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This Woman’s Vacation Snap Is Going Viral for All the Wrong Reasons

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Solo Traveler Shares Result Of Asking Man To Take Her Picture

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A viral TikTok video showing the moment a solo traveler asked a man to take a picture of her in front of an erupting volcano has gained attention for all the wrong reasons.

Katie, 25, from London, shared the photos a well-meaning photographer gave her while she was on vacation, which didn’t turn out exactly the way she was expecting. The TikTok about the mishap has over 2.4 million views so far.

Katie headed to Guatemala at the beginning of March during a weeks-long vacation, where she made the trip to see the Fuego Volcano, located near the Acatenango Volcano. The Acatenango stands at 13,041 feet tall and is just 1.5 miles from the Fuego Volcano, which has been erupting since 2002.

“There was a group of 20 of us spending the night together at base camp,” Katie told Newsweek. “We hiked Acatenango Volcano as a group trip organized by our hostel.”

At the top, she asked a man on her trip to take a picture of her in front of the incredible erupting scene. The video overlay text read: “POV: You go solo travelling and ask a man to take a photo of you and a literal erupting volcano.”

But when she shows the picture, it was taken in portrait mode—completely blocking out the erupting volcano in the background.

“The photo inspired my video along with videos from other creators along the lines of ‘taking my untrained boyfriend on holiday’ where they show all the bad photos taken,” Katie explained. “This is how I knew others would relate, it was intended to be lighthearted, funny and relatable.”

In hundreds of comments TikTok users shared their tips for getting a picture taken: “Always ask for a video,” suggested one commenter. “Stand and smile and screenshot later.”

“You can edit the settings to reduce the blur,” suggested another.

Katie asked a man in her group on her solo travels to take a picture of her in front of the erupting volcano—but she didn't expect the result. @backpackingbabble/TikTok

© @backpackingbabble/TikTok
Katie asked a man in her group on her solo travels to take a picture of her in front of the erupting volcano—but she didn’t expect the result. @backpackingbabble/TikTok

“My TikTok channel is intended to create relatable content that makes people laugh, along with travel tips, hostel tours and vlogs to inspire new travelers to take the leap and give solo travel a go,” said Katie.

Women are most likely to travel solo, and many enjoy their dream vacations by taking the plunge and heading to far-off locations alone.

Sharing the lighthearted moment she saw the portrait-mode photo, Katie explained that she thought it was hilarious: “I was shocked when I found that he had switched the settings to portrait mode, but found it really funny,” she said. “He said he thought I would look nice, which was sweet.”

Some commenters on the TikTok video said that the traveler was being unfair to the mystery photographer, but she clarified that there was no bad blood about the pictures.

“There were a few negative comments suggesting that I ‘shamed a stranger.’ To clarify, we hiked the volcano together for the entire day and had made friends,” Katie said. “We then spent time together in two more destinations in Guatemala and I had asked about putting it on TikTok at the time. I know plenty of fantastic photographers of all genders.”

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Stunning nature pictures from Stroud Camera Club

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The competition is in two sections for Printed images and Digitally projected images.

There were some stunning images on display in both sections, some of which are reproduced here.

Printed images which Ralph scored the maximum 20 points were Leslie Holmes’ “On The Move” and René Cason’s “Common Blue.” Coming close behind with 19 points was Leslie’s “Impala in a downpour.”

In the Digitally projected image section René took another 20 with “White tailed Eagle” while Roger Matthews took two 20s with his shots “Male Scarce Chaser” and “Large Blue.”

It was a very close competition with Leslie Holmes again scoring 19 for her beautiful “Leopard and Cub” Mark Halling with “Nesting Heron” and René Cason with “Red Kite Feeding”

It was an entertaining evening with lots of helpful comment and advice from Ralph, giving the club members the benefit of his many years experience of wildlife and nature photography.

All of the images entered can be seen at stroudcameraclub.co.uk/results

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Behind the Lens: Herald photographers share how they got the shot

Joel Christensen, 24, cannot see or fully hear due to infantile refsum disease. With grandfather Harold at his side, Christensen tosses trash into the pit at the Airport Road Transfer Station in Everett. Going to the transfer station is one of Christenen’s favorite activities. The vibration of humming machinery, the whooshing of front end loaders and the tactile nature of his family’s trash all stimulate his strongest senses. (Photo by Ryan Berry)

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Ashley Olson releases green balloons from the dock at Davies Beach on Lake Stevens in memory of her brother, Joey Mell, who overdosed a year earlier. Green was Mell’s favorite color and Olson describes her brother as “gorgeous” and “a real thrill seeker” due to his job as a highline tree trimmer. (Photo by Olivia Vanni)

Each year, The Daily Herald publishes thousands of images. Here are a handful that became favorites, including two that most moved staff photographers Ryan Berry and Olivia Vanni.

Ryan Berry

Joel Christensen, 24, cannot see or fully hear due to infantile refsum disease. With grandfather Harold at his side, Christensen tosses trash into the pit at the Airport Road Transfer Station in Everett. Going to the transfer station is one of Christenen’s favorite activities. The vibration of humming machinery, the whooshing of front end loaders and the tactile nature of his family’s trash all stimulate his strongest senses. (Photo by Ryan Berry)

“Photojournalism often requires chasing moments, looking for the peak action in any given situation. It’s easy to get caught up in the hustle and bustle. For me, though, the photos that have a lasting impact on how I see the world are almost always found in the quiet moments.

My favorite photo from 2022 is this one of 24-year-old Joel Christensen and his grandfather Harold at the Airport Road Transfer Station in Everett. Born with Infantile Refsum disease, Joel cannot see or fully hear, but the sensory experience of visiting the garbage facility makes it one of his favorite things to do. While we interviewed and photographed the family, Joel stood still along the edge of the dump for 15 minutes, smiling, feeling the machinery whir all around him. His grandfather stood by his side. The unbridled joy and love shared between those two, all while in a place many folks would never wish to visit, struck me like a brick.

To show a tender, quiet moment in a loud, bustling space is really meaningful to me. And while I don’t feel I can fully convey the bond these two have, I think this photo does their relationship at least some justice. That means a lot to me. It’s important in this field of work to be reminded of how good people can be, and I’m humbled to keep this image as a personal favorite from my career.”

Three more of Ryan’s favorite photos:

Three more of Ryan Berry’s favorite photos (from left): Josh and Nicki Haine help their 4-year-old niece Eleanor get around on skates for the first time as her mother Tiffany Butler (left) follows at Arlington’s seasonal ice rink. One-year- old Amiyah and her grandfather Bob pedal past a rally in support of LGBTQ+ students in Marysville. Trayce Hanks (left) of Lake Stevens peeks at another runner as they cross the finish line neck-and-neck during a relay race.

Olivia Vanni

“One of the tasks that a daily newspaper photographer performs on a regular basis is finding feature photos. Sometimes it’s a last minute request by an editor to fill a space in the following day’s newspaper. Other times it’s a visual moment we happen to spot while driving between assignments.

I was tasked with finding a feature one day in February. I had been out for almost two hours, aimlessly driving around different parts of the county when I decided to make one final stop at Davies Beach in Lake Stevens. I instantly spotted what I thought were balloons on the dock and quickly parked. As I walked I realized there was a woman seated at the end of the dock holding them. I approached and introduced myself, explaining I worked for the newspaper and was out taking photos.

The woman introduced herself as Ashley and quietly explained she was there to release balloons in memory of her brother who had passed away a year ago to the day. We chatted for a while about her brother, what he loved and who he was. She graciously allowed me to photograph her balloon release and I captured my favorite image from the year. It may not be the most action packed or visually stunning photo I took but it was the one that meant the most to me as both a photographer and human. When people like Ashley allow us to document the most intimate moments I am reminded why I love what I do and why it is so important.”

Three more of Olivia’s favorite photos:

Three more of Olivia Vanni’s favorite photos (from left): Beverly LaBruyere holds the hands of Ferne Violet Berg Ullestad during Ferne’s 100th birthday celebration in Marysville. Dancers wait to enter the longhouse for the Salmon Ceremony in Tulalip. Everett High School student Soren Dellaguardia leads a walkout to protest rape culture in schools.

Gallery

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Indonesian Artist Jati Putra Creates Inception-Like Gravity Defying Landscapes

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Indonesian artist Jati Putra Pratama creates inception-like gravity-defying landscapes. Jati Putra is a graphic designer that is famous for his surreal landscapes. His artworks are inspired by Christopher Nolan‘s movie “Inception”.

Surreal landscapes are those that seem to exist in a realm beyond our reality, a world where the rules of nature and physics don’t apply. These landscapes are often created through the use of digital manipulation.

One of the key characteristics of surreal landscapes is their ability to challenge our perception of reality. By presenting scenes that are impossible or improbable, these images force us to question the limits of our understanding of the natural world. They can also evoke powerful emotions, from a sense of wonder and awe to a feeling of unease or even terror.

Scroll down and inspire yourself. Check Jati’s Instagram for more amazing work.

You can find Jati Putra Pratama on the web:

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Why Camera Brands Shouldn’t Worry About the Evolution of Phone Cameras

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Out of all platforms that have a social element to them, YouTube has the best recommendation algorithm. Besides ‘The Wire is the best TV show of all time’, this is another hill I’m willing to die on. So, as someone who spends an unhealthy amount of time on YouTube browsing camera gear, role-playing video game walkthroughs, and tech hardware, these last few weeks this video platform has bombarded me with how amazing the cameras are on Oppo Find N2 Flip, Xiaomi 13 Pro and the OnePlus 11 5G. See? YouTube even knows I’m an Android guy.

At work, we fiddled around with an Oppo Find N2 Flip. At home, I gave in to temptation and ordered a Xiaomi 13 Pro. One thing’s for certain – the hype is real. The cameras these phones have are quite simply pathbreaking. The sadness I felt when Sony decided not to commercially release the Xperia 1 III phone in India quickly evaporated. On top of that, phone brands now partnering with names like Leica and Hasselblad to develop their camera hardware have made it more obvious where the future of camera tech seems to be heading – higher quality in more compact bodies.

So where do legacy camera brands such as Sony, Fujifilm, Canon and Nikon stand – with the advent of all this amazing compact camera system tech? Should they be worried? Not necessarily. I know, I know – that sounds like the opposite of what I just said in the previous paragraph, but hear me out. Here are two big reasons why camera brands should not only not worry about the rapidly evolving phone camera tech, they should in fact welcome it.

The sensor-size pecking order is still untouched

For those who are not too familiar with the sensor size pecking order when it comes to portable cameras, at the top of the ‘quality of image’ food chain are medium format cameras. Where the sensor size is usually around 53.7mm x 40.4mm. Fujifilm GFX 100S, Hasselblad X2D 100C, Pentax 645Z – these are some top-of-the-line names in the medium format range, and yes, they are some of the most expensive professional grade portable cameras in the market. Then comes the Full Frame range, with sensor size typically around 36mm x 24mm. Leica SL2, Sony A7RV, Nikon Z9, and Canon EOS R5 are currently some of the best full frame cameras out there. Then there are APS-C or cropped sensor cameras, which are typically around half the size of their full frame counterparts. Sony’s A6000 series and Fujifilm X-series (this writer was lucky enough to snag up the oh-so-rare Fujifilm X100V while it was still available) are the champions in that lightweight division.

This sensor size difference can have an impact on the image quality and characteristics, as larger sensors generally offer higher resolution, better low-light performance, and a wider dynamic range. However, larger sensors also tend to come with higher costs, larger and heavier camera bodies and lenses, and potentially slower frame rates. As you can see, the general thumb rule is – the bigger the sensor size, the better the image quality. Now the Xiaomi 13 Pros or the Oppo Find N2 Flips or even the flagship Samsung S23 Ultras or the highly popular Google Pixels of the world might be pathbreaking when it comes to phone cameras, but when it comes to pure image quality, they barely manage to compete with APS-C sensor cameras. Sure, they’re way more portable and hence more inconspicuous, and they have their own place in the arsenal of photography enthusiasts, but there are levels to this game and the name brand pro-cameras still rule when it comes to quality.

Fancy phone cameras change the way you click photos

My first smartphone was the cute 4-inch Zenfone 4, and then I moved onto the Zenfone 2, then Redmi K20 Pro, and now I’ve exchanged that for the Xiaomi 13 Pro. But it’s only now that I actually see photography in a whole different manner. High end camera phones including the Xiaomi 13 Pro not only have more camera features, some of them also let you click photos in RAW format once you enter the Pro mode. Pro mode was not something I ever thought of, because a) the camera hardware in my earlier phones wasn’t worth the effort of learning the pro mode, and b) it was much easier (and still is) to simply point and shoot. But now that I’ve spent over 60k INR for the first time in my life for a phone (thank the e-commerce gods for exchange offers and not making me shell out almost 80k), it’s only natural that I want to get the most out of this camera.

Before I knew it, I started snapping everything in RAW and installing Adobe Lightroom for post processing these files. That’s not something most phone camera users do, but here I am, pretending I’m the next big thing in street photography (I’m not, but you get the point, right?). If I didn’t already have a dedicated camera, I’d wager I’d buy one after getting hooked to photography concepts such as framing, composition, playing with lights and shadows, etc.

And that’s exactly why phone brands should welcome the idea of more people buying high end camera phones. The fraction of people who’d want to take the leap of investing in a dedicated camera, whether it’s an affordable APS-C camera or a more professional full-frame setup, are more likely to invest in the camera gear ecosystem. Before you know it, they’ll start buying special airtight cabinets to store their camera lenses, rugged tripods, and fancy flashes. Isn’t this what camera brands want?

The author of this article now uses a Sony A7IV for professional gigs, a Fujifilm X100V for the streets, and has now wishlisted a 600mm super-telephoto lens on Amazon, because bird photography and astrophotography are the next frontiers he wants to conquer. Gear acquisition syndrome is a real thing and this is why he’s broke.

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How to Choose the Right Softbox for Your Photography Setup

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Are you a photographer new to artificial lighting? Unlike shooting in natural light, you have a steep learning curve when transitioning to artificial light. But you have more control when you shoot with studio lights, and you have a plethora of options to light your scene creatively.

Whether you use natural or artificial light, diffusing it is crucial to get natural-looking photos. Let’s discuss how different softboxes impact lighting and how to choose the right one for your studio lighting needs.

What Is a Softbox?

A softbox is a lighting modifier made of white translucent material that will go over your light source. It reduces the light’s intensity and spreads it evenly over a larger area.

Usually, you can place the softbox over your light source attached to a light stand. If you’re new to flash photography, check out this beginner’s guide to studio lighting.

Softboxes come in different shapes, each creating a different look on your subjects. This makes them suitable for different types of subjects, so you need to be mindful of which one you get.

The Different Types of Softboxes

Let’s discuss the different types of softboxes and help you choose one based on your lighting needs, subject, and portability requirements.

Square and Rectangle

Unlike an umbrella you may have seen in studios, the square softbox is entirely closed, more suitable for directing the light toward the subject. In addition, it is easy to set up and mimics the soft natural light diffused through a window.

This popular shape can work for portraits, food, and product photography. Square softboxes come in different sizes and can fold into smaller sizes for easy carrying.

You can get away with using one light and a diffuser setup for food and portraits. However, you may want two lights if you’re doing serious product photography. If you’re new to studio lighting, starting with a square softbox is a good idea.

A rectangular softbox, also called a strip box, works similarly to a square one. You will ideally choose it for full-body images because of its length—square softboxes are more suited to headshots.

Octagonal

Referred to as octa softboxes, these are highly preferred for portraits. Unlike square softboxes, the light fall-off is even in octa softboxes because of the curved design.

They also mimic sunlight more, producing a beautiful round catchlight in the subject’s eyes. Octa boxes are fantastic for food and portrait photography.

Parabolic

As demonstrated with the Godox P120L Parabolic Softbox above, these softboxes look like octa boxes but have more sides and are deeper. As a result, they spread a narrower beam of light compared to octa boxes. They are also heavier and take time to set up.

You can also use the parabolic softbox with lights facing inside so that it can bounce off the reflective coating. This can create more contrast and give your images a different look. Parabolic softboxes can give you some flexibility when you want to try creative lighting for portraits.

Lantern

A lantern softbox looks like a giant light bulb and produces a huge spread of even light, as shown with the Aperture Lantern 90 above. This type is definitely flattering for portraits, but it can also be apt for interior and real estate photos.

Though the light from a lantern softbox is comparable to that of umbrella softboxes, lanterns give a directional and controllable light spill.

Other Things to Consider When Getting a Softbox

Apart from traditional softboxes, there are various accessories you can use to get different effects.

Grid

Also called honeycomb grids, these go over your softbox to avoid light spill and guide it to your subject. The resulting light from a grid is soft yet focussed. It is flattering for portraits and food photos.

Mounts and Brackets

Depending on the type of light and light stand you use, you have to find the right accessory to fit your softbox. For example, if your use a speedlight, you need an S-type bracket holder with a Bowens mount. Talk to your local camera store or do some research online to find out what exactly you need.

Small Softboxes

If you’re using a speedlight on your camera, it is still essential to use a lighting modifier on your flash to soften the light and make it look natural on your subject. The Fotodiox 8×12-inch Flash Softbox shown above is a good example of a small softbox.

You can also get rectangular, round, or octa softboxes that go on top of your flash. These are suitable for event photographers who want to do portraits quickly. It also works for small spaces where you can’t set up a large light stand.

A small softbox is one of the essential gear items you need for taking amazing macro photos if you’re using a speedlight for macro photography.

Use the Right Softbox to Elevate Your Subjects

A light modifier is a critical tool in deciding the look of your photos. There are many types in the market, and knowing the different types of softboxes can help you use the right one to elevate your images. This guide is a good starting point if you’re not sure what you need.

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This iPhone tutorial teaches you how to take gorgeous long exposure photos

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If you purchase an independently reviewed product or service through a link on our website, BGR may receive an affiliate commission.

The iPhone can’t take long exposure photos out of the box. Apple hasn’t added the functionality to the default Camera app. But third-party applications will let you increase exposure and capture time. And they use algorithms to obtain the beautiful effects that long exposure photography makes possible.

The best thing about these apps is that you don’t have to be a professional photographer to start taking great long exposure photos in no time. The apps are very easy to master, and you’ll quickly learn by doing. You don’t even have to start on your own. YouTube channel Mark McGee Photos has a great tutorial on how to take beautiful long exposure photos on iPhone.

As the YouTuber explains in the video at the end of this post, the iPhone’s default camera lets you slow the shutter speed down to 1 second. That’s not enough to take long exposure photos. McGee says that astrophotographers shoot between 10 and 30 seconds, or even longer, to achieve those gorgeous night shots.

An iPhone long exposure camera sample taken with ReeXpose.

© Provided by BGR
An iPhone long exposure camera sample taken with ReeXpose.

You don’t necessarily have to aim to match astrophotography taken by professional hardware. But the iPhone can definitely shoot great long exposure photos with the help of an app like ReeXpose.

That’s the app the YouTuber used in London to take some amazing shots of his surroundings. As you can see, they might rival long exposure photos from more expensive equipment.

McGee demos the ReeXpose experience in the clip, from the user interface to shooting examples. The camera app will save the photos in Apple’s RAW format. You can then export them for post-processing and fine-tuning the images.

As you’ll quickly see, you don’t need experience taking long exposure photos to take great shots with ReeXpose. Just use the app and improve your game as you take more photos. You should quickly figure out how to focus, what lighting works best, and how to set the shutter speed and capture time to obtain results similar to McGee’s samples.

An iPhone long exposure camera sample taken with ReeXpose.

© Provided by BGR
An iPhone long exposure camera sample taken with ReeXpose.

You might wonder what iPhone you need to get the best results. The newer the iPhone, the better the camera sensors. Therefore, the better the overall photo and video results.

But you don’t need the latest and most expensive iPhone 14 Pro Max to take great photos. ReeXpose requires iOS 16 or later to run, which means it’s compatible with any iPhone released since 2017.

As for McGee’s setup, he uses an iPhone 12 to capture the samples in the clip above. The vertical two-lens camera setup on the back, the flat sides, and the larger notch tell us it’s a 2020 device.

Check out the full iPhone tutorial below to see how easy it is to take amazing long exposure photos on your handset:

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Heartwarming Depictions Of The Unbreakable Bond Between Dog Owners And Their Furry Companions

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Artist Yaoyao Ma Van As shows heartwarming depictions of the unbreakable bond between dog owners and their furry companions. She loves to show in her work the funny and happy parts of having a dog in your life. In each drawing, she draws a picture of herself and a picture of her dog. It’s a great example of how wonderful life can be when you have a dog as a friend, as well as how beautiful it is to have a dog.

Yaoyao Ma Van As, currently living in Los Angeles, has worked with many famous brands, like Disney TV Animation, Warner Brothers Animation, Rick and Morty, Stoopid Buddy Studios, Starburns Industries, but today let’s focus on her personal art project – a series of heartwarming illustrations about a girl and a dog.

In her words “My creative ideas come from many different places, mainly my pet dog Parker is my biggest inspiration. We adopted him almost four years ago and he’s been the center of our world ever since.”

Scroll down and inspire yourself. Check Yaoyao’s website for more amazing work and info.