Amazing shots of the Highlands night skies captured by award-winning photographer

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Graham Hazlegreaves with the equipment he uses to capture the stunning images of space. Picture: Aidan Woods.
Graham Hazlegreaves with the equipment he uses to capture the stunning images of space. Picture: Aidan Woods.

One of the very best regions in the UK to capture the night skies is the Cairngorms and here is the heavenly proof.

Talented award-winning photographer Graham Hazlegreaves has shared with Highland News & Media some of his stunning images which, incredibly, were taken from his back garden in Boat of Garten.

Graham has captured these photographs of the hidden beauty of the universe using his technical know-how and specialist astrophotography camera equipment.

Our nearest neighbour, the moon. This is a single shot captured with my mirrorless camera and a 500mm lens and received a Bronze Award from the Guild of Photographers. Graham said: "The moon is not as easy a target as you may think. It is very bright with huge contrast against the night sky and this needs to be considered when selecting the exposure. " I edited this image in Photoshop and accentuated the colours of the moon stemming from the minerals spread across the surface from meteor strikes."
Our nearest neighbour, the moon. This is a single shot captured with my mirrorless camera and a 500mm lens and received a Bronze Award from the Guild of Photographers. Graham said: “The moon is not as easy a target as you may think. It is very bright with huge contrast against the night sky and this needs to be considered when selecting the exposure. ” I edited this image in Photoshop and accentuated the colours of the moon stemming from the minerals spread across the surface from meteor strikes.”

Of course it helps to know where to look – the sun and moon can’t exactly be missed and several of the Solar System’s planets are easy enough to see but pretty much everything else is not visible to the naked eye other than as pin pricks in the vast sky given the unimaginable massive distances from the earth.

Some of the galaxies are millions of light years away.

This is Sol, our sun, captured in white light last summer. Sol is in a phase of increased sunspot activity, and several are showing in this image. I captured this using my largest telescope, a Celestron Nexstar 8SE with a focal length of 2032mm. I used a commercially available solar filter which blocks 99.99 per cent of light. Graham said: "It is so important not look directly at the sun without using an approved Solar filter, if you do you risk serious damage to your retina and blindness."
This is Sol, our sun, captured in white light last summer. Sol is in a phase of increased sunspot activity, and several are showing in this image. I captured this using my largest telescope, a Celestron Nexstar 8SE with a focal length of 2032mm. I used a commercially available solar filter which blocks 99.99 per cent of light. Graham said: “It is so important not look directly at the sun without using an approved Solar filter, if you do you risk serious damage to your retina and blindness.”

Graham said: “We are blessed in the Badenoch and Strathspey area with dark skies which allow the beauty of the night sky to be visible to us.

“I remember when, as a child, growing up on the Wirral seeing dark skies full of stars.

“My imagination was captured by the Apollo Missions and especially the moon landings.

Moving further out again beyond the solar system, we enter the realm of deep space. This is Messier 42 (M42) also known more commonly as the Orion Nebular and is one of few nebulae that are visible to the naked eye. M42 is a diffuse nebula situated in the Milky Way and is the central 'star' of Orion’s sword. The Orion Nebula is some 1,344 light years distant, and the nebula spans some 24 light years across.
Moving further out again beyond the solar system, we enter the realm of deep space. This is Messier 42 (M42) also known more commonly as the Orion Nebular and is one of few nebulae that are visible to the naked eye. M42 is a diffuse nebula situated in the Milky Way and is the central ‘star’ of Orion’s sword. The Orion Nebula is some 1,344 light years distant, and the nebula spans some 24 light years across.

“I was fascinated by science and nature and through my photography I see the world and space in a new light.”

Graham added: “My astrophotography journey started about three years ago when I mounted my camera and 400mm lens on a tripod and captured my first image of the Orion Nebula in the constellation of Orion, the Hunter.

“The image showed a blue–purple image of the nebula.

Staying in the Orion area there are other nebulae that can be imaged with Graham's equipment but they are not visible to the naked eye. In the vicinity of the star Alnitak are the Horsehead and Flame Nebulae.The Horsehead Nebula is a dark nebula and is visible against the bright emission nebula IC 434 and is some 1,500 light-years from earth. Immediately adjacent to the Horsehead is nebula NGC 2023 – the small blue feature below and slightly left from the Horsehead Nebula. Graham explained: "Emission nebulae are so called because their light comes from atoms that are 'excited' by the radiation from a nearby star. Reflection nebulae are visible because they reflect the light from a nearby star." To the far left is the Flame Nebula is an emission nebula approximately 900 to 1,500 light-years distant. The nebula is a vast cloud of hydrogen gas which is excited by the ionising radiation from the star Alnitak.
Staying in the Orion area there are other nebulae that can be imaged with Graham’s equipment but they are not visible to the naked eye. In the vicinity of the star Alnitak are the Horsehead and Flame Nebulae.The Horsehead Nebula is a dark nebula and is visible against the bright emission nebula IC 434 and is some 1,500 light-years from earth. Immediately adjacent to the Horsehead is nebula NGC 2023 – the small blue feature below and slightly left from the Horsehead Nebula. Graham explained: “Emission nebulae are so called because their light comes from atoms that are ‘excited’ by the radiation from a nearby star. Reflection nebulae are visible because they reflect the light from a nearby star.” To the far left is the Flame Nebula is an emission nebula approximately 900 to 1,500 light-years distant. The nebula is a vast cloud of hydrogen gas which is excited by the ionising radiation from the star Alnitak.

“It wasn’t much to look at but it inspired me to find out more about astrophotography.

“I made baby steps with my digital camera and progressed onto a tracking mount that allowed me to capture longer exposures which allowed me to capture more details in the nebulae.

“Eventually I progressed to my current equipment.”

The Cone Nebula and Christmas Tree cluster lie some 2,350 light years from earth in the constellation of Monoceros. It is an emission nebula and star cluster – the colour green shows the oxygenrich gas clouds, red the hydrogen rich areas and the ambers/orange are sulphur rich dust clouds.
The Cone Nebula and Christmas Tree cluster lie some 2,350 light years from earth in the constellation of Monoceros. It is an emission nebula and star cluster – the colour green shows the oxygenrich gas clouds, red the hydrogen rich areas and the ambers/orange are sulphur rich dust clouds.

The professionally trained photographer captures all sorts of the images of the natural world which he said ‘for me covers just about everything between macrophotography and astrophotography’.

The technical part

Graham’s main telescope is a William Optics Zenithstar 61 II and Achromatic Refractor. Attached to it is a specialist astrophotography camera, the ZWO 294 MC Pro, it is a one-shot colour camera.

The smaller telescope mounted piggy-back on the Z61 is a William Optics Guide scope with a ZWO 290mm mono camera.

The North America Nebula (NGC7000) is an emission nebula located in the constellation of Cygnus (The Swan). The nebula resembles the shape of the North America Continent. The nebula is some 2,590 light years distant, 90 light years north to south and 140 light years across.
The North America Nebula (NGC7000) is an emission nebula located in the constellation of Cygnus (The Swan). The nebula resembles the shape of the North America Continent. The nebula is some 2,590 light years distant, 90 light years north to south and 140 light years across.

The rig is mounted on equatorial mount which ,in concert with the guide scope and camera, tracks the target very accurately accounting for the rotation of the earth.

The system is orchestrated by a minicomputer enabling Graham to take very long exposures of the order of five to 10 minutes.

Graham explains: “Long exposure times are needed to capture the very low levels of light reaching the camera from deep space.

The Rosette Nebula is also located in the constellation of Monoceros and is 5,200 light years distant. The Nebula is also sometimes referred as the 'Skull Nebula' because there is a resemblance to a human skull. The Rosette is approximately 130 light years across and the radiation from young stars excites atoms and produces the nebula we see today.
The Rosette Nebula is also located in the constellation of Monoceros and is 5,200 light years distant. The Nebula is also sometimes referred as the ‘Skull Nebula’ because there is a resemblance to a human skull. The Rosette is approximately 130 light years across and the radiation from young stars excites atoms and produces the nebula we see today.

“I capture a series of exposures and in bespoke software I integrate the images producing a detailed image of a faint nebula and galaxies many hundreds, thousands, and in the case of galaxies, millions of light years distant from earth.”

Further out again we find two nebulae in the constellation, Cassiopeia.Graham said: "The first is the Heart Nebula and is one of the most beautiful nebulae that I have had the pleasure to image. The Heart Nebula is some 7,500 light years from earth and is in the Perseus Arm of our Milky Way Galaxy. "In this narrowband image the blue colour is ionised oxygen and the orange colours from ionised sulphur gases."
Further out again we find two nebulae in the constellation, Cassiopeia.Graham said: “The first is the Heart Nebula and is one of the most beautiful nebulae that I have had the pleasure to image. The Heart Nebula is some 7,500 light years from earth and is in the Perseus Arm of our Milky Way Galaxy. “In this narrowband image the blue colour is ionised oxygen and the orange colours from ionised sulphur gases.”

A bit of explanation

Put simply, a nebula is a giant cloud of dust and gas in space.

Also located in the Cassiopeia constellation at 7,500 light years from earth is the Soul Nebula which is an emission nebula.
Also located in the Cassiopeia constellation at 7,500 light years from earth is the Soul Nebula which is an emission nebula.

A galaxy can have millions or billions of stars.

The nearest large galaxy to earth, Andromeda, is 2.5 million light-years away. So, we see Andromeda as it was 2.5 million years in the past.

The universe is filled with billions of galaxies.

Moving on from our own galaxy is the Andromeda Galaxy (M31) which can found in the constellation of Andromeda and is 2.5 million light years from earth.The bright red/pink areas in the arms of the galaxy are regions where star formation is taking place. Andromeda is larger than our galaxy and is on a collision course and will ultimately merge with the Milky Way Galaxy in about four to five billion years.
Moving on from our own galaxy is the Andromeda Galaxy (M31) which can found in the constellation of Andromeda and is 2.5 million light years from earth.The bright red/pink areas in the arms of the galaxy are regions where star formation is taking place. Andromeda is larger than our galaxy and is on a collision course and will ultimately merge with the Milky Way Galaxy in about four to five billion years.

Looking to the future

Graham said: “My journey into astrophotography has been one of discovery and wonderment which has clearly been helped by the dark skies we enjoy over the strath.

“But we should not take those skies for granted and we should strive to use lighting systems that do not pollute the night sky.

Finally moving even further out into inter-galactic space we have the Whirlpool Galaxy (M51a).The Whirlpool Galaxy is a grand spiral class galaxy and is interacting with a smaller galaxy M51b/NGC 5195.This galactic interaction is taking place 31 million light years from earth. This is a cropped image to show the interaction.
Finally moving even further out into inter-galactic space we have the Whirlpool Galaxy (M51a).The Whirlpool Galaxy is a grand spiral class galaxy and is interacting with a smaller galaxy M51b/NGC 5195.This galactic interaction is taking place 31 million light years from earth. This is a cropped image to show the interaction.

“If we can protect the night skies, then further generations may well be inspired by the marvels that exist in the universe.”

All images are copyright to Graham Hazelgreaves. If you would like to see more of hiss stunning work check out his website at https://ghazlegreaves.myportfolio.com/

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Artist Jyo John Mulloor Creates Cute Miniature AI-Generated Animal Portraits

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Indian artist Jyo John Mulloor creates cute miniature AI-generated animal portraits. Jyo is a graphic designer rooting for wild animals, his idea for the “Macro World”, a collection of images picturing tiny versions of wild animals is absolutely phenomenal.

In “Macro World,” Jyo John’s Photoshop skills come to life, creating endearing and pocket-sized versions of wild animals, including elephants, giraffes, zebras, and even polar bears. The attention to detail and cuteness factor are simply irresistible. He used Midjourney to create these adorable little portraits.

Scroll down and inspire yourself. Check Jyo’s Instagram for more information.

You can find more info about Jyo John Mulloor:

#1. Little Cheetah

AI-Generated Animal Portraits by Jyo John Mulloor

#2. So flooffy

AI-Generated Animal Portraits by Jyo John Mulloor

#3. Slowly steal your heart

AI-Generated Animal Portraits by Jyo John Mulloor

#4. Zebra

AI-Generated Animal Portraits by Jyo John Mulloor

#5. This panda just woke up

AI-Generated Animal Portraits by Jyo John Mulloor

#6. Cats and kittens and cubs are the best

AI-Generated Animal Portraits by Jyo John Mulloor

#7. Donkey

AI-Generated Animal Portraits by Jyo John Mulloor

#8. Where are the paws?

AI-Generated Animal Portraits by Jyo John Mulloor

#9. This giraffe has baby Yoda wrinkles

AI-Generated Animal Portraits by Jyo John Mulloor

#10. Dear little deer!

AI-Generated Animal Portraits by Jyo John Mulloor

#11. A Grizzly bear is in the house

AI-Generated Animal Portraits by Jyo John Mulloor

#12. Aww

AI-Generated Animal Portraits by Jyo John Mulloor

#13. Bunny

AI-Generated Animal Portraits by Jyo John Mulloor

#14. That is pure cuteness

AI-Generated Animal Portraits by Jyo John Mulloor

#15. Adorable little fella

AI-Generated Animal Portraits by Jyo John Mulloor

#16. This polar bear is so dazzling

AI-Generated Animal Portraits by Jyo John Mulloor

#17. Grabbing your heart

AI-Generated Animal Portraits by Jyo John Mulloor

#18. Is that a cute T-Rex?

AI-Generated Animal Portraits by Jyo John Mulloor


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This fairytale fox photo scooped a British Wildlife Photography Award

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The winners of the prestigious British Wildlife Photography Awards have just been announced, chosen from more than 13,000 submitted images celebrating the beauty and brutality of Britain’s nature. 

An image of a red fox moving through a woodland that has been partially destroyed by industrialism has claimed this year’s grand prize, and 28-year-old British photographer Charlie Page is the recipient of the £5,000 grand prize ( approximately $6,000 / AU$9,100). 

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Samsung Galaxy S23 Ultra accused of taking ‘fake’ moon photos via AI

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Samsung is in a bit of a controversy over the legitimacy of the Galaxy S23 Ultra’s Space Zoom photos that serve up detailed photos of the moon. 

A Reddit (opens in new tab) thread has exploded with a post claiming that the moon shots delivered by the Galaxy S23 Ultra are fake, with the phone applying non-existent details to photos of the moon. Samsung has claimed that it does not overlay images into photos or add in texture effects. 

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♬ PRETTY BOY FLOW – STURDYYOUNGINN (opens in new tab)

While Reddit user ibreakphotos said this was technically true, in practice Samsung was adding detail into moon shots, which they claim is proven through their own tests. The test involved taking an image of the moon from the internet, blurring it on a laptop then taking a zoomed-in photo of it from afar using a Galaxy S23 Uttra in a dark room. 

A side-by-side photo of a blurred photo of the moon and the final image a Galaxy S23 Ultra produced

This side-by-side comparison shows a blurred photo of the moon and what the Galaxy S23 Ultra allegedly produced.  (Image credit: ibreakphotos / Reddit )

Given a gaussian blur was applied, there was simply no data for the Galaxy S23 Ultra’s image signal processor or computational photography algorithms to process. Yet the photo served up has a lot more detail in it than could be seen in the original image. As a result, the Redditor branded the Galaxy S23 Ultra’s astrophotography moon shots as “fake” given the detail enhancements were seemingly added. 

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A photography exhibit celebrating the shared strength of Indo-UK heritage

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The British Deputy High commission in Kolkata hosted a three-day photography exhibit titled ‘Unplugged: Best of the UK’ recently.
Describing the event as an excellent opportunity to celebrate the strength of shared heritage of both the nations Peter cook, Acting British Deputy High Commissioner said, “As a Bengali born British citizen, I can say with passion and some personal pride that our heritage is not only worthy of our past but also offers the promise of a prosperous partnership in the future.”

WhatsApp Image 2023-03-11 at 12.25.14.

Stemming from the imagination of Amit Sengupta of British Deputy High Commission and Saptarshi Kar of Indo-British Scholars’ Association, the exhibition was curated by Surasree Seal and Pallavi Majumdar. The three-day exhibition highlighted a total of 84 photographs taken by 19 photographers from Kolkata and London. From the rolling hills of the British countryside to the busy streets of the cities, every image at the exhibit told a noteworthy story.

WhatsApp Image 2023-03-11 at 12.25.14 (1).

The showcase was a part of the ‘Great British Season’ British Deputy High Commission Kolkata, which included a series of programmes and events to highlight the shared culture, education, sports, technology and tourism between the two nations in the past, present and the coming future. The ‘Great British season’ also featured an Indo-British Heritage Cup cricket match at Eden Gardens, the historic Queen Elizabeth II Memorial Cup, Week of Whales, the Indo-British Taste Challenge, launch of the UK-India sports Calendar, the Great British open Quiz and the celebration of St. David’s Day among others.

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These are the 2022 World Nature Photography Awards Contest Winners – NBC Bay Area

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The World Nature Photography Awards announced the winning photographs from its 2022 photo competition.

The contest aims to use the power of photography to put a spotlight on the wonder of the natural world, reminding viewers to take action now to protect the planet and secure a better tomorrow.

The contest, which opened to U.S. residents last year, invited readers to submit a digital photograph in over a dozen categories, such as animals, plants and fungi and people and nature. The grand prize winner receives a cash prize of $1,000. Here are all the gold medal winners by category:

Animal Portraits

Winner of World Nature Photographer of the Year

Crocodile

A crocodile in the mud at Mana Pools National Park, Zimbabwe. (Jens Cullmann)

Behaviour – Mammals

Baboons

Japanese macaques in Awaji Island, Japan. (Hidetoshi Ogata)

Behaviour – Amphibians and reptiles

Toads

Japanese stream toads in the Owase Mountains, Mie, Japan. (Norihiro Ikuma)

Behaviour – Birds

Bird

A male Hooded Merganser in Huntley Meadows Park, Alexandria, Virginia. (Charles Schmidt)

Behaviour – Invertebrates

Red crab

A red crab (Grapsus adscensionis) in La Gomera Island, Spain (Javier Herranz Casellas)

Nature Art

Spawning coral.

Spawning coral in the Red Sea. (Tom Shlesinger)

People and Nature

Inside of a glacier.

The view from inside a glacier looking up at the night sky in Solheimajokull, South Iceland. (Virgil Reglioni)

Plants and Fungi

Eucalyptus

Eucalyptus in Mount Barker, Western Australia (Julie Kenny)

Urban Wildlife

Common kestrel

Common kestrel (Falco tinnunculus) in Stara Zagora, Bulgaria. (Vladislav Tasev)

Planet Earth’s Landscapes and Environments

Grand Teton Peak

Grand Teton Peak in Wyoming, USA (Jake Mosher)

Black and White

Iguana

Lesser Antillean Iguana in Grenada Island, West Indies. (Alain Ernoult)

Animals in their Habitat

Snow leopard

A snow leopard in the Indian Himalayas. (Sascha Fonseca)

Nature Photojournalism

Australian fur seal

Australian fur seal in Port Kembla, NSW, Australia. (Nicolas Remy)

Underwater

Australian fur seal

Harlequin shrimps in the Hymanocera Lembeh strait, Indonesia. (Adriano Morettin)

To see the full gallery of winners, visit the World Nature Photography Awards website.

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Samsung responds to fake moon photo accusations, says it ‘does not apply any image overlaying’

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Samsung has been in bit of controversy this week over the legitimacy of the Galaxy S23 Ultra’s Space Zoom photos that serve up detailed photos of the moon. And now the company has issued a response. 

It all started with a Reddit post claiming that the moon shots delivered by the Galaxy S23 Ultra are fake, with the phone applying non-existent details to photos of the moon. 

While Reddit user ibreakphotos said this was technically true, in practice Samsung was adding detail into moon shots, which they claim is proven through their own tests. The test involved taking an image of the moon from the internet, blurring it on a laptop then taking a zoomed-in photo of it from afar using a Galaxy S23 Uttra in a dark room. 

Here is the official response from Samsung, delivered via email to Tom’s Guide:

“Samsung is committed to delivering best-in-class photo experiences in any condition.

When a user takes a photo of the Moon, the AI-based scene optimization technology recognizes the Moon as the main object and takes multiple shots for multi-frame composition, after which AI enhances the details of the image quality and colors. It does not apply any image overlaying to the photo.

Users can deactivate the AI-based Scene Optimizer, which will disable automatic detail enhancements to the photo taken by the user.” 

The poster on Redditor claimed that given a gaussian blur was applied, there was simply no data for the Galaxy S23 Ultra’s image signal processor or computational photography algorithms to process. Yet the photo served up has a lot more detail in it than could be seen in the original image. As a result, the Redditor branded the Galaxy S23 Ultra’s astrophotography moon shots as “fake” given the detail enhancements were seemingly added. 

“Samsung is using AI/ML (neural network trained on 100s of images of the moon) to recover/add the texture of the moon on your moon pictures, and while some think that’s your camera’s capability, it’s actually not,” ibreakphotos concluded. “And it’s not sharpening, it’s not adding detail from multiple frames because in this experiment, all the frames contain the same amount of detail. None of the frames have the craters etc. because they’re intentionally blurred, yet the camera somehow miraculously knows that they are there.” 

What happened when we tried the fake moon test 

When we tried this on our Galaxy S23 Ultra, we didn’t get the same results. Rather our images of the moon turned out to be a fuzzy mess. 

We are just theorizing here, but the differences between our shots and ibreakphotos test results could be down to different software versions of One UI and the Galaxy S23 Ultra camera app. Unfortunately, ibreakphotos doesn’t detail what versions of the respctive software they are on.

It’s also possible that Samsung has turned off the post-photo processing in reaction to this controversy. 

Embrace or rage against the machine learning

Now some might claim this is false advertising, and that the Galaxy S23 Ultra isn’t the incredible zooming camera phone you might have expected. But others might shrug and understand that a small camera on the rear of a svelte phone isn’t going to be able to capture shots that even capable DSLRs would struggle with, unless it had some software help.

Given AIs are trained on data, and in this case images of the moon, the processing done by the Galaxy S23 Ultra’s space-related model is likely figuring out what detail should be added based on images of the moon it’s previously been fed.

The result might not be a true representation of what the Galaxy S23 Ultra’s camera sensors can capture, but we’d argue it’s not truly fake either. Instead, the moon shots are enhanced with details the camera can’t see or detect. In ibreakphotos’ test case, the details weren’t there but the Galaxy S23 Ultra’s processing is doing the equivalent of filling in the gaps based on what it knows could/should be in certain spots of the moon.

As such, the Galaxy S23 Ultra and its AI might be adding in detail and artificially enhancing moon photos but it’s not simply faking it with a different image. Think of it as someone applying a few edits to Instagram photos to pick out details or deliver more pleasing shots. These enhancements may not be true-to-life, but they aren’t simply fake Photoshopped images either. Whether you think such enhancements are acceptable or duplicitous is down to your tastes.

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Lexar Professional CFExpress Type B Card Diamond Series 512GB for Next-Gen Filmmaking

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Lexar has unveiled its latest offering in high-performance memory cards, the Professional CFExpress Type B Card Diamond Series 512GB, designed specifically to cater to the needs of professional filmmakers and content creators. The card boasts impressive read speeds of up to 1900MB/s and write speeds of up to 1700MB/s, ensuring rapid content capture and transfer to streamline post-production workflows.

The CFExpress Type B Card Diamond Series incorporates PCIe Gen 3×2 and NVMe high-speed protocols, enabling the capture of high-quality RAW, ProRes, and 8K video with ease. The card also meets the VPG400 specification, guaranteeing a minimum write speed of 400MB/s for professional-quality video when used with compatible host devices and recording media.

For added versatility, Lexar’s Professional CFExpress Type B Diamond Series is backwards compatible with select XQD cameras, allowing users to enhance the performance of their existing devices with next-generation capabilities.

Built to withstand even the most challenging conditions, the cards in the Diamond Series are shock and vibration-proof, as well as resistant to extreme temperatures. The Lexar Professional CFExpress Type B Card Diamond Series comes with a Limited Lifetime Warranty for added peace of mind.

The Diamond Series is available in capacities of 128GB, 256GB, and 512GB. With read speeds up to 1900MB/s, write speeds up to 1700MB/s, and a minimum write speed of 1600MB/s, the Lexar Professional CFExpress Type B Card Diamond Series delivers top-of-the-line performance for professional filmmakers and content creators.

Specifications:

  • Capacity: 128GB / 256GB / 512GB
  • Read Speed: up to 1900MB/s
  • Write Speed: up to 1700MB/s
  • Minimum Write Speed: 1600MB/s
  • Class: VPG400
  • Interface: PCI Express Gen 3×2
  • Operating Temperature: -10° C to 70° C (14°F to 158°F)
  • Storage Temperature: -25 °C to 85 °C (-13 °F to 185 °F)
  • Dimensions: 29.60 x 38.50 x 3.80 mm
  • Weight: 7.65 g
  • Warranty: Limited Lifetime Warranty

With the Lexar Professional CFExpress Type B Card Diamond Series, filmmakers and content creators can now capture and produce stunning visual content with unparalleled efficiency and reliability.

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See the Captivating Winners of the British Wildlife Photography Awards

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A female fox covered in dandelion pappi.

A female fox covered in dandelion pappi.
Photo: Lewis Newman

The best wildlife photography can make the familiar appear strange, but it can also make the secret lives of animals feel quite comparable to our own.

Now, the British Wildlife Photography Awards have selected their winning photos for the 2023 competition. The following 21 images were selected from over 13,000 submitted, with photographers vying for a £5,000 ($6,000) grand prize.

In the photos, you can see the biodiversity of the United Kingdom in sharp relief; from bees up close to birds from a distance, the country is teeming with animal life, even in urban, human-dominated spaces.

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ZWO AM5 Review | Complete, In-Depth (After 8 Months of Use)

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ZWO AM5 Review

The ZWO AM5 is the astrophotography mount I didn’t think I needed. Yes, it perfectly matches the color of my existing ZWO cameras (and ASIAIR Plus), but do I really need a tracking telescope mount that doesn’t require a counterweight?

I have casually observed a number of harmonic drive telescope mounts appear in the astrophotography market over the past 5 years. I thought they were a clever idea, but definitely not something I would consider to be a ‘must-have’. 

After all, the traditional equatorial telescope mounts I use for astrophotography have been helping me collect incredible deep-sky images from my backyard for over a decade, why change now? Well, this one is a bit different. 

The AM5 is a strain wave gear (harmonic drive) telescope mount that was specifically designed to be compact, portable, and lightweight. In fact, it is not much heavier than a portable star tracker, yet it can handle the job of a much more robust equatorial mount. 

My first question was, does it actually track better than my existing astrophotography mounts? And to my surprise, the answer was no. So why is everyone excited about a new technology that doesn’t improve the primary function of the device?

The AM5 is all about portability. It’s about how everything seems to get a little easier once you start using it. The small size and overall convenience of the ZWO AM5 have changed the way I approach the art of astrophotography.

ZWO AM5 Mount

ZWO AM5 Harmonic Drive Mount ($1,999 at OPT)

Key Features

  • No Counterweight (for loads up to 28 lbs)
  • Guiding Error Between 0.6-0.8 
  • Extremely Portable & Lightweight
  • Functions in EQ/AZ Modes
  • WiFi Connection 
  • ASCOM Compatible
  • Vixen + Losmandy Dovetail Mounts
  • Flawless Function with ASIAIR
  • Up to 44 lbs payload (with counterweight)

Orion Nebula

The Orion Nebula in LRGB. ZWO AM5, ASI 2600MM Pro, Radian 75.

In this article, I’ll show you how well the ZWO AM5 harmonic drive mount has performed for me in all weather situations, from the backyard and beyond. From hot and sticky July nights to frosty January nights with temperatures well below freezing. 

The team at ZWO kindly lent me a demo copy of the AM5 mount around the same time they started shipping in the USA. There was zero obligation to provide a positive review, nor was I compensated in any way. 

I began testing the ZWO AM5 harmonic drive mount in July 2022, just as Ashley, Rudy and I moved into our new house.  I have been using this astrophotography mount for 8 months now, and I am ready to share my honest opinions about it. 

ZWO AM5 Harmonic Equatorial Mount Review

The ZWO AM5 is an incredible option for small to medium-sized astrophotography setups. With several deep-sky astrophotography kits at my disposal in the astro-garage, I find myself reaching for the AM5 most often. 

Although the majority of my deep-sky astrophotography sessions take place at home in the backyard, I like to travel to darker skies during the new moon phase in the warmer months.

I fully realized the magic of the ZWO AM5 when packing up for the Okie-Tex Star Party. This event required a full day of travel by plane, from Ontario, Canada to Amarillo, Texas (with a layover in Dallas). 

The deep-sky imaging rig I brought with me was the most advanced, capable astrophotography rig I’ve ever flown with. It included everything from the ZWO AM5  tracking mount to a 75mm apochromatic refractor telescope.

Oh, and a full-frame ZWO ASI6200MM Pro monochrome camera, a 5-position filter wheel, and a heavy-duty carbon fiber tripod. A bit of a jump from my usually travel-friendly setup involving a star tracker and telephoto lens. 

ASIAIR telescope

The ZWO AM5 mount set up at the Okie-Tex Star Party.

Historically, traveling with a deep-sky astrophotography kit is a bit of a challenge. If you do somehow manage to pack a robust, telescope-capable computerized tracking mount in your luggage, you better hope that it was packed securely with lots of padding.

I have never trusted an airline enough to safely check my luggage with my precious telescope mount inside. So if I am bringing astrophotography gear on a plane, it must fit in my carry-on bag. 

Not only is the ZWO AM5 mount small enough to pack neatly into your carry-on luggage, but I also brought it in my ‘personal item’ backpack. Yup, I could pull it out to play with right there on my lunch tray if I wanted. (I kept it in my backpack the whole time).

AM5 carry-on-bagAM5 packed into my Nomatic V2 camera bag

Ashley brought the Sky-Watcher Star Adventurer GTi, another incredibly portable (fully capable) astrophotography mount. With an 11-pound payload capacity, the Star Adventurer GTi falls into the star tracker category, yet it is not much smaller in overall size than the ZWO AM5. 

telescopes at a star party

Our telescopes under the Bortle 1 skies of the Okie-Tex Star Party. 

After many successful astrophotography sessions with this mount, I decided it was time to share the incredible results and positive experiences I have had with it over the past 6 months. If you are in the market for a portable astrophotography mount to compliment your wide-field refractor telescope setup, I think the AM5 will exceed your expectations. 

Before we get into the nitty-gritty, let’s answer some of the most common questions people have about the ZWO AM5:

What is the maximum payload of the ZWO AM5?

The maximum payload capacity of the ZWO AM5 mount is 28.6 pounds, without the use of the counterweight. When a counterweight is added, the maximum payload capacity increases to an impressive 44 pounds. 

How much does the ZWO AM5 weigh?

The ZWO AM5 mount weighs just 11 pounds. It is lightweight enough to easily carry in and out of your garage, and fit in your carry-on bag on an airplane. 

What is the longest practical focal length for ZWO AM5?

I have personally had success using the AM5 with refractor telescopes from 400-800mm. ZWO confidently markets the mount as being able to handle a Celestron C11 (2000mm) without the use of a counterweight. 

How do you polar align a ZWO AM5 mount?

Because there is no polar finder scope built into the mount, you must use an electronic polar alignment tool such as the one built into the ZWO ASIAIR software. This was a bit of an unwanted change for me.

horsehead nebula

The Horsehead and Flame Nebula. ZWO AM5 mount, ASI2600MM Pro, Radian 75 APO. 

Equipment Used:

What’s in the Box?

The ZWO AM5 mount arrived at my house in two boxes. Box number 1 included the mount head itself, and the other contained the official ZWO T40 carbon fiber tripod. The tripod is strong and lightweight (5 pounds), and I definitely recommend purchasing this tripod to go with your AM5 if you can. 

A pier extension is also available to accommodate longer telescopes (to avoid running into the tripod), but I have not used it myself. The tripod can be purchased individually or in a bundle with the mount as it arrived for me. 

  • ZWO AM5 mount
  • The Carrying Case
  • The Hand Controller
  • Two Allen keys
  • A USB Cable
  • The Manual
  • ZWO T40 Tripod

astrophotography mount

The tripod is strong and sturdy, but you may find that it is a little short at just 31.5″ tall with the tripod legs fully extended. This places the telescope at about my waist, which was a bit strange at first. In terms of stability, having a lower center of gravity is a good thing. Just be sure that you’re able to point your telescope over any obstructions you have in your yard such as your house or any tall trees.

ZWO lists the maximum payload capacity for the tripod at 110 pounds, a ridiculously heavy amount that I doubt very few will ever come close to. Each tripod leg has padding along the top which is very much appreciated when carrying this setup outside in the winter. The tripod is said to be able to accommodate mount heads from other manufacturers including Celestron and Sky-Watcher, but I have not tested this feature myself. 

ZWO TC40 Tripod

The ZWO TC40 Tripod is lightweight and ultra-stable

ZWO also offers pier extensions for those with imaging payloads on the longer side. Using my setup, the small refractor, filter wheel, and dedicated astronomy camera cleared the tripod legs even when pointed near the zenith, so this was not an issue for me. The pier extensions allow for more room between your telescope and the mount head so you don’t have to worry about a collision. 

ZWO AM5 Harmonic Drive Mount

Running the ZWO AM5 

I know that many others that have reviewed the ZWO AM5 mount have successfully controlled it using software on their laptop computer (including the increasingly popular NINA). Because I am a huge fan of the ZWO ASIAIR Plus wireless experience, I chose to run the mount exclusively with this software. If you prefer to use your existing favorite image capture software, the ZWO AM5 supports ASCOM PC control. 

This allows me to control absolutely every aspect of my imaging session, from polar alignment to plate-solving my target. I have not connected the hand controller to the AM5 mount, not even once. The seamless, hands-free control of the mount using the ASIAIR mobile app is just too easy and painless to not utilize.

With the AM5 in the home position, I start my polar alignment process. The ASIAIR software communities directly to the mount via the included USB 2.0 cable, and runs the mount through a short routine involving rotating the telescope about 45 degrees in the RA axis.

From there, it’s a matter of following the on-screen prompts to make subtle adjustments to the alt/az adjustment bolts on the mount to dial in your polar alignment. The software uses your camera to take short exposure images of the star field and quickly plate-solves the information to guide you in the right direction.

Once this has been completed (it usually takes me about 2 minutes these days), you can slew to your intended target, or perhaps a bright star to focus your camera using a Bahitnov mask. If you own a ZWO EAF, the process becomes even easier as you wait for the software to find the perfect focus for you. 

ASIAIR controlling AM5 mount

It should come as no surprise that the AM5 and ASIAIR communicate flawlessly, as I am sure this is exactly what ZWO had in mind when they developed the mount. The ASIAIR is constantly being updated and tweaked to include new features such as a mosaic planner, deep-sky image processing, and much more.

If you use a non-ASI camera, I understand your frustration with the ‘closed ecosystem’ ZWO has created, but for ASI camera users (my first dedicated astronomy camera was the ZWO ASI071MC Cool in 2017) like myself, it is a great time to be an amateur astrophotographer. 

Balancing Your Telescope

If you are used to setting up a traditional deep-sky astrophotography setup on an equatorial telescope mount, this part just feels wrong. You do not need to balance the telescope in the RA and DEC axes on the ZOW AM5. In fact, there is no possible way to balance the telescope in RA if you are not using a counterweight. 

This is something to get used to (and you will), but it seems to throw all of the rules of setting up a telescope on a tracking mount out the window. Now, this incredible feat can not be mentioned without a bit of warning. 

Although the AM5 harmonic drive mount can handle the telescope payload with ease, you must ensure that the tripod base underneath is solid and secure. With a small refractor telescope like the one shown below, the tripod is stable even with the telescope slewed toward the meridian. However, with a heavier payload, it is possible for the entire tripod to tip over if the weight of the tripod base is not secure. 

For this reason, ZWO supplies sandbags to add stability and weight to the tripod. You may also want to add weight to the included canvas pouch that sits between the tripod legs. This is also a great spot to place any power supply cables and lens caps. 

best astrophotography telescope

 ZWO AM5 Guiding Performance

ZWO provides the following periodic error report on their website and states that “ZWO measures each mount and includes an exclusive PE curve before it leaves our factory”. I received a unique periodic error report for the ZWO AM5 I am using and it was very similar to the one shown below. 

ZWO AM5 Periodic Error Chart

The guiding performance of the ZWO AM5 is more than adequate for my needs as an amateur astrophotographer. I regularly enjoy a total RMS error of about .06-.08 arc seconds depending on the sky quality conditions that night.

These values are equal to the level of performance I had become accustomed to using the larger Sky-Watcher EQ6-R Pro. It should go without saying, that these numbers can only be achieved after an accurate polar alignment of the telescope mount. 

The autoguiding experience on the ZWO AM5 is so consistent and painless, it is just not something I even think about when running an imaging session. After I polar align the mount, I use the guiding tool on the ASIAIR app to perform a quick calibration routine, and I am on my way. 

Shooting at a focal length of about 400mm is not exactly pushing the mount to its limits, but this is a practical use case for many backyard amateur astrophotographers. I am confident a heavier load would achieve similar performance, although I think a practical focal length range for this mount is 2000mm and under.

ZWO AM5 guiding graph

The guiding performance of my ZWO AM5 using the ASIAIR Plus. (Radian 75mm APO + ASI2600MM Pro). 

What is a Harmonic Drive Mount?

The ZWO AM5 uses a strain wave gear instead of worm gears as you would find in a traditional equatorial telescope mount such as the Sky-Watcher EQ6-R Pro or Celestron AVX. 

A harmonic drive has three key components, a wave generator, a flex spline, and a circular spline. The wave generator has an elliptical shape and consists of an elliptical hub and a special thin-walled bearing that follows the elliptical shape of the hub.

A strain wave gear system does not experience backlash, and balancing the weight of the telescope and imaging equipment is not required.

Hamonic Drive Mount

The strain wave gearing system at the heart of the ZWO AM5. 

Compared to a traditional equatorial mount head with worm gears, the harmonic drive design has the benefit of containing the entire system in a smaller, lighter mount head.

ZMO AM5 Specifications

  • Mount Modes: Equatorial + Altazimuth
  • Periodic Error: <+/-20″
  • Weight: 11 lb (5 kg)
  • Payload Capacity (Without Counterweight): 28.6 lbs (13 kg)
  • Payload Capacity (With Counterweight): 44 lbs (20 kg)
  • Dovetail: Losmandy, Vixen
  • Max Slew Speed: 6°S
  • Latitude Adjustment Range: 0°-90°
  • Power Requirement: DC 12V 5A
  • Autoguide Port: Yes (ST4)
  • Communication Interface: USB/WiFi
  • Hand Controller: Yes
  • Operating Temperature: -15°C-40°C
  • Power Failure Protection: Yes

The design of the ZWO AM5 mount is very practical and slick in terms of both style and operation. It does have that familiar harmonic drive mount look to it (it reminds me of a robotic arm like one you would see in a factory), which is due to the fact that it aims to keep the size to a minimum. 

The signature ZWO red matches the rest of my ASI cameras and accessories perfectly (if you’re into that sort of thing). I’ve heard some people complain about the loud “beep” the AM5 makes when you turn it on and slews to a new target. ZWO has since provided the option to turn this volume down (or off completely) within the menu on the ASIAIR software.

The AM5 can accept both Vixen and Losmandy style dovetail mounts, depending on the mounting hardware of your telescope. The tension knobs on the right-hand side of the mount head feel solid and secure, providing some peace of mind when your telescope is attached.

Veil Nebula

The Veil Nebula. ZWO AM5, ASI2600MM Pro, Radian 75 APO.

There is a finder shoe on the right side of the mount as well, which you could use to install a small finder scope to aid in polar alignment. I have not used this finder show for anything since the mount arrived. I would not suggest keeping anything in this location (such as an ASIAIR controller), as it looks like it could run into the tripod while slewing in certain directions. 

The power switch for the mount is on the other side and lights up red with a “beep” when you turn it on. The status indicator light shines red when in EQ mode, and green when in Alt/Az mode. This light is on the front of the mount, along with all of the primary input ports. 

On the front of the mount, you’ll find all of the main input ports on the mount including the USB 2.0 port, DC 12V power supply port, and autoguide port. I have never plugged the hand controller into the mount, as the USB cable running from the AM5 to my ASIAIR Plus handles all operations of the mount. 

The back of the mount is where you will find the important adjustment knobs to perform your polar alignment. The altitude and azimuth adjustment bolts are nothing special, but get the job done. I find it easiest to loosen the primary connection knob (the big black knob under the tripod) when making major adjustments in the azimuth directions. Just don’t forget to tighten everything back up when you’re done.

I rarely touch the tension grip for adjusting latitude, unless I am traveling far from home and need to make a major latitude change. The Altitude and Azimuth can both be locked to secure your position once polar aligned. 

Alt/Az Adjustment Bolts

Things to Keep in Mind

Watch the rear of the mount while slewing to ensure that no cables are getting caught up on the azimuth or altitude adjustment bolts. These spots stick out, and it wouldn’t take much for a cable to loop around one of the bolts and potentially cause damage to the port your device is plugged into. 

Always make sure to return the telescope to the home position when your imaging session has finished. Unlike a traditional equatorial mount, you can’t manually unlock the clutches in RA and DEC after the mount has been turned off. If you turn it off with the telescope off to one side, the off-balance load is much easier to top over when transporting your rig. 

Speaking of an off-balance load, you need to be very careful about tipping your entire setup over when not using a counterweight. My little rig with a 75mm refractor and imaging accessories only weighs about 12 pounds, and I can feel the weight leaning to one side when pointed near the meridian. 

Add weight to the tripod if necessary, and make absolutely sure that there is no potential for a tip-over with your setup. This may seem obvious to some, but if you’re coming from a German Equatorial mount (like me), this is not something you’re used to. 

Use a counterweight bar if you plan on mounting a heavy telescope  (20+ lbs) on the ZWO AM5. If the total overall weight of your imaging system is approaching 25 pounds (including your camera, filter wheel, guide scope etc.), I definitely recommend using a counterweight.

ZWO lists the size of the counterweight bar as an M12, and you will need to purchase this (and the counterweight itself) separately. 

ZWO AM5 Review

The ZWO AM5 and Radian 75 pointed toward the California Nebula in my backyard.

Final Thoughts

I think the two biggest potential sources of hesitation people have with the ZWO AM5 are its ability to handle a medium-sized astrophotography telescope and the tracking/guiding performance of the harmonic drive system. I too, had these thoughts when the AM5 arrived, and I am happy to report that my experiences with this mount have exceeded all of my expectations.

For owners of the ZWO ASIAIR wifi controller looking for a quality mid-range mount, the AM5 is an absolute no-brainer. ZWO has done an incredible job of creating a top-to-bottom deep-sky astrophotography system. 

The ZWO AM5 is a great fit for anyone looking for a travel-friendly telescope mount that can handle a decent equipment payload. For me, this meant being able to bring a serious deep-sky imaging setup to a remote location (on a plane) for the first time.  

This same portability and reliable performance mean that it is also the mount I use most often at home, simply because I can get it up and running the fastest. Sure, it may only be another 5-10 minutes to get my beloved EQ6-R running (which it often is, as well as the AM5), but the ZWO AM5 is my ‘ready for anything’ telescope mount that gets called into action most. 

astrophotography telescope

The ZWO AM5 is available at OPT 

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