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9 Photography Rules and Formulas to Follow for Professional Photos

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Whether you’re a new photographer or a seasoned pro, you may have heard some of the rules and formulas photographers must follow to get perfect pictures. Most of these rules are time-tested; some have been used since the basic camera days. So, knowing them can be handy in a variety of situations.

Following this set of rules can help you confidently use your camera and improve your composition. From the famous rule of thirds to the lesser-known rule of vanishing point, let’s explore some of them to elevate your photography.

1. The Rule of Thirds

If there is one simple rule that can instantly make your photos look more elegant, it is the rule of thirds. You may have heard it many times before, and it is popular because it works for any type of photography. Portraits, wildlife, or landscapes—this rule will never let you down.

The rule tells you to separate your frame into three sections and place the subject away from the center. Switching on the grid lines in your camera will help you see where to position the subject.

2. The Reciprocal Rule

Want to take sharp photos? Then, remember the reciprocal rule, which states you should use the focal length of your lens as the denominator of the shutter speed to avoid camera shake. For example, if you’re using a 50mm lens, you should use a shutter speed of 1/50 or higher to get sharp photos.

This is a general guideline more than a rule, but it is easy to remember and use. Instead of following a trial-and-error method, you have a reference point for your shutter speed.

3. Sunny 16

According to the Sunny 16 rule, on sunny days, you can set the shutter speed as the reciprocal of your ISO when using the aperture f/16. For instance, when shooting at an aperture of f/16 and ISO 200 under sunlight, you can set the shutter speed to 1/200 for correct exposure.

Shooting in manual mode can be daunting for beginner photographers. So, this is an excellent rule to follow until you get the hang of controlling all three parameters of the exposure triangle.

4. Looney 11

If you’re an intermediate photographer trying your hands at astrophotography, Looney 11 is the rule for you. It is similar to the Sunny 16 rule but is for nighttime moon photography. On dark, clear nights, when you photograph the moon at an aperture of f/11, the shutter speed can be the inverse of the ISO.

Let’s say you’re photographing the moon at f/11 and ISO 100. Your shutter speed can be 1/100th of a second. Of course, this is not a hard-and-fast rule. Taking amazing astrophotos requires specific gear, complex editing, and, most of all, a nice place with dark skies away from any light pollution.

5. The 500 and 600 Rules

The 500 and 600 rules are specifically for astrophotographers to avoid star trails. Astrophotographers use a shutter speed in seconds to let more light into the camera. But, when the exposure is long, you get a new phenomenon in your night photos—star trails.

The earth is constantly rotating, and though we may not feel it, it makes the stars look like dashes instead of pinpoint dots. The 500 rule gives you the maximum shutter speed for your camera and lens combo to keep the stars sharp.

Shutter speed = 500 / (focal length of your lens x camera’s crop factor)

The equation looks like this with a Nikon APS-C sensor camera and 50mm f/1.8 lens:

Shutter speed = 500 / (50 x 1.5)

You can use the resulting shutter speed of 6.6 seconds to avoid blurry stars. Remember, Canon cameras have a crop factor of 1.6.

The 600 rule is similar to the 500 one—just use 600 instead of 500. Use the 500 rule for beginner cameras and the 600 rule for high-resolution cameras.

6. The NPF Rule

The problem with using the 500 and 600 rules is that they are entirely accurate. So, astrophotographers have another complex rule to get sharp stars. Called the NPF rule, it is more accurate for calculating the shutter speed for night skies. The N stands for aperture, P for pixel density, and F for the focal length of your lens. Pixel pitch or density is the distance between the pixels in your camera’s sensor.

Shutter speed = ((35 x aperture) + (30 x pixel pitch)) / focal length

Pixel pitch = (width of the sensor / long side image dimension) x 1000

So, let’s calculate the pixel pitch for the Nikon D810, which has a 35.9 x 24mm sensor size with an image size of 7360 x 4912:

Pixel pitch = (35.9 / 7360) x 1000

We can assume we are using the same lens as above, the 50mm f/1.8:

Shutter speed = ((35 x 1.8) + (30 x 4.9)) / 50

According to the NPF rule, the maximum shutter speed we can use is 4.2 seconds.

7. The Golden Ratio Rule

This is truly a golden rule that is not easy to master. It can be hard to compose images using the Golden Ratio, so practicing often is crucial to getting comfortable with it. The easiest way is to look for naturally spiral and curved elements and compose your pictures based on that.

See our detailed explanation of the golden ratio in photography to understand the math behind it.

8. The 60-30-10 Color Rule

A rule meant initially for artists and interior designers, photographers too can use this rule to get incredible pictures. The idea is to have 60% main color, 30% secondary color, and 10% accent color in your photos.

Using colors this way will help your photos look pleasing to the eyes instead of cluttered. Try this lesser-known compositional rule to see the difference in your photos.

9. The Rule of Vanishing Point

A vanishing point is where two parallel lines converge and vanish. For example, imagine the parallel lines of a train track or a wooden bridge. Artists use this technique to create depth and add a sense of scale to paintings. Similarly, you can use vanishing points to create powerful compositions.

Placing your subject bang on the vanishing point can make for an exciting photo.

Feel Free to Bend These Rules and Experiment

We recommend incorporating these nine rules and formulas into your photography projects to get professional-looking photos. But remember to use them as guides, and don’t shy from tweaking them to suit your needs.

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Zenfolio Ups the Ante with New Video Features, Unlimited Storage, and 4K Support

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In a game-changing move, Zenfolio, the forerunner in creative and business solutions for photographers, has announced a series of significant updates to its platform, including new video features, enhanced file storage on top-tier plans, and support for 4K videos. These innovations establish Zenfolio as the ultimate all-in-one resource for professional photographers and videographers alike.

Photographers can now breathe a sigh of relief as Zenfolio’s top-tier ProSuite service offers unlimited cloud storage for both photo and video files. This means photographers and videographers can focus on their craft while leaving storage concerns behind. The ProSuite plan caters to various projects and clients, making it an indispensable tool for professionals in the industry.

But it doesn’t stop there. Zenfolio has taken note of the growing demand for high-resolution 4K video, with more clients than ever requesting the best quality video content. As a result, the platform has expanded its ProSuite plan to accommodate 4K video files, allowing photographers and videographers to deliver premium content to their clients.

In addition to 4K support, Zenfolio subscribers can now host larger and longer video files – up to 60 minutes and 30GB in size. This opens up a whole new realm of possibilities for creators who wish to showcase their work without compromising on quality. Furthermore, the platform now offers advanced video features such as video watermarking, e-commerce, and more.

Zenfolio Chief Executive Officer, John Loughlin, shared his enthusiasm about the company’s latest updates. “Zenfolio is constantly innovating and enhancing our service offerings to meet the needs of our customers and their clients. Our already robust video features are now even more appealing with 4K video and unlimited storage, reaffirming Zenfolio as the best single source for running a photography or videography business.”

These major updates cater to the ever-evolving needs of the professional photography and videography community and solidify Zenfolio’s position as the market leader. With a comprehensive suite of marketing, workflow, scheduling, and e-commerce features, Zenfolio has become the go-to platform for creators seeking a seamless, dependable, and secure online resource.

Zenfolio’s commitment to constant innovation ensures it remains at the forefront of photography and videography solutions as the industry landscape continues to shift and evolve. The platform’s ability to provide a comprehensive and reliable service, combined with its adaptability to changing market needs, undoubtedly sets it apart from its competitors.

For more information on Zenfolio’s latest updates and to explore its offerings, visit https://zenfolio.com.

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Capturing the glass ceiling | The Daily Star

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Fri Mar 31, 2023 10:15 AM Last update on: Fri Mar 31, 2023 10:44 PM

Photography, regardless of gender, is a tough profession. In the photo: Naila Noor (left), Sabina Yesmin (right). Photos: Naila Noor (left), Sabina Yesmin (right)

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Photography, regardless of gender, is a tough profession. In the photo: Naila Noor (left), Sabina Yesmin (right). Photos: Naila Noor (left), Sabina Yesmin (right)

Photography is at the core of our modern lives. It is well embedded in our daily activities through news, memories and content. However, the gender gap in this accelerating profession is truly staggering. Women are often sought on the opposite side of the camera. How is it that in a country outnumbered by women (according to the census 2022), we consume content largely from a male perspective? While many may argue there is a lesser percentage of women in the sector due to the profession’s demanding nature, there are also other aspects that restrict a woman’s participation and contribution in the world of professional photography.

Photo: Fabeha Monir

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Photo: Fabeha Monir

Before everything else – photography is a very hard profession. “Being in the field, waking up in different locations is a different experience for any woman photographer,” says photojournalist, filmmaker and documentary photographer Fabeha Monir. Even though both men and women photographers have trouble navigating these struggles, women have an extra burden of societal and familial expectations. It is not easy for young female photographers to negotiate these issues of time and travelling with their families.

For all latest news, follow The Daily Star’s Google News channel.

Photo: Naila Noor

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Photo: Naila Noor

“My family members and friends often try to dissuade me from going to certain places for my shoots due to safety reasons,” says freelance photographer Naila Noor. Even though these concerns are legitimate, when you see it from their perspective, it is a setback in terms of productivity and work. While going to shoots in different outdoor locations, women photographers have to plan their attire and equipment accordingly. Naila laments that a male photographer doesn’t have to go through this extra hassle. While it may seem like these are small adjustments to be made, it can take a toll on the person facing it constantly.

In terms of work assignments, women are often singled out with assignments that don’t require much ‘trouble’ for the employer. When Sabina Yesmin started her work as a photojournalist in Prothom Alo, she was often given only cultural assignments or women-children-related issues. But, with time, as she proved herself, she started covering leads. In a career spanning over 12 years, Sabina Yesmin covered many important issues including natural disasters and protests in our country. Her photographs are widely distributed and recognised, even in a world where men are currently dominating.

Photo: Sabina Yesmin

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Photo: Sabina Yesmin

“It is difficult for a woman to separate her personal and professional life. Whenever a woman comes to work in this field, they fight and challenge the familial and societal expectations set upon them,” says Sabina. According to her, photography, particularly photojournalism, is still not seen as a viable career for women. On top, the constant discriminatory and sexist behaviour at work often affects their mental health. Sabina adds that women often quit this field on their own, unable to deal with these constant challenges along with societal and familial pressures.

The topic of salary or remuneration continues to be one of the biggest issues for female photographers. As they are given low-priority assignments, they tend to get paid less. Even in the case of freelance or independent work, female photographers are paid less. Many clients even (only) go with a female photographer when their budget is low. Moreover, there is a lack of precedent as the number of female photographers is less. Many leading media houses and newspapers in our country still don’t have female photographers or photojournalists.

The matter of security and surroundings transcends the work of a female photographer in every possible scenario. Men can go into the unknown and click their stories without having to worry about safety. However, women aren’t so lucky in that regard. Moreover, people in our country don’t normally respond well to a female photographer taking pictures. “During my outdoor shoots, I have been subjected to rude comments and stares by a passerby,” says Fouzia Jahan, owner of the local cinematography and visual styling brand Bowner Dighi. Moreover, there are certain stereotypes about women not being adept at technical details or messing up big responsibilities that overshadow a female photographer – adds Fouzia.

Photo: Fouzia Jahan

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Photo: Fouzia Jahan

When Naila Noor started her product photography brand, Aalo Productions, she saw the labels of a female photographer automatically attached to her brand. “Potential clients often doubt if I am capable of giving them what they want based on my gender,” adds Naila. This constant discrimination and sexist behaviour often demoralise female photographers. There is nothing more heartbreaking than getting dismissed without having a chance in the first place.

If you’re a female photographer, one of the major realisations that hit you is the underrepresentation of female photographers in the industry. Even though active female photographers are winning international recognition, they often don’t find their due place in the digital space. A recent article covered in a major newspaper about the current booming state of the photography industry of Bangladesh failed to include even one female photographer in the list. Makes you wonder!

However, rising above, female photographers are taking their moments of glory. Fouzia credits the rise of female entrepreneurship as a turning point for female photographers in our country. Even though discriminations and behaviours keep happening, Fabeha believes we need to focus on the art and the passion that brought us here. In the end, we have to let our work speak for ourselves.

She further adds that photographers need to look at things like art, literature, printmaking, design and illustration. “This way, they can broaden their perspective in regard to what is being done in the greater creative world,” she comments. All the photographers mentioned above believe young budding photographers should invest in courses and degrees related to their field of choice. There are schools and universities in our country offering great photography courses. Fabeha suggests photographers work under a mentor. This gives them perspective and experience of working as a photographer.

There are some glimmers of sunshine amidst all this darkness. Many clients prefer female photographers to suit their work. Fouzia believes women are more adept at concept development. This gives them an edge over their colleagues. Even though these instances are few, they are still there. The goal is to add more diversity to mainstream photography.

Sabina adds, “Photographs don’t see gender; we, the people, separate the art through these.” Female photographers are actively doing great work. The number has risen significantly in the past decade. Even though the discrimination, the setbacks are still there, female photographers need to work towards their passion and work it to their advantage. Sabina adds female photographers need to be patient and fearless to persist in this career.

With that, I am ending the article by manifesting a future where women photographers take their wins and capture their ceiling without any barriers and bias.

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Interview With Hungarian Nature Photographer Viktoria Farkas

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Viktoria Farkas is a Hungarian nature photographer and travel lover. In her words “I’ve always liked photography so I’ve always chosen my phones based on the quality of their camera. I’d worked in an office environment all my life, but when I held my first professional camera in my hands two years ago, I felt that it was more than a passing passion.”

Thanks, Viktoria for accepting our invitation. Please read on…

Few words about you?

My name is Viktoria Farkas. I was born in Siófok, Hungary, a beautiful town near lake Balaton. I’ve always liked photography so I’ve always chosen my phones based on the quality of their camera. I’d worked in an office environment all my life, but when I held my first professional camera in my hands two years ago, I felt that it was more than a passing passion. Now I’m doing photography as a hobby and sometimes get a request for a portrait or family photoshoot. One of my favorite portrait styles is the Low Key portrait.

I like the product and studio photography too, I always try to do something different. When I got my first macro lens and the 200-600 mm lens I was very excited to explore a new area of photography. This was the moment when I started photographing animals and insects.

How did you develop your interest in photography?

I’ve always liked taking photos. I travelled a lot for my first job and I grabbed every opportunity to capture images.

Then I came across an application for a photography competition on social media and found it interesting to see how many different topics you can enter in a contest with. From then on everything and everyone became the subject of my photography. I learned a lot about portrait and street photography from one of my Hungarian photographer friends. After an intensive five days of study, I knew I wanted to do this but it would be a very long journey. But this is my dream job now. I’ve made many photographer friends, thanks to whom I continued to improve. We’ve taken a lot of photos together.

How did you get interested in nature photography?

I saw these amazing nature photos on different platforms, so I said to myself that one day I was going to be a nature photographer. At the moment I don’t have too much opportunity to travel a lot and discover the beauties of nature, but I know one day in the not so distant future this dream of mine will come true. I’m currently trying to capture the natural beauty of nearby places.

What catches your eyes to produce such wonderful photographs?

Everything. Since I’ve been taking photos, I look at everything around me completely differently.

Could you please share your post-processing techniques?

I’m using Lightroom and Photoshop. I have some favorite presets, but I love playing with my pictures and like to see my pictures in several different styles. I always try to highlight the subject well.

Your favorite photographers?

Bence Mate, Hungarian wildlife photographer. He is the only person who has been awarded The Young Wildlife Photographer of the Year.

What is one thing you have learned through photography that you want to share with our readers?

There is something beautiful in everything that needs to be captured. As the perfect imperfection. I think no two photographers are alike. Everyone is limited by their own imagination. It’s an art.

What is the best compliment you received so far?

I once had the opportunity to ask a famous Hungarian photographer to give feedback on my work. He has a photography school in Hungary. When he looked at my photos, he just said that “You are doing this much more seriously than I thought.”

Any favorite photography books?

I don’t have a particular favorite photography book, but I really like looking at and analyzing wildlife pictures.

What’s your personal motto?

Life begins outside your comfort zone.

Other than photography, what are your hobbies and interests?

I dance bachata. Dance is also an art that two people create together. I’m always keen to learn something new.

Thanks again for providing 121 Clicks with this opportunity to interview you. Any final thoughts for our readers?

Thank you for the opportunity, I’d never dreamed that the day would come when I’m interviewed about my work as a photographer.

The desire to improve and push your limit raises a person to a level which they can’t even imagine in their dreams. So everyone should push the boundaries of their comfort zone and always learn something new. Always follow your dreams.

You can find Viktoria Farkas on the Web :

Copyrights:
All the pictures in this post are copyrighted to Viktoria Farkas. Their reproduction, even in part, is forbidden without the explicit approval of the rightful owners.

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What Is Framing in Photography? How and When to Use It

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Photography is a powerful medium to tell stories, capture moments, freeze time, and showcase memories. And certain rules and techniques can help you make a good photo great.

Framing is one technique that uses either natural or artificial elements in the photograph to focus on a particular subject. It guides a viewer’s attention to your subject and tells a story through your image simultaneously. Let’s explore what framing is, and how and when to use it.

What Is Framing in Photography?

Framing in photography refers to the composition style of using natural or artificial elements to create a visual frame inside your image. The technique helps you focus viewers’ attention on your subject while adding depth, context, and a story to your image. There are different methods to use framing in a photograph.

Natural Frame

When shooting in a natural environment like a forest, lake, path, or river, you can use the naturally available elements as your frame. For instance, you can use trees, leaves, bushes, and rocks to create your frame.

In this situation, your subject will be the center of attention, and the natural elements like trees and rocks can block two or more edges of your image to create a frame. If you’d like to give this a shot, see our guide on how to get started with nature photography.

Architectural Frame

Using architectural elements to create a frame is very common among urban photographers. You can use a window, buildings, fences, and walls to create a frame for your photograph.

This type of frame is most commonly used when taking photos of cities. However, you can also use an architectural frame to capture images of humans, objects, or nature.

Geometric Shapes

Squares, triangles, and circles are common shapes in our environment. You can either use the shapes available to you or artificially create one to give depth to your image.

For instance, you can use your hands to create a heart shape and use it as a frame for your photograph. Similarly, you can use a circular mirror and place your subject in the reflection to create a stunning photograph.

Light and Shadows

Light and shadows are the unconventional yet appreciable way of making frames in your photo. This method uses lights like streetlamps, candles, or torches to create a frame. It works best in night photography.

Similarly, you can click a portrait with a spotlight on the subject and darkness in the remaining part of the composition—the light will create a circular frame.

When to Use Framing in a Photo

There is no right or wrong way of using the framing composition style in your photographs. However, if done incorrectly, it can divert the viewers’ attention from the subject, rendering the technique ineffective. Therefore, it is essential to understand when to use the framing technique, and when not to.

One simple rule is that if the photograph looks good as it is, there is no need to add frames forcefully. It might suffocate the image, making it look bulky or cluttered. Similarly, if you are already using any other composition style, adding a frame to it might ruin the effect.

However, using two compositions in a single photo has always been a healthy debate among photographers—it all comes down to trusting your gut. Here are some sure ways to know that framing will make your photographs look better.

Telling a Story

The framing technique can be a game changer when you are keen on telling a story through your photograph. A story can be the portrayal of emotions, combining conflicting ideas, and many other similar concepts.

For example, the above image uses buildings as a frame, and the subject is an airplane. It might represent freedom from corporate life.

Eliminating Chaos

If there is chaos in the image, framing can effectively bring viewers’ attention to the subject. One example is clicking a photograph in a crowd. A crowdy place has too many environmental elements that can draw attention away from the subject. In such cases, you can use a frame in your photograph to bring attention to your subject.

Showing Perspective

The framing technique is the best composition style when it comes to showing perspective. It helps show the viewers your perspective of the environment. For instance, a landscape view from within a room where you can use a window or door as a frame shows your view of the world.

Another common way is using a phone or camera as a frame, and the subject appears on the screen. It shows the perspective of the person taking the photo.

How to Use Framing in Photography

To successfully use the framing technique, consider the following points.

Identify the subject: The elementary part of using the framing technique is always keeping your subject and not the frame in focus. Identify your subject as well as the less important parts of the photo.
Identify the framing elements: Look around you to identify which elements from the scene are a good fit to use as a frame. Some examples can be trees, arches, geometric shapes, or contrasting elements.
Positioning the frame: Once you have identified your framing element, position it at the edges of your picture to create a visual boundary, which in turn guides the viewer’s eyes toward the subject.
Don’t overpower the subject: The frame should complement the subject and not compete with it. Ensure the frame does not overpower your subject by being distractive.
Use extreme angles: Using a low-angle or high-angle shot combined with framing can add more depth to your image, creating a dramatic and engaging composition.
Keep experimenting: Sometimes, hitting gold on the first attempt is hard. Therefore, experiment with different frames and pick the one that best suits your subject and the context.

Use Framing Composition in Your Photos

Framing is one of the best composition styles you can use in your photos. The technique uses natural or artificial elements from the scene to create a visual boundary in the picture and guide viewers’ attention toward the subject.

You can use this technique to tell a story, show your perspective, eliminate unimportant parts from the scene, or use it as a creative choice to make extraordinary images. The key is to have clarity about the context of the image, identify the subject and frame, and experiment until you achieve your desired goal.

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Photography Template Is Providing Contract Templates For Photographers To Use In Numerous States

Film Photography Cameras Market Size From 2022 To 2028 And Unlimited Opportunities for New Companies

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The MarketWatch News Department was not involved in the creation of this content.

Mar 30, 2023 (AB Digital via COMTEX) —
Having a contract is incredibly important for photographers and their clients. The contract determines how much a photographer will be compensated, the scope of work they will be completing, and what equipment they are responsible for providing. It will dictate who maintains ownership of the copywrites of each photo and when this session will take place.

Without a contract, there is no legally binding document requiring either party to complete what is expected of them, leaving both the photographer and the client open to numerous issues. A photographer may not get paid for the job, or the client could only get part of the scope they believed they were getting.

Photography Contract in Florida has taken the time to determine all of the laws specific to photography contracts in each of the 50 states to create templates. These templates include everything a photographer or client needs to ensure that everything expected from each party is completed and legal.

What Photography Template provides

Photography template gives photographers and those looking to hire photographers a way to protect themselves legally. From generalized information that should be included in any photography contract to specific state requirements, such as the legal clauses required in Photography Contract in Michigan to outline the rights to use an image taken, Photography Template has gathered all necessary sections and items in one place.

The step-by-step process they have put together guarantees photographers, and their clients won’t have any information or legal requirements missing from the contract that could leave anything up to interpretation.

Conclusion

When providing photography services, whether for a wedding or event or to offer headshots to a model, it’s crucial to have a legally binding contract. The contract template from Photography Template protects the photographer and their client and ensures both parties abide by all state laws.

Media Contact
Company Name: Photography Template
Contact Person: William Gonzales
Email: Send Email
Country: United States
Website: https://photographytemplate.com/michigan-photography-template/

COMTEX_428017813/2555/2023-03-30T20:47:07

Is there a problem with this press release? Contact the source provider Comtex at [email protected]. You can also contact MarketWatch Customer Service via our Customer Center.

The MarketWatch News Department was not involved in the creation of this content.

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Astrophotography And Data-Analysis Sense Exoplanets

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[David Schneider] was reading about recent discoveries of exoplanets. Simply put these are planets orbiting stars other than the sun. The rigs used by the research scientists include massive telescopes, but the fact that they’re using CCD sensors led [David] to wonder if a version of this could be done on the cheap in the backyard. The answer is yes. By capturing and processing data from a barn door tracker he was able to verify a known exoplanet.

Barn Door trackers are devices used to move a camera to compensate for the turning of the earth. This is necessary when taking images throughout the night, as the stars will not remain “stationary” to the camera’s frame without it. The good news is that they’re simple to build, we’ve seen a few over the years.

Other than having to wait until his part of the earth was pointed in the correct direction (on a clear night) at the same time as an exoplanet transit, [David] was ready to harvest all the data he needed. This part gets interesting really quickly. The camera needed to catch the planet passing in between the earth and the star it revolves around (called a transit). The data to prove this happened is really subtle. To uncover it [David] needed to control the data set for atmospheric changes by referencing several other stars. From there he focused on the data for the transit target and compared points across the entire set of captured images. The result is a dip in brightness that matches the specifications of the original discovery.

[David] explains the entire process in the clip after the break.

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The Copper Mine Rio Tinto Mine Project In Andalusia Spain Tom Hegen

The Copper Mine: Rio Tinto Mine Project In Andalusia, Spain By Tom Hegen

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The global hunger for raw materials such as oil and coal, metals, gravel, sand, and other resources is growing unabated. We dig holes in the ground to tap into the Earth’s natural resources. We excavate, blast, clear or burn to extract them. In 2017, the global material footprint was as big as 92 billion metric tons. It is projected to grow to 190 billion metric tons by 2060. The world’s population today lives as if it had 1.6 Earth’s at its disposal.

The Copper Mine Series I delivers an overview of the Rio Tinto mine project in Andalusia, Spain. It’s the largest open-pit mine in Europe and a place everyone likely has a connection to. We all use electric energy that is brought to us through copper wires, we all use devices that run on those metals, and we all live in buildings that are heated by the use of copper wires. This series provides an insight into the extraction of natural resources and their consequences on nature. Places we know exist but hardly know what they may look like.

Don’t miss to check below series from Tom Hegen:

About Tom Hegen

My name is Tom Hegen, I work as a Photographer and Designer in Munich, Germany. I focus on aerial photography projects that show the impact of human presence on earth. As a photographer, I am interested in the relationship between man and nature. In my aerial photography, I focus on landscapes that have been heavily transformed by human intervention. I am trying to sensitize the viewer for those subjects by taking a look at the extraordinary forces impacting our environment.

You can find Tom Hegen
on the Web:

Copyrights:
All the pictures in this post are copyrighted to Tom Hegen. Their reproduction, even in part, is forbidden without the explicit approval of the rightful owners.

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Morning Fog: Oceanside Photo Of The Day

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OCEANSIDE, CA — Patch reader and local photographer Jeff Prior captured this photo of Morning fog in Oceanside.

Jeff Prior is an Oceanside resident and owner of Water Wise Swim School. His swim school was closed for thirteen months due to Covid-19. It was during this time he really started to focus on his passion for photography…and documenting the beautiful scenery, landscape and wildlife (especially pelicans) of our coastal area. Jeff sells his photos at local events such as the Oceanside Artwalk and Vista Farmers Market as well as online at https://www.jeffpriorphotos.com/. His line of Jeff Prior Photos notecards can be found on Etsy.

Thanks for sharing!

If you have an awesome picture of nature, playful kids, a funny pet or something unusual you happen to catch with your camera, we’d love to feature it on Patch. We’re looking for high-resolution images that reflect the beauty that is Oceanside, and that show off your unique talents. Send your photos to [email protected]. Be sure to include photo credit information, when and where the shot was taken, and any other details about what was going on.

You also might enjoy:

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Doublespace Photography captures Ricardo Bofill’s Muralla Roja on its 50th anniversary

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Canadian duo Doublespace Photography has released images of Spanish architect Ricardo Boffil’s iconic Muralla Roja apartment building to mark 50years since its completion.

To mark the anniversary, photographers Amanda Large and Younes Bounhar of Doublespace Photography travelled to Spain to stay at an apartment in the complex for six days, in order to capture it in different weather and light conditions.

Canadian duo Doublespace Photography travelled to Spain to photography Ricardo Bofill's Muralla Roja

© Provided by Dezeen
Canadian duo Doublespace Photography travelled to Spain to photography Ricardo Bofill’s Muralla Roja

“Each nook and facade changed throughout the day, depending on whether it was bathed in direct sun, in shade or reflecting the colour from an adjacent facade,” Bounhar told Dezeen.

“The play of light and shadow was mesmerizing. In all honesty, that alone was enough of a draw for us.”

2023 marks the 50th anniversary of the iconic building

© Provided by Dezeen
2023 marks the 50th anniversary of the iconic building

Completed in 1973, Muralla Roja was an early work by late architect Ricardo Bofill sited in Alicante, Spain.

Encompassing 50 functional apartments, the structure is known for its playful geometries, bright colouration and its dramatic perch above the Medditerean Sea.

Bofill, who passed away in 2022, described the project as a “maximum expression of critical regionalism to the Mediterranean coast,” according to Gestalten’s monograph of his work, Visions of Architecture.

The structure still holds 50 fully functioning apartments

© Provided by Dezeen
The structure still holds 50 fully functioning apartments

Scores of people travel to the site every year, and it is a popular destination for photographers who are attracted to the cross-shaped, postmodern structure.

Bounhar told Dezeen that they saw people from all over the world who were “drawn to capture its magic” and that the crowds were not “not limited to the architectural geek”.

It is a noteworthy work from Bofill's early career

© Provided by Dezeen
It is a noteworthy work from Bofill’s early career

The structure’s jagged edges cast shadows on its blue, red and pink-painted walls that form a series of spires, which surround an interior courtyard.

On the roof of the building are a series of parapet-like extrusions that flank public space and swimming pools.

La Muralla Roja by Ricardo Bofill Taller de Arquitectura

© Provided by Dezeen
La Muralla Roja by Ricardo Bofill Taller de Arquitectura

Ten notable projects by Spanish architect Ricardo Bofill

From a distance, the structure appears assembled from a variety of different shapes, with arches, window boxes, cut-outs and staircases, which Bounhar described as “Escher-like”, all contributing to the surreality of the structure, which is compounded by the adjacent Xanadù, also designed by Bofill.

“We were really taken with the general playfulness of the design,” said the photographer.

“The complex is designed in such a way that it doesn’t reveal itself all at once – every turn brings a new surprise.”

The photographers captured the building at different times of day

© Provided by Dezeen
The photographers captured the building at different times of day

“You might find yourself in a dark corner with only a bright spec of colour appearing from an adjacent opening and, from there, either happen upon an explosion of light and colour in the middle of a courtyard, or discover a breathtaking view of the Mediterranean,” continued

“In the end, it is a place that is both ahead of its time and timeless.”

"It is a place that is both ahead of its time and timeless," said the photographers

© Provided by Dezeen
“It is a place that is both ahead of its time and timeless,” said the photographers

With the advent of image-sharing platforms like Instagram and changing tastes, projects from the last century have gained new fans, driven often by photographers recapturing the buildings for 21st-century audiences.

Recently, Anna Dave photographed Javier Senosiain’s El Nido de Quetzalcóatl, a snake-like apartment complex in Mexico.

It has a mix of pink, red and blue paint on its facades

© Provided by Dezeen
It has a mix of pink, red and blue paint on its facades

Last year, Jack Young released a book of his photography showing the “beauty of London’s council estates”.

The photography is by Doublespace Photography.

The post Doublespace Photography captures Ricardo Bofill’s Muralla Roja on its 50th anniversary appeared first on Dezeen.

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Ten notable projects by Spanish architect Ricardo Bofill

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