bwuphoto.com – Page 187 – Photography Collection From All Over The World

Are Humans Falling Out of Love with Nature?

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When Masashi Soga was growing up in Japan, he loved spending time outside catching insects and collecting plants. His parents weren’t big fans of the outdoors, but he had an elementary schoolteacher who was. “They taught me how to collect butterflies, how to make a specimen of butterflies,” Soga recalls. “I enjoyed nature quite a lot.”

That early exposure helped foster Soga’s appreciation for nature, he says, and today, Soga is an ecologist at the University of Tokyo. Soga specializes in the psychological benefits of nature. He studies how people’s interactions with nature affect their attitudes toward it, and his research contributes to the growing body of scientific literature showing how spending time outside has a positive effect on people’s well-being.
Within Soga’s field, research on biophilia — which explores the consequences of humans’ affinity for the natural world — is much more extensive than studies of biophobia, the fear of nature. But in a new opinion paper, Soga and a team of researchers argue that biophobia is a growing phenomenon that seems to be increasing with urban development.

They go a step further, positing that biophobia is being reinforced and proliferated through society in a vicious cycle, which can have harmful consequences for people’s well-being. Existing research already shows that people who are biophobic are less likely to support conservation efforts, meaning growing biophobia is hurting wild ecosystems as well.

In their paper, ecologist Masashi Soga and his colleagues outline how they envision ‘the vicious cycle of biophobia’ playing out.
Illustration courtesy of Masashi Soga and his colleagues.

To prevent or even reverse biophobia, it’s important to understand how it begins. The researchers’ vicious cycle of biophobia is based on the premise that humans tend to fear pain and seek to avoid it. Negative reactions like disgust can also lead to avoidance behaviour.

When a person begins to view nature as something to be avoided — because of direct experience, family or friends, or the media — it sets the stage for biophobia, say Soga and his colleagues. Over time, this may cause someone to increasingly avoid nature, or worse, try to eliminate it. The person’s progressively infrequent experiences with nature can lead to a feeling of disconnection. And since people are generally afraid of the unknown, this can feed into the phobia.

Even just one person’s phobia has worrisome implications, the researchers say. If a person lacks the knowledge to interact with wildlife safely, or never learns to tell the difference between approachable and potentially dangerous species, aside from avoiding nature, they become ignorant of the natural world. This ignorance often leads to the sharing of sensationalist stories and spreading of misinformation. The result is growing biophobia at the societal level and fewer people interacting with nature. And, since people are unlikely to protect something they fear, the end result is a cycle of environmental degradation.

To reverse the cycle, the researchers say, education is essential. Children are especially impressionable, and multiple studies show that early exposure to nature in a safe environment, such as with a schoolteacher or parent, greatly impacts their attitudes. Parents’ behaviours have a big impact on kids, too, Soga says.

Outside school, educational outreach programs at places like museums or parks can boost people’s knowledge about nature. Naturalist-guided walks, or activities like gardening, can provide firsthand positive interactions. In places where it’s not easy to access nature, Soga suggests virtual reality can play a role.

Creative solutions will be necessary because as cities grow bigger and denser accessing green space is increasingly difficult for many, especially those in lower-income communities, says Linda Powers Tomasso, an environmental health researcher specializing in human-nature interactions at the Harvard T. H. Chan School of Public Health in Boston who was not involved with the study. What used to be routine daily interactions with nature are disappearing, which is negatively impacting people’s attention spans, physical activity levels and resilience to stress, she says — not to mention the spiritual benefits of connecting with something larger than themselves.

While Powers Tomasso “absolutely agrees” with the researchers’ ideas, she points out that there is another mindset between biophilia and biophobia that leads to the same consequences as biophobia: indifference.
“If you don’t care about something, you’re not going to take that next step to protect it,” she says. That’s why education, nature mentorship, and making natural places and urban green spaces welcoming and accessible are so important for conservation and human well-being, she says.

“We only protect and care for what we know, what we love,” Powers Tomasso says. “If we don’t have an opportunity to get to know something, we will never develop that sense of love.”

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Last full moon of winter worms its way into stunning photos from around the world

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The full moon setting behind Rocca Calascio castle and village in Italy.

© Photo by Lorenzo Di Cola/NurPhoto via Getty Images
The full moon setting behind Rocca Calascio castle and village in Italy.

March’s full moon also known as the “Worm Moon” peaked on Mar. 7 and thrilled skywatchers worldwide.

A full moon occurs whenever the moon is on the opposite side of Earth from the sun. The next full moon will be on Thursday, April 6, at 12:34 a.m. EST (0534 GMT), and is known as the “Pink Moon.”

From Italian fortresses to San Fransico’s Golden Gate Bridge, we take a look at some of the best March full moon photographs captured around the world.

Related: Night sky, March 2023: What you can see tonight [maps]

See the Moon phases in 2023 in epic time-lapsed animation

UP NEXT

The name “Worm Moon” is thought to relate to the emergence of earthworms from the thawing soils.

March’s full moon has several other alternative names, including the Full Crow Moon, the Full Crust Moon and the Full Sap Moon.

The names for many of the full moons throughout the year are related to seasonal happenings in in the months in which they occur, such December’s Cold Moon named for winter’s low temperatures. March’s full moon has what is perhaps one of the more unusual names from the catalog of full moon titles.

Fancy taking a more in-depth moonlit tour of our rocky companion? Our ultimate guide to observing the moon will help you plan your next skywatching venture, whether it be exploring the lunar seas, the moon’s mountainous terrain, or the many craters that blanket its landscape. You can also see where astronauts, rovers and landers have ventured with our Apollo landing sites observing guide.

If you’re looking for a telescope or binoculars to observe the next full moon, our guides for the best binoculars deals and the best telescope deals now can help. Our best cameras for astrophotography and best lenses for astrophotography can also help you prepare to capture the next skywatching sight on your own.

Skywatchers also turned to Twitter to share some of their spectacular shots of the Worm Moon.

Editor’s Note: If you snap a photo of the Worm Moon and would like to share it with Space.com’s readers, send your photo(s), comments, and your name and location to [email protected].

Follow us on Twitter @Spacedotcom and Facebook.

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Professional Photography (Wedding Photography) Market Share, Trends, Growth, Size, Future Demands, Latest Innovation and Forecast to 2029

Film Photography Cameras Market Size From 2022 To 2028 And Unlimited Opportunities for New Companies

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The MarketWatch News Department was not involved in the creation of this content.

Mar 08, 2023 (The Expresswire) —
The “Professional Photography (Wedding Photography) Market” study describes how the technology industry is evolving and how major and emerging players in the industry are responding to long term opportunities and short-term challenges they face. One major attraction about Professional Photography (Wedding Photography) Industry is its growth rate. Many major technology players are [DS Reps, PUREi, Hint Creative, JSR Agency, Wonderhatch, Art + Commerce, KOBU Creative Digital Agency, Red Creative, Ranch Creative, Giant Artists, Boulevard Artists, Poppy Creative Agency, Creative Ville, Swork Studio, Create Agency, Aumcore] have been looking into Professional Photography (Wedding Photography) as a way to increase their market share and reach towards consumers.

What is the Professional Photography (Wedding Photography) market growth?

Professional Photography (Wedding Photography) Market Size is projected to Reach Multimillion USD by 2029, In comparison to 2023, at unexpected CAGR during the forecast Period 2023-2029.

Browse Detailed TOC, Tables and Figures with Charts which is spread across 102 Pages that provides exclusive data, information, vital statistics, trends, and competitive landscape details in this niche sector.

Client Focus

1. Does this report consider the impact of COVID-19 and the Russia-Ukraine war on the Professional Photography (Wedding Photography) market?

Yes. As the COVID-19 and the Russia-Ukraine war are profoundly affecting the global supply chain relationship and raw material price system, we have definitely taken them into consideration throughout the research, and in Chapters, we elaborate at full length on the impact of the pandemic and the war on the Professional Photography (Wedding Photography) Industry

Final Report will add the analysis of the impact of Russia-Ukraine War and COVID-19 on this Professional Photography (Wedding Photography) Industry.

TO KNOW HOW COVID-19 PANDEMIC AND RUSSIA UKRAINE WAR WILL IMPACT THIS MARKET – REQUEST SAMPLE

This research report is the result of an extensive primary and secondary research effort into the Professional Photography (Wedding Photography) market. It provides a thorough overview of the market’s current and future objectives, along with a competitive analysis of the industry, broken down by application, type and regional trends. It also provides a dashboard overview of the past and present performance of leading companies. A variety of methodologies and analyses are used in the research to ensure accurate and comprehensive information about the Professional Photography (Wedding Photography) Market.

Which are the driving factors of the Professional Photography (Wedding Photography) market?

Growing demand for [Consumer, Commercial] around the world has had a direct impact on the growth of the Professional Photography (Wedding Photography)

The Professional Photography (Wedding Photography) segments and sub-section of the market are illuminated below:

Based on Product Types the Market is categorized into [Portrait Photography, Food Photography, Street Photography, Product Photography, Landscape Photography, Others] that held the largest Professional Photography (Wedding Photography) market share In 2022.

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Professional Photography (Wedding Photography) Market – Competitive and Segmentation Analysis:

2.How do you determine the list of the key players included in the report?

With the aim of clearly revealing the competitive situation of the industry, we concretely analyze not only the leading enterprises that have a voice on a global scale, but also the regional small and medium-sized companies that play key roles and have plenty of potential growth.

Short Description About Professional Photography (Wedding Photography) Market:

The Global Professional Photography (Wedding Photography) market is anticipated to rise at a considerable rate during the forecast period, between 2022 and 2029. In 2021, the market is growing at a steady rate and with the rising adoption of strategies by key players, the market is expected to rise over the projected horizon.

North America, especially The United States, will still play an important role which cannot be ignored. Any changes from United States might affect the development trend of Professional Photography (Wedding Photography). The market in North America is expected to grow considerably during the forecast period. The high adoption of advanced technology and the presence of large players in this region are likely to create ample growth opportunities for the market.

Europe also play important roles in global market, with a magnificent growth in CAGR During the Forecast period 2022-2029.

Professional Photography (Wedding Photography) Market size is projected to reach Multimillion USD by 2029, In comparison to 2022, at unexpected CAGR during 2022-2029.

Despite the presence of intense competition, due to the global recovery trend is clear, investors are still optimistic about this area, and it will still be more new investments entering the field in the future.

This report focuses on the Professional Photography (Wedding Photography) in global market, especially in North America, Europe and Asia-Pacific, South America, Middle East and Africa. This report categorizes the market based on manufacturers, regions, type and application.

The report focuses on the Professional Photography (Wedding Photography) market size, segment size (mainly covering product type, application, and geography), competitor landscape, recent status, and development trends. Furthermore, the report provides detailed cost analysis, supply chain.

Technological innovation and advancement will further optimize the performance of the product, making it more widely used in downstream applications. Moreover, Consumer behavior analysis and market dynamics (drivers, restraints, opportunities) provides crucial information for knowing the Professional Photography (Wedding Photography) market.

Get a Sample Copy of the Professional Photography (Wedding Photography) Report 2023

3.What are your main data sources?

Both Primary and Secondary data sources are being used while compiling the report.

Primary sources include extensive interviews of key opinion leaders and industry experts (such as experienced front-line staff, directors, CEOs, and marketing executives), downstream distributors, as well as end-users. Secondary sources include the research of the annual and financial reports of the top companies, public files, new journals, etc. We also cooperate with some third-party databases.

Geographically, the detailed analysis of consumption, revenue, market share and growth rate, historical data and forecast (2017-2027) of the following regions are covered in Chapters:

● North America (United States, Canada and Mexico) ● Europe (Germany, UK, France, Italy, Russia and Turkey etc.) ● Asia-Pacific (China, Japan, Korea, India, Australia, Indonesia, Thailand, Philippines, Malaysia and Vietnam) ● South America (Brazil, Argentina, Columbia etc.) ● Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

This Professional Photography (Wedding Photography) Market Research/Analysis Report Contains Answers to your following Questions

● What are the global trends in the Professional Photography (Wedding Photography) market? Would the market witness an increase or decline in the demand in the coming years? ● What is the estimated demand for different types of products in Professional Photography (Wedding Photography)? What are the upcoming industry applications and trends for Professional Photography (Wedding Photography) market? ● What Are Projections of Global Professional Photography (Wedding Photography) Industry Considering Capacity, Production and Production Value? What Will Be the Estimation of Cost and Profit? What Will Be Market Share, Supply and Consumption? What about Import and Export? ● Where will the strategic developments take the industry in the mid to long-term? ● What are the factors contributing to the final price of Professional Photography (Wedding Photography)? What are the raw materials used for Professional Photography (Wedding Photography) manufacturing? ● How big is the opportunity for the Professional Photography (Wedding Photography) market? How will the increasing adoption of Professional Photography (Wedding Photography) for mining impact the growth rate of the overall market? ● How much is the global Professional Photography (Wedding Photography) market worth? What was the value of the market In 2020? ● Who are the major players operating in the Professional Photography (Wedding Photography) market? Which companies are the front runners? ● Which are the recent industry trends that can be implemented to generate additional revenue streams? ● What Should Be Entry Strategies, Countermeasures to Economic Impact, and Marketing Channels for Professional Photography (Wedding Photography) Industry?

Customization of the Report

Can I modify the scope of the report and customize it to suit my requirements?

Yes. Customized requirements of multi-dimensional, deep-level and high-quality can help our customers precisely grasp market opportunities, effortlessly confront market challenges, properly formulate market strategies and act promptly, thus to win them sufficient time and space for market competition.

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Detailed TOC of Global Professional Photography (Wedding Photography) Market Insights and Forecast to 2029

Major Points from Table of Contents

Global Professional Photography (Wedding Photography) Market Research Report 2023-2029, by Manufacturers, Regions, Types and Applications

1 Introduction
1.1 Objective of the Study
1.2 Definition of the Market
1.3 Market Scope
1.3.1 Market Segment by Type, Application and Marketing Channel
1.3.2 Major Regions Covered (North America, Europe, Asia Pacific, Mid East and Africa)
1.4 Years Considered for the Study (2015-2029)
1.5 Currency Considered (U.S. Dollar)
1.6 Stakeholders

2 Key Findings of the Study

3 Market Dynamics
3.1 Driving Factors for this Market
3.2 Factors Challenging the Market
3.3 Opportunities of the Global Professional Photography (Wedding Photography) Market (Regions, Growing/Emerging Downstream Market Analysis)
3.4 Technological and Market Developments in the Professional Photography (Wedding Photography) Market
3.5 Industry News by Region
3.6 Regulatory Scenario by Region/Country
3.7 Market Investment Scenario Strategic Recommendations Analysis

4 Value Chain of the Professional Photography (Wedding Photography) Market

4.1 Value Chain Status
4.2 Upstream Raw Material Analysis
4.3 Midstream Major Company Analysis (by Manufacturing Base, by Product Type)
4.4 Distributors/Traders
4.5 Downstream Major Customer Analysis (by Region)

5 Global Professional Photography (Wedding Photography) Market-Segmentation by Type
6 Global Professional Photography (Wedding Photography) Market-Segmentation by Application

7 Global Professional Photography (Wedding Photography) Market-Segmentation by Marketing Channel
7.1 Traditional Marketing Channel (Offline)
7.2 Online Channel

8 Competitive Intelligence Company Profiles

9 Global Professional Photography (Wedding Photography) Market-Segmentation by Geography

9.1 North America
9.2 Europe
9.3 Asia-Pacific
9.4 Latin America

9.5 Middle East and Africa

10 Future Forecast of the Global Professional Photography (Wedding Photography) Market from 2023-2029

10.1 Future Forecast of the Global Professional Photography (Wedding Photography) Market from 2023-2029 Segment by Region
10.2 Global Professional Photography (Wedding Photography) Production and Growth Rate Forecast by Type (2023-2029)
10.3 Global Professional Photography (Wedding Photography) Consumption and Growth Rate Forecast by Application (2023-2029)

11 Appendix
11.1 Methodology
12.2 Research Data Source

Continued….

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Mar 09 2023

These are the 2022 World Nature Photography Awards Contest Winners – NBC Chicago

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The World Nature Photography Awards announced the winning photographs from its 2022 photo competition.

The contest aims to use the power of photography to put a spotlight on the wonder of the natural world, reminding viewers to take action now to protect the planet and secure a better tomorrow.

The contest, which opened to U.S. residents last year, invited readers to submit a digital photograph in over a dozen categories, such as animals, plants and fungi and people and nature. The grand prize winner receives a cash prize of $1,000. Here are all the gold medal winners by category:

Animal Portraits

Winner of World Nature Photographer of the Year

A crocodile in the mud at Mana Pools National Park, Zimbabwe. (Jens Cullmann)

Behaviour – Mammals

Japanese macaques in Awaji Island, Japan. (Hidetoshi Ogata)

Behaviour – Amphibians and reptiles

Japanese stream toads in the Owase Mountains, Mie, Japan. (Norihiro Ikuma)

Behaviour – Birds

A male Hooded Merganser in Huntley Meadows Park, Alexandria, Virginia. (Charles Schmidt)

Behaviour – Invertebrates

A red crab (Grapsus adscensionis) in La Gomera Island, Spain (Javier Herranz Casellas)

Nature Art

Spawning coral in the Red Sea. (Tom Shlesinger)

People and Nature

The view from inside a glacier looking up at the night sky in Solheimajokull, South Iceland. (Virgil Reglioni)

Plants and Fungi

Eucalyptus in Mount Barker, Western Australia (Julie Kenny)

Urban Wildlife

Common kestrel (Falco tinnunculus) in Stara Zagora, Bulgaria. (Vladislav Tasev)

Planet Earth’s Landscapes and Environments

Grand Teton Peak in Wyoming, USA (Jake Mosher)

Black and White

Lesser Antillean Iguana in Grenada Island, West Indies. (Alain Ernoult)

Animals in their Habitat

A snow leopard in the Indian Himalayas. (Sascha Fonseca)

Nature Photojournalism

Australian fur seal in Port Kembla, NSW, Australia. (Nicolas Remy)

Underwater

Harlequin shrimps in the Hymanocera Lembeh strait, Indonesia. (Adriano Morettin)

To see the full gallery of winners, visit the World Nature Photography Awards website.

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Mar 09 2023

Richard Avedon’s Photography Shows Its Softer Side in a New Book

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When Gianni Versace was a child, he stumbled upon one of the late photographer Richard Avedon’s most well-known images: Dovima With Elephants, which portrayed the American supermodel in a Dior gown delicately holding onto the animal’s trunk and ear. The picture enraptured the designer so much that Avedon became a favorite photographer of his—and they would go on to have a 20-year collaboration with one another.

Now, the Versace brand is teaming with Avedon once more—this time, for a book titled Richard Avedon, Relationships, out March 14 by the publishing house SKIRA, in collaboration with the Center for Creative Photography and The Richard Avedon Foundation. Avedon may be known as one of the founding fathers of modern fashion photography—but you’ve never seen his works like this. In Relationships, the celebrated portraitist’s most famed pieces are featured alongside lesser-known images: take, for example, the portrait of Penelope Tree wearing an Ungaro mask; or an arty, blurred image of Malcolm X. The tome is a tribute to the work of Avedon, who revolutionized editorial fashion shoots when he stopped portraying models in static poses, favoring instead to show them in more realistic environments. Within the pages of this book, you’ll find portraits of Marilyn Monroe, Andy Warhol, Bob Dylan, and many more iconic faces of the 20th century—most of whom were photographed multiple times at different periods throughout Avedon’s career. Below, a selection of iconic photographs from the book—and their lesser-known counterparts.

Richard Avedon, Carmen (Homage to Munkácsi), August 1957. The model wears a coat by Pierre Cardin, and was photographed at Place François Premiere square in Paris.

Richard Avedon, Jean Shrimpton, January 1970. Shrimpton wears an evening dress by Cardin.

Richard Avedon, John Lennon, August 11, 1967. Photographed in London.

Richard Avedon, Dovima With Elephants, August 1955. Dovima wears an evening dress by Dior, and was photographed at Cirque d’Hiver in Paris.

Richard Avedon, Malcolm X, March 27, 1963. Photographed in New York.

Richard Avedon, Nastassja Kinski, June 14, 1981. Photographed in Los Angeles.

Richard Avedon, Penelope Tree, January 1968. Tree wears a mask by Emanuel Ungaro and was photographed at Avedon’s Paris studio.

Richard Avedon, Shoe by Perugia, August 1948. Place du Trocadéro, Paris.

Richard Avedon, Self Portrait, August 20, 1980. Photographed in Provo, Utah.

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Mar 09 2023

8 Nature and Wildlife Photography Competitions You Can Join to Gain Exposure

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© Provided by MUO

Are you a nature and wildlife photography enthusiast? Participating in a photography competition can help you improve your skills and showcase your work before others.

Most of us may think of competition as bad, but it is indeed a double-edged sword. If you’re all about winning, it’s better to avoid competition because it will put undue stress on you. But, if you want to study the work of others, appreciate them, and learn from them, competition can be an excellent tool to gain skills—not to mention the financial benefits.

Here are a few annual competitions to help you get started.

1. National History Museum Wildlife Photographer of the Year

The Wildlife Photographer of the Year is the creme-d la-creme of all wildlife photography competitions. The prestigious competition by the UK’s National History Museum has been around for nearly six decades.

To enter the competition, you must pay the entry fee of £30 (approx. $36). The fee is in place to cover the various costs related to the competition and the exhibition. However, residents of certain countries may be exempt from the entry fee.

There is a strict set of rules that your images must adhere to enter the competition. You cannot harm or manipulate the animals in any way while taking photos. Also, you must keep your post-production to an absolute minimum—no adding or removing stuff from your photos.

You can submit your images in JPEG format with at least 1,920 pixels at the longest dimension. You must produce the original RAW file to check the edits if you qualify for the final round.

The title winner gets £10,000 ($12,000), a trophy, and a certificate. Other category winners get monetary prizes and a trip to the award ceremony in London.

2. Sony World Photography Awards – Wildlife and Nature

The next on our list is the Sony World Photography Awards, a popular competition for all types of photographers. The competition has different categories, including Wildlife and Nature for nature aficionados.

There is no entry fee to the competition, but you can buy additional image bundles if you want to submit more photos. You can submit your images in two categories—professional or open. You must submit a set of pictures for the professional category and single images for the open category. There are also youth and student competitions.

The photos you submit must be taken within a specific timeline, usually the year before. The professional category winner gets $25,000, while the open category winner gets $5,000. The winners also get Sony digital equipment and a trip to the awards ceremony. We do love a good Sony mirrorless camera.

3. Comedy Wildlife Photography Awards

If you are a fun wildlife photographer who wants to start a discussion about conservation in a lighthearted way, this is the competition for you. As the name suggests, the Comedy Wildlife Photography Awards celebrates the humor in the natural world through funny pictures and laugh-out-loud videos.

The competition is entirely free for all levels of photographers, from novice to expert. However, each photographer is allowed only ten entries. The winner gets the title, a trophy, and two camera bags.

4. BPOTY

Are you more fan of the avian world than terra firma? Then, check out the Bird Photographer of the Year competition. You have eight different categories to enter, plus special categories like portfolio, conservation, and video. Here are some tips for getting started with bird photography.

There is an entry fee starting at £10 ($12) for one image to £60 ($72) for 50 shots. You can submit as many photos as you want. There are strict rules, though—you cannot use live baits and domesticated or captive birds.

The title winner gets £5,000 ($6,000), while other category winners get different cash prizes and Olympus gear.

5. NPOTY

Nature Photographer of the Year is a relatively new competition. Starting six years ago, NPOTY has gained momentum in recent years. To participate, you have to pay an entry fee of €29 ($31) for standard submissions and €17 ($18) for portfolio submissions.

The overall winner gets €3,000 ($3,200), and the category winners each get €500 ($532). When you participate in the NPOTY competition, you also support various conservation agencies, including Photographer Against Wildlife Crime.

You can also submit high-resolution smartphone photos, provided they are at least 3,000 pixels on the long side.

6. W/N/P/A

The World Nature Photography Awards is an independent organization that aims at using photography as a tool for change. The competition is currently in its fourth year.

The entry fee is £30 ($36) per entry, and you can submit six images. You can buy more entries if you want to submit more photos. The winner gets a prize of £1,000 ($1,203).

W/N/P/A will plant a tree for every entry, so your entry fee will go to a good cause.

7. National Wildlife Federation Photo Contest

The National Wildlife Federation Photo Contest is a long-running competition with nine categories to enter. You can buy different entry packages from $15 for one image, $20 for 10, and $25 for 15 photos. Also, you can buy a portfolio package for $20.

The grand winner gets $5,000, while the first and second-prize winner gets $500 and $250, respectively. In addition, some selected images will also be published in the National Wildlife magazine.

8. Smithsonian Magazine Photo Contest – Natural World

Running for over 20 years, the Smithsonian Magazine Photo Contest is a must-do to expand your skills and get recognition. There are six categories but only one Natural World category for entering wildlife and nature photos.

There is no entry fee; you can submit 15 photos per category. If you win the title, you get $2,500 plus various prizes. The category winners get $500, and an additional Reader’s Choice winner will get $500.

Join a Nature Photography Competition to Boost Your Confidence

With tiny smartphone cameras packing a punch, photography is more accessible than ever before. But, if you’re using it only to take snapshots, it is time to change that.

Of all the photography that you can try, nature is the easiest to start with. So, take time to learn more about taking pictures and participate in competitions to discover different styles and showcase your work.

Most of the competitions are happy to accept smartphone photos. So whether you use your mobile phone or have state-of-the-art camera gear, try a photo competition this year. It can be so enlightening and fun.

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Mar 09 2023

Meet the women astrophotographers capturing the beauty of the Milky Way in Qatar

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It’s new moon day and that season again. She double-checks her camera, carefully attaching the wide-angle lens. She keeps extra memory cards, batteries, a headlamp, a remote, and an intervalometer in the separate padded sections in the backpack, before slipping the tripod in the dedicated attachment. She’s all geared up to travel from Doha to a location with the least light pollution. She and her three friends have waited for this day and are excited to be under the stars, staying the whole night out in the desert, capturing the stars.

The moment her friends arrive, she hops into the car and heads straight out of the capital city of Qatar. The sun has already set and after a ride of nearly two hours, they reach the desired location, right before the Milky Way galaxy rises. There’s no light in sight, there’s no moon, and it’s doubly invisible. It is the best time to view other celestial objects. It’s that perfect time when astrophotographers eagerly wait for the whole month to view and capture the eternal beauty of the night sky.

“The serenity of being in a place where you’re one with nature is unexplainable. In Doha, you barely get to see any stars because of the city lights. From where we shoot, everything is visible. We get surprised every time we take the first step out of the car as we can immediately see the sky filled with stars, sometimes planets,” says Kryzelle Cane Collamar, an accountant by profession.

A native of Masbate in the Phillippines, the 29-year-old Cane started to capture the Milky Way galaxy two years after her arrival in Qatar in 2016. “It’s a rewarding experience. Not many people go to this length just to capture a photo. The outcome is worth it,” she tells Euronews Culture.

Pitch-dark spots in Qatar

When it comes to the night sky nothing can beat the different types of deserts of Qatar. They’re not only the best spots for some incredible views of the stars in the country, but also for taking photos of the Milky Way galaxy, star trails, and deep sky, or to simply sit at one of the many pitch-dark spots, watching the earth spin, making it look like the stars are moving through the night sky just above our head.

“It’s the experience, really. Seeing a night sky full of stars reminds me of my home country. I used to travel intensively and hike as much as possible before. Taking Milky Way photos is like taking postcards of the experience with me as I go back to city life,” says Ma Kristina Cuenca, a sonographer, residing in Qatar since 2018.

During those new moon days each month — from March to October — women photographers head out with friends or families to one of the pitch-dark places in Qatar such as Al-Aamriya, Al-Thuraya, Al-Kharrara, Al-Zubara, Zekreet, Khor Al-Udaid, Galactic Core Bay, and others to capture the core of the Milky Way.

Don’t click, make images

Often people say, ‘what’s the big deal in taking a Milky Way picture? You put a wide-angle lens to a camera, mount it on a tripod, point it at the sky and you have amazing images!’ They’re right, they’re wrong. In fact, it’s as easy as that and as difficult as that. Not many see that the night sky images are not clicked, but made. To make a picture of stars or planets as pleasing as one sees on the Internet, a lot of work goes behind – from scouting a good location to the right camera and lens, and most importantly, the composition.

“Taking Milky Way photos in itself is a process. And it involves a lot of patience and sometimes, luck. From planning to preparation to monitoring and execution… all steps are necessary if you really want to get a compelling one. Nevertheless, the output image is worth all the undertakings,” says 30-year-old Kristina, hailing from Cavite in the Philippines, who started taking night sky images on her smartphone in 2016.

Although it is interesting to take pictures at night, everything changes at that time — the landscape, the colours, and the light are all different from the daytime. Even though the place is the same, it looks very different at night. Settings used in the morning will not work at night. It goes without saying that astrophotography is not easy, it’s an Augean task. It needs everything to be faultless — neither the settings nor the camera or the telescope can shake.

However, these women stand ready for the battle, focusing on the sky to capture the stars. There’s nothing but only darkness around. After five to six minutes, not just the eyes but even the mind is all set for a new adventure in the dark. “The things you can’t see sometimes, your camera captures it well for you. So many unknown realities and scenes can be captured on a dark night,” says Manjari Saxena, a freelance photographer in Doha.

Male-dominated field

Even though the number of women in the field of astronomy has seen a rise gradually, the field still remains dominated by men and astrophotography is no exception. The award-winning landscape and astrophotographer, Isabella Tabacchi, based in Italy, feels “there are more and more women interested in this field”. She has noticed the ratio of women photographers consistently increasing over the past few years.

“I started to capture nocturnal landscapes because the night sky is more mysterious and with so many things to know about it. I think a lot of curious women like me would love astrophotography and I know several women that love astrophotography much more than normal landscape photography,” Isabella tells Euronews.

Unlike western countries, Qatar has not more than 4-5 women astrophotographers. This is not because women are less interested in this field, but because, “opportunities are less,” notes Manjari, the 44-year-old native of Delhi in India.

Most of the women photographers in Qatar like elsewhere feel safety is the major concern that stops them from pursuing their dream hobby. “Family responsibilities”, non-availability of “toilets”, unable to “drive 4×4” in the rocky terrain, “distance” from the place of living, and fear of “supernatural” elements are some common challenges they face. They have to heavily depend on fellow male photographers to reach the locations and be at their mercy to get back to the city.

“Being safe at night is probably the major concern and I have been invited to several panels discussing how we can approach this issue. Solutions that have been discussed include shooting in groups, attending female-oriented workshops, and ways to be more aware of your surroundings,” says Imma Barrera, the author, and astrophotographer based in New York, whose work ‘Under the Night Sky’ was shortlisted for the 2019 Sony World Photography Awards.

While men give lame excuses that women photographers can’t travel to remote and difficult-to-reach places to take night sky photos, women feel the other way around. They are more than brave and happy to take on such adventures and it is the reluctance of men to give them a chance that is stopping them.

“I know some male astrophotographers whose non-photographer girlfriends/wives will join them when they go out to shoot. I have met very few women astrophotographers whose partners will join them at night,” says Imma, who also runs educational programmes and workshops about astrophotography.

Fun and frustration

It’s no secret that the experience with night sky photography can be both fun and frustrating. One has to accept the truth that astrophotography is the most difficult form of photography, and going out at night without proper research can be frustrating. No amount of caution is enough as pictures have to be taken at night. There’s always the haunting fear of unwanted people, snakes, scorpions, spiders, insects, and foxes in desolate places.

“Once we climbed a big sand dune. It was pitch dark around. We had no idea where we were stepping into or how far we were. We just wanted a photo of the Milky Way with that sand dune in the foreground. Then suddenly, I almost fell on my face. I tumbled down as it was the edge of the dune. But my reflexes saved me,” adds Cane.

Some nights will be more successful than others, photographers get the images they want, and some nights no image comes out right. But every time the experience of seeing and capturing the night sky cannot be described in words, it has to be experienced. What could be more satisfying than capturing beautiful images of celestial bodies that most people overlook?

If it’s so difficult to capture the Milky Way, why do these women chase them month after month? There is a reason for this madness. Each picture they take becomes closer to the heart than any Hubble image seen on the Internet, making the stars shining bright in the vastness of the universe more real. Seeing the magnificence of the Milky Way captured on camera is no less than an awe-inspiring experience.

Chaitra Arjunpuri is an author and photographer based in Qatar. She is interested in long exposure and night photography and you can see more of her work here.

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Mar 08 2023

2023 Sony World Photography Awards: Architecture and Landscape

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“Muralla Roja”. After a few hours of shooting, it felt like this was the best spot to take a break, so I found a chair and brought it over. The moment I placed the chair I knew this would be a great photograph. Sadly, Ricardo Bofill passed away just a few weeks after I made this image, and so this empty chair acquired a lot of symbolism. Designed by Ricardo Bofill, the Muralla Roja apartment complex is one of the most iconic pieces of Spanish architecture. Over the years I have revisited this place to photograph it again and again. On my last visit, in December 2021, my goal was to create a totally different series by capturing the Muralla Roja during the day, at sunset, at night and at sunrise. I started shooting very early in the morning and continued well into the night. I then woke early to experience an unforgettable sunrise. Sadly, Bofill passed away just a few weeks after my visit, so I consider this series to be a personal tribute to him and his legacy. © Andres Gallardo Albajar, Spain, Finalist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Muralla Roja”. As the sun was coming out and the day was taking over, I started to feel that my visit was coming to an end, but I was running high on excitement and everywhere I looked I found interesting new photographs. Designed by Ricardo Bofill, the Muralla Roja apartment complex is one of the most iconic pieces of Spanish architecture. Over the years I have revisited this place to photograph it again and again. On my last visit, in December 2021, my goal was to create a totally different series by capturing the Muralla Roja during the day, at sunset, at night, and at sunrise. I started shooting very early in the morning and continued well into the night. I then woke early to experience an unforgettable sunrise. Sadly, Bofill passed away just a few weeks after my visit, so I consider this series to be a personal tribute to him and his legacy. © Andres Gallardo Albajar, Spain, Finalist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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The silence was loud. These pictures represent the question of what remains of cities; what persists of our so-called civilization. The landscapes are bathed in deep blacks and burning whites, with velvety greys tracing the progress of roots and ripples in water. My background as a painter allows me to depict the textures and patterns with care. These collages become a game between analog and digital; a one-time jump that creates a surreal world and generates a gaze into a new reality that plays with perception. The viewer is led through scenes that are slow to unravel, that ask for and reward longer viewing. © Peter Franck, Germany, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

The silence was loud. These pictures represent the question of what remains of cities; what persists of our so-called civilization. The landscapes are bathed in deep blacks and burning whites, with velvety greys tracing the progress of roots and ripples in water. My background as a painter allows me to depict textures and patterns with care. These collages become a game between analog and digital; a one-time jump that creates a surreal world and generates a gaze into a new reality that plays with perception. The viewer is led through scenes that are slow to unravel, that ask for and reward longer viewing. © Peter Franck, Germany, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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The five cardinal points. These pictures represent the question of what remains of cities; what persists of our so-called civilization. The landscapes are bathed in deep blacks and burning whites, with velvety greys tracing the progress of roots and ripples in water. My background as a painter allows me to depict the textures and patterns with care. These collages become a game between analog and digital; a one-time jump that creates a surreal world and generates a gaze into a new reality that plays with perception. The viewer is led through scenes that are slow to unravel, that ask for and reward longer viewing. © Peter Franck, Germany, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

The five cardinal points. These pictures represent the question of what remains of cities; what persists of our so-called civilization. The landscapes are bathed in deep blacks and burning whites, with velvety greys tracing the progress of roots and ripples in water. My background as a painter allows me to depict textures and patterns with care. These collages become a game between analog and digital; a one-time jump that creates a surreal world and generates a gaze into a new reality that plays with perception. The viewer is led through scenes that are slow to unravel, that ask for and reward longer viewing. © Peter Franck, Germany, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Stal”. Livestock shelters in fields are so common in the Belgian landscape that nobody pays them much attention, but the countryside offers a range of architectural gems in many shapes, materials and colours. For five years I criss-crossed Belgium to find just the right kind of shed, carefully listing them so I was prepared to photograph them in ‘perfect’ lighting conditions, by which I mean dense fog. The fog was necessary to isolate and valorise the construction – without it, the shed is just an extra in the landscape. As fog is unpredictable, I never knew how long it would last, and the project took several years to complete. In a way, a photograph of a weather-beaten shed is an allegory for our lives: we all muddle on, we try our best, we carry the scars and we all die horizontally in the end. Humans harbour a deep longing for shelter, warmth and security and that is perhaps what makes these wondrous little structures so human. © Servaas Van Belle, Belgium, Finalist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Stal”. Livestock shelters in fields are so common in the Belgian landscape that nobody pays them much attention, but the countryside offers a range of architectural gems in many shapes, materials and colours. For five years I criss-crossed Belgium to find just the right kind of shed, carefully listing them so I was prepared to photograph them in ‘perfect’ lighting conditions, by which I mean dense fog. The fog was necessary to isolate and valorise the construction – without it, the shed is just an extra in the landscape. As fog is unpredictable, I never knew how long it would last, and the project took several years to complete. In a way, a photograph of a weather-beaten shed is an allegory for our lives: we all muddle on, we try our best, we carry the scars and we all die horizontally in the end. Humans harbour a deep longing for shelter, warmth and security and that is perhaps what makes these wondrous little structures so human. © Servaas Van Belle, Belgium, Finalist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Brutalism 01”. The Torres Blancas building in Madrid, Spain, designed by Francisco Javier Sáenz de Oiza, is an example of organic and brutalist architecture. Interestingly, these design principles were applied to a block of luxury apartments instead of more affordable housing developments. This project focuses on the figuration of a singular architectural movement – brutalism. The movement can be traced back to 1950s Great Britain, a context where the demand for social housing was increasing whilst building materials were scarcely available. The resulting architectural projects placed functionality at the forefront, and gave less importance to aesthetic considerations, leading to minimal and geometric constructions designed with their practical uses in mind. Photographing brutalist structures in Spain with a pinhole camera is based on the notion that they might be viewed differently, through long exposures which produce a less defined image with blurred lines. The resulting photographs show brutalist constructions overlaid with light, creating a dreamlike effect. © Javier Arcenillas, Spain, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Brutalism 03”. La Torre de Valencia is 94 metres high across 27 floors. It was designed for residential purposes in 1968 by the architect Javier Carvajal, and built between 1970 and 1973. This project focuses on the figuration of a singular architectural movement – brutalism. The movement can be traced back to 1950s Great Britain, a context where the demand for social housing was increasing whilst building materials were scarcely available. The resulting architectural projects placed functionality at the forefront, and gave less importance to aesthetic considerations, leading to minimal and geometric constructions designed with their practical uses in mind. Photographing brutalist structures in Spain with a pinhole camera is based on the notion that they might be viewed differently, through long exposures which produce a less defined image with blurred lines. The resulting photographs show brutalist constructions overlaid with light, creating a dreamlike effect. © Javier Arcenillas, Spain, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Cement Factory”. Tieshan Cement Factory is located in Guilin City in the Guangxi Zhuang Autonomous Region in south China. The factory was built in 1996 and played an important role in Guilin’s economic development and urban construction. However, because it was originally located in the Li River Scenic Area of Guilin, the cement factory has now been relocated, leaving behind the old buildings, water towers, pools and railway tracks. © Fan Li, China Mainland, Finalist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Cement Factory”. Tieshan Cement Factory is located in Guilin City in the Guangxi Zhuang Autonomous Region in south China. The factory was built in 1996 and played an important role in Guilin’s economic development and urban construction. However, because it was originally located in the Li River Scenic Area of Guilin, the cement factory has now been relocated, leaving behind the old buildings, water towers, pools and railway tracks. © Fan Li, China Mainland, Finalist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Window 3”. The window of a house affected by shells, taken on 16 April 2022, in Chernihiv, Ukraine. Looking out was never as dangerous as it is now. The war is felt both at home and on the streets, and windows are now glassless from the impact of missiles, bombs and gunfire. What was once a living room or a dining room is now a box from which people can see and hear the pain and desolation. In Ukraine, each window shows a horror story. These photographs were taken between March and April 2022. They reflect on how a home is now a space where devastation dwells and how its windows are now frames for the destruction outside. © Miguel Gutierrez, Venezuela, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Window 5”. The window of a house affected by shells, taken on 16 April 2022, in Chernihiv, Ukraine. Looking out was never as dangerous as it is now. The war is felt both at home and on the streets, and windows are now glassless from the impact of missiles, bombs and gunfire. What was once a living room or a dining room is now a box from which people can see and hear the pain and desolation. In Ukraine, each window shows a horror story. These photographs were taken between March and April 2022. They reflect on how a home is now a space where devastation dwells and how its windows are now frames for the destruction outside. © Miguel Gutierrez, Venezuela, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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A detail of the Presena glacier, near Passo Del Tonale, covered with geotextile sheets placed by the Pontedilegno-Tonale consortium to protect it from melting during the summer months. The sheets cover about 100,000 m² of the glacier. For a few weeks in 2021, something unusual happened to the mountains near the Tonale pass in Italy: they were covered with hundreds of metres of immaculate sheets, sparkling under the sun’s rays and reacting like sails to every gust of wind. The reason for this is an attempt is being made to save the Presena glacier on the border between Lombardy and Trentino-Alto Adige. This giant has been dying for some decades now, but to protect it from melting the slopes of this glacier are covered with geotextile sheets placed by the Pontedilegno-Tonale consortium. However, even with this protection, the melting shows no signs of subsiding, and proceeds at an ever more pressing pace. © Francesco Merlini, Italy, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

“Reed Boat”. It can take between three to eight months to build a boat by hand from the reeds, but the resulting vessel can be useful for up to eight years. Totora is a giant bulrush sedge subspecies from South America. On Lake Titicaca in Peru, the indigenous Uru people use it to make boats, houses and even the floating islands upon which they live. © Johanna Marcela Garavito Morales, Colombia, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Floating House”. The most remarkable thing about each house is that it is made entirely by hand. The totora is woven to make each construction resistant to the wind. Totora is a giant bulrush sedge subspecies from South America. On Lake Titicaca in Peru, the indigenous Uru people use it to make boats, houses and even the floating islands upon which they live. © Johanna Marcela Garavito Morales, Colombia, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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Inubozaki lighthouse in Choshi, Chiba Prefecture, Japan. The Base Point is a series of photographs that considers lighthouses as ‘baseline points’. In Japan, lighthouses are said to be an evolution of the use of noroshi (smoke signals) in ancient times, when smoke was used in the daytime and signal fires were used at night to act as landmarks for ships travelling to and from Tang Dynasty-era China. The first Western-style lighthouse was built in 1869, and they became essential for safe sea travel. However, with the spread of GPS technology, many lighthouses have outlived their usefulness. There are still 64 functioning lighthouses in Japan; the lighthouses shown in this series remain in operation at their respective capes. In order to highlight the beauty of the lighthouses I took two horizontal photographs and joined them to create a larger image, before adjusting the colours and contrast. © Mitsuru Sakurai, Japan, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

Inubozaki lighthouse in Choshi, Chiba Prefecture, Japan. The Base Point is a series of photographs that considers lighthouses as ‘baseline points’. In Japan, lighthouses are said to be an evolution of the use of noroshi (smoke signals) in ancient times, when smoke was used in the daytime and signal fires were used at night to act as landmarks for ships travelling to and from Tang Dynasty-era China. The first Western-style lighthouse was built in 1869, and they became essential for safe sea travel. However, with the spread of GPS technology, many lighthouses have outlived their usefulness. There are still 64 functioning lighthouses in Japan; the lighthouses shown in this series remain in operation at their respective capes. In order to highlight the beauty of the lighthouses I took two horizontal photographs and joined them to create a larger image, before adjusting the colours and contrast. © Mitsuru Sakurai, Japan, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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Shonan Port lighthouse in Fujisawa, Kanagawa Prefecture, Japan. The Base Point The Base Point is a series of photographs that considers lighthouses as ‘baseline points’. In Japan, lighthouses are said to be an evolution of the use of noroshi (smoke signals) in ancient times, when smoke was used in the daytime and signal fires were used at night to act as landmarks for ships travelling to and from Tang Dynasty-era China. The first Western-style lighthouse was built in 1869, and they became essential for safe sea travel. However, with the spread of GPS technology, many lighthouses have outlived their usefulness. There are still 64 functioning lighthouses in Japan; the lighthouses shown in this series remain in operation at their respective capes. In order to highlight the beauty of the lighthouses I took two horizontal photographs and joined them to create a larger image, before adjusting the colours and contrast. © Mitsuru Sakurai, Japan, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

Shonan Port lighthouse in Fujisawa, Kanagawa Prefecture, Japan. The Base Point

The Base Point is a series of photographs that considers lighthouses as ‘baseline points’. In Japan, lighthouses are said to be an evolution of the use of noroshi (smoke signals) in ancient times, when smoke was used in the daytime and signal fires were used at night to act as landmarks for ships travelling to and from Tang Dynasty-era China. The first Western-style lighthouse was built in 1869, and they became essential for safe sea travel. However, with the spread of GPS technology, many lighthouses have outlived their usefulness. There are still 64 functioning lighthouses in Japan; the lighthouses shown in this series remain in operation at their respective capes. In order to highlight the beauty of the lighthouses I took two horizontal photographs and joined them to create a larger image, before adjusting the colours and contrast. © Mitsuru Sakurai, Japan, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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“Late Socialism”. City lecture hall (Summer theatre), Shevchenko park, Dnipro, built in 1977. Architect: Pavlo Nirinberg. This project is the result of long-term research and fieldwork. I worked alongside architect Evhenia Gubkina to find and document some of the most significant architectural projects from the late socialist period in Ukraine. The designs and constructions that emerged in this period are a postmodern reaction to the social and political changes that the country was experiencing. The colours, textures, and structural elements of these architectural projects reflect the discourses of the time, and faith in the possibility of a socialist and, at the same time, democratic development of society and Ukrainian architecture embedded in the Western European context. © Pavlo Dorohoi, Ukraine, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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Cherkasy Regional Museum of Local Lore, Cherkasy, built in 1983-1985. Architects: Leonid Kondratsky, Mykola Sobchuk, Sergiy Fursenko. This project is the result of long-term research and fieldwork. I worked alongside architect Evhenia Gubkina to find and document some of the most significant architectural projects from the late socialist period in Ukraine. The designs and constructions that emerged in this period are a postmodern reaction to the social and political changes that the country was experiencing. The colours, textures, and structural elements of these architectural projects reflect the discourses of the time, and faith in the possibility of a socialist and, at the same time, democratic development of society and Ukrainian architecture embedded in the Western European context. © Pavlo Dorohoi, Ukraine, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

Cherkasy Regional Museum of Local Lore, Cherkasy, built in 1983-1985.

Architects: Leonid Kondratsky, Mykola Sobchuk, Sergiy Fursenko. This project is the result of long-term research and fieldwork. I worked alongside architect Evhenia Gubkina to find and document some of the most significant architectural projects from the late socialist period in Ukraine. The designs and constructions that emerged in this period are a postmodern reaction to the social and political changes that the country was experiencing. The colours, textures, and structural elements of these architectural projects reflect the discourses of the time, and faith in the possibility of a socialist and, at the same time, democratic development of society and Ukrainian architecture embedded in the Western European context. © Pavlo Dorohoi, Ukraine, Shortlist, Professional competition, Architecture & Design, Sony World Photography Awards 2023

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A view of the Presena glacier, near Passo Del Tonale, covered with geotextile sheets to protect it from melting during the summer months. This type of covering is used in numerous ski resorts in Italy, France, Austria and Germany. On this glacier, the surface area of the sheets has increased from 20,000m² to 100,000m² in just over a decade. For a few weeks in 2021, something unusual happened to the mountains near the Tonale pass in Italy: they were covered with hundreds of metres of immaculate sheets, sparkling under the sun’s rays and reacting like sails to every gust of wind. The reason for this is an attempt is being made to save the Presena glacier on the border between Lombardy and Trentino-Alto Adige. This giant has been dying for some decades now, but to protect it from melting the slopes of this glacier are covered with geotextile sheets placed by the Pontedilegno-Tonale consortium. However, even with this protection, the melting shows no signs of subsiding, and proceeds at an ever more pressing pace. © Francesco Merlini, Italy, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

A view of the Presena glacier, near Passo Del Tonale, covered with geotextile sheets to protect it from melting during the summer months. This type of covering is used in numerous ski resorts in Italy, France, Austria and Germany. On this glacier, the surface area of the sheets has increased from 20,000m² to 100,000m² in just over a decade. For a few weeks in 2021, something unusual happened to the mountains near the Tonale pass in Italy: they were covered with hundreds of metres of immaculate sheets, sparkling under the sun’s rays and reacting like sails to every gust of wind. The reason for this is an attempt is being made to save the Presena glacier on the border between Lombardy and Trentino-Alto Adige. This giant has been dying for some decades now, but to protect it from melting the slopes of this glacier are covered with geotextile sheets placed by the Pontedilegno-Tonale consortium. However, even with this protection, the melting shows no signs of subsiding, and proceeds at an ever more pressing pace. © Francesco Merlini, Italy, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

© Provided by Daily Maverick
A detail of the Presena glacier, near Passo Del Tonale, covered with geotextile sheets placed by the Pontedilegno-Tonale consortium to protect it from melting during the summer months. The sheets cover about 100,000 m² of the glacier. For a few weeks in 2021, something unusual happened to the mountains near the Tonale pass in Italy: they were covered with hundreds of metres of immaculate sheets, sparkling under the sun’s rays and reacting like sails to every gust of wind. The reason for this is an attempt is being made to save the Presena glacier on the border between Lombardy and Trentino-Alto Adige. This giant has been dying for some decades now, but to protect it from melting the slopes of this glacier are covered with geotextile sheets placed by the Pontedilegno-Tonale consortium. However, even with this protection, the melting shows no signs of subsiding, and proceeds at an ever more pressing pace. © Francesco Merlini, Italy, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

A detail of the Presena glacier, near Passo Del Tonale, covered with geotextile sheets placed by the Pontedilegno-Tonale consortium to protect it from melting during the summer months. The sheets cover about 100,000 m² of the glacier. For a few weeks in 2021, something unusual happened to the mountains near the Tonale pass in Italy: they were covered with hundreds of metres of immaculate sheets, sparkling under the sun’s rays and reacting like sails to every gust of wind. The reason for this is an attempt is being made to save the Presena glacier on the border between Lombardy and Trentino-Alto Adige. This giant has been dying for some decades now, but to protect it from melting the slopes of this glacier are covered with geotextile sheets placed by the Pontedilegno-Tonale consortium. However, even with this protection, the melting shows no signs of subsiding, and proceeds at an ever more pressing pace. © Francesco Merlini, Italy, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

© Provided by Daily Maverick
The Longest Sunset. During a flight to Keflavík airport, it is possible to watch the sun set for many hours, and staying in Reykjavík during December is like living in a month-long sunset. I conceived The Longest Sunset as a psychoanalytic journey into photography. However, after I started taking photographs, I realised that what really mattered was feeling free and being able to shoot without any preconception. Therefore, the direction for these works has been guided by intuition and feeling; by having an honest approach and maintaining focus on the quiet, secret and intimate relationship between the photographer and the landscape that he has fallen into. The ancient struggle of the survival of man against nature forms the background for images that don’t try to give answers. These photographs represent natural elements that are deeply connected to the unknown. There is a surreal aspect to the composition that obscures the interpretation of the image. © Alessandro Mallamaci, Italy, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

The Longest Sunset. During a flight to Keflavík airport, it is possible to watch the sun set for many hours, and staying in Reykjavík during December is like living in a month-long sunset. I conceived The Longest Sunset as a psychoanalytic journey into photography. However, after I started taking photographs, I realised that what really mattered was feeling free and being able to shoot without any preconception. Therefore, the direction for these works has been guided by intuition and feeling; by having an honest approach and maintaining focus on the quiet, secret and intimate relationship between the photographer and the landscape that he has fallen into. The ancient struggle of the survival of man against nature forms the background for images that don’t try to give answers. These photographs represent natural elements that are deeply connected to the unknown. There is a surreal aspect to the composition that obscures the interpretation of the image. © Alessandro Mallamaci, Italy, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

© Provided by Daily Maverick
The Longest Sunset. During a flight to Keflavík airport, it is possible to watch the sun set for many hours, and staying in Reykjavík during December is like living in a month-long sunset. I conceived The Longest Sunset as a psychoanalytic journey into photography. However, after I started taking photographs, I realised that what really mattered was feeling free and being able to shoot without any preconception. Therefore, the direction for these works has been guided by intuition and feeling; by having an honest approach and maintaining focus on the quiet, secret and intimate relationship between the photographer and the landscape that he has fallen into. The ancient struggle of the survival of man against nature forms the background for images that don’t try to give answers. These photographs represent natural elements that are deeply connected to the unknown. There is a surreal aspect to the composition that obscures the interpretation of the image. © Alessandro Mallamaci, Italy, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

The Longest Sunset. During a flight to Keflavík airport, it is possible to watch the sun set for many hours, and staying in Reykjavík during December is like living in a month-long sunset. I conceived The Longest Sunset as a psychoanalytic journey into photography. However, after I started taking photographs, I realised that what really mattered was feeling free and being able to shoot without any preconception. Therefore, the direction for these works has been guided by intuition and feeling; by having an honest approach and maintaining focus on the quiet, secret and intimate relationship between the photographer and the landscape that he has fallen into. The ancient struggle of the survival of man against nature forms the background for images that don’t try to give answers. These photographs represent natural elements that are deeply connected to the unknown. There is a surreal aspect to the composition that obscures the interpretation of the image. © Alessandro Mallamaci, Italy, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

© Provided by Daily Maverick
Sorting sun-dried red chillies on a small family farm near Guntur, Andhra Pradesh. India is the largest producer of dried red chillies in the world, accounting for 41 percent of the 4.2 million tons of global production. Foodscapes is an aerial segment of my Feed the Planet project, which is a comprehensive examination of global food supply and how the world can meet the rapidly expanding challenge of feeding humanity without putting more natural lands under the plough. With the global population expected to reach 9.7 billion by 2050, combined with a rising standard of living in rapidly developing nations, it is estimated that we will have to double the global food supply. Knowing more about how our food is produced and its environmental consequences is key to making more informed choices. This work was done with professional drones, as an elevated perspective is often the best way to show the scale required to feed all of humanity. © George Steinmetz, United States, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

Sorting sun-dried red chillies on a small family farm near Guntur, Andhra Pradesh. India is the largest producer of dried red chillies in the world, accounting for 41 percent of the 4.2 million tons of global production. Foodscapes is an aerial segment of my Feed the Planet project, which is a comprehensive examination of global food supply and how the world can meet the rapidly expanding challenge of feeding humanity without putting more natural lands under the plough. With the global population expected to reach 9.7 billion by 2050, combined with a rising standard of living in rapidly developing nations, it is estimated that we will have to double the global food supply. Knowing more about how our food is produced and its environmental consequences is key to making more informed choices. This work was done with professional drones, as an elevated perspective is often the best way to show the scale required to feed all of humanity. © George Steinmetz, United States, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

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Organic gardening is an art form at the Château de Villandry. The original château was built in the 16th Century and sold in 1906 to Joachim Carvallo and Ann Coleman, who re-built the Renaissance garden based on classical designs. The garden today is managed by their great-great Grandson, Henri Carvallo, who lives with his family in the horse stables overlooking this horticultural masterpiece. The garden has ten full-time gardeners and attracts about 350,000 visitors per year. The central grid of nine square plots measures a little more than a hectare, with 90% planted in a rotating array of 90% seasonal vegetables, and the rest boxwood, and flowers. This picture was taken a week before the garden is harvested for their annual garden fair. The orange dots in the central square of the vegetable garden are pumpkins. Foodscapes is an aerial segment of my Feed the Planet project, which is a comprehensive examination of global food supply and how the world can meet the rapidly expanding challenge of feeding humanity without putting more natural lands under the plough. With the global population expected to reach 9.7 billion by 2050, combined with a rising standard of living in rapidly developing nations, it is estimated that we will have to double the global food supply. Knowing more about how our food is produced and its environmental consequences is key to making more informed choices. This work was done with professional drones, as an elevated perspective is often the best way to show the scale required to feed all of humanity. © George Steinmetz, United States, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

Organic gardening is an art form at the Château de Villandry. The original château was built in the 16th Century and sold in 1906 to Joachim Carvallo and Ann Coleman, who re-built the Renaissance garden based on classical designs. The garden today is managed by their great-great Grandson, Henri Carvallo, who lives with his family in the horse stables overlooking this horticultural masterpiece. The garden has ten full-time gardeners and attracts about 350,000 visitors per year. The central grid of nine square plots measures a little more than a hectare, with 90% planted in a rotating array of 90% seasonal vegetables, and the rest boxwood, and flowers. This picture was taken a week before the garden is harvested for their annual garden fair. The orange dots in the central square of the vegetable garden are pumpkins. Foodscapes is an aerial segment of my Feed the Planet project, which is a comprehensive examination of global food supply and how the world can meet the rapidly expanding challenge of feeding humanity without putting more natural lands under the plough. With the global population expected to reach 9.7 billion by 2050, combined with a rising standard of living in rapidly developing nations, it is estimated that we will have to double the global food supply. Knowing more about how our food is produced and its environmental consequences is key to making more informed choices. This work was done with professional drones, as an elevated perspective is often the best way to show the scale required to feed all of humanity. © George Steinmetz, United States, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

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“Woodland Kids”. From a height of around 100 metres (330 feet), a frozen lake reveals fox tracks, streaks of fresh snow and dark structures of wet ice; the holes and bush-like forms are caused by methane bubbling up.

I didn’t know what I would see when I was flying – I allowed instinct to take over, like a bird taking off from its nest. At the start of winter I set out on a journey in search of harmony. Driven by instinct, I ventured further and further until I passed the boundaries of rationality. Whether it was fog or snow, frost or thaw, I took to the sky to see if it was possible to fly. When I could, I flew over frozen bodies of water, fascinated by their icy forms. Between January and March I made 76 solo flights in a gyrocopter or a motorised paraglider, covering around 10,000 kilometres (6,200 miles) and spending 200 hours in the air. My photographs were taken from a height of approximately 50-150 metres (165-495 feet) above bodies of water near Tricity in northern Poland. © Kacper Kowalski, Poland, Finalist, Professional competition, Landscape, Sony World Photography Awards 2023

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“The Sound of the Night”. The surface of old ice on a lake in northern Poland.

Sometimes my dog hears the sounds of the forest, pricks up his ears and feels nature’s call. I wonder how much of the wild wolf remains in him. And then I look in the mirror and wonder how much of the natural wildness remains in people? At the start of winter I set out on a journey in search of harmony. Driven by instinct, I ventured further and further until I passed the boundaries of rationality. Whether it was fog or snow, frost or thaw, I took to the sky to see if it was possible to fly. When I could, I flew over frozen bodies of water, fascinated by their icy forms. Between January and March I made 76 solo flights in a gyrocopter or a motorised paraglider, covering around 10,000 kilometres (6,200 miles) and spending 200 hours in the air. My photographs were taken from a height of approximately 50-150 metres (165-495 feet) above bodies of water near Tricity in northern Poland. © Kacper Kowalski, Poland, Finalist, Professional competition, Landscape, Sony World Photography Awards 2023

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Two young tourists from Kabul take a selfie during a boat trip on Lake Bandi Amir in Bamyan province. Because of the very long war, for many people this is the first time they have been able to travel outside their city. Central Asia was once traversed by numerous peoples, traders and armies. Afghanistan was at the heart of this world, as it welcomed those who travelled across Asia, yet arguably none of the invaders ever completely left. These images document a journey through Afghanistan after 40 years of war and four years of drought. © Bruno Zanzottera, Italy, Finalist, Professional competition, Landscape, Sony World Photography Awards 2023

Two young tourists from Kabul take a selfie during a boat trip on Lake Bandi Amir in Bamyan province. Because of the very long war, for many people, this is the first time they have been able to travel outside their city. Central Asia was once traversed by numerous peoples, traders and armies. Afghanistan was at the heart of this world, as it welcomed those who travelled across Asia, yet arguably none of the invaders ever completely left. These images document a journey through Afghanistan after 40 years of war and four years of drought.

© Bruno Zanzottera, Italy, Finalist, Professional competition, Landscape, Sony World Photography Awards 2023

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A tukul – a typical house in South Sudan – in floodwaters near Mayendit, Unity state, South Sudan. Unprecedented flooding has submerged large swathes of the country and displaced hundreds of thousands of people. In the villages, most of the houses are built with straw wood and plastic sheeting, which has further aggravated the consequences of the floods. South Sudan has been plagued by political violence and instability since its independence from Sudan in 2011. Now it is experiencing massive floods for the fourth consecutive year. Since 2019, unprecedented rainy seasons have submerged large parts of the country’s landscape. Heavy rains and floods have swept away people’s homes, properties, crops, livestock, schools and healthcare centres, and caused extensive infrastructural damage to roads and bridges. The climate crisis is bringing further challenges to this already vulnerable country. © Fabio Bucciarelli, Italy, Finalist, Professional competition, Landscape, Sony World Photography Awards 2023

A tukul – a typical house in South Sudan – in floodwaters near Mayendit, Unity state, South Sudan. Unprecedented flooding has submerged large swathes of the country and displaced hundreds of thousands of people. In the villages, most of the houses are built with straw wood and plastic sheeting, which has further aggravated the consequences of the floods. South Sudan has been plagued by political violence and instability since its independence from Sudan in 2011. Now it is experiencing massive floods for the fourth consecutive year. Since 2019, unprecedented rainy seasons have submerged large parts of the country’s landscape. Heavy rains and floods have swept away people’s homes, properties, crops, livestock, schools and healthcare centres, and caused extensive infrastructural damage to roads and bridges. The climate crisis is bringing further challenges to this already vulnerable country. © Fabio Bucciarelli, Italy, Finalist, Professional competition, Landscape, Sony World Photography Awards 2023

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A car submerged by floodwaters in Mayendit, Unity state, South Sudan. Mayendit is one of the many villages disappearing under water. In 2020 more than 12,000 people were living there, but in the last two years around ⅔ of them have left, becoming internally displaced persons. South Sudan has been plagued by political violence and instability since its independence from Sudan in 2011. Now it is experiencing massive floods for the fourth consecutive year. Since 2019, unprecedented rainy seasons have submerged large parts of the country’s landscape. Heavy rains and floods have swept away people’s homes, properties, crops, livestock, schools and healthcare centres, and caused extensive infrastructural damage to roads and bridges. The climate crisis is bringing further challenges to this already vulnerable country. © Fabio Bucciarelli, Italy, Finalist, Professional competition, Landscape, Sony World Photography Awards 2023

A car submerged by floodwaters in Mayendit, Unity state, South Sudan. Mayendit is one of the many villages disappearing under water. In 2020 more than 12,000 people were living there, but in the last two years around ⅔ of them have left, becoming internally displaced persons. South Sudan has been plagued by political violence and instability since its independence from Sudan in 2011. Now it is experiencing massive floods for the fourth consecutive year. Since 2019, unprecedented rainy seasons have submerged large parts of the country’s landscape. Heavy rains and floods have swept away people’s homes, properties, crops, livestock, schools and healthcare centres, and caused extensive infrastructural damage to roads and bridges. The climate crisis is bringing further challenges to this already vulnerable country. © Fabio Bucciarelli, Italy, Finalist, Professional competition, Landscape, Sony World Photography Awards 2023

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First light. Algerian Sahara, 2022. Eight thousand years ago, a shift in the tilt of Earth’s axis transformed a green and fertile land supporting human, animal and plant life into a mineral landscape of dust, rock and sand. Ghosts of the Green Sahara examines the traces of this once-green land through the geological, geographical and historical phenomena that remain in the Sahara Desert today. © Nicholas Holt, United Kingdom, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

First light. Algerian Sahara, 2022. Eight thousand years ago, a shift in the tilt of the Earth’s axis transformed a green and fertile land supporting human, animal and plant life into a mineral landscape of dust, rock and sand. Ghosts of the Green Sahara examines the traces of this once-green land through the geological, geographical and historical phenomena that remain in the Sahara Desert today. © Nicholas Holt, United Kingdom, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

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Dust cloud. Algerian Sahara, 2022. Eight thousand years ago, a shift in the tilt of Earth’s axis transformed a green and fertile land supporting human, animal and plant life into a mineral landscape of dust, rock and sand. Ghosts of the Green Sahara examines the traces of this once-green land through the geological, geographical and historical phenomena that remain in the Sahara Desert today. © Nicholas Holt, United Kingdom, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

Dust cloud. Algerian Sahara, 2022. Eight thousand years ago, a shift in the tilt of the Earth’s axis transformed a green and fertile land supporting human, animal and plant life into a mineral landscape of dust, rock and sand. Ghosts of the Green Sahara examines the traces of this once-green land through the geological, geographical and historical phenomena that remain in the Sahara Desert today. © Nicholas Holt, United Kingdom, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

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“A pure spirit grows beneath the bark of stones / Devonian Forests / Catskill Fossil Forests”. Archaeopteris hibernica fronds, Catskill Delta Complex. Paleobotany Collection, New York State Museum, Albany NY. Like the eponymous verse of Gérard de Nerval’s poem, A Pure Spirit Grows Beneath the Bark of Stones celebrates an ontological pluralism in its effort to recognise a form of sensitivity and subjectivity in forest natural entities. This series echoes two bodies of images: One testifies to the ancestral memory of primordial forests. Like original photographic prints, the fossils of the oldest forests on Earth found in the Middle Devonian Catskills (dating back 385 million years) embody the memory of these first forests through the phenomena of long and silent transmutations of plant into mineral. The other reveals the vibrant spectrum of contemporary forests; the survival of an archaic spirit that manifests itself at the heart of the present forests. © Amélie Labourdette, France, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

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“A pure spirit grows beneath the bark of stones / Contemporary forests / The spirit of the forest”. Mossy forest. Communal forest of Noidant-le-Rocheux, Haute-Marne, France. Like the eponymous verse of Gérard de Nerval’s poem, A Pure Spirit Grows Beneath the Bark of Stones celebrates an ontological pluralism in its effort to recognise a form of sensitivity and subjectivity in forest natural entities. This series echoes two bodies of images: One testifies to the ancestral memory of primordial forests. Like original photographic prints, the fossils of the oldest forests on Earth found in the Middle Devonian Catskills (dating back 385 million years) embody the memory of these first forests through the phenomena of long and silent transmutations of plant into mineral. The other reveals the vibrant spectrum of contemporary forests; the survival of an archaic spirit that manifests itself at the heart of the present forests. © Amélie Labourdette, France, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

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A soccer field in Las Manchas, buried by ash. La Palma, Spain, 21 January 2022. This volcanic eruption on the island of La Palma in the Canary Islands started on 19 September 2021 and lasted for 85 days, destroying thousands of homes and displacing more than 10,000 people in the process. It also covered large areas with ash, which now accumulates everywhere. One of the areas most affected by the ash was the town of Las Manchas, where several meters of ash completely buried many homes. For an assignment I documented the reality of the island and the transformation of its territory one month after the end of the volcano’s eruption. © Cesar Dezfuli, Spain, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

A soccer field in Las Manchas, buried by ash. La Palma, Spain, 21 January 2022. This volcanic eruption on the island of La Palma in the Canary Islands started on 19 September 2021 and lasted for 85 days, destroying thousands of homes and displacing more than 10,000 people in the process. It also covered large areas with ash, which now accumulates everywhere. One of the areas most affected by the ash was the town of Las Manchas, where several meters of ash completely buried many homes. For an assignment I documented the reality of the island and the transformation of its territory one month after the end of the volcano’s eruption. © Cesar Dezfuli, Spain, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

© Provided by Daily Maverick
An aerial view of the lava flows from the volcano. La Palma, Spain, 22 January 2022. This volcanic eruption on the island of La Palma in the Canary Islands started on 19 September 2021 and lasted for 85 days, destroying thousands of homes and displacing more than 10,000 people in the process. It also covered large areas with ash, which now accumulates everywhere. One of the areas most affected by the ash was the town of Las Manchas, where several meters of ash completely buried many homes. For an assignment I documented the reality of the island and the transformation of its territory one month after the end of the volcano’s eruption. © Cesar Dezfuli, Spain, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

An aerial view of the lava flows from the volcano. La Palma, Spain, 22 January 2022. This volcanic eruption on the island of La Palma in the Canary Islands started on 19 September 2021 and lasted for 85 days, destroying thousands of homes and displacing more than 10,000 people in the process. It also covered large areas with ash, which now accumulates everywhere. One of the areas most affected by the ash was the town of Las Manchas, where several meters of ash completely buried many homes. For an assignment, I documented the reality of the island and the transformation of its territory one month after the end of the volcano’s eruption. © Cesar Dezfuli, Spain, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

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“Burned Landscape”. The burned area in the fire that devastated more than 10,500 hectares in the region of Valdeorras, Galicia, northwestern Spain. This fire is considered the most important in the history of the province of Ourense and the second in Galicia. Between 2012 and 2022 the number of large wildfires in Spain, where 500 hectares or more have been burned, has increased by more than 10 percent compared to the previous decade. Devouring everything in their path, these are extreme events that are impossible for firefighting teams to deal with. The scientific community links them directly to climate change and qualifies them as sixth-generation fires. The risk is great, with catastrophic damage to the landscape, the economy and the lives of the population. This series of aerial images shows the consequences of the forest fires in Spain in the summer of 2022. © Brais Lorenzo Couto, Spain, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

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“Burned Landscape”. A view of the cemetery in the town of Otero de Bodas in Zamora. In 2022, the region experienced one of the most devastating forest fires in the history of Spain, when 28,046 hectares burned in Sierra de la Culebra. Between 2012 and 2022 the number of large wildfires in Spain, where 500 hectares or more have been burned, has increased by more than 10 percent compared to the previous decade. Devouring everything in their path, these are extreme events that are impossible for firefighting teams to deal with. The scientific community links them directly to climate change and qualifies them as sixth-generation fires. The risk is great, with catastrophic damage to the landscape, the economy and the lives of the population. This series of aerial images shows the consequences of the forest fires in Spain in the summer of 2022. © Brais Lorenzo Couto, Spain, Shortlist, Professional competition, Landscape, Sony World Photography Awards 2023

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Mar 08 2023

Top nature photos from around Sarasota, Longboat Key, East County in 2023-24

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Go to YourObserver.com/weather to submit a photo or several photos! Each week, we will choose a photo to run on the weather page of our print edition.

All submissions will be entered for the 2023-24 Weather and Nature photo contest. In February 2024, you will vote for your favorite photo, and the submission with the most votes will win a $500 gift card.

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Pam Ringquist took this photo of these six baby alligators just off Deer Road near a pond in Waterside at Lakewood Ranch.

John Harkness captured this white pelican taking flight from sandbar on Sarasota Bay.

Mary Kondrat captured this cloud formation over Longboat Key.

Gordon Silver captured this photo of a yellow leg sandpiper along the water’s edge at a lake in Del Webb of Lakewood Ranch.

Mary Kondrat captured this photo of sandpipers lining the beach at sunset on Longboat Key.

Julie Ann Bakker captured this photo of an egret catching some sun at Marina Jack.

Gordon Silver captured a sunrise off University Parkway in Lakewood Ranch.

Jenelle Alber captured this photo of a white ibis at Beer Can Island on Longboat Key.

Diane Suner captured this photo of a great blue heron looking for dinner at Bird Key Park.

Gordon Silver captured a black bellied whistler duck with her seven kids along a lake in Del Webb.

E.J. Benioni captured this photo of a crab coming out of its shell on Longboat Key.

Becky Edwards took this photo of an orchid in bloom in Sarasota.

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Mar 08 2023

Latest “Film Photography Cameras Market” 2023 Qualitative Insights, Key Enhancement, Share Analysis To 2028

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The MarketWatch News Department was not involved in the creation of this content.

Mar 08, 2023 (The Expresswire) —
Report Highlights with 118 pages: -“The global Film Photography Cameras market size was valued at USD 27507.12 million in 2022 and is expected to expand at a CAGR of 3.8% during the forecast period, reaching USD 34406.48 million by 2028.”

New report titled as “Global Film Photography Cameras Industry Research Report 2023, Competitive Landscape, Market Size, Regional Status and Prospect” which delivers a complete overview of the global Film Photography Cameras market in terms of market segmentation by type and application.

GlobalFilm Photography Cameras MarketInsight Report 2023| Analysis | Trends | Competitive Analysis

The global Film Photography Cameras market size was valued at USD 27507.12 million in 2022 and is expected to expand at a CAGR of 3.8% during the forecast period, reaching USD 34406.48 million by 2028.

The report combines extensive quantitative analysis and exhaustive qualitative analysis, ranges from a macro overview of the total market size, industry chain, and market dynamics to micro details of segment markets by type, application and region, and, as a result, provides a holistic view of, as well as a deep insight into the Film Photography Cameras market covering all its essential aspects.

For the competitive landscape, the report also introduces players in the industry from the perspective of the market share, concentration ratio, etc., and describes the leading companies in detail, with which the readers can get a better idea of their competitors and acquire an in-depth understanding of the competitive situation. Further, mergers and acquisitions, emerging market trends, the impact of COVID-19, and regional conflicts will all be considered.

In a nutshell, this report is a must-read for industry players, investors, researchers, consultants, business strategists, and all those who have any kind of stake or are planning to foray into the market in any manner.

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The reports will help to answer the following questions:

● What’s the current size of the Film Photography Cameras market in different regions? ● How is the Film Photography Cameras market divided into different product parts? ● How are the overall request and different product parts growing? ● How is the request prognosticated to develop in the future? ● What’s the market eventuality compared to other countries?

The analyst presents a detailed picture of the market by the way of study, synthesis, and summation of data from multiple sources by an analysis of key parameters such as profit, pricing, competition, and promotions. It presents various market facets by identifying the key industry influencers. The data presented is comprehensive, reliable, and a result of extensive research – both primary and secondary. Market research reports provide a complete competitive landscape and an in-depth vendor selection methodology and analysis using qualitative and quantitative research to forecast accurate market growth.

This document entails a detailed analysis of the current applications and comparative analysis with a keen focus on the opportunities and threats and competitive analysis of major companies. It also assists in market segmentation according to the industry’s latest and upcoming trends to the bottom-most level, topographical markets, and key advancement from both market and technology-aligned perspectives. Each section of the Film Photography Cameras Market is specially prepared to investigate key aspects of the market.

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Film Photography Cameras Market- Competitive and Segmentation Analysis:

Here is the List ofTop Key playersin Film Photography Cameras Market 2023:

● Lomography
● Canon
● Harman Technology
● Yashica
● Fujifilm
● Kodak
● Leica
● Agfa Photo
● Nikon

Product Type Insights: –

Global markets are presented by Film Photography Cameras type, along with growth forecasts through 2028. Estimates on revenue are based on the price in the supply chain at which the Film Photography Cameras are procured by the companies.

● ReusableÂCameras
● DisposableÂCameras

This report has provided the market size (revenue data) by application, during the historical period (2017-2023) and forecast period (2023-2028).

● Online
● Offline

Get a Sample Copy of the Film Photography Cameras Report 2023

Coverage: Key drivers, trends, and challenges; Product insights and news; Value chain analysis; Parent market analysis; Vendor landscape

Segments: Product, end-user

Geographies: APAC, Europe, North America, South America, APAC, Europe, North America, and South America

Key Queries Answered

Customization of the Report

Our research analysts will help you to get customized details for your report, which can be modified in terms of a specific region, application or any statistical details. In addition, we are always willing to comply with the study, which triangulated with your own data to make the market research more comprehensive in your perspective.

TO KNOW HOW COVID-19 PANDEMIC AND RUSSIA UKRAINE WAR WILL IMPACT THIS MARKET

COVID 19 Analysis

The COVID-19 outbreak brought the world to a complete standstill, with unforeseen and uncertain effects on people’s lives, communities, livelihoods, and economies. The risks of a worldwide recession, as well as job losses, surged. In this situation, it became imperative to predict the level of uncertainty, for which companies are adopting strategies to maximize returns, despite the market fluctuations.

Regional Market Outlook

The Film Photography Cameras market share growth in APAC will be significant during the forecast period. China is the key country for the Film Photography Cameras market in APAC. Market growth in APAC will be faster than the growth of the market in other regions. The growing population, rising disposable income, and improving economic scenario will drive the growth of the market in the region during the forecast period

Film Photography Cameras market report shares valuable information about global development status, opportunities, and challenges in near future, as past data analyzed by industry experts which is helpful for you to take needful discussions. Film Photography Cameras market study offers information about the sales and revenue during the historic and estimated period of 2017 to 2028. Understanding the benefits of the segment in identifying the significance of different factors that help the industry progress.

Film Photography Cameras market report also covers all the regions and countries of the world, which shows the regional development status, with market size, volume, and value, as well as price data, key players, and regional analysis. Moreover, the report similarly covers segment data, with type segment, application segment, channel segment, etc.

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● Market segmentation analysis as well as qualitative and quantitative analysis incorporating the impact of economic and policy aspects. ● Regional and country-level analysis integrating the demand and provide forces that area unit influencing the expansion of the market. ● Market value USD Million and volume Units Million information for every phase and sub-segment. ● Competitive landscape involving the market share of major players, at the side of the new comes and methods adopted by players within the past 5 years. ● Comprehensive company profiles covering the merchandise offerings, key monetary info, recent developments, SWOT analysis, and methods used by the main market players.

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Browse Detailed TOC, Tables and Figures with Charts which is spread across 118 Pages that provides exclusive data, information, vital statistics, trends, and competitive landscape details in this niche sector.

Table of Content

1 Film Photography Cameras Market Overview

1.1 Product Overview and Scope of Film Photography Cameras Market

1.2 Film Photography Cameras Market Segment by Type

1.2.1 Global Film Photography Cameras Market Sales Volume and CAGR Comparison by Type (2018-2028)

1.3 Global Film Photography Cameras Market Segment by Application

1.3.1 Film Photography Cameras Market Consumption (Sales Volume) Comparison by Application (2018-2028)

1.4 Global Film Photography Cameras Market, Region Wise (2018-2028)

1.4.1 Global Film Photography Cameras Market Size (Revenue) and CAGR Comparison by Region (2018-2028)

1.4.2 United States Film Photography Cameras Market Status and Prospect (2018-2028)

1.4.3 Europe Film Photography Cameras Market Status and Prospect (2018-2028)

1.4.4 China Film Photography Cameras Market Status and Prospect (2018-2028)

1.4.5 Japan Film Photography Cameras Market Status and Prospect (2018-2028)

1.4.6 India Film Photography Cameras Market Status and Prospect (2018-2028)

1.4.7 Southeast Asia Film Photography Cameras Market Status and Prospect (2018-2028)

1.4.8 Latin America Film Photography Cameras Market Status and Prospect (2018-2028)

1.4.9 Middle East and Africa Film Photography Cameras Market Status and Prospect (2018-2028)

1.5 Global Market Size of Film Photography Cameras (2018-2028)

1.5.1 Global Film Photography Cameras Market Revenue Status and Outlook (2018-2028)

1.5.2 Global Film Photography Cameras Market Sales Volume Status and Outlook (2018-2028)

1.6 Global Macroeconomic Analysis

1.7 The impact of the Russia-Ukraine war on the Film Photography Cameras Market

2 Industry Outlook

2.1 Film Photography Cameras Industry Technology Status and Trends

2.2 Industry Entry Barriers

2.2.1 Analysis of Financial Barriers

2.2.2 Analysis of Technical Barriers

2.2.3 Analysis of Talent Barriers

2.2.4 Analysis of Brand Barrier

2.3 Film Photography Cameras Market Drivers Analysis

2.4 Film Photography Cameras Market Challenges Analysis

2.5 Emerging Market Trends

2.6 Consumer Preference Analysis

2.7 Film Photography Cameras Industry Development Trends under COVID-19 Outbreak

2.7.1 Global COVID-19 Status Overview

2.7.2 Influence of COVID-19 Outbreak on Film Photography Cameras Industry Development

3 Global Film Photography Cameras Market Landscape by Player

3.1 Global Film Photography Cameras Sales Volume and Share by Player (2018-2023)

3.2 Global Film Photography Cameras Revenue and Market Share by Player (2018-2023)

3.3 Global Film Photography Cameras Average Price by Player (2018-2023)

3.4 Global Film Photography Cameras Gross Margin by Player (2018-2023)

3.5 Film Photography Cameras Market Competitive Situation and Trends

3.5.1 Film Photography Cameras Market Concentration Rate

3.5.2 Film Photography Cameras Market Share of Top 3 and Top 6 Players

3.5.3 Mergers and Acquisitions, Expansion

4 Global Film Photography Cameras Sales Volume and Revenue Region Wise (2018-2023)

4.1 Global Film Photography Cameras Sales Volume and Market Share, Region Wise (2018-2023)

4.2 Global Film Photography Cameras Revenue and Market Share, Region Wise (2018-2023)

4.3 Global Film Photography Cameras Sales Volume, Revenue, Price and Gross Margin (2018-2023)

4.4 United States Film Photography Cameras Sales Volume, Revenue, Price and Gross Margin (2018-2023)

4.4.1 United States Film Photography Cameras Market Under COVID-19

4.5 Europe Film Photography Cameras Sales Volume, Revenue, Price and Gross Margin (2018-2023)

4.5.1 Europe Film Photography Cameras Market Under COVID-19

4.6 China Film Photography Cameras Sales Volume, Revenue, Price and Gross Margin (2018-2023)

4.6.1 China Film Photography Cameras Market Under COVID-19

4.7 Japan Film Photography Cameras Sales Volume, Revenue, Price and Gross Margin (2018-2023)

4.7.1 Japan Film Photography Cameras Market Under COVID-19

4.8 India Film Photography Cameras Sales Volume, Revenue, Price and Gross Margin (2018-2023)

4.8.1 India Film Photography Cameras Market Under COVID-19

4.9 Southeast Asia Film Photography Cameras Sales Volume, Revenue, Price and Gross Margin (2018-2023)

4.9.1 Southeast Asia Film Photography Cameras Market Under COVID-19

4.10 Latin America Film Photography Cameras Sales Volume, Revenue, Price and Gross Margin (2018-2023)

4.10.1 Latin America Film Photography Cameras Market Under COVID-19

4.11 Middle East and Africa Film Photography Cameras Sales Volume, Revenue, Price and Gross Margin (2018-2023)

4.11.1 Middle East and Africa Film Photography Cameras Market Under COVID-19

5 Global Film Photography Cameras Sales Volume, Revenue, Price Trend by Type

5.1 Global Film Photography Cameras Sales Volume and Market Share by Type (2018-2023)

5.2 Global Film Photography Cameras Revenue and Market Share by Type (2018-2023)

5.3 Global Film Photography Cameras Price by Type (2018-2023)

5.4 Global Film Photography Cameras Sales Volume, Revenue and Growth Rate by Type (2018-2023)

5.4.1 Global Film Photography Cameras Sales Volume, Revenue and Growth Rate of ReusableÂCameras (2018-2023)

5.4.2 Global Film Photography Cameras Sales Volume, Revenue and Growth Rate of DisposableÂCameras (2018-2023)

6 Global Film Photography Cameras Market Analysis by Application

6.1 Global Film Photography Cameras Consumption and Market Share by Application (2018-2023)

6.2 Global Film Photography Cameras Consumption Revenue and Market Share by Application (2018-2023)

6.3 Global Film Photography Cameras Consumption and Growth Rate by Application (2018-2023)

6.3.1 Global Film Photography Cameras Consumption and Growth Rate of Online (2018-2023)

6.3.2 Global Film Photography Cameras Consumption and Growth Rate of Offline (2018-2023)

7 Global Film Photography Cameras Market Forecast (2023-2028)

7.1 Global Film Photography Cameras Sales Volume, Revenue Forecast (2023-2028)

7.1.1 Global Film Photography Cameras Sales Volume and Growth Rate Forecast (2023-2028)

7.1.2 Global Film Photography Cameras Revenue and Growth Rate Forecast (2023-2028)

7.1.3 Global Film Photography Cameras Price and Trend Forecast (2023-2028)

7.2 Global Film Photography Cameras Sales Volume and Revenue Forecast, Region Wise (2023-2028)

7.2.1 United States Film Photography Cameras Sales Volume and Revenue Forecast (2023-2028)

7.2.2 Europe Film Photography Cameras Sales Volume and Revenue Forecast (2023-2028)

7.2.3 China Film Photography Cameras Sales Volume and Revenue Forecast (2023-2028)

7.2.4 Japan Film Photography Cameras Sales Volume and Revenue Forecast (2023-2028)

7.2.5 India Film Photography Cameras Sales Volume and Revenue Forecast (2023-2028)

7.2.6 Southeast Asia Film Photography Cameras Sales Volume and Revenue Forecast (2023-2028)

7.2.7 Latin America Film Photography Cameras Sales Volume and Revenue Forecast (2023-2028)

7.2.8 Middle East and Africa Film Photography Cameras Sales Volume and Revenue Forecast (2023-2028)

7.3 Global Film Photography Cameras Sales Volume, Revenue and Price Forecast by Type (2023-2028)

7.3.1 Global Film Photography Cameras Revenue and Growth Rate of ReusableÂCameras (2023-2028)

7.3.2 Global Film Photography Cameras Revenue and Growth Rate of DisposableÂCameras (2023-2028)

7.4 Global Film Photography Cameras Consumption Forecast by Application (2023-2028)

7.4.1 Global Film Photography Cameras Consumption Value and Growth Rate of Online(2023-2028)

7.4.2 Global Film Photography Cameras Consumption Value and Growth Rate of Offline(2023-2028)

7.5 Film Photography Cameras Market Forecast Under COVID-19

8 Film Photography Cameras Market Upstream and Downstream Analysis

8.1 Film Photography Cameras Industrial Chain Analysis

8.2 Key Raw Materials Suppliers and Price Analysis

8.3 Manufacturing Cost Structure Analysis

8.3.1 Labor Cost Analysis

8.3.2 Energy Costs Analysis

8.3.3 RandD Costs Analysis

8.4 Alternative Product Analysis

8.5 Major Distributors of Film Photography Cameras Analysis

8.6 Major Downstream Buyers of Film Photography Cameras Analysis

8.7 Impact of COVID-19 and the Russia-Ukraine war on the Upstream and Downstream in the Film Photography Cameras Industry

9 Players Profiles

9.1 Lomography

9.1.1 Lomography Basic Information, Manufacturing Base, Sales Region and Competitors

9.1.2 Film Photography Cameras Product Profiles, Application and Specification

9.1.3 Lomography Market Performance (2018-2023)

9.1.4 Recent Development

9.1.5 SWOT Analysis

9.2 Canon

9.2.1 Canon Basic Information, Manufacturing Base, Sales Region and Competitors

9.2.2 Film Photography Cameras Product Profiles, Application and Specification

9.2.3 Canon Market Performance (2018-2023)

9.2.4 Recent Development

9.2.5 SWOT Analysis

9.3 Harman Technology

9.3.1 Harman Technology Basic Information, Manufacturing Base, Sales Region and Competitors

9.3.2 Film Photography Cameras Product Profiles, Application and Specification

9.3.3 Harman Technology Market Performance (2018-2023)

9.3.4 Recent Development

9.3.5 SWOT Analysis

9.4 Yashica

9.4.1 Yashica Basic Information, Manufacturing Base, Sales Region and Competitors

9.4.2 Film Photography Cameras Product Profiles, Application and Specification

9.4.3 Yashica Market Performance (2018-2023)

9.4.4 Recent Development

9.4.5 SWOT Analysis

9.5 Fujifilm

9.5.1 Fujifilm Basic Information, Manufacturing Base, Sales Region and Competitors

9.5.2 Film Photography Cameras Product Profiles, Application and Specification

9.5.3 Fujifilm Market Performance (2018-2023)

9.5.4 Recent Development

9.5.5 SWOT Analysis

9.6 Kodak

9.6.1 Kodak Basic Information, Manufacturing Base, Sales Region and Competitors

9.6.2 Film Photography Cameras Product Profiles, Application and Specification

9.6.3 Kodak Market Performance (2018-2023)

9.6.4 Recent Development

9.6.5 SWOT Analysis

9.7 Leica

9.7.1 Leica Basic Information, Manufacturing Base, Sales Region and Competitors

9.7.2 Film Photography Cameras Product Profiles, Application and Specification

9.7.3 Leica Market Performance (2018-2023)

9.7.4 Recent Development

9.7.5 SWOT Analysis

9.8 Agfa Photo

9.8.1 Agfa Photo Basic Information, Manufacturing Base, Sales Region and Competitors

9.8.2 Film Photography Cameras Product Profiles, Application and Specification

9.8.3 Agfa Photo Market Performance (2018-2023)

9.8.4 Recent Development

9.8.5 SWOT Analysis

9.9 Nikon

9.9.1 Nikon Basic Information, Manufacturing Base, Sales Region and Competitors

9.9.2 Film Photography Cameras Product Profiles, Application and Specification

9.9.3 Nikon Market Performance (2018-2023)

9.9.4 Recent Development

9.9.5 SWOT Analysis

10 Research Findings and Conclusion

11 Appendix

11.1 Methodology

11.2 Research Data Source

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