. Hopefully.

I much prefer eastern skies sunsets for their more subtle beauty, so I headed out to one of the many vineyards where I have permission to shoot (the old Tertulia property) and got into position with a specific composition in mind. And then I waited.

The wait was worth it.

On the roof of my old Blazer, I sat, prayed and enjoyed the changing light. You can see the results in the three panoramics pictured here.

Waiting for the fugitive moment

This wait is less definable than the one for light. The moment is just that “something” that makes a photograph.

One of the fathers of true photojournalism, Henri Cartier-Bresson says, “composition must be one of our constant preoccupations, but at the moment of shooting it can stem only from our intuition, for we are out to capture the fugitive moment, and all the interrelationships involved are on the move.”

I like that – the fugitive moment. It can be as subtle as the gleam in the eye, or as bold as a cowboy hurtling through the arena space from the back of a bull.

I chose to illustrate the fugitive moment with two shots from this past Guitar Festival.

I chose a position stage-side and had a composition locked in, but for things to come together within that frame, I had to wait.

Since I was focused on the headliner and his guitar player, I needed something from both at the same moment. My knees held out, and I got the shot.







Photography In Lehman's Terms - May 2023

I initially thought the photo of Sugaray Rayford performing at the 2023 Walla Walla Guitar Festival (top) was the one – the expression of the guitarist, the logo on the screen and the attitude of the star. But waiting, I was able to get both performers at peak action with levels and dynamics (bottom). In Photography, something better is often just a 1/250th of a second away, but more likely many minutes or even hours.



Waiting for what you need

There are times when I know exactly what I want from a shoot. Sometimes it can be achieved by perfect framing.

Often, most often, it is achieved by waiting for exactly what I need.

At a recent high school track meet I could completely see the shot I wanted from the long jump event: a jumper soaring above the bleachers on her way to the pit.

Composing it was easy, low angle with the camera on the ground and a 24mm lens pointed slightly up. (After all these years I didn’t need to look through the viewfinder.)

Then it was a matter of waiting… and hoping. Not all young jumpers have the kind of legs-high form the shot required. Mya Adams did, and I had the shot.

In this case, the perfect shot I envisioned wasn’t required. The editors would have been happy with less, but I needed it.

Practice patience and waiting. Often the wait is not only worth it but can be a reward within itself.

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Princess Eugenie Shares Rare Photo of Her Son August on Instagram

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To celebrate Earth Day, Princess Eugenie took to Instagram to share some sweet family photographs — including a rare picture of her sister Princess Beatrice’s daughter, Sienna.

The first image in her six-slide carousel on Instagram is a snap of her son, August Brooksbank, looking at penguins with his cousin, Sienna Mapelli Mozzi. “August and his cousin Sienna love going to the London Zoo,” Eugenie wrote. “It’s part of the Zoological Society of London, a global wildlife conservation charity that helps to restore habitats and protect wildlife. Every time you visit you are supporting their work.”

This photo of Sienna comes just a day after eagle-eyed fans spotted what appears to be a picture of the royal baby in the background of a portrait taken by Kate Middleton of Queen Elizabeth and many of her great-grandchildren and grandchildren.

sienna mapelli mozzi

Could this be Sienna and her dad, Edo Mapelli Mozzi?Courtesy Kensington Palace

Princess Beatrice and her husband Edo have not yet shared any photos publicly of their daughter. This makes Princess Eugenie’s Instagram post all the more notable: She must’ve gotten the go ahead from her sister.

Elsewhere in Eugenie’s Earth day post, she has two photos of her son August at BBC Earth Experience, “dedicated to the BBC’s Natural History Unit’s footage of our earth. Their vision is to inspire visitors to protect the planet through this immersive experience,” and photos of herself volunteering with Blue Marine Foundation.

The last picture Eugenie posted shows her husband Jack with their son and their dog, “Because I love them and they love nature.”

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what to shoot in the night sky this coming month

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© Getty Images
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For those in the northern hemisphere, May is the last month until September when the night sky gets properly dark after sunset. It also brings your best last chance to grab a post-sunset photo of Venus high in the sky and, if you time it precisely, close to a slender crescent moon.

• Make sure you’re using the best lenses for astrophotography

Add some wonderful deep-sky objects, the rise of a full ‘Flower Moon’ – eclipsed from some parts of the world – and good views of the Milky Way, and May 2023 will be a great month to get outside with your camera.

Friday, May 05: a full ‘Flower Moon Eclipse’

A full moon is always a monthly highlight for anyone interested in photographing the night sky, but for some parts of the world, it’s accompanied by something rarer. From Africa, Asia and Australia, but also from parts of Eastern Europe, a penumbral lunar eclipse will occur. 

This is when the full moon drifts through Earth’s fuzzy outer shadow for a few hours, which causes it to be significantly duller. It’s not as photogenic as a total lunar eclipse – also called a ‘Blood Moon’ – but the lack of brightness does make it a great time to photograph the full moon without the usual glare. 

This lunar eclipse will be inaccessible to many, but wherever you are you can capture the rising full moon. Just check your local moonrise time and be on time at a location with a good view low to the eastern horizon. Don’t forget to bring a 70-300mm lens, a tripod and a remote shutter release. Here’s more on how to photograph the full moon.

Saturday, May 06: Eta-Aquarid meteor shower 

Best seen just after midnight early on May 06 is this annual meteor shower caused by Halley’s comet. Dust and debris left in the inner solar system by the most famous periodic comet will strike Earth’s atmosphere to cause a maximum of 60 ‘shooting stars’ per hour, according to the American Meteor Society. The Eta-Aquarids is a stream of material that Earth busts through between April 19 and May 28 each year, but it’s the peak night that brings the most activity. 

The ‘shooting stars’ will appear to come from the constellation Aquarius, but can appear anywhere in the night sky, so a wide-angle lens is a must. Photographers in the southern hemisphere will get the most shots of meteors, though since the moon will be full across the world, only the very brightest ‘shooting stars’ will shine through. Find out more on how to photograph a meteor shower.

Friday, May 12: May’s ‘Milky Way window’ opens

Last Quarter (or Third Quarter) Moon today sees our satellite half-lit and rising after midnight. It will rise about 50 minutes later each night for the next week, which leaves the skies dark for deep-sky astrophotography and, for the first time in 2023 for those in the northern hemisphere, good views of the brighter core of the arc of the Milky Way. 

Look for its soft glow close to the eastern horizon after dark during May. Your latitude makes a huge difference, so make sure you check the best time to see the Milky Way where you are. 

Wednesday, May 17: Occultation of Jupiter by the moon

A 6% waning crescent moon will, just before dawn today in the eastern sky, move across to block Jupiter – though only as seen from Canada, the contiguous US, Mexico, Greenland, northern Scandinavia and the northern UK. Here are the details and timings for that event, which can be customized to your location. The shot to go for is Jupiter’s disc just alongside the crescent. 

If you’re not in the path of this occultation then a shot of a very slim crescent moon very close to Jupiter will also be something special. Even for those in the path, the re-emergence of Jupiter will take place in a much brighter sky, so it will not only be more difficult but won’t be as picturesque because it will be next to the dark limb of the moon. You must take care not to point a camera lens anywhere near the sun. To be safe, avoid the optical viewfinder, relying only on the electronic screen on the back of your camera.

Saturday, May 20: Deep-sky astrophotography

With the moon roughly between the Earth and the sun, it’s completely absent from the night sky. This makes tonight (and, practically speaking the few nights on either side) a great time for a long session outside capturing faint nebula, star clusters and galaxies. Here is a handful that pass roughly overhead (so in the darkest patch of the night sky) this month…

Sunday, May 21 to Tuesday, May 23: A crescent moon and Venus

Nightscapers will love May 21’s alignment of a 6%-lit crescent moon with Venus (and a more distant Mars) in the post-sunset night sky. The following evening the 11% crescent moon will be even closer to Venus while on May 23 an 18%-lit crescent moon will sit gloriously between Venus and Mars, with the stars of Gemini just above. 

Each evening it will be possible to capture ‘Earthshine’ on the moon – sunlight reflected from Earth onto the lunar limb. Wide-angle lenses in particular are good at picking-up Earthshine without any special settings. Just be sure to capture in raw to make post-processing easier. Here you can learn when to photograph the moon.

Wide-angle shot of the month: the Eta-Aquarids meteor shower

‘Shooting stars’ move fast, and during the Eta-Aquarids meteor shower they move super-fast. Achieving a whopping 148,000 mph as they strike Earth’s atmosphere, according to NASA, you’ll need a camera taking long exposures for several hours if you’re to catch any of the predicted bright ‘trains’ – material that glows for a second or so in the meteor’s wake. 

It’s important to have a wide-angle lens (14-16mm works best), a tripod, a fast aperture (f/2.8 or lower) and a high ISO setting (ISO800 or more if you have a full-frame camera). Take a series of 30-second exposures for a few hours from midnight and you’ll stand the best chance of capturing some ‘shooting stars’. 

However, you will need a clear sky, so keep an eye on weather forecasts, though with the full moon coinciding with the Eta-Aquarids meteor shower this year there’s no need to go looking for a dark sky – they don’t exist during this moon phase. This is a project for your backyard! 

Interested in finding out more about photographing the sky at night? You can get more information in our guides to the best cameras for astrophotography, and the best low light cameras.

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Artist Rob Gonsalves Creates Mind-Twisting Paintings That Blur The Line Between Reality And Illusion

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Canadian artist Rob Gonsalves was known for his surreal paintings that combined elements of magic and realism to create breathtaking optical illusions. His art is a testament to the limitless possibilities of imagination and creativity.

According to the official website of Rob Gonsalves, his paintings are meant to evoke the sense of wonder and joy that we experience as children, and to inspire the childlike curiosity and sense of awe that still lives within us as adults. His artworks are a beautiful blend of fantasy and reality, inviting us to explore the hidden depths of our own minds.

Below you can find a gallery showcasing some of Rob Gonsalves’ most captivating works, each one a unique masterpiece that reveals the boundless potential of the human imagination.

Scroll down and inspire yourself. Check Rob’s Website and Facebook for more amazing work and information.

You can find Rob Gonsalves on the web:

#1 “White Blankets”

Mind-Twisting Paintings By Rob Gonsalves

#2 “When The Lights Were Out”

Mind-Twisting Paintings By Rob Gonsalves

#3 “Water Dancing”

Mind-Twisting Paintings By Rob Gonsalves

#4 “Still Waters”

Mind-Twisting Paintings By Rob Gonsalves

#5 “Phenomenon Of Floating”

Mind-Twisting Paintings By Rob Gonsalves

#6 “Sun Sets Sail”

Mind-Twisting Paintings By Rob Gonsalves

#7 “Ladies Of The Lake”

Mind-Twisting Paintings By Rob Gonsalves

#8 “Toward The Horizon”

Mind-Twisting Paintings By Rob Gonsalves

#9 “Wilderness Gothic”

Mind-Twisting Paintings By Rob Gonsalves

#10 “Necropolis”

Mind-Twisting Paintings By Rob Gonsalves

#11 “The Dancing Wind”

Mind-Twisting Paintings By Rob Gonsalves

#12 “Big Snow”

Mind-Twisting Paintings By Rob Gonsalves

#13 “Tree House In Autumn”

Mind-Twisting Paintings By Rob Gonsalves

#14 “Tributaries”

Mind-Twisting Paintings By Rob Gonsalves

#15 “Candlelit Cloister”

Mind-Twisting Paintings By Rob Gonsalves

#16 “Bedtime Aviation”

Mind-Twisting Paintings By Rob Gonsalves

#17 “Autumn Cycling”

Mind-Twisting Paintings By Rob Gonsalves

#18 “Arboreal Office”

Mind-Twisting Paintings By Rob Gonsalves

#19 “Chess Master”

Mind-Twisting Paintings By Rob Gonsalves

#20 “New Moon Eclipse”

Mind-Twisting Paintings By Rob Gonsalves


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This Iconic Hawaiian Resort Is a Must for Travelers Who Want To Connect With Nature

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For 29 years, the word “Hawaii” had been synonymous to me with hula dancers and pink umbrella drinks. I had heard the Aloha State was the ultimate tropical getaway from friends and colleagues, with postcard-perfect views of the ocean, breezy palm trees, and surfing galore. Hawaii was a place to relax and unwind, preferably on a sandy beach with a piña colada in hand. And that’s exactly what I was after.

But my stay at the Mauna Kea Beach Hotel was less about getting a tan and more about catching up with Mother Nature. Tucked away on the pristine Kohala Coast of Hawaii’s Big Island, the iconic resort has been a relaxing retreat for travelers for more than five decades. It’s still paradise, but it’s also a place for guests to connect with nature and to learn about the Big Island and its native Hawaiians.

In more recent years, the resort has ramped up its sustainability and cultural initiatives, allowing guests to study and preserve the islands’ rich culture (and, more importantly, acknowledge its devastating colonial past) while honoring its local flora and fauna. Not to sound cliche, but it really is so much more than a luau (although Mauna Kea does have one every Tuesday night that’s reportedly pretty epic.) If you’re after a tropical vacation that’ll get you back to nature (with the occasional tropical cocktail, of course) the resort should be top of your travel list. Find my favorite nature adventures, below.



Sunset over the bay. Photo: Author


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Sunset over the bay. Photo: Author

A little about Mauna Kea Beach Hotel

Mauna Kea resort is a historical gem—it was the first resort to ever be built on the Big Island. Constructed by venture capitalist and conservationist Laurance S. Rockefeller in 1965, Mauna Kea is renowned for its modern, open-air concept and architectural aesthetic, much of which incorporates natural, native elements throughout the space, such as lush, tropical foliage and exposed lava rock. It’s also home to a 1,600-piece art collection with artifacts and artwork from around the Pacific Rim, including a 700-year-old Buddha from Thailand that sits under a Bodhi tree in the hotel’s garden. Some pieces are under glass, but most are on display as-is, true to the open-air concept that’s woven throughout the resort’s lobbies and restaurants. The resort’s received numerous architectural awards since opening nearly 60 years ago, and was inducted into Historic Hotels of America, the official program of the National Trust for Historic Preservation, in 2016.

The Mauna Kea Beach Hotel joined Marriott Autograph Collection Hotels in 2015 and shares coastline with its sister resort, the Westin Hapuna Beach. Both are stunning but have two very different feels: Mauna Kea has that touch of ’60s flair and feels more like a boutique hotel, while the Westin is gorgeous, too, but definitely has a more corporate, polished vibe to it. No matter where you stay, you can eat, play, and relax at both resorts—a true two-for-the-price-of-one deal.

My favorite nature experiences at the Mauna Kea Beach Hotel

Night swimming with manta rays

Of all the experiences at Mauna Kea, its manta ray swim is arguably its piece de resistance. There are three recognized sites where you can swim with these magnificent animals along the Kona coast, and one of them happens to be Mauna Kea’s front yard: the stunning Kauna’oa Bay. Here, the husband-and-wife dive duo, Martina and James Wing, operate Manta Ray Advocates and take guests to get up close and personal with these gentle giants as they “dance” and feed on plankton underneath the moonlight.

Yes, moonlight—all of the swims are held at night after the sun goes down. This is the time when the rays come into the bay to feed on zooplankton, which are illuminated by lights divers hold. Each evening, the rays swoop and spin while they filter tasty, microscopic aquatic organisms into their ginormous bucket mouths. They’re totally gentle—they don’t have teeth or barbs, so they can’t harm you in any way. And they are incredible to be in the water with.

I dived with these friendly rays the first night I arrived at Mauna Kea. I had literally just landed four hours before and was completely jet-lagged after a long day of traveling. Exhausted, my swim-mates and I made our way down to beach to meet Marina, who greeted us with a snorkel, mask, life jacket, and flippers. Once suited up, we waddled out (flippers on, to avoid them floating away in the surf) into the waves with our guide, James, who was carried a pool noodle and a flashlight for each of us. A few minutes later, we had arrived to the spot (just 20–25 feet offshore, not far at all) where we were invited to hang on to said pool noodle and float on our bellies with our faces in the water to enjoy the show below.



A reef manta ray swims past. Photo: Manta Ray Advocates


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A reef manta ray swims past. Photo: Manta Ray Advocates

As I ducked my head into the water, any jet-lag or fatigue that was weighing me down instantly disappeared. Beneath us were eight to 10 angel-like manta rays feasting on zooplankton and putting on the greatest show I have ever seen. Some were smaller, two to three feet in width, while others were huge; One impressive big guy was five-feet wide, wing to wing.”That’s Jolene Ray,” James said as he pointed below. “That’s Obama Ray.”

Turns out, manta rays are spectacular dancers. I watched in awe as they swooped and swirled within literal inches of my face. (Note: They get close! You’re not supposed to touch them, but sometimes they inadvertently touch you.) It felt like time had stopped—I was hypnotized by these gorgeous sea creatures, entranced as they”flew” beneath us in a synchronized underwater ballet of sorts.

The water was a bit rough that night, so we were only able to float for about 30 minutes. But to this day, those 30 minutes are some of the favorite minutes of my life—and that’s not an exaggeration. To be that close to manta rays—a threatened species from overfishing and ocean pollution—was humbling. The Wings are incredibly passionate about their jobs and keeping the rays and their habitat safe and sustainable, which many eco-tourism operators don’t do. The manta ray swim is worth a trip to Kauna’oa Bay on its own, whether you stay at the Mauna Kea or not.

Beekeeping and honey tasting

Landlubbers who may be hesitant to splash around in the water can catch a nature-y “buzz” on land. Both Mauna Kea and the Westin Hapuna Beach Resort work with the state’s Apiary Program to cultivate honeybees, which provide pollination for the local environment. Guests who want to sweeten their trip can tour the on-site apiaries (places where beekeepers keep bees and manage their hives) and perform a “bee wellness check” with the resort’s resident beekeeper.

Yes, a bee wellness check, because earth’s greatest pollinators need some TLC, too! To check on our buzzy friends, I joined Mauna Kea’s Director of Sales and Marketing Brad Doell (who was subbing in for the resident beekeeper) in the resort’s gardens where we suited up in proper beekeeping attire, mask and all. Then, we made our way to the apiaries, or bee boxes, to perform our “wellness check.”

Doell explained each hive was home to hundreds (if not thousands) of bees, including one very important queen whom the worker bees will protect at all cost. We were there to clean the hives, which can get gunky from propolis, a waxy substance used to line their nests, and check for honey, which, unfortunately, was not quite ready to be harvested.



Doell (left) and the author (right) perform a wellness check on the bees.


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Doell (left) and the author (right) perform a wellness check on the bees.

I was handed a smoker to “soothe” the worker bees so Doell could safely scrape off chunks of propolis and ensure the hives were in tip-top shape for our buzzy lil’ friends. I had never been this close to so many bees before, and it was wild to see their behaviors change from alarmed and defensive (they want to protect their queen from intruders, after all) to soothed and relaxed with just a few puffs of smoke.

Once they chilled out a bit, I was able to take a good look into the center of the hive, which was fascinating. So many bees, with such regimented roles in their own, micro-society, which seems small but has a huge impact on the natural world. Both wild and domestic honey bees pollinate 80 percent of all flowering plants worldwide, which includes $15 billion worth of American crops each year. Losing these busy bugs could put our food chain at risk, wiping out fruit and vegetable ecosystems that humans and animals rely on.

Once everything was fresh and clean, Doell gifted me a jar of Mauna Hea honey that had been harvested a few weeks before—another delicious parting gift from Earth’s greatest pollinators.

Snorkeling

Being the quintessential Cancerian water sign that I am, I spent most of my down time in the crystal-clear surf at both Mauna Kea Beach Hotel and the Westin Hapuna Beach Resort. Every chance I got, I’d grab a snorkel and fins (both are free for guests) and unwind with a bit of ocean therapy, exploring the reefs and rocky coves along the shoreline. On my way I met a rainbow of reef creatures, stunning corals, schools of fish, and even a gentle sea turtle whom I swam along with for 15 minutes. (Another few of the all-time best minutes of my life.)



My new sea turtle friend. Photo: Author


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My new sea turtle friend. Photo: Author

Again, I know snorkeling with sea creatures isn’t for everyone. But if you’re there, I do recommend giving it a try. Being in and around the water is scientifically proven to soothe our psyche, putting us into a “blue mindset“—a mild, meditative state that leads to feelings of happiness, relaxation, and connection to nature. Meeting a friendly sea turtle or angelfish along your journey is just the cherry on top.

Ala Kahakai National Historic Trail

Both the Mauna Kea and Westin Hapuna Beach share a coastline along the historic Ala Kahakai trail, a network of footpaths protected to preserve culturally significant Native Hawaiian land. This “trail by the sea” was once part of the ala loa, or the “long trail,” with remnants that date back to when Polynesians first settled Hawaii centuries ago. It encompasses 175 miles around the island, including the 2.7-mile out-and-back trail connecting Mauna Kea to Hapuna Beach.



Views from the trail. Photo: Author


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Views from the trail. Photo: Author

From Mauna Kea, you can go south to Hapuna Beach or north, which goes for about two miles up to the Pu’ukohola Heiau National Historic Site. Short on time one evening, I decided to go left over to Hapuna Beach for a sunset walk. The views are epic—I walked along the rocky coastline, up over lava rock and down into coves where I could see my snorkeling spots from above. It’s pretty rocky, so you’ll definitely want to wear hiking boots or trail sneakers, but otherwise, it’s a fairly mild, 20–30 minute hike, depending on how fast you walk.

If you do decide to go north, expect a variety of surfaces, from sandy beaches to jagged, otherworldly lava rock, so dress accordingly. Whatever route you choose, stay on the trail and pack out what you pack in—as mentioned, it’s all culturally historic land meant to be preserved for generations to come, so be respectful.

Preview the Kahakai National Historic Trail on Alltrails.

E Ala E

The trip concluded with a traditional E Ala E chant led by the resort’s cultural ambassador, Healani Kimitete-Ah Mow. Each morning, Kimitete-Ah Mow and other “Aloha Ambassadors” stand on the beach to welcome the sun, honor the land, and set intentions for the day. This traditional Hawaiian oli, or chant, (which translates into “awaken”) is sung into the east just as the sun is rising, each “e ala e” calling the sun higher and higher until it passes over the horizon. It’s a moment for reflection and gratitude, to show your respect for the land and the ancestors who came before us. And it’s powerful.



Kimitete-Ah Mow leads the e ala e chant. Photo: Mauna Kea


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Kimitete-Ah Mow leads the e ala e chant. Photo: Mauna Kea

After the chant, Kimitete-Ah Mow instructed us to go pick leaves from the native naupaka shrub behind us, one for every loved one—alive and dead—we wanted to honor that day. While we meditated on our friends and family members, we walked into the sea and, eventually, gave our leaves to the ocean, an offering for protection and guidance.

After sending my leaves out to sea, I lowered my body underneath the water to “purify” myself for the day. Then, I walked out of the ocean backwards (Kimitete-Ah Mow said to never turn your back on the ocean after giving an offering) before finishing the experience with a meditative walk on the beach. As I strolled along the shore, I thought about my leaves floating out to sea and felt more present and more connected to the earth than I had when I arrived. Traveling—especially to a place as ancient and exploited as Hawaii—can often feel so extractive. The morning ritual was a brief, grounding moment to give back to the land and spirit of the island, which was the perfect ending for my trip.

For more information about Mauna Kea’s accommodations and pricing, visit its website here. You can also book your entire trip through Expedia.

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San Francisco Proposal Photographer Offers New SF Locations And Photography Packages

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(MENAFN- EIN Presswire)

San Francisco Proposal Photographer

San Francisco Romantic Proposal

San Francisco Proposal Photography

New photography packages for proposals now available at San Francisco Proposal Photographer, providing beautiful, timeless photos to cherish for a lifetime.

SAN FRANCISCO, CA, UNITED STATES, April 30, 2023/einpresswire.com / — San Francisco Proposal Photographer is excited to announce the launch of their new proposal photography packages and locations, which aim to capture life’s intimate moments with skilled discretion and artistry. The studio has added several enchanting locations for proposals in San Francisco to its list, including Golden Gate Bridge, Baker Beach, Russian Hill, Ina Coolbrith Park, Sutro Baths, Fairmont Rooftop, Japanese Tea Gardens, Lovers Lane, Pier 14, and Muir Woods.

For more information, go to

The studio provides four different proposal packages, each of which is designed to capture the unique essence of the moment and offer beautiful and timeless photos to cherish for a lifetime. Package A includes a smartphone shoot with all photos delivered to the client, while Package B provides professional camera coverage of the proposal. Package C includes everything in Package B along with a 10-15 minute photo session, and Package D offers a 45-minute photo shoot.

“We are thrilled to be able to offer our clients the opportunity to capture their special moment in some of the most beautiful locations in San Francisco,” said the owner of the studio.“We strive to provide our clients with the highest quality proposal photography services, and our new packages and locations are sure to make their proposal even more memorable.”

San Francisco Proposal Photographer understands the significance of a proposal and strives to provide couples with the perfect setting and the ideal photos to commemorate their special day. In addition, the studio encourages clients to come up with their own surprise proposal ideas and unique ways to make their special moment even more memorable.

A recent customer commented:”It was a pleasure working with this team. I organized a proposal shoot with them and they were discrete, punctual, and enthusiastic. The pictures came out great and my fiance had no idea it was coming. Highly recommend them!”.

For more information about the studio’s photography packages and locations, visit the san francisco proposal photographer .

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San Francisco Proposal Photographer
2150 Post St, San Francisco, CA 94115
(415) 812-5014

Eric Smith
San Francisco Proposal Photographer
+1 415-812-5014
email us here

MENAFN30042023003118003196ID1106141447


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