Showbiz luminaries turned up dressed to the nines at the anniversary gala hosted by Nice Print Photography.
The glitzy event celebrating the 17th year of one of the country’s most renowned photography studios was held onMarch 17, 2023, at the Okada Manila Resort and Casino.
Here are the glamorous attendees rounded up by PEP.ph (Philippine Entertainment Portal).
THE WOMEN
Marian Rivera-Dantes
Kapuso Primetime Queen Marian Rivera exuded elegance in a black Jean Paul Gaultier x Lotta Volkova draped midi dress and toting iconic Louis Vuitton Petite Malle handbag.
From her Spanish-themed wedding in 2015 to her floral-themed 38th birthday last year, Nice Print has memorialized them for Marian, one of its most loyal patrons.
Read also: Here’s sneak peek at Marian Rivera’s new walk-in closet
Mariel Rodriguez-Padilla
TV personality and live seller Mariel Rodriguez-Padilla was stunningly chic in casual party dress ensemble of long skirt and sequined top.
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Nice Print covered Mariel’s maternity shoot and baby shower in 2016.
Read also: Mariel Rodriguez finds true calling and happiness in live selling
Pauleen Luna-Sotto
Eat Bulaga! host Pauleen Luna-Sotto sporting sleek, short bob posed in a plunge maxi dress with a keyhole chest cutout and long bell sleeves.
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Nice Print documented Pauleen’s pregnancy with daughter Tali Sotto as well as her “Pretty in Pink” baby shower in 2017.
Jillian Ward
Abot-Kamay na Pangarap lead actress Jillian Ward looked like a princess in a shimmering ball dress with tasseled sleeves in crystals, and pearl mesh in between the skirt’s pleats.
On February 25, 2023, Nice Print covered Jillian’s galactic debut party in Cove Manila at Okada.
Read also: Celebrities spotted at Jillian Ward’s galaxy-themed 18th birthday party
Carmina Villarroel and Cassy Legaspi
Gorgeous mom-and-daughter tandem Carmina Villarroel and Cassy Legaspi, were both showstoppers in their evening looks.
Cassy, in a double-breasted jacket and sequined trousers with fringe hem to go with her sparkling Sekusa clutch, and Carmina in shimmering halter maxi dress with a semi-cowl neckline and side ruching.
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The Legaspi family has had their fair share with Nice Print — from Carmina and Zoren Legaspi’s wedding in 2012, to the sweet 16 and debut celebrations of Cassy and twin Mavy Legaspi.
Niana Guerrero and AC Bonifacio
Dancers Niana Guerrero and AC Bonifacio were dressed to a T for the gala.
Niana in mannish gray oversized pinstripe blazer with matching trousers in contrast with AC’s feminine black halter mini dress wiith side cutouts complemented by a bow on her hair.
Niana’s epic 16th birthday party and AC’s surprise Riverdale-themed debut were covered by Nice Print.
Barbie Imperial
Kapamilya actress Barbie Imperial wowed in a sexy two-piece, crystal-studded Julianne Syjuco creatioin.
Barbie tapped Nice Print to take her official pre-birthday shoot to mark her 23rd birthday in 2021.
Sam Cruz, Angelina Cruz, Sunshine Cruz, ChesCa Montano
Four beauties of the Cruz celebrity clan came clad in black.
Sisters Sam Cruz and Angelina Cruz were knockouts in custom AJ Javier dresses, so were their mom Sunshine Cruz in a custom Bella Borromeo gown and Chesca Montano in a custom Christine Lam design.
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Needless to say, Nice Print was there for the birthdays of the three sisters.
Elisse Joson
Elisse Joson was all about that classy flair in a glittery straight-cut dress with flounce sleeves and teardrop chest cutout.
Elisse’s daughter with partner McCoy De Leon, Felize, had the most adorable first birthday shoot with Nice Print on April 17, 2022.
Anji Salvacion
Sultry and looking mysterious in full fringe and dark make-up, Anji Salvacion in black halter dress with a pleated bust and ruched side detail.
Nice Print undertook Anji’s 20th birthday shoot in 2022.
the MEN
Ogie Alcasid
It’s Showtime host, comedian, and singer, Ogie Alcasid, was dapper in a matte black suit with a velvet collar.
One of the most important moments in his life, his marriage to fellow artist Regine Velasquez in 2010, was beautifully chronicled by Nice Print.
Darren Espanto
The 21-year-old performer Darren Espanto channeled his inner K-Drama actor sporting one-sided perm curtain bangs and party ensemble of black turtleneck inner shirt, retro jacquard print blazer, and chain steel spikes necklace.
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Darren rang in his 18th birthday with a bang in May 2022, with Nice Print taking each moment snap after snap.
Khalil Ramos
Khalil Ramos, a charmer in an all-black outfit at Nice Print’s anniversary party.
In December 2022, Khalil arranged thoughtfully a surprise birthday party for his girlfriend of six years, Gabbi Garcia, the highlights of which were filed in Nice Print’s portfolio.
Tim Yap
Tim Yap came in an outfit straight out of a magazine, a dual-patterned Russell Tero Villafuerte creation from the Bench Fashion Week 2022 Collection.
Nice Print took realistic shots of Tim’s dystopian-themed Halloween party for non-attendees to enjoy.
Read also: Scene stealers at Tim Yap’s dystopian-themed Halloween party
COUPLES
Perry Choi and Kris Bernal
Expectant parents Perry Choi and Kris Bernal were outasight in sparkling color palette—he in a cool tone, gray and black peak lapel one-button dinner jacket; she in warm, glittery maternity co-ordinates and Yves Saint Laurent heels.
The couple’s wedding film was taken by Nice Print.
Read also: Kris Bernal, Perry Choi announce pregnancy through mock film posters
John Estrada and Priscilla Meirelles
Elegant lookers, couple John Estradaand Priscilla Meirelles—he in a classic black suit and tie OOTN and she in a sterling gray fitted silhouette with asymmetrical bejewelled gown straps neckline and a sleek mermaid skirt.
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John and Priscilla have been married for 12 years. Their wedding in 2011 was one among the grandest wedding ceremonies shot by Nice Print.
Rocco Nacino and Melissa Gohing
Celebrity parents Rocco Nacino and Melissa Gohing sent out Great Gatsby vibes in their evening fits.
Fashion designer Chris Ryan created Rocco’s black half wrap suit, while Roko Arceo styled Melissa in 1920s fashion perfection.
The short film of Rocco’s proposal to Melissa in 2020 was executed memorably by Nice Print.
Allen Ansay and Sofia Pablo
Team Jolly, Sparkle’s breakout love team of Allen Ansay and Sofia Pablo, shone brighter in their party togs.
Nice Print was the official photographer at Sofia’s sweet 16 milestone.
Sophie Albert and Vin Abrenica
TV personality Sophie Albert stylish in a white chest-baring Atelier Patty Ang creation accessorized by a notable black bow in mesh fabric.
Vin Abrenica matched Sophie’s ensemble in a black velvet sequin-embroidered jacket to top off his white undershirt.
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Nice Print documented Sophie and Vin’s union, from prenup shoot to their wedding day.
Dianne Medina and Rodjun Cruz
Events host and news anchor Dianne Medina flaunted her flattering proportions in a mini long sleeves dress with a deep neckline and sequin and rhinestone details.
Her husband, all-around artist Rodjun Cruz, was debonair in a dark gray suit to go with an all-black polo shirt and pants.
Nice Print filmed Dianna and Rodjun’s on-site wedding video.
As a creative professional, you need reliable, high-quality tools to bring your vision to life. That’s where ZHIYUN comes in. Known for their innovative and user-friendly camera stabilizers, ZHIYUN has now released the MOLUS X100, a compact and powerful COB light that weighs a mere 385g. This lightweight marvel is 30% lighter than its 100W counterparts, yet it rivals even heavier cinematic lights in terms of professional power output.
Click here to see the best price on the Molus X100 at Amazon
With the X100, you can easily adjust the colour temperature and brightness to achieve your desired effect. Whether you’re live streaming, capturing portrait photography, filming TV commercials or interviews, or snapping still-life photos, the X100 is versatile enough to perform exceptionally in a variety of professional scenarios.
One of the standout features of the MOLUS X100 is ZHIYUN’s patented DynaVort Cooling System. This innovative system utilizes gyroscope modelling heat sinks and field-oriented control fans to deliver uninterrupted, silky-smooth illumination. By intelligently controlling airflow emissions, the DynaVort Cooling System prevents overheating and ensures you enjoy 100% flicker-free lighting.
The X100 is also compatible with the ZY Mount ecosystem, making it easy to customize your setup. When you’re on the go, a convenient storage bag ensures fast, hassle-free setup, no matter where you are.
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Upgrade to the X100 Pro package and receive a range of power supply accessories, such as an X100 grip battery, light modifiers like the Mini Reflector (ZY Mount), Bowen Mount Adapter (ZY Mount), and Mini Softbox (ZY Mount). The Pro package also includes storage accessories like a power adapter organizer bag, storage bag, and pocket light strap, as well as a quick start guide.
The MOLUS X100 is available for purchase from ZHIYUN stores or Amazon for £269, with the Combo package priced at £369 and the Pro package at £419. In the words of Yilun Liao, ZHIYUN’s products are designed to “inspire anyone passionate enough to turn their imagination into reality.”
Don’t miss the opportunity to elevate your creative projects with the powerful, portable, and versatile MOLUS X100 COB light by ZHIYUN. Experience the difference that professional-grade lighting can make in your work, and let your imagination run wild.
Submit your nature-inspired snapshot online through April 10; the first-place winner will receive $500
Where do you “escape to nature” around Southern California?
There might be a particularly gorgeous beach you call upon as frequently as you can, or an oak tree in the Santa Monica Mountains you like to sit beneath as a hiking respite, or a favorite canyon that is filled with bewitching shadows just before the sun sets.
Wherever that place is for you, you can definitely say you have a special connection, a lasting bond with your glorious go-to spot.
The Aquarium of the Pacific is honoring our “connections with nature” this spring by holding a 25th Anniversary Photo Contest, a snapshot-cool showdown that will have a few different dimensions.
Something especially awesome? The “top ten” of the submitted bunch will go on display at the Long Beach aquatic destination on May 26, and they’ll remain on view for the remainder of 2023 (a good long while, indeed).
And oh yes: There are prizes for the top three winners, starting at $500 for first place. The winner in the second slot will be awarded $250, and the third-place winner will enjoy $100.
There are a few good tips and rules to know before you head out with your camera. Most importantly? You’ll be able to submit one photo by April 10, and you’ll do so online.
Checking the sizes and specifications before you press “Submit” is also a must; start here.
Knowing that the aquarium, a famously watery realm filled with otters, sharks, crustaceans, and kelp, is behind this might suggest that only splashy snaps, the kind captured at the shoreline, will be accepted, but that isn’t the case.
This contest is very much about the nature around us here in Southern California, and we can experience that nature in many places, from local parks to our yards and, yes, the beach.
Read up on what the contest is all about, how to send your best picture, and all the details you’ll need and want.
Happy 25th, Aquarium of the Pacific! It’s a sea-lebration we’re ready to dive into, all year long.
Este fin de semana largo, aprovechando la festividad en Madrid del lunes, hemos podido salir dos noches consecutivas con el telescopio. El novilunio de febrero se nos estropeó por culpa de las nubes así que era una buena manera de recuperar el tiempo perdido y desquitarnos.
Aunque la previsión meteorológica indicaba una noche despejada el sábado no las teníamos todas con nosotros ya que por la tarde había una buena cantidad de nubes y de hecho en el camino hacia la provincia de Toledo nos cayó un chaparrón. Lo cierto es que las nubes estuvieron acompañándonos durante la primera parte de la noche, causando alguna interrupción, pero el cómputo general fue positivo y pudimos disfrutar de una noche agradable aunque con una humedad en capas altas relativamente elevada. El SQM no superó el 21.06 y el termómetro IR no pasó de -21ºC.
El objetivo astrofotográfico fue sacar tomas RGB a bin 2×2 de la galaxia M95 que tenía hecha la luminancia desde el año pasado y añadir el color de un nuevo objeto, NGC5033.
Toda la sesión fue como la seda, con un guiado muy bueno y solo 4 imágenes afectadas por el paso de unas nubes que detuvieron el guiado.
Estuve con los prismáticos observando algunos objetos de invierno muy típicos, la Nebulosa de Orión siempre majestuosa con su color gris azulado y el brillo del trapecio destacando en la zona central, los cúmulos de Auriga de los que no me canso nunca, hermosísimos con prismáticos, las Pléyades y las Híades o el Cúmulo del Pesebre, colosales cúmulos con estrellas brillantes que hacen las delicias sin requerir esfuerzo alguno. Luego más tarde estuve disfrutando de la brillante zona del Cúmulo estelar de Coma (Melotte 111), como no retrotraerme a una de mis primeras noches de observación cuando tanto me llamó la atención hace ya 14 años y me llenó de asombro y curiosidad, y a última hora de la sesión incluso pude observar por primera vez este año M13, Vega y el Cisne, señal de que el verano ya está llamando a las puertas.
Antes de eso, al atardecer, pudimos disfrutar de los brillantes Venus y Júpiter, éste último cada vez más bajo y menos brillante a medida que se acerca a su conjunción solar. Otro de los fenómenos que pudimos contemplar fue la luz zodiacal, algo ya habitual de ver en esta zona durante estas fechas como hemos podido atestiguar en años anteriores.
Marte, a pesar de estar muy alto sigue perdiendo brillo mientras también se aleja de nosotros. Pudimos contemplar también algunos meteoros esporádicos aunque ninguno muy brillante. Lo que sí se veían eran satélites artificiales, un montón. Cada día se ven más por desgracia.
Estuvimos hasta las 02:30 de la madrugada y como vimos que la previsión meteorológica era muy buena para el domingo puse a cargar las baterías nada más llegar a casa.
La segunda noche comenzó mejor que la primera, con menos humedad ambiental y mejor transparencia. Además el seeing estaba bastante estable. Como quería sacar la luminancia de NGC5033 y éste se encontraba muy bajo todavía me puse a sacar unas tomas de M108 ya que recientemente se había descubierto una supernova en ésta galaxia. He procesado las imágenes y la verdad es que se llega a ver esta explosión estelar que se estima en mag 17 aprox.
Tras fotografiar la supernova ya sí empecé con la rutina de luminancia de NGC5033, en la que todo funcionó estupendamente. Aproveché para seguir observando con los prismáticos prácticamente los mismos objetos que la noche anterior aunque se apreciaban mejores condiciones. El SQM marcó 21.26 y el termómetro IR llegó a -26ºC. Tan solo había algunas nubes altas hacia Madrid que reflejaban algo de contaminación lumínica.
Aunque había menos humedad la temperatura era más baja que la noche anterior y tuve que tirar de pantalones de esquí para sobrellevar los apenas 2ºC. Las plantillas químicas para las botas también ayudaron a hacer más confortable la sesión.
Esta segunda noche fue un goce para los sentidos. A una noche oscura y estrellada se unía un agradable olor de los almendros en flor que rodeaban la zona. Aunque es pronto para escuchar grillos si que nos acompañaron algunos mochuelos con su canto y un cárabo en la lejanía e incluso llegado un momento también escuchamos algunos zorros en los montes cercanos.
Finalmente y con las pilas cargadas después de una noche más bajo las estrellas me puse a hacer los flats y recogimos el telescopio para volver a casa y pensando ya en las próximas actividades astronómicas que tenemos previstas: una visita al observatorio de Yebes y la asistencia al Congreso de Astronomía en Zaragoza.
Cassy Athena remembers the moment her life changed.
During her junior year at Cal State Northridge, she was diagnosed with a brain tumor. The life-threatening obstacle forced her to reconsider her career aspirations and restart her life. After she recovered, she pursued photography full-time, emerging as one of the best and most well-connected photographers in the NBA world.
“It just kept taking me somewhere,” Athena told TheAthletic of her passion for photography. “I just didn’t know where it was going to take me.”
Athena’s photography skills have taken her from covering the early days of the Drew League to China, and also to Washington, D.C., for the Warriors’ championship ceremony.
She has been a trailblazer in sports photography, particularly for women who, she believes, are still underrepresented in the space.
“I feel like the first three, four years of my career, if not more, were just proving that I was there for the right reasons,” Athena said. “And that’s just based on me being a female. At times, it would get very frustrating. There were certain brands and certain people that wanted me out of certain spaces, and they would use that against me. … And a lot of negative rumors, a lot of bad stuff. It would upset me and frustrate me so much. The one thing that I always did have, though, is the players always had my back. … I wouldn’t be here if those guys didn’t help me have the chance to do it.
“So now, I feel like I’m in a better position where I can help other women and help people enter this space and show them, like, ‘Hey, you can be here; you can shoot.’”
In Episode 1 of Season 2 of “Stargazing,” The Athletic’s NBA culture podcast, Athena spoke about her meteoric rise as a photographer, creating the famous Nick Young meme and shooting LeBron James, Stephen Curry and the game’s biggest stars. She also discussed overcoming her brain tumor, covering the Warriors’ championship ceremony at the White House and the advice given to aspiring photographers, among other topics.
Here’s parts of our conversation.
Editor’s note: Questions and answers have been edited for clarity.
You got your big break during the 2011 lockout. How did you start connecting with players and getting into the NBA space?
Around the time I was diagnosed with my tumor, like right before it, I had been working as a cashier at a sporting goods store, and I saved up. I mean, I was probably making $8 an hour. I saved up every dollar possible and bought my first intro professional camera from Costco — and it was not even that great. And then after my tumor, I kind of put the camera aside for a while.
But after I was recovering and I kind of got that passion reignited, I started trying to take pictures again and trying to see what I enjoyed taking pictures of. So, I would continue taking pictures. … Back in the day, there was a big Lakers message board I was a part of. I was a very big Lakers fan, and somebody on there had mentioned there was a league called the Drew League and that there were a bunch of NBA players (playing).
So, I drove down there by myself. Nobody ended up coming. I was the only person that showed up. I had brought my little point-and-shoot camera, and I just sat in the crowd and in the background and tried to take the best pictures I could. My first day at the Drew League, it was James Harden, O.J. Mayo, DeMar DeRozan, Nick Young, JaVale McGee. There were so many different players that, at that time, were really pretty great in the NBA. So, I think from Day 1, I was hooked, and I was trying to figure out, how can I get involved more.
One thing I did notice: There were no photographers at the Drew league. There was a couple of video guys. … So, I reached out to the Drew League on Twitter. I said, “Hey, here’s some pictures I got last week. I would love to come back again.” And they told me, “Well, we can’t pay you, but we’ll save you a seat in the front row.” To me, that’s all I wanted. I didn’t want anything else. I think that was a big reason why I had a lot more access, because a lot of photography at the time, sports photographers, they were hired by the league or by an outlet. If they’re not getting paid, why are they going to spend eight or nine hours on the weekend taking free photos for something that didn’t even make sense at the time? There was no social media other than Facebook and Twitter. Instagram hadn’t even been a thing. … So, it just kind of came out of nowhere, but it ended up taking my career and starting it off, really.
At my first day ever shooting the @drewleague in 2011 I captured @DeMar_DeRozan vs my most recent pics of him yesterday in 2022. One of my favorite and most amazing players I’ve got to capture over the years! #comp10 (check out my old watermark ) pic.twitter.com/Q39GWvJM2g
When did you come up with your watermark? You were the first person I saw doing that on social media. And then it kind of took off and became a badge of honor for NBA players to post one of your photos on their Instagram feed. How did you come up with it? Obviously, you do great work, but I think that little detail really took it to another level for you.
Yeah, I started doing that in college, actually, when it was just Facebook. I would take pictures and I’d send them to the guys, and I would put it in the bottom corner. Unfortunately, a lot of people didn’t like watermarks. They would just crop it off. To me, I was just, like, “Man, I spent all my hard-earned money on buying the camera, driving there, taking photos, editing photos for free. The least I should get is credit.” So then, I started trying to experiment with maybe putting the watermark in the middle of the photo. Then people were like, “Oh, it’s too much.” And then, “OK, maybe I’ll put it next to your face.”
So over the years, my watermark would evolve. I would experiment a lot. When it first started, it was a straight line. It said photography. It had plumeria flowers. And then every year, I would kind of make it a little more simplistic and not as obnoxious. I never wanted a watermark that was obnoxious because, at the time, watermarks would be all over photos. I wanted it to be very subtle, because when I was studying art in college, when an artist paints something, it’s not worth anything until they sign it. So to me, I felt like this was almost my signature on my photo.
To me, I felt, like, how can I place my watermark in a way where it kind of flows with the photo so you can still know I shot it, but it’s not taking away from the image? I had so much pushback, mainly from other photographers. They would all tell me, “This is ugly. Nobody’s going to want to post your photos because of your watermark.” To me, I just felt like it was my art. But also, I needed to protect myself because on the internet, stuff is very easily moved around and used without permission. I felt like if I had my watermark — and I’m pretty stubborn, so I feel like I’m just going to do it — I don’t care if every photographer thinks it’s ugly. The players weren’t complaining.
And then, it started to become, “Oh, who shot this? Oh, who’s Cassy? Oh, I want a photo by her.” It started turning into this thing, especially in the basketball world, where people now want my watermark. I get paid now to keep my watermark on photos. So, it’s kind of full circle how it’s all turned into my brand. But I feel like at the beginning, I wasn’t really thinking of long term. I was just like, “This is a cool idea, and I’m just going to run with it.”
I’ve always wondered if you wish you had your watermark on the Nick Young meme, which you created. When did that take off? How did that go viral?
In 2013, I realized I had this really cool opportunity having all this access to such cool NBA players. And I noticed at the time, mainstream media was not covering the things that I was covering to the point where I had companies telling me, “Nobody cares about what players are doing off the court. Nobody cares what they’re wearing.” And I was just like, “OK, let me find a way to show it and put it on my own channels.” I had been very familiar with editing video, filming video. I went to school for a lot of that stuff. So, I decided to start a web series, and I called it “Thru The Lens.” I would follow NBA players for a day in their life, and I was going to edit it and post it on YouTube — and whatever happens, happens.
The first player I decided to reach out to was Nick Young. Nick was the best person I could have thought of to start with, because he obviously has a great personality and he just gave me all access. (We) linked up for the day. His assistant was there, and the three of us just hung around L.A. At one point, he took us to his mom’s house. His mom is funnier than him. She’s just got the greatest personality. She was just telling us childhood stories about Nick. Then she mentioned this one story about how he ran into a player at a local park and how Nick was playing good, but how he needed to take the game more serious, that he was a clown back then.
When she said that, it was like the fastest look ever, if you watch the actual video, it was really quick. But then when I started editing it, going back to my motion graphics, visual effects background, I was like, “How can I add little funny graphics throughout the video?” That one moment I was like, “I have to add question marks.”
I think it probably took me a year to edit it and get it right, the whole episode, because it was my first one. Once I got it uploaded, I think within a few months I just remember going on Twitter one time, and then I saw somebody post a meme of that screenshot. I was like, “Wait a second. That’s my Nick Young meme.” And then it just went viral. I feel like the second I saw it was maybe around April 2014. By Christmastime, it was everywhere. Every single person was using it. And then when people found out it was a video clip, it went viral all over again, because now it was fun that this moment that you love actually has a video, as well. That’s why I don’t have (my) watermark, because it has a “Thru The Lens” watermark in the corner of the video. People just cropped it off.
I would have never thought a video of all things would be the most viral thing I’ve shot. … Nick has been interviewed multiple times, and he always gives me credit, too. It was a really cool moment, but I feel like a lot of people for at least two or three years were like, “She created the Nick Young meme.” And I’m like, “I have so much more work I’m doing.” But yeah, that’s my most viral, honestly. I’ve embraced it.
Is there a photo of yours that LeBron (James) posted that had a real impact on your social following or interaction?
I flew to New York for Fashion Week with Victor Oladipo, and I got there really early and I hit up (trainer) Chris Brickley. I had never been to one of his runs out there. I said, “Hey, I’m in New York; can I come to your gym today?” And he was like, “LeBron is going to be here,” and I was like, “Oh, cool.” I had shot LeBron maybe one time the year before, so LeBron was familiar with my work, but I’d never actually met him. When I went to Chris’ gym, there were, like, 10 other photographers. There was a lot of people with their iPhones. LeBron walks in, his bodyguard shuts down everything — no cameras, no cell phones, nothing — and I’m like, “Wait a second.” So, I’m trying to argue back and forth with the bodyguard like, “Hey, I’m not some random photographer.” And he was like, “I don’t care. The answer’s no.” So he goes in the corner and he’s standing in front of LeBron. I’m trying to talk to Chris. Chris is like, “Just leave it alone.” And I’m like, “No, like, I’m not.”
I walked over and I start going back and forth with the bodyguard, like, in a respectful way: “Hey, I didn’t come here with the intent to just shoot LeBron. I came to shoot all these other guys.” There were still, like, 20 other NBA players there. LeBron saw me going back and forth with the bodyguard, and he stands up, walks over, gives me a big hug and says, “Thanks for coming out” and walks away. And I’m in my head, like, “What just happened?” Like, this is wild. But on the outside, I got to remain calm, you know? And then I was like, “We good?” And (the bodyguard is) like, “You’re good.” So, I was the only person allowed to shoot that run.
And then, I got this photo of LeBron dunking, and I posted everything on Instagram, because I still didn’t talk to LeBron. He screenshotted them, reposted them and then gave me photo credit. I wasn’t aware he was wearing a Kith x Versace shorts collaboration; it was Fashion Week and he was out there doing an event with his shoes. So, it just went super viral. I remember Tom Brady was commenting, (as were) all these superstars. And then every media outlet picked it up, and everybody who picked it up, all you see is in the caption, the photo credit, “Cassy Athena photo.” I was already more established in my career, but I feel like getting respect from somebody that is, honestly, one of the greatest players of all time … to me, that felt like a really cool stamp of approval.
Since then, I’ve gotten cooler with him. He moved to L.A. I get to shoot his family a lot. I got to build a cool friendship with the whole family and also get credit. I’m a huge fan of LeBron as a person and a player.
You recently covered the Warriors’ championship ceremony at the White House. How did that come about? What was that experience like?
I was in Washington, D.C., shooting a boxing fight with Gervonta Davis. Then I flew back to L.A., and I got this email, and it said it was from the White House. It said, “The president invites you to come to the Warriors’ ceremony.” I was like, “I was just in D.C.; this has to be some spam email.” I figured somebody knew I was out there and was trying to mess with me. For the invitation, you have to give your Social Security number. I’m like, “This seems like a crazy scam.” So I tried to double-check my facts as much as I could: “It seems legit, you know?” So, I RSVP’d, and I bought a ticket and went back to D.C. a few days later.
It was really cool because the Warriors were playing a game against the Wizards on Monday, which was Martin Luther King Day, and then on Tuesday was the White House. I had no idea what to expect because I wasn’t with the Warriors, I wasn’t with the NBA. I was invited by the White House. There was a girl who had reached out to me from the White House, and she is in charge of working with their brand partnerships and social media. She was the one, I guess, that knew who I was. So me and her connected, and they had to ask for special approval so I could bring my camera in and take pictures.
It was the most surreal, cool experience to be invited to the White House of all places — but not as a photographer for a team, to be invited as a guest by the actual White House. I got to go through a bunch of layers of security, and once I got in, there was a lot of people there that don’t know the Warriors, that maybe had connections to just be at the event. Because of that — and me being really the only person with a camera that could move around, and then being friends with Steph and Draymond (Green) and all the wives and everything — I was able to capture the coolest moments, even though I wasn’t necessarily the photographer for the day. I think I got more access than anybody because I was able to go back to having that trust from everybody and people knowing I was going to take some really cool photos. To me, that was one of the coolest experiences.
What is one piece of advice you’d give to an aspiring photographer coming up in 2023?
It’s tough now because 2023 is a whole different world than when I started. But I would say, the main thing is to have a good attitude and to be consistent and to fall in love with photography. A lot of problems with photographers over the years that have come and gone (are), they get so caught up in trying to shoot the people that have the most followers or who can get them the most attention or who’s the most popular, instead of trying to actually enjoy editing and taking photos and the grind, the process part of it. It’s always exciting when you post a photo and it goes viral and people love it, but (the) process it takes to get to that point of even posting the photo, I think a lot of people don’t realize how much work is involved behind the scenes. I think that’s the biggest part, really falling in love with it and finding what makes you unique.
Don’t try to just copy every other photographer. Find your own style that’s going to make you stand out more. Being a good person, networking and relationships are everything. I mean, I would never make it to this point in my career if it wasn’t for other people that have reached out their hand and helped me, and vice versa, you know? So, relationships are huge.
(Photo of Dwyane Wade and Cassy Athena: Cassy Athena / Getty Images)
New Delhi (India), March 15: Wedding Diaries, a Jaipur-based pre-wedding and wedding photography company, has been providing its services all over India for more than a decade. Founded in 2017, Wedding Diaries by OMP has become one of the most renowned and sought-after names in the Indian wedding photography industry. The company specialises in various types of photography and videography services, including Couple Portraits, Candid Video, Wedding cinematography and photography, pre-and post-wedding shoots, advertising, and events. Their expertise in pre-wedding shoots in Jaipur is something that sets them apart from their competitors.
The team at Wedding Diaries, with over 6 – 7 years of experience in the industry, comprises highly skilled and experienced photographers, cinematographers, and editors. They use the latest camera and lighting equipment to ensure the highest quality photographs and videos. Their attention to detail and artistic vision helps them create stunning visuals that are a true reflection of their clients’ personalities and emotions, with a mission to capture their clients’ lifetime memories in the most beautiful and artistic way possible.
A wide range of services is offered to make your pre-wedding and wedding photography experience memorable, including:
Couple Portraits: Capture stunning couple portraits that depict the love and chemistry between the couple.
Candid Video: Captures natural, raw, and genuine candid moments. The team believe that candid videos are the best way to capture the real emotions and feelings of the couple.
Wedding Cinema/Photography: They offer cinematic wedding photography and videography services that tell your love story in a beautiful and creative way.
Pre/Post Wedding Shoots: Their pre and post-wedding shoots are designed to capture your love story in a unique and creative way.
Advertising and Events: The team also provides photography and videography services for corporate events, product launches, and other advertising campaigns.
One of the key factors that set Wedding Diaries apart from its competitors is its commitment to customer satisfaction. The company values every customer and strives to offer them 100% satisfaction by delivering high-quality photographs and videos that exceed their expectations. They work closely with their clients to understand their needs and preferences and then tailor their services accordingly.
Wedding Diaries has also recently opened a new office in order to strengthen the company’s efforts to preserve special memories for couples. Shubham Gupta and Lavish Rawat, directors of the company, have an unshakeable goal to provide the best wedding photographs, and all our efforts are directed towards that aim.” The new office will be an enhancement towards that goal as we will have a dedicated space to edit, meet clients, and try out new things. “We began our initiative to fill the gap in the market for high-quality wedding photographers and have come this far in the journey, striving to bridge that gap,” they said.
Wedding Diaries is a subunit of Jaipur’s top film and music video production house, Our Minutes Production (OMP). OMP’s expertise in film and video production has helped Wedding Diaries create stunning and cinematic pre-wedding and wedding videos that are works of art and has set new standards in the Indian wedding photography industry with their commitment to quality, artistic vision, and customer satisfaction. If you are looking for a photography company that can capture your lifetime memories in the most beautiful and artistic way possible, then Wedding Diaries is definitely worth considering.
For more information, please visit:https://weddingdiariesbyomp.com/
(Above mentioned article is a Consumer connect initiative, This article does not have journalistic/editorial involvement of IDPL, and IDPL claims no responsibility whatsoever)
The MarketWatch News Department was not involved in the creation of this content.
Mar 20, 2023 (The Expresswire) —
The “Astrophotography Cameras Market” Study Describes how the technology industry is evolving and how major and emerging players in the industry are responding to long term opportunities and short-term challenges they face. One major attraction about Astrophotography Cameras Industry is its growth rate. Many major technology players are [Nikon, Canon, Sony, ZWO, QHYCCD, Atik Cameras, Fujifilm, Panasonic, Olympus, Leica] have been looking into Astrophotography Cameras as a way to increase their market share and reach towards consumers.
What is the Astrophotography Cameras market growth?
Astrophotography Cameras Market Size is projected to Reach Multimillion USD by 2028, In comparison to 2023, at unexpected CAGR during the forecast Period 2023-2028.
Browse Detailed TOC, Tables and Figures with Charts which is spread across 99 Pages that provides exclusive data, information, vital statistics, trends, and competitive landscape details in this niche sector.
Client Focus
1. Does this report consider the impact of COVID-19 and the Russia-Ukraine war on the Astrophotography Cameras market?
Yes. As the COVID-19 and the Russia-Ukraine war are profoundly affecting the global supply chain relationship and raw material price system, we have definitely taken them into consideration throughout the research, and in Chapters, we elaborate at full length on the impact of the pandemic and the war on the Astrophotography Cameras Industry
Final Report will add the analysis of the impact of Russia-Ukraine War and COVID-19 on this Astrophotography Cameras Industry.
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This research report is the result of an extensive primary and secondary research effort into the Astrophotography Cameras market. It provides a thorough overview of the market’s current and future objectives, along with a competitive analysis of the industry, broken down by application, type and regional trends. It also provides a dashboard overview of the past and present performance of leading companies. A variety of methodologies and analyses are used in the research to ensure accurate and comprehensive information about the Astrophotography Cameras Market.
Which are the driving factors of the Astrophotography Cameras market?
Growing demand for [Individual, Commercial] around the world has had a direct impact on the growth of the Astrophotography Cameras
The Astrophotography Cameras segments and sub-section of the market are illuminated below:
Based on Product Types the Market is categorized into [Requires Connected Device or Specific Software, No Connected Devices or Specific Software Required] that held the largest Astrophotography Cameras market share In 2022.
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Astrophotography Cameras Market – Competitive and Segmentation Analysis:
2.How do you determine the list of the key players included in the report?
With the aim of clearly revealing the competitive situation of the industry, we concretely analyze not only the leading enterprises that have a voice on a global scale, but also the regional small and medium-sized companies that play key roles and have plenty of potential growth.
Short Description About Astrophotography Cameras Market:
The Global Astrophotography Cameras market is anticipated to rise at a considerable rate during the forecast period, between 2022 and 2028. In 2021, the market is growing at a steady rate and with the rising adoption of strategies by key players, the market is expected to rise over the projected horizon.
Due to the COVID-19 pandemic, the global Astrophotography Cameras market size is estimated to be worth USD million in 2021 and is forecast to a readjusted size of USD million by 2028 with a CAGR of Percent during the review period. Fully considering the economic change by this health crisis, the Europe Astrophotography Cameras market is estimated at USD million in 2022, while the United States and China are forecast to reach USD million and USD million by 2028, respectively. The proportion of the United States is Percent in 2022, while Chinese percentage is Percent, and it is predicted that China market share will reach Percent in 2028, trailing a CAGR of Percent through the analysis period. As for the Europe Astrophotography Cameras landscape, Germany is projected to reach USD million by 2028. and in Asia, the notable markets are Japan and South Korea, CAGR is Percent and Percent respectively for the next 6-year period.
Requires Connected Device or Specific Software accounting for Percent of the Astrophotography Cameras global market in 2021, is projected to value USD million by 2028, growing at a revised Percent CAGR in the post-COVID-19 period. While Individual segment is altered to an Percent CAGR throughout this forecast period and will hold a share about Percent in 2028.
The global major manufacturers of Astrophotography Cameras include Nikon, Canon, Sony, ZWO, QHYCCD, Atik Cameras, Fujifilm, Panasonic and Olympus and etc. In terms of revenue, the global 3 largest players have a Percent market share of Astrophotography Cameras in 2021.
This report focuses on Astrophotography Cameras volume and value at the global level, regional level, and company level. From a global perspective, this report represents overall Astrophotography Cameras market size by analysing historical data and future prospect. Regionally, this report focuses on several key regions: North America, Europe, China and Japan, etc.
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3.What are your main data sources?
Both Primary and Secondary data sources are being used while compiling the report.
Primary sources include extensive interviews of key opinion leaders and industry experts (such as experienced front-line staff, directors, CEOs, and marketing executives), downstream distributors, as well as end-users. Secondary sources include the research of the annual and financial reports of the top companies, public files, new journals, etc. We also cooperate with some third-party databases.
Geographically, the detailed analysis of consumption, revenue, market share and growth rate, historical data and forecast (2017-2027) of the following regions are covered in Chapters:
● North America (United States, Canada and Mexico) ● Europe (Germany, UK, France, Italy, Russia and Turkey etc.) ● Asia-Pacific (China, Japan, Korea, India, Australia, Indonesia, Thailand, Philippines, Malaysia and Vietnam) ● South America (Brazil, Argentina, Columbia etc.) ● Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)
This Astrophotography Cameras Market Research/Analysis Report Contains Answers to your following Questions
● What are the global trends in the Astrophotography Cameras market? Would the market witness an increase or decline in the demand in the coming years? ● What is the estimated demand for different types of products in Astrophotography Cameras? What are the upcoming industry applications and trends for Astrophotography Cameras market? ● What Are Projections of Global Astrophotography Cameras Industry Considering Capacity, Production and Production Value? What Will Be the Estimation of Cost and Profit? What Will Be Market Share, Supply and Consumption? What about Import and Export? ● Where will the strategic developments take the industry in the mid to long-term? ● What are the factors contributing to the final price of Astrophotography Cameras? What are the raw materials used for Astrophotography Cameras manufacturing? ● How big is the opportunity for the Astrophotography Cameras market? How will the increasing adoption of Astrophotography Cameras for mining impact the growth rate of the overall market? ● How much is the global Astrophotography Cameras market worth? What was the value of the market In 2022? ● Who are the major players operating in the Astrophotography Cameras market? Which companies are the front runners? ● Which are the recent industry trends that can be implemented to generate additional revenue streams? ● What Should Be Entry Strategies, Countermeasures to Economic Impact, and Marketing Channels for Astrophotography Cameras Industry?
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Can I modify the scope of the report and customize it to suit my requirements?
Yes. Customized requirements of multi-dimensional, deep-level and high-quality can help our customers precisely grasp market opportunities, effortlessly confront market challenges, properly formulate market strategies and act promptly, thus to win them sufficient time and space for market competition.
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Detailed TOC of Global Astrophotography Cameras Market Insights and Forecast to 2028
Major Points from Table of Contents
Global Astrophotography Cameras Market Research Report 2023-2028, by Manufacturers, Regions, Types and Applications
1 Introduction 1.1 Objective of the Study 1.2 Definition of the Market 1.3 Market Scope 1.3.1 Market Segment by Type, Application and Marketing Channel 1.3.2 Major Regions Covered (North America, Europe, Asia Pacific, Mid East and Africa) 1.4 Years Considered for the Study (2015-2028) 1.5 Currency Considered (U.S. Dollar) 1.6 Stakeholders
2 Key Findings of the Study
3 Market Dynamics 3.1 Driving Factors for this Market 3.2 Factors Challenging the Market 3.3 Opportunities of the Global Astrophotography Cameras Market (Regions, Growing/Emerging Downstream Market Analysis) 3.4 Technological and Market Developments in the Astrophotography Cameras Market 3.5 Industry News by Region 3.6 Regulatory Scenario by Region/Country 3.7 Market Investment Scenario Strategic Recommendations Analysis
4 Value Chain of the Astrophotography Cameras Market
4.1 Value Chain Status 4.2 Upstream Raw Material Analysis 4.3 Midstream Major Company Analysis (by Manufacturing Base, by Product Type) 4.4 Distributors/Traders 4.5 Downstream Major Customer Analysis (by Region)
5 Global Astrophotography Cameras Market-Segmentation by Type 6 Global Astrophotography Cameras Market-Segmentation by Application
7 Global Astrophotography Cameras Market-Segmentation by Marketing Channel 7.1 Traditional Marketing Channel (Offline) 7.2 Online Channel
8 Competitive Intelligence Company Profiles
9 Global Astrophotography Cameras Market-Segmentation by Geography
9.1 North America 9.2 Europe 9.3 Asia-Pacific 9.4 Latin America
9.5 Middle East and Africa
10 Future Forecast of the Global Astrophotography Cameras Market from 2023-2028
10.1 Future Forecast of the Global Astrophotography Cameras Market from 2023-2028 Segment by Region 10.2 Global Astrophotography Cameras Production and Growth Rate Forecast by Type (2023-2028) 10.3 Global Astrophotography Cameras Consumption and Growth Rate Forecast by Application (2023-2028)
11 Appendix 11.1 Methodology 12.2 Research Data Source
Continued….
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The Sony World Photography Awards has unveiled the Open category winners, as well as the shortlist of final images, selected from over 200,000 entries competing for the title of Open Photographer of the Year 2023.
Yet to be revealed are the overall winners in the Student, Youth and Professional competitions, which are expected to be announced next month at the prestigious awards ceremony taking place in London, England, on April 13.
• These are the best Sony cameras – which may help you take award-winning shots of your own!
Recognizing the best single shots from 2022, the Sony World Photography Awards (SWPA) aims to showcase the excellence of global photography without placing any barriers on who can enter, welcoming photographers of all ages, abilities, incomes and skill levels to flaunt their best work for consideration.
Over 415,000 images were submitted across all categories, and from photographers situated all around the world, representing 200 different countries and territories.
The SWPA is essentially the Olympics of photography, and only the very best images and photographers are destined to come out on top, selected by an esteemed panel of industry judges.
The overall winner of the Architecture category was photographer Mark Benham from the UK with The Silos (above), which had been captured at the Port of Brest in France.
Winning the Creative category was German photographer, Boris Eldagsen, with his image The Electricia (below), a black-and-white portrait of two women clearly from very different generations.
An image of a Greek mountain landscape that features a hiker climbing up Mount Tymf won the Landscape category. The untitled image (below, top) captured by Giorgos Rousopoulos also showcases the distant Pindus National Park.
Azim Khan Ronnie was the overall winner of the Lifestyle category with their image, Childhood (below, bottom), that depicts children playing with a dry rice cart, as well as giant cones (topas) at a Bangladeshi rice processing plant.
Zhenhuan Zhou, hailing from mainland China, was named the Motion category winner for their shot, Slam on the Brakes (top of this article), that features a cowgirl in a barrel racing competition that took place in Ontario, Canada.
The Natural World & Wildlife category winner was photographer Dinorah Graue Obscura, from Mexico, with Mighty Pair (below), which features two crested caracara birds that are posing perfectly together, creating a balanced black-and-white portrait that was captured during a trip to South Texas.
Mieke Douglas from the Netherlands won the Object category with their image, Recycled (below, top), depicting flower-like plastic bags and tulle arranged as a bouquet.
The Portraiture category winner was UK photographer, Sukhy Hullait, with Charlie (below, bottom) – a photograph of a young teenage boy who transformed an abandoned car park into a skatepark during the pandemic closure of social spaces.
Andreas Mikonauschke from Germany won the top prize in the Street Photography category for Exhausted, a black-and-white portrait of individuals carrying religious statues and relics through the streets of Andalusia, during the traditional ‘Semana Santa’.
Lastly, a black-and-white image titled Ghosts (bottom) won the Travel category and was captured by UK photographer, Max Vere-Hodge. It depicts the Mundari tribe of South Sudan, among the nightly fires lit to deter tsetse flies and mosquitoes from Ankole-Watusi cows.
Each of the category winners will receive photo equipment courtesy of Sony, as well as the opportunity to compete for the prestigious Open Photographer of the Year title and a generous $5,000 (approximately £4,150 / AU$7,570) prize.
The overall winners of the Sony World Photography Awards 2023 will be announced on April 13 and will go on display as part of the exhibition at Somerset House, London, running from April 14 until May 01 2023.
You may also be interested in the best lenses for portraits, as well as the best cameras for landscape photography, and not forgetting the best action cameras for freezing time and documenting a precious moment.
The Pakistan Museum for Natural History (PMNH) has envisaged an initiative to impart photography and videography skills among school-going children to capture and film the beauty of nature.
“The students will be imparted photography and video-making skills under the newly conceived project titled, “Media Project for Conservation of Environment and Nature”, PMNH Director General Dr Saima Huma Tanveer said.
“These students will be trained on capturing different aspects of environment and nature including flowers, birds, mountains, rivers etc”, she said.
“The use of social media platforms among students of all ages is at its peak who seem to be interested to create their own Youtube channels, TikTok and Facebook accounts for the sake of fun and money making. However, they seem to be clueless about what should they portray or project on these platforms. app
Published in The Express Tribune, March 20th, 2023.
A mum who lost 14 stone says she has the “body of a 90-year-old woman” thanks to 25lb of loose skin – and finds it weird now men give her “attention”. Kristina Murphy, 34, weighed 26st 7lb and was a US size 30 at her heaviest after a lifelong struggle with her weight. The mother-of-two said her weight “got out of hand” during the pandemic leaving her unable to tie her shoelaces or walk up the stairs without difficulty. She gained 1st during lockdown and said after it affected “every aspect of her life” she decided in 2020 it was time for a “drastic” change. She started her bariatric journey in January 2021, incorporating diet and exercise changes such as portion control and gym sessions into her lifestyle, before undergoing gastric bypass surgery on April 28th 2021. Now at 12st 7lbs, Kristina is still suffering with body dysmorphia – as the weight loss has left her with an estimated 20-25lb worth of sagging loose skin around her stomach – which she said makes her look like a “90-year old-woman”. She has been forced her to buy clothes in a US size 10-12 – two sizes bigger than her new US Size 8, because she has to “pack a massive stomach” in. But her self-confidence has still grown since shifting 14st 4lbs, and says guys offer to buy her drinks and give her attention which she finds “weird”. Kristina, a secretary, from Pittsburgh, Pennsylvania, US, said: “The skin is a massive problem and was something I worried about before the surgery. “I struggle with finding clothes to fit me properly because I have to pack a massive stomach into clothes. I’m a size eight in jeans but I have to buy a size 10 to 12 to fit the skin, which is frustrating. “I’m dealing with rashes on the skin regardless of how clean I am, in my bellybutton, thighs, armpits. It hurts when I run because it hits against itself and it’s taken a toll on me mentally. “I feel good when I’m dressed, I can see the difference in myself and I feel beautiful, but when I’m by myself and I take my clothes off it crushes me. “I’ve got the body of a 90 year old woman. The skin all wrinkly and saggy and not where it should be. “I haven’t fully got rid of myself – I’m stuck with my old shell of my fat body. I can’t move into the new me when I still have the old me hung around me. “I was always the fat funny friend, and now guys buy me drinks and give me attention which is very weird for me.” Previously Kristina was stuck in a cycle of binges, diets, and restriction. She said: “I was your typical chronic dieter. I would try every diet, and restrict myself. “I’ve now been diagnosed with binge eating disorder, but at the time I didn’t know about this. I would go without eating much for a week but I would be craving food and as a result of depriving myself so much I would overindulge in the week. “I would have protein shakes and salad in the week, then on the weekend I would eat a whole pizza by myself and chicken wings or soft drinks. One binge day would turn into four binge weeks. “I would gain 10-15lb from that binge episode.” Before qualifying for the surgery Kristina had to spend three months trying to lose weight through diet and exercise, as well as attending sessions with a nutritionist and psychotherapist to understand her weight difficulties on a deeper level. Kristina said: “My struggle with my weight has been something I’ve dealt with on and off my whole life. “In 2020 during the pandemic everyone was stuck at home and my weight got out of hand. “It took a toll on me physically. It had bothered me mentally but at this point I couldn’t get up steps easily and every aspect of my life was affected. So I decided it was time for me to do a drastic change and I started looking into weight loss surgery. “Now I’m in the phase of dealing with the aftermath and figuring out who I am as a person again after the weight loss.” Through her weight loss journey Kristina said she has been able to reconnect with herself, and develop a new sense of self-worth. She said: “I‘m becoming who I always was on the inside, digging her out from under my weight which was burying who I’ve always been. The person who I haven’t been able to explore. It’s like the weight has muddled me. “It’s been a journey to try and explore that to find myself and my light again, from little things like figuring out how to dress the new body to big things, like how do I have a healthy new relationship with food again?” Kristina’s relationship with children Kamrem, eight, and Isaiah, 10, has been a “big motivator” to improve her health. She said: “They are a big motivator because I want them to grow up and have a healthy relationship with food. “They never asked me to lose weight, but it killed me that I couldn’t run around with them because my knees hurt . Seeing what I couldn’t do with them is what bothered me. “Now it feels amazing that I can go to the park and swing with them and be in those moments with them rather than watching those moments and creating those memories.” Working with a nutritionist and psychologist as part of the bariatric team, Kristina has adopted a new diet and approach to food. She manages portion control with small plates, uses scales to weigh her food, and balances her meals with vegetables making half, protein at least one third, and the rest carbohydrates. Chewing her food slowly and giving her brain time to register she is full has also helped Kristina to achieve moderation with her diet. She no longer severely restricts her food and still eats carbs and small treats, because her nutritionist explained the restriction triggers binge episodes. She said: “It’s helped me see my triggers and how much of an emotional eater I am, has forced me to find healthier outlets in times of darkness and stress – reworking my brain. “Instead of bingeing I now go to the gym three to four times a week or spend time with my kids playing in the park, trying a new restaurant. I also like drawing, pursuing creative outlets, photography, and astrophotography. “In America everything revolves around the food, holidays, birthdays, celebrations. For me I had to learn life differently – we go out to eat now but I’m there for the company and conversation not the food. She is advised to undergo full body lift which will cost $50-55k but Kristina only has the insurance to cover her breasts and lower stomach and is now looking into other ways to fund it. Kristina said: “It feels like the last hurdle to transform into who I want to be. I’ve lost an entire person, but I struggle with body dysmorphia when I look down and still feel like the old me. “I’m just trying make fun of some of the darkness we’re going through. I’ve lost the weight but not my sense of humour.”