Vivo X90 Pro review: Creature of the night

[ad_1]

The Vivo X90 Pro is a compelling alternative to the Galaxies, Pixels, and iPhones of this world, with a camera that shines when the sun goes down. However, poor software decisions and a lack of polish keep it from cracking the Android elite.

Vivo X90 Pro back slanted

Hadlee Simons / Android Authority

Vivo has put itself on the camera phone map in the last few years, bringing novel micro-gimbal stabilization tech and a partnership with photography brand Carl Zeiss. 2022’s Vivo X80 Pro was the apex of its efforts so far, sporting an impressive camera system with fantastic low-light capabilities, plus all the premium extras you’d expect from a top-end flagship phone. Is the Vivo X90 Pro a further step forward for the company’s ambitions? It’s time to find out in Android Authority‘s Vivo X90 Pro review.

About this Vivo X90 Pro review: I tested the Vivo X90 Pro (12GB/256GB) over a period of 10 days. It was running Android 13 (build number PD2242F_EX_A_13.1.11.3.W20) on the January 2023 security patch. The unit was provided by Vivo for this review.

What you need to know about the Vivo X90 Pro

Vivo X90 Pro Google Discover

Hadlee Simons / Android Authority

  • Vivo X90 Pro (12GB/256GB): TBC

The Vivo X90 Pro is one of three phones in the high-end X90 series, which also consists of the standard X90 and the top-end X90 Pro Plus. Unfortunately, the X90 Pro Plus which competes spec-for-spec with the best Android phones is restricted to China, leaving the X90 Pro as the top model in global markets at the time of this writing.

Vivo’s Pro model is still a flagship-level device when you look at the specs and features, packing a new MediaTek Dimensity 9200 processor with ray-tracing support, a 50MP one-inch main camera, IP68 rating, and fast wireless charging. The X90 Pro Plus ups the ante with a Snapdragon 8 Gen 2 processor, a longer-range zoom camera, higher-resolution ultrawide camera, and the same fantastic in-display fingerprint reader we saw on the X80 Pro.

This puts the Vivo X90 Pro in an awkward spot as more of a successor to the standard X80 and the X70 Pro, while the X90 Pro Plus is more akin to an X80 Pro follow-up.

The Vivo X90 Pro will be available in Hong Kong, Europe, India, Malaysia, Taiwan and Thailand. It comes in a single color named Legendary Black (pictured). There’s no word on European pricing or a release date just yet, but the device retails for 4,999 Malaysian Ringgits (~$1,174) in Malaysia. Its predecessor, the Vivo X80 Pro, sold for £1,199 in the UK and for as much as €1,299 in other regions in Europe.

What’s good?

Vivo X90 Pro back upright edited

Hadlee Simons / Android Authority

After unboxing the Vivo X90 Pro I was greeted by a phone that looks very similar to other handsets in Vivo’s X series from the front. However, flipping the device over reveals a new faux vegan leather back with a flat grain texture that provides a premium look and feel. I also quite like the thin metallic strip running underneath the camera circle. It neatly blends into the frame and divides the top third of the phone from the bottom two thirds.

The camera housing itself is also gigantic, resembling half an Oreo cookie — or what Vivo calls the “Big Eye.” It’s not the largest camera island we’ve ever seen, but it still juts out far more than the X80 Pro’s module and even the Google Pixel 7 Pro‘s chunky camera bar. There’s not much wobble when placed flat on a surface, but I worry that the bottom of the housing will suffer more wear and tear over time, as that’s where the phone naturally rests. Nevertheless, the leather back and slightly tapered edges make this phone feel like a premium piece of kit. It also doesn’t hurt to have water resistance via an IP68 rating, as well as Schott Xensation Up glass on the display and Corning Gorilla Glass on the camera for protection.

The Vivo X90 Pro’s OLED screen is a step above typical FHD+ displays.

The Vivo X90 Pro’s display is a curved 6.78-inch OLED screen with a peak 120Hz refresh rate. The good news is that you’re getting a great viewing experience here. The 2,800 x 1,280 display might not be a QHD+ panel, but it’s a step above typical FHD+ screens on paper, and I had no complaints about sharpness at all. The screen maxes out at 1,300 nits brightness, and I had no issue using the device outdoors. Vivo also offers a variety of screen color profiles, including a Zeiss Natural Color option for more realistic colors.

Vivo adopted the Dimensity 9200 processor in the X90 Pro in lieu of the ubiquitous Snapdragon 8 Gen 2 which we’ve seen powering most 2023 flagships, including Vivo’s own X90 Pro Plus. This is our first taste of MediaTek’s top chipset for 2023, and based on its specs, it should deliver impressive performance. So what do benchmark tests tell us?

Geekbench scores, in particular, show that the Dimensity 9200 is plenty powerful, but it does lag behind the best Snapdragon silicon in a big way when it comes to CPU multi-core scores. The X90 Pro performs better in GPU-related benchmarks, though, beating out the OnePlus 11 in the Wild Life stress test at its peak, putting it in the same ballpark as the top Snapdragon processor, which is no mean feat. It also got close to the Galaxy S23 Ultra’s maximum score, though it couldn’t match it for sustained performance — more on that later.

Regardless, I had no complaints about the Vivo X90 Pro’s everyday performance during my testing; scrolling, multitasking, and launching apps were all accomplished without any judder. Gaming is a stiffer test, but Genshin Impact ran smoothly at medium settings and 60fps. GameCube and PS2 emulation was also good, although I certainly noticed some judder in more demanding games like Shadow of the Colossus and F-Zero GX. This likely has more to do with the state of Arm’s Mali graphics drivers than a pure horsepower deficit, however.

There’s no point in having a ton of raw power if the phone dies in no time flat. The X90 Pro’s 4,870mAh battery generally does a decent, if unspectacular, job. Typical usage involving YouTube videos, some gaming, and web browsing yielded over seven hours of screen-on time and just over a day and a half of usage (see the first image below). Heavier usage involving around an hour of GPS navigation, around an hour of using the camera, and browsing Reddit yielded roughly five hours of screen-on time and a full day of usage.

The Vivo X90 Pro is also equipped with 120W wired and 50W wireless top-ups. The fast charging toggle is bizarrely disabled by default, but I still clocked a zero to 100% time of 29 minutes without it. Enabling the fast charging toggle shaved three minutes off the final time. Either way, you should expect charging times of half an hour or less, which is in line with the OnePlus 11 and other super-fast charging phones. It’s worth noting that both the wired and wireless charging solutions are proprietary. The bundled 120W USB-C to USB-C charger offers 65W PPS charging too, so you should be able to charge other gadgets just fine. The only hurdle might be getting your hands on the necessary first-party Vivo wireless charger if you want maximum wireless speeds, though it does support Qi wireless charging as a backup option.

Two other positives worth noting are eSIM support and some quality stereo speakers. The former feature is long overdue, as previous Vivo flagships lacked this connectivity option. Meanwhile, the X90 Pro blows my Pixel 7 Pro out of the water in terms of speaker volume. The bottom-firing speaker is a little louder than the earpiece speaker, but the sound is reasonably balanced nonetheless.

What’s not so good?

Vivo X90 Pro face down on window sill

Hadlee Simons / Android Authority

You only need to view the app drawer to see that Vivo still hasn’t addressed the bloatware issue in Funtouch OS. We counted 11 pre-installed apps out of the box, and that’s not including the Hot Apps/Hot Games icons and Vivo’s own apps (e.g. browser and Vivo App Store). In a rather galling move, Vivo actually asks you if you’d like to install even more apps during the setup process, such as Snapchat, PicsArt, Pinterest, TurboVPN, and Facebook Lite. Vivo’s skin clearly has potential thanks to its stock-like aesthetics and a decent list of features. But Vivo really needs to address its bloatware problem if it wants Funtouch OS to have any chance of unseating the top Android skins.

It also doesn’t help matters that Vivo is being left behind in the update race. The Vivo X90 Pro will be supported for three major OS updates and three years of security patches. The former update policy is decent enough, but three years of security upgrades pretty poor when Google and Samsung are all offering five years. Even BBK stablemate OnePlus is delivering four years of security patches for older flagships and five years of security patches as of 2023.

Funtouch OS is a solid Android skin that’s once again blighted by plenty of bloatware.

While performance in general and in games tends to be good, the Vivo X90 Pro heats up to an unacceptable degree under benchmark stress tests. In this scenario, the device became uncomfortably hot, particularly along the edges. Of course, these stress tests push the phone to a higher level than even demanding 3D games, but it still leaves us a little concerned about how it’ll cope with more advanced tasks later in its lifespan.

Staying with sustained performance, the 3DMark Wild Life stress test showed that the phone buckled to just ~60% of its initial performance by the end. This is close to results from the OnePlus 11, but far behind the Galaxy S23 Ultra which only dropped by ~37%, though it did muster a ~60% overall stability score, which is in line with our Galaxy S23 series testing. We didn’t notice a performance drop in actual games over extensive play sessions, but when taken in combination with the excessive heat we encountered, it’s possible the X90 Pro could be the first to blink in a marathon mobile gaming session.

Vivo X90 Pro back face down USB port

Hadlee Simons / Android Authority

It’s a little disappointing that the X90 Pro screen doesn’t support refresh rates lower than 60Hz, too. The phone either sticks to 120Hz, 60Hz, or dynamically switches between the two via the “smart switch” option. By comparison, the Galaxy S23 and Galaxy S23 Plus drop down to as low as 48Hz, while many premium flagships have LTPO screens that drop down to 10Hz or 1Hz. It’s not a big deal, but a lower refresh rate can save battery life in some scenarios.

Speaking of downgrades, the in-display fingerprint sensor here is a marked step down from the Vivo X80 Pro’s fantastic 3D Sonic Max scanner. It’s still a brisk if occasionally inaccurate experience, but it’s a little disappointing to see the new scanner staying exclusive to the top-end model.

Finally, while I broadly like the Vivo X90 Pro’s design, I could really do without the garish “Xtreme Imagination” branding on the rear metal strip, as well as the “professional photography” branding at the top of the handset. Why spoil a good thing, Vivo?

Vivo X90 Pro camera review

Vivo X90 Pro camera viewfinder

Hadlee Simons / Android Authority

The Vivo X90 Pro’s triple rear camera system is dominated by that 50MP IMX989 one-inch main camera. This is the biggest camera sensor you can get on a mainstream smartphone today and matches the Xiaomi 13 Pro. So what does this mean for actual image quality?

Daytime snaps deliver plenty of natural bokeh owing to that large sensor size, but I found this to be a double-edged sword. On the one hand, you can get that pleasant separation between foreground and background. On the other, you need to take a step back in some instances or risk having a poorly focused subject or parts of your subject being out of focus.

In fact, it seems like the camera has a small area of focus even when stepping back, leading to color bleeding and a general lack of focus (check the edges of the flower in the 1x shot as well as the noodle bowl shot). So you might need to pull the phone back even more to get a better snap.

Otherwise, daytime snaps via the main camera usually deliver a healthy level of detail, minimal noise, and relatively vivid colors without going overboard. Thankfully, the Zeiss Natural Color profile returns as well, in case you want more realistic hues. However, the phone does apply a little too much sharpening at times.

Where that giant sensor really comes into its own is for low-light photography, and the combination of this sensor and Vivo’s great low-light credentials makes for some great night-time snaps. Expect bright shots with low levels of noise and a good level of retained detail. The phone does occasionally apply a little too much sharpening at night, though, much like the daytime snaps. Low-light snaps can also be a little soft at times. But it says a lot that the phone trades blows with the imperious Galaxy S23 Ultra when the sun goes down.

The Vivo X90 Pro’s giant 50MP main camera is capable of some class-leading low-light snaps.

Perhaps the coolest trick here is the addition of a handheld astro mode, allowing you to take astrophotography images as you would snap a night mode shot. You simply need to hold the phone relatively still for a few seconds, and it spits out an astro mode snap. Although much like the tripod astro mode, the handheld mode opts for a blue hue for the sky that can (thankfully) be disabled.

You’re still better off with a tripod for astro snaps, as this produces a cleaner, sharper image, and picture quality can be inconsistent when using your hands. For example, the mountain in the third image has a weird cast to part of it (although this is likely due to a spotlight in the city). Still, it’s a clear step above a standard night mode and means you can get more creative with your shots — no need to lug around a heavy tripod or crouch over a mobile tripod.

The 12MP ultrawide camera is a pretty solid shooter during the day, although you’ll certainly notice very soft corners, some purple fringing, and a more contrast-heavy look. You’ll even notice plenty of noise in darker areas of some scenes during the day. At least there’s a dedicated macro mode available via this camera, cropping in to 1x to deliver detailed close-ups with none of the horrible over-sharpening that plagued the Vivo X80 Pro’s mode. Overall though, this is a slight downgrade over the X80 Pro’s ultrawide lens.

Vivo also opted for a 50MP 2x telephoto camera, bringing more megapixels than the X80 and X80 Pro’s 2x shooter. Image quality at 2x is just fine, although detail falls off pretty quickly from 5x, with an overly contrasted look to boot. In saying so, portraits via this camera are mostly sharp and exhibit few depth errors. Vivo is also implementing a Zeiss Cine Flare portrait style in case you want a cinematic lens flare in your shot, joining a host of existing portrait styles.

Another new addition is a “Zeiss Miniature Effect” mode, which is literally a tilt-shift mode. Fortunately, Vivo lets you adjust the blur range and angle, and you can even choose Zeiss bokeh effects for the blur and toggle a night mode.

In terms of video capabilities, the Vivo X90 Pro tops out at 8K/24fps, albeit without any form of stabilization at all. Needless to say, the footage here is super-juddery. You’re better off using 4K/60fps or 4K/30fps if you want stable video. I was also glad to see the smooth Ultra stabilization option return, although I’m disappointed to see that it’s still limited to 1080p/60fps even after all this time.

Other notable camera modes include Horizon Line stabilization (limited to 1080p/30fps but keeping the horizon level), sports mode for freezing motion, pro mode, a full-resolution option for 50MP shots, supermoon mode, and the aforementioned handheld or tripod-based astro modes.

Vivo X90 Pro specs

vivo X90 Pro

Display

6.78-inch QHD+
1,260 x 2,800
AMOLED, HDR10+
120Hz refresh rate
300Hz touch response
In-display fingerprint sensor

Processor

MediaTek Dimensity 9200
Arm Mali-G715 Immortalis MC11 GPU

RAM

12GB

Storage

256GB
Non-expandable

Battery

4,870mAh
120W wired charging
50W wireless charging

Cameras

Rear:
50MP main IMX989 at f/1.75, one-inch, OIS
12MP ultrawide at f/2.0
50MP 2x telephoto IMX758 at f/1.6

Video: 8K at 30fps, 4K at 30/60fps, 1080p at 30/60/120/240fps, 720p at 480fps

Front: 32MP

IP rating

IP68

Headphone jack

N/A

Connectivity

IR blaster
NFC
Wi-Fi 6
Bluetooth 5.3
Supports SBC, AAC, aptX, aptX HD, aptX Adaptive, aptX TWS+, LDAC, LC3 codecs

Software

Funtouch OS 13
Android 13

Dimensions and weight

164.07 x 74.53 x 9.34mm
215 grams

Vivo X90 Pro review: The verdict

Vivo X90 Pro screen up on ledge

Hadlee Simons / Android Authority

The Vivo X90 Pro takes the fight to flagship phones from big-name manufacturers, ticking almost every box you’d expect of a 2023 flagship. Plenty of performance headroom? Yep. Super-fast wired and wireless charging? You bet. IP68 rating? Sure. A great main camera (that excels at night to boot)? Absolutely.

Vivo’s handset makes several notable missteps, though, such as a busload of bloatware, a software update promise that lags behind rivals, a not-all-that-dynamic refresh rate screen, and iffy long-range camera zoom. These downsides are particularly disappointing for a smartphone that is expected to retail for over £1,000 when it finally hits Europe. If it comes in lower than that, we’ll revisit our verdict, but considering its Malaysian launch price is identical to the X80 Pro, it seems likely we’re looking at a four-digit asking price in Europe once again.

The X90 Pro ticks plenty of boxes, but Vivo still isn’t learning from past mistakes.

There are quite a few alternatives on the market if you want a flagship phone with all the bells and whistles. The Galaxy S23 Ultra ($1199.99 at Samsung) is the top dog right now — Samsung’s phone brings standout features like a 200MP main camera, 10x periscope camera, an overclocked Snapdragon 8 Gen 2 processor, integrated S Pen and a QHD+ 120Hz screen. The Vivo phone delivers similarly great low-light image quality, a narrower design, and faster wired/wireless charging, but Samsung’s ultra-phone is more well-rounded and will be supported with security patches for an additional two years.

It may be a year old, but the Vivo X80 Pro (Rs86999 at Vivo) is also worth considering if you like the idea of a Vivo flagship. It has an older (albeit still powerful) Snapdragon 8 Gen 1 processor and less impressive low-light capabilities, but it improves on the X90 Pro by offering an 8MP 5x periscope camera, a QHD+ screen, and one of the most accurate and reliable in-display fingerprint readers we’ve ever seen.

You should also strongly consider the Google Pixel 7 Pro ($899 at Amazon) if you want a premium experience without a premium price tag. Google’s phone doesn’t have particularly fast wired or wireless charging, and low-light image quality is a smidgen behind Vivo. However, the Pixel 7 Pro brings great features like a QHD+ screen, a 48MP 5x periscope camera, exclusive Pixel software features, and a lengthy update commitment.

Vivo X90 ProVivo X90 Pro

Vivo X90 Pro

Elegant design • Great display • 120W charging

Premium look and feel on a solid Android phone

The Vivo X90 Pro is a welcome upgrade in the Vivo X line. Look for fast charging, a nice display, big cameras, IP68 rating, and a new premium look and feel.

Top Vivo X90 Pro questions and answers

The Vivo X90 Pro has an IP68 rating, making it dust- and water-resistant but not waterproof.

The Vivo X90 Pro has Schott Xensation Up glass on the display and Corning Gorilla Glass on the camera for protection.

No, the Vivo X90 Pro is not available to buy in the US and is not expected to launch in North America.

Yes, the Vivo X90 Pro has Google Services and access to the Play Store.

Vivo hasn’t launched the X90 Pro Plus in global markets yet, but it is expected to launch later in 2023.

The Vivo X90 Pro supports sub-6GHz 5G.

[ad_2]

you should know the compulsive photography of Andy Warhol

[ad_1]

Review: Andy Warhol and Photography: A Social Media, Art Gallery of South Australia.

Andy Warhol is well known for his slick pop art imagery which fetches staggering amounts at auction. His Shot Sage Blue Marilyn sold in 2022 for US$195 million.

But there is a little-explored side to Warhol-the-photographer, whom curator Julie Robinson explores in a brilliant new exhibition.

Here, Warhol emerges as a compulsive photographer whose images range from snapshot polaroids of the everyday, to portraits of the rich and famous, to Warhol himself in various self-portraits.

His camera was the iPhone of today, obsessively putting out images well before the phrases “social media” and “selfie” were invented.

Gerard Malanga, born Bronx, New York, United States, 1943, Andy Warhol, 1971, New York, gelatin-silver photograph, 33.7 x 22.6 (image), 35.6 x 27.8 cm (sheet); National Gallery of Australia, Canberra, Purchased 1973.




Read more:
Five reasons Andy Warhol is so popular right now


Warhol and the camera

Warhol began using a polaroid camera in 1957 to record himself and his friends. He was a leading magazine illustrator in New York and he moved to using the camera as a source for imagery in commissions such as a photo spread for Harper’s Bazaar in 1963, and a cover image for Time Magazine in 1965 – both on display in the exhibition.

Photography for Warhol was a key part of his working method, even though some of his images have a snapshot quality.

He famously said:

I think anybody can take a good picture. My idea of a good picture is one that’s in focus and of a famous person doing something unfamous.

By 1961 he was using his photo-based imagery for his pop art silkscreens in his Campbell’s Soup Can series. His polaroid photographs continued to be the basis for many silkscreens, such as his exuberant Mick Jagger series (1975), co-signed by each.

Andy Warhol, born Pittsburgh, Pennsylvania, United States 1928, died New York, United States 1987, Cream of mushroom soup, 1968, New York, colour screenprint on paper, 81.0 x 47.5 cm (image), 88.8 x 58.5 cm (sheet); South Australian Government Grant 1977, Art Gallery of South Australia, Adelaide, © Andy Warhol Foundation for the Visual Arts, Inc. ARS/Copyright Agency.

His Ladies and gentlemen (1975) captured Black and Latino trans and drag queens. The models were sourced from the Gilded Grape bar, a nearby haunt of Factory photographers.

Installation view: Andy Warhol and Photography: A Social Media featuring Andy Warhol’s Ladies and gentlemen, Art Gallery of South Australia, Adelaide; photo: Saul Steed.

A stunning set of photographs on show come from his time in the 1970s and ‘80s producing gelatin-silver photo portraits of the celebrity figures based on initial Big Shot Polaroid images.

The dazzling array, which includes David Hockney, Henry Kissinger embracing Elizabeth Taylor, Liza Minnelli and Joseph Beuys, come from a mix of polished and in-situ photoshoots.

Andy Warhol, born Pittsburgh, Pennsylvania, United States 1928, died New York, United States 1987, Liza Minnelli, 1978, New York, PolaroidTM Polacolor Type 108, 9.5 x 7.3 cm (image), 10.8 x 8.5 cm (sheet); V.B.F. Young Bequest Fund 2012, Art Gallery of South Australia, Adelaide, © Andy Warhol Foundation for the Visual Arts, Inc. ARS/Copyright Agency.

Late in his relatively short life, Warhol began stitching photographs together. Empire State Building (1982), showing multiples of the same image in grid formation, signals this new direction.

The Factory

This isn’t just an exhibition of Warhol, but also of his collaborators and contemporaries. The exhibition begins recreating the famous silver-lined Factory, the studio of Warhol and fellow photographers from 1964-68.

The Factory is remembered now as a site of legendary photographs and experimental films.

Warhol’s loosely scripted and silent experimental films on show from this time include the touchingly intimate Haircut (1964) and the delightfully chaotic Camp (1965). The “actors” were all, in fact, friends and acquaintances.

You sense the intensity of life there. Billy Name, the Factory’s archivist, said

it was almost as if the Factory became a big box camera – you’d walk in, expose yourself and develop yourself.

In this exhibition, Warhol’s photographs sit alongside photographs from Name, Steve Schapiro, Brigid Berlin and Robert Mapplethorpe.

Robert Mapplethorpe, born Queens, New York, United States 1946, died Boston, Massachusetts, United States 1989, Andy Warhol, 1986, New York, gelatin-silver photograph, 61.0 x 51.0 cm; Purchased 1989, National Gallery of Australia, Canberra.

Warhol himself is the subject in some photographs. Warhol would hand the camera around to other photographers like Jill Krementz who would capture him on film.

She is the photographer of Andy and Hitchcock, but the image is credited to Warhol, as often happened.

Andy Warhol born Pittsburgh, Pennsylvania, United States 1928 died New York, United States 1987 Andy and Hitchcock 1974, New York PolaroidTM Polacolor Type 108 7.2 x 9.6 cm (image) 8.5 x 10.8 cm (sheet) V.B.F. Young Bequest Fund 2012 Art Gallery of South Adelaide © Andy Warhol Foundation for the Visual Arts, Inc. ARS/Copyright Agency.

Other polaroids on show include Warhol’s homoerotic male torsos (1977), and the kissing series by Warhol’s collaborator Christopher Makos for a Valentine’s Day issue of Interview magazine, including Andy kissing John Lennon (1978).

Christopher Makos, born Lowell, Massachusetts, United States 1948, Andy Warhol Kissing John Lennon, 1978, New York, gelatin-silver photograph, 27.7 x 41.7 cm (image), 40.7 x 50.4 cm (sheet); V.B.F. Young Bequest Fund 2022, Art Gallery of South Australia, Adelaide, © Christopher Makos.

Fleshing out the character

This is a large exhibition of 250-plus exhibits, including marked-up contact sheets, photobooth strip images, various cameras including the polaroid camera, issues of Interview magazine featuring Warhol’s photographs, and a video of his last exhibition in London in 1986 (he died unexpectedly in February 1987).

Christopher Makos, born Lowell, Massachusetts, United States 1948, Andy taping Christopher Reeves for ‘Interview’ magazine, 1977, New York, gelatin-silver photograph, 21.2 x 32.2 cm (image), 27.5 x 35.3 cm (sheet); Private collection, © Christopher Makos.

The final painting on show from that exhibition is Warhol’s camouflage-covered Self-portrait no. 9 (1986), an image that could be a composite of the many photographic portraits such as Makos’s Andy Warhol in American Flag, Madrid (1983).

Andy Warhol, born Pittsburgh, Pennsylvania, United States 1928, died New York, United States 1987, Self-portrait no.9, 1986, New York, synthetic polymer paint and screenprint on canvas, 203.5 x 203.7 cm; Purchased through The Art Foundation of Victoria with the assistance of the National Gallery Women’s Association, Governor, 1987, National Gallery of Victoria, Melbourne © Andy Warhol Foundation for the Visual Arts, Inc. ARS/Copyright Agency.

The many portrayals of Warhol himself add flesh to his reputation as self-seeking, but they also penetrate the mask he so successfully cultivated. The Altered Image by Makos shows Warhol with a blond wig and wearing female make-up.

Makos recalled Warhol saying “I want to be pretty, just like everyone else”.

Christopher Makos, born Lowell, Massachusetts, United States 1948, Altered Image from the portfolio Altered Image: Five Photographs of Andy Warhol, 1981; published 1982, New York, gelatin-silver photograph, 44.8 x 32.2 cm (image), 50.6 x 40.8 cm (sheet); Purchased 1982, National Gallery of Australia, Canberra, © Christopher Makos.




Read more:
Andy Warhol still surprises, 30 years after his death


An astounding output

This exhibition is a wholly immersive time capsule capturing life in New York for Warhol and his circle in the 1960s, ’70s and early ’80s. It shows just how astounding Warhol’s output was as a photographer, and how photography underpinned his entire oeuvre.

As Makos observed at the opening, he had seen many a Warhol exhibition, but never one that captured this side of Warhol – and so perfectly too.

It is well worth a trip to Adelaide. It is not a touring exhibition and brings together key work from international and national collections.

Andy Warhol, born Pittsburgh, Pennsylvania 1928, died New York City, New York 1987, Debbie Harry, 1980, New York, PolaroidTM Polacolor Type 108, 10.8 x 8.6 cm (sheet), 9.7 x 7.3 (image); V.B. F. Young Bequest Fund and d’Auvergne Boxall Bequest Fund 2018, Art Gallery of South Australia, Adelaide, © Andy Warhol Foundation for the Visual Arts, Inc. ARS/Copyright Agency.

The only inexplicable aspect is the lack of an exhibition catalogue, from a gallery with a reputation for producing prize-winning catalogues. Exhibitions are, by their nature, ephemeral events; the record lies in the catalogue.

For a groundbreaking one like this, presenting a new side to Warhol and his collaborative photographic practice, a record is needed.

Andy Warhol and Photography: A Social Media is at the Art Gallery of South Australia until May 14.




Read more:
Did pop art have its heyday in the 1960s? Perhaps. But it is also utterly contemporary


[ad_2]

Watch the Full Worm Moon rise in free telescope webcast on March 7

[ad_1]



The Full Worm Moon will reach its peak on March 7, 2023.


© Starry Night Education
The Full Worm Moon will reach its peak on March 7, 2023.

You can catch the Full Worm Moon rise in a free webcast.

The full moon of March will peak in the eastern U.S. at 7:40 p.m. (1240 UTC) on March 7, according to the U.S. Naval Observatory. The moon will be in the constellation Virgo and will be visible in the webcast via a robotic telescope.

Joining the moon in the night sky will be Venus, Jupiter, and Mars. Venus and Jupiter just completed their closest approach in a decade, but are still within very close quarters of each other in our night sky. Jupiter will be in the west with brighter Venus above, while Mars will glow red-orange in the southwest.

The Virtual Telescope project will show the Full Worm Moon shining over Rome on Tuesday (March 7) at 1:30 p.m. EST (1830 GMT). You can watch live via the project’s website or YouTube channel.

Related: March full moon 2023: The Worm Moon shares the sky with Venus, Jupiter and Mars

See the Moon phases in 2023 in epic time-lapsed animation

UP NEXT

UP NEXT

The Worm Moon is so-called in the Old Farmer’s Almanac and is said to be because earthworms are starting to emerge in March. However, numerous other cultures in the Americas and around the world have other names for it; you can see a selection of other cultures’ monikers and meanings in our Worm Moon story.

If you’re looking for a telescope or binoculars to observe the moon, our guides for the best binoculars deals and the best telescope deals now can help. Our best cameras for astrophotography and best lenses for astrophotography can also help you prepare to capture the next skywatching sight on your own. 

Fancy taking a more in-depth moonlit tour of our rocky companion? Our ultimate guide to observing the moon will help you plan your next skywatching venture whether it be exploring the lunar seas, mountainous terrain, or the many craters that blanket the landscape. You can also see where astronauts, rovers and landers have ventured with our Apollo landing sites observing guide. 

Editor’s Note: If you snap a photo of the Full Worm Moon and would like to share it with Space.com’s readers, send your photo(s), comments, and your name and location to [email protected]

Elizabeth Howell is the co-author of “Why Am I Taller?” (ECW Press, 2022; with Canadian astronaut Dave Williams), a book about space medicine. Follow her on Twitter @howellspace. Follow us on Twitter @Spacedotcom or Facebook.



[ad_2]

VRuseum: architecture, LUTs and photography in Virtual Reality by Jose Antunes

[ad_1]

VRuseum: architecture, LUTs and photography in Virtual RealityHere is something that makes you have faith in the future of VR: clean, with a cinematic touch, simple to navigate through and packed with interesting options, VRuseum is a free VR experience you must try!

While the Museum of Other Realities (MOR) may be the most popular of these virtual museums (still, with only 366 reviews on Steam) there are other examples of how VR can be used to share art collections. While some of those museums reflect “brick and mortar” museums from the real world, others, as MOR, only exist in the digital world, something that makes sense as much of the art they share is digital… and virtual.

VRuseum: architecture, LUTs and photography in Virtual Reality
Steam not only calls it a game, the platform even states the title is not compatible with VR, when you try to launch it from the “Play” option. Not very helpful…

 

The way  the platform Steam refers to VRuseum (and all Virtual Reality experiences, in fact) does not help: the introduction text starts with a misleading “About this game”, which clearly demonstrates that Steam’s cataloguing system is not geared to deal with VR experiences… and no one seems to care. This leads to another problem: some users end writing reviews complaining the game has not much to do…

Well, VRuseum is not a game, although it can keep you entertained for a much longer time than many of the games – VR and non-VR – shared through Steam. VRuseum is a virtual museum projected in an area of 10,000 m2. It contains galleries and open spaces that exhibits sculptures created by artists from the digital world. You can visit the museum downloading for free the application and choosing between 3 different modes: Virtual Reality headset,  and screen using keyboard and mouse or touch screen. The view modes are also multiple: VR, First person, Aerial view, Photo, Camera. It’s also possible to explore the architecture without the art pieces, see listings of the artists and more info related to a project that was developed from 2022 to 2022 and is one example of the type of museum that could/should be expanded.

VRuseum: architecture, LUTs and photography in Virtual RealityA recipient of Epic Megagrants

As the note above confirms, although VR is part of the title, VRuseum can also be explored on a flat screen, although you’ll never get the same level of immersion that Virtual Reality offers, as you can wander around the art pieces as if you were inside a real museum. And it’s only when using VR that you feel how much of the design of the space is influenced by the other work the authors create. On a flat screen it is all… too flat!

This project was born in 2020 with the aim of connecting with the artists community from the world of digital art, offering participants the possibility of contemplating their digital illustrations in Virtual Reality. The museum was named “VRuseum” by Boldtron who, together with his brother SlurpTV, brought this line-up of artists to the space.

Boldtron is a Barcelona-based 3D artist dedicated to 3D/CGI and VR. Having worked as an illustrator and art director around Europe and Asia with over twenty years of industry experience, he returned to Barcelona to launch his own studio, PZZZA. SecondaryBounce, the company behind the VRuseum, is a recipient of Epic Megagrants, and has a website with projects that mix cinematic experiences, architecture and design of interiors with VR.

VRuseum: architecture, LUTs and photography in Virtual RealityTaking photos, exploring LUTs

Creators of high end virtual experiences (some of which can be freely downloaded from their website), SecondBounce reveals a clear understanding of the potential of VR for cinematic uses, and, either using the optional VR support or on a flat screen, their work reflects that experience. Videos as the “Cinematic Virtual Reality Pavilion” or “Apartment Cinematics Video” reveal what can be done these days inside Unreal Engine. The interactive VRuseum reflects all that and more in ways that only in VR can be fully understood.

VRuseum: architecture, LUTs and photography in Virtual Reality

The presence of options to control the photo capturing process, with the possibility to use zoom, reframe, change aperture, use flashlight and more is a clear invitation for those who love photography to explore the multiple angles. The community hub related to Vruseum shows some of the examples of the photos captured by visitors. There is also a large collection of LUTs that change the aspect of the rooms, again confirming the visual importance these elements have for the creators of the project.

VRuseum: architecture, LUTs and photography in Virtual Reality

It’s not a game, but it’s an immense playground where visitors can discover the work of more than 35 artist involved, also individually visualize each sculpture in an isolated visualization mode or in “architecture only”. The option to see the whole museum as a miniature or, inversely, of becoming small enough to go inside some of the art pieces on display is part of the joy of discovering this. And if you “fly” over the exhibits you’ll discover some other hidden art pieces waiting for those who dare to check each corner. Visit all the zones, discover all the artist sculptures installations, unlock viewing modes and complete your collectible album.

VRuseum: architecture, LUTs and photography in Virtual RealityNeeds a computer with some power

VRuseum is a feast to the senses, from the ambient sounds to the images. It’s no wonder that visitors have enjoyed taking photos of the museum, exploring perspectives that put in evidence both the pieces being exhibited and the architecture of the whole place. Much easier to navigate that the more ambitious MOR, it’s more user-friendly for those starting to explore Virtual Reality, and it’s a title I  suggest ProVideo Coalition readers interested into better understand the links between a cinematic vision and VR. Do check the other work from SecondaryBounce, too…

The title, which if FREE, may need a computer with some power, something those aiming to explore it should have in mind. The interface offers the option to adjust some of the graphic quality parameters,  and it also clearly explains the multiple ways to discover VRuseum. Whatever you do, pay a visit to the Steam platform, register if you’ve not done so (it’s free) and download this fine example of what VR can be.

[ad_2]

How Tall Is Ron DeSantis? Questions About His height Abound

[ad_1]

Florida Gov. Ron DeSantis (R) is one of the most polarizing politicians in the country. Fans love his attacks on public education, transgender kids, and the press. Detractors despise those same moves with equal intensity. But one thing unites citizens of the web throughout the political spectrum: Asking just how tall Ron DeSantis is.

While many political figures’ heights are a matter of public record, others are notoriously tight-lipped or deceptive about their true stature. In the former camp, you’ll find President Joe Biden (6’0″), Chris Christie (5’11”), and Jeb Bush (6’3″). In the latter, there’s United States Secretary of Transportation Pete Buttigieg, former President Donald Trump, and now DeSantis.

Many politicians’ heights are listed on their Wikipedia page. Not DeSantis. His Wikipedia contains no mention of his height. One site noted that estimates of his height vary from 5’9″ to 6’2″. Others say he’s closer to 5’7″.

Height obviously has no bearing on a person’s ability to govern. It’s also true that taller candidates are more likely to win the U.S. presidency. And while DeSantis isn’t technically a candidate, he’s expected to enter the 2024 race after Florida’s spring legislative session.

Taller men are generally more likely to be president. During the 2016 presidential race, the Washington Post reported that the last president who was shorter than 5’9″ was William McKinley (5’7″). McKinley was president from 1897-1901.

This may explain why some presidential candidates have been accused of using various means to fudge the numbers on their height. For example, Sen. Marco Rubio (R-Fla.) is officially 5’9″ or 5’10”, but is rumored to actually be closer to 5’8″, which he may conceal by wearing a bit of a heel.

How tall is Ron DeSantis?

DeSantis’ footwear choices have inspired similar speculation that he’s aspiring to greater heights than nature provided.

There’s nothing wrong with men wearing heels. Yet DeSantis’ supporters do not take kindly to people accusing him of wearing heels.

A recent photo of DeSantis had some wondering.

When someone asked why DeSantis was wearing what he thought were high heels in the photo, former Trump attorney Jenna Ellis snapped back, “You haven’t seen cowboy boots? Have you even BEEN outside the beltway, like… ever?”

Others came running to the comments to give DeSantis a boost.

DeSantis could well be wearing an average pair of boots. He could also have chosen them specifically for a generous heel.

Some allege that he wears lifts, which are insoles that increase your height without the obvious tell of a heel.

A much, much stranger rumor is that DeSantis went under the knife to ensure he towers over the competition.

Josh Marshall of the political site Talking Points Memo recently ran a joke Twitter poll asking people how much they want to know DeSantis’ true height “prior to any surgical leg extensions, if they occurred.” Nearly 85% of the over 3,000 respondents chose “we need the truth now.”

There is no evidence that DeSantis had surgery to make him taller. But people think it’s hilarious nevertheless.

“The rumors that Gov. DeSantis has had height-enhancing surgery are unfounded and despicable and should be spread across the internet,” @DwightMccabe responded.

The subject of DeSantis’ height has inspired more than one poll.

As arguably amusing as the polls and commentary may be, none of it answers the question at the heart of the matter: Exactly how tall is Ron DeSantis?

Howtallis.org says that Florida’s governor is 6’1″. Celebheights.com claims that DeSantis is 5’11”. World-wire.com has him pegged at 5’9″. One Twitter user placed him closer to 5’7″.

Photos offer limited guidance. As one Twitter user pointed out, DeSantis looked to be about the same height as 6’1″ Tiger Woods in a recent picture—but photographic evidence is negated if he’s wearing heels and/or lifts.

DeSantis height remains a mystery, one which is certain to keep coming up, particularly if he jumps into the presidential race. The subject has already reportedly inspired one of the nicknames Trump is workshopping for him: Tiny D.

web_crawlr

We crawl the web so you don’t have to.

Sign up for the Daily Dot newsletter to get the best and worst of the internet in your inbox every day.

*First Published: Mar 6, 2023, 2:11 pm CST

Claire Goforth

Claire Goforth is a staff writer at the Daily Dot covering all things politics and technology with a focus on the far right and conspiracy theories.

Claire Goforth



[ad_2]

Living With the Samsung Galaxy S23 Ultra

[ad_1]

For the past few weeks, I’ve been using a Galaxy S23 Ultra as my primary Android phone. It’s not a whole lot different from last year’s Galaxy S22 Ultra, which I thought was the most capable phone I had ever used; but the camera system has gotten noticeably better, especially in low light, and as you would expect, it has a new, faster processor. The result is a terrific phone that keeps Samsung on top, particularly in some areas of photography, and that continues to have a number of unique features such as pen support.

With its 6.8-inch screen, the S23 Ultra measures 6.43 by 3.07 by 0.35 inches and weighs 8.25 ounces, which makes it much larger than the regular S23 or S23+, and it has sharper edges. As such, the S23 Ultra does feel like a big phone; it fits in my pockets, but just barely. I’ve always liked big phones, but others may find it too large. It’s pretty much the same size as the S22 Ultra, though a little heavier. The unit I used came in the new green color which is, to my eyes, more of a grey-green sage; other options include cream, lavender, and “phantom black.” It runs Android 13 with Samsung One UI 5.1 software and is powered by a special version of Qualcomm’s Snapdragon 8 Gen 2.

The standout feature of the S23 Ultra is the new 200-megapixel (MP) camera sensor with an aperture of f/1.7 on the main (wide) camera with what Samsung calls “adaptive pixel,” where it supports multiple layers of binning.

In most situations, when you use the 200MP sensor, the camera system will combine 16 pixels into one, creating a 12MP image. But by just clicking a button on the photo menu, you can switch to capturing 50MP photos (where four pixels are combined into one), or even 200MP photos. The downside is that 50MP and 200MP images take up a lot more storage. When I’ve tried this, I haven’t really been able to tell the difference—all general photos look great—so the default setting makes sense to me. The larger settings are probably only necessary if you intend to create very large prints or zoom very tightly into a picture.

The Back


(Credit: Eric Zeman)

One thing that has generally improved is night photography, where Samsung says the camera system has doubled the angles of optical image stabilization, which particularly allows for sharper, steadier videos at night, especially when you turn on the “super steady” mode. The system also includes a new method for faster auto-focusing, which was especially notable at night. With all of the recent top-end phones, it’s amazing how much better low-light photography has gotten in the past few years.

The improvements in optical image stabilization also seem to have helped in zoom. Like the previous year’s model, the S23 Ultra has two 10MP zoom lenses, one at 3x optical (with an aperture of f/2.4) and the other at 10x optical (with an aperture of f/4.9). I thought last year’s model showed a big improvement over the year before in image stabilization; this year’s is better as well. You can see the results of a variety of shots with the various rear cameras, ranging from a 12MP ultrawide camera to the main 200MP wide camera to the two zoom lenses to various levels of what Samsung calls “Space Zoom”—essentially digital zoom added to optical zoom. Samsung continues to offer what it calls 100X Zoom, though I still can’t say I’ve gotten great results at that zoom without a tripod. Still, the images with a long zoom were very impressive for a phone. It’s not going to replace a camera with a bigger sensor and a real telephoto lens, but for something you can carry in your pocket, it’s amazing.

For selfies, the front camera is a 12MP (f/2.2) model, and you can choose between a tighter or wider angle. It now gives you a single button to choose between natural and warm color tone, though you can choose from a variety of other settings, as well as a number of filters and smoothing options. Of course, you can take video selfies, this year at up to UHD at 60 frames per second.

It continues to have a lot of photo options, including portrait model, with varying degrees of bokeh distance, director’s view, slow motion and super-slow mode, portrait videos, and hyperlapse. This year’s model has more of a focus on astrophotography, though I didn’t really try this much. One feature that has become more buried in the menus over the years is the single-take feature, which takes a variety of shots at once—something I like but doesn’t seem to have found much of an audience.

For professionals, Samsung now offers Expert RAW (through a separate download), which now supports 50MP photos and the front camera; and a Camera Assistant app that gives you even more controls over things like how long the camera preview should be displayed before timing out and a way to get a faster shutter speed.

Of course, the camera is only one aspect of a smartphone, even if it is the one that gets the most attention. The S23 family this year is powered by the Qualcomm Snapdragon 8 Gen 2 platform for Galaxy, which seems to mean a slightly faster version of the chip. The standard Snapdragon 8 Gen 2 includes an octa-core Kryo CPU with one Arm Cortex-X3 core at up to 3.2GHz, two Cortex-A715 performance cores at up to 2.8GHz, two Cortex-A710 performance cores at up to 2.8 GHz, and three Cortex-A510 efficiency cores at up to 2.0GHz, along with Adreno 740 graphics. The Snapdragon 8 Gen 2 for Galaxy boosts the top CPU clock speed to 3.36GHz and is also supposed to improve the graphics. The chip is built on TSMC’s 4-nanometer process technology. The S23 Ultra also has a larger cooling system, which should allow the processor to run faster for longer.

On PC Mag’s benchmarks, this tested out as the fastest Android phone to date, notably better than last year’s model, though its CPU performance still lagged behind the latest high-end iPhone. I’m not a gamer, but the phone certainly felt snappy to me.

It also includes a Qualcomm Snapdragon X70 modem, with support for additional 5G bands and Wi-Fi 6E. As usual, the speed of your connection will vary considerably depending on your location and carrier. In tests in New York City and the surrounding areas using the T-Mobile network, I saw 5G speeds with downloads ranging from 29 Mbps to 728 Mbps, and upload speeds between 3 and 106 Mbps, a huge swing.

One thing that seems to have noticeably improved is battery life. The S23 Ultra has a 5,000 mAh battery. It probably accounts for the additional weight in this year’s model, but it extends the battery life quite a bit. I could generally go for two days with normal usage, although of course, if you’re doing heavy-duty gaming or spend a lot of time scrolling through videos, you’ll get shorter battery life. Still, longer battery life is always good.

Recommended by Our Editors

The unit has a WQHD+ 3088-by-1440 display, although the default is FHD+ 2316-by-1080 (which saves on battery life.) This is the latest generation of Samsung’s AMOLED 2X Infinity-O display with a maximum brightness of 1,750 nits and a small cutout at the top for the front-facing camera. The screen offers adaptive motion smoothness up to 120 Hz and looked great. With a maximum brightness of 1,750 nits, it’s brighter than last year’s model and looked good even in bright sunlight. By default, it will run with adaptive brightness, so it won’t be that bright under typical lighting to save battery life.

Samsung continues to have some unusual features, such as its Knox security platform and its Dex system for attaching a monitor (or TV) and keyboard to create a desktop-like experience. These haven’t changed significantly this year.

There’s one other feature the S23 Ultra offers that remains very unusual: it includes an S-Pen stylus, and works with all of the features people who used the Galaxy Note phones became accustomed to, including freeform drawing, the ability to annotate screenshots or drawings, to translate sections of text, and the ability to take a quick Note just by pulling the S-Pen out of the bottom of the phone. For some reason, I needed to download a new version of the Notes application before that worked, but otherwise, it seemed identical to the S-Pen features for the past couple of years.

These S-Pen features remain the biggest differentiator of the Galaxy S Ultra series. I can see where someone who does a lot of drawing, or who needs to annotate documents such as floor plans or schematics, would find this feature alone a reason to pick the S23 Ultra over other devices.

The S23 Ultra offers several improvements over last year’s model, including a better main camera with improved image stabilization and low-light features and a faster processor. These changes still seem fairly incremental, something that’s been true of pretty much all phones in the past couple of years. With a list price of $1,199 for a base model with 8GB of RAM and 256 GB of storage, it’s an expensive phone, but if you’re looking for something with the best zoom I’ve seen in a phone and unique features such as S-pen support, along with great performance and battery life, the Samsung Galaxy S23 Ultra may be the most capable phone on the market.

Here’s PCMag’s full review.

Get Our Best Stories!

Sign up for What’s New Now to get our top stories delivered to your inbox every morning.

This newsletter may contain advertising, deals, or affiliate links. Subscribing to a newsletter indicates your consent to our Terms of Use and Privacy Policy. You may unsubscribe from the newsletters at any time.



[ad_2]

Winners of This Year’s World Nature Photography Awards

[ad_1]

The winners and runners-up of the 2022 World Nature Photography Awards have been announced. An amazing collection of photos as usual — I’ve included some of my favorites above. From top to bottom, photos by Mr. Endy (couldn’t find a website), Jens Cullmann, Jake Mosher, and Sascha Fonseca. Fonseca had this to say about his incredible photo of the snow leopard above:

A beautiful snow leopard triggers my camera trap high up in the Indian Himalayas. I captured this image during a 3-year DSLR camera trap project in the Ladakh region in northern India. The mystery surrounding the snow leopard always fascinated me. They are some of the most difficult large cats to photograph in the wild. Not only because of their incredible stealth, but also because of the remote environment they live in.

More about…

[ad_2]

The 42 winning images in the World Nature Photography Awards 2022

[ad_1]



Photo: World Nature Photography Awards


© Jens Cullmann
Photo: World Nature Photography Awards

A picture of a mud-caked crocodile lurking in the waters of Mana Pools National Park in Zimbabwe has won the top prize at the World Nature Photography Awards.

The winning picture was shot by German photographer Jens Cullmann, who spotted the crocodile’s piercing yellow eye peeking over the top of the muddy waters.

“I had to be very careful not to disturb the crocodile, even though it was buried in dry mud,” he said. “They will launch themselves with tremendous speed and power at any animal foolish enough to come too close.”

Cullmann took the top award and a $1,000 prize, however, there were several other category winners selected from the thousands of entries received from 45 countries around the world.

Scroll through the gallery above to see all of the winning images

Other standout images included a shot of a red crab sitting perfectly still as a wave washes over it on La Gomera island, Spain. The picture, shot by Javier Herranz Casellas, took the top prize in the Behaviour — Invertebrates category.

The winning image in the Behaviour — Amphibians category, shot by Ikuma Norihiro, shows Japanese stream toads hitching a ride on each other as they swim over a tangled mass of egg strings, creating an otherworldly underwater scene.

Two of this year’s winners were from the UAE — Sascha Fonseca won gold in the Animals in their Habitat category thanks to her stunning image of a rare snow leopard captured in the Indian Himalayas.

Nitin Michael, meanwhile, took bronze in the Ubran Wildlife category for his picture of two white-tailed sea eagles fighting mid-air in Vladivostok, Russia.

Adrian Dinsdale, co-founder of the awards, said: “We congratulate all our winners and offer our deepest thanks for capturing such spectacular images of our precious planet. Once again, we hope it provides great motivation to us all to do everything we can to protect the Earth for future generations.”

Upon announcing the winners of the 2022 competition, the team also officially opened call for entries for this year. Pictures can be submitted via worldnaturephotographyawards.com/enter

[ad_2]

Future Growth of Astrophotography Cameras Market Witness Huge Gains Over 2023 to 2028|Nikon,Canon,Sony

[ad_1]

The MarketWatch News Department was not involved in the creation of this content.

Feb 28, 2023 (Concur Wire via Comtex) —
New Jersey, United States Recently, a report titled “Worldwide Astrophotography Cameras Market research report 2022” was published by Infinity Business Insights Research. The study offers a 100 percent accurate and in line with industry standards analysis of the worldwide market. Through both subjective and quantitative analysis, it highlights some of the key elements influencing the market’s expansion. The COVID-19 outbreak had a negative impact on the growth of the global market for data processing units due to the lockdowns that occurred in various countries throughout the world. Lockdowns have been implemented and prolonged in numerous nations, which has led to the closure of Countless industries and manufacturing facilities worldwide as a result of the crisis and a labor shortage.

These restrictions were put in place by the government to impede the virus’s spread during the outbreak. After considering the views of multiple Astrophotography Cameras Market industry experts from various links in the value chain of various firms in the ecosystem, it is concluded that the market suffered a decline between 2019 and 2020. According to Infinity Business Insights, a number of variables, including comfort, an increase in the number and an increase in the number of mechanical developments, will cause the worldwide market to account for about half of the market in 2023.

Get Sample Report of Astrophotography Cameras Market 2023-2030:

The competitive landscape of the market has been studied in the report with the detailed profiles of the key players. Some of these players include:

Nikon,Canon,Sony,ZWO,QHYCCD,Atik Cameras,Fujifilm,Panasonic,Olympus,Leica,

Astrophotography Cameras Market Segmentation & Coverage:

Astrophotography Cameras Market segment by Type:

Requires Connected Device or Specific Software
No Connected Devices or Specific Software Required

Astrophotography Cameras Market segment by Application:

Individual
Commercial
Regional Outlook

Regional Analysis Covered in this report:
The analysis tracks the global value of the executives’ phases in 10+ high-development areas, with North America, Europe, and Asia offering the most welcoming doors to partners. The research also examines how the coronavirus has impacted the economy generally and stage interest specifically. According to estimates, North America will hold a significant revenue share in the Astrophotography Cameras Market industry. The rise of the sectors is one of the primary factors fueling regional market growth.

The COVID-19 led to a drop in mechanical efforts in 2020. Since they can be used to create outstanding methods for preserving the rich chances that exist in the steadily growing company sector, factors that outshine Astrophotography Cameras Market development are crucial. Due to the lockout, which stopped the manufacturing line from operating and limited consumer interest, the Coronavirus has had a minor impact on the North American market.

To Understand How Covid-19 Impact Is Covered In This Astrophotography Cameras Market Report – Request Sample

Highlighted Key Points Covered in this Updated Research Reports Include:

Research reports involve the overall industry status worldwide.
Impact of Covid-19 on market growth, size, share, and sales.
Comprehensive analysis of market drives and manufacturers with the latest innovation.
Report provides country-wise economic business status and opportunities.
It is also providing an in-depth analysis of company profiles, production, value, price, and supply chain.

Astrophotography Cameras Market is split by Type and by Application. For the period 2017-2030, the growth among segments provide accurate calculations and forecasts for revenue by Type and by Application. This analysis can help you expand your business by targeting qualified niche markets.
If you have any special requirements, please let us know and we will offer you the report as you want.

For More Information or Query or Customization Before Buying, Visit at

FAQs:

During the forecast period, which region will hold the most market share in the worldwide market?
Which geographic market is expanding at the fastest rate (CAGR)?
What elements are influencing the global Astrophotography Cameras Market?
What is the market growth?

Main Points from Table of Contents:

Chapter 2. Executive Summary
Chapter 3. Industry Outlook
3.1. Astrophotography Cameras Market segmentation
3.2. Astrophotography Cameras Market size and growth prospects, 2015 – 2026
3.3. Astrophotography Cameras Market Value Chain Analysis
3.3.1. Vendor landscape
3.4. Regulatory Framework
3.5. Market Dynamics
3.5.1. Market Driver Analysis
3.5.2. Market Restraint Analysis
3.6. Porter’s Analysis
3.6.1. Threat of New Entrants
3.6.2. Bargaining Power of Buyers
3.6.3. Bargaining Power of Buyers
3.6.4. Threat of Substitutes
3.6.5. Internal Rivalry
3.7. PESTEL Analysis
Chater 4. Astrophotography Cameras Market Product Outlook
Chapter 5. Astrophotography Cameras Market Application Outlook
Chapter 6. Astrophotography Cameras Market Geography Outlook
6.1. Astrophotography Cameras Industry Share, by Geography, 2023 & 2030
6.2. North America
6.2.1. Astrophotography Cameras Market 2023 -2030 estimates and forecast, by product
6.2.2. Astrophotography Cameras Market 2023 -2030, estimates and forecast, by application
6.2.3. The U.S.
6.2.4. Canada
6.3Europe
6.3.3. Germany
6.3.4. the UK
6.3.5. France
Chapter 7. Competitive Landscape
Chapter 8. Appendix

Contact Us:
Amit Jain
Sales Co-Ordinator
International: +1 518 300 3575
Email: [email protected]
Website: https://www.infinitybusinessinsights.com

COMTEX_425581454/2778/2023-02-28T04:51:57

The MarketWatch News Department was not involved in the creation of this content.

[ad_2]

‘Whole concept of photography has changed these days’: Dilip Piramal

[ad_1]

“I started photography at the age of 10,” said Dilip Piramal, the 73-year-old chairman of VIP Industries, adding that he was the designated family photographer and clicked quite a few portraits. “I could have gone on to an advanced level but I never pursued it as I got busy with work,” said Piramal. 

He spoke to Business Today at the launch of the newly renovated Dilip Piramal Art Gallery at Mumbai’s iconic National Centre for Performing Arts (NCPA), which has undergone a makeover in its 35th year.  

Piramal has been associated with NCPA since 1987 when he became a sponsor. “My association though started seven years before that when it was conceptualised. So it’s been over four decades.” 

So how did he end up sponsoring it? “Jamshed Bhabha, the younger brother of Homi Bhabha, the pioneer of India’s atomic movement was the director of the NCPA. He was close to JRD Tata and NCPA was basically sponsored by the Tatas,” said Piramal. “There was a seminar where a bunch of us met Jamshed Bhabha and he took a liking to me and we became friendly. We met a few times and he asked me if I would sponsor a new gallery they were coming up with. I readily agreed as I was interested in photography and the Tatas had a terrific reputation,” explained Piramal. 

Piramal says while the gallery was set up to promote photography as an art form, he believes that with digitisation, photography has become less of an art form. “With digital cameras and photoshopping, I don’t know how much of an art form it is now. You can change a boy into a girl. With visual effects you can even create photographs. So the whole concept of photography has changed.”  

While Piramal is open to the idea of sponsoring more art and culture venues, he said he is more into philanthropy now. “I am now more into philanthropy rather than art and culture. I don’t have any desire to accumulate any more wealth. But I am doing that because my business is doing well and I get dividends and all. So whatever I get I like to give away. But if something (museum, art gallery) appeals to me then I will definitely sponsor it,” said Piramal.
 

[ad_2]