DBusiness Daily Update: Foundations Commit $12M+ to 78 Metro Detroit Arts Groups, and More

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Detroit Sound Conservancy in Detroit received Detroit Arts Support funding. // Courtesy of Detroit Arts Support
Detroit Sound Conservancy in Detroit received Detroit Arts Support funding. // Courtesy of Detroit Arts Support

Our roundup of the latest news from metro Detroit and Michigan businesses as well as announcements from government agencies. To share a business or nonprofit story, please send us a message.

Kresge, Erb, Hudson-Webber Foundations Commit $12M+ to 78 Arts Groups

Detroit Arts Support (DAS), a collaboration between The Kresge Foundation, Fred A. and Barbara M. Erb Family Foundation, and Hudson-Webber Foundation., is granting metro Detroit 78 arts and cultural organizations in metro Detroit more than $12 million over the next three years.

DAS aims to strengthen the arts and cultural sector through consistent support for a diverse set of organizations, which will use the finds for their general operations.

Grant recipients range from small to large organizations spread throughout the region, including Detroit Opera, Huron Valley Council for the Arts, and Sphinx Organization.

The three participating foundations shared a single application and review process before making independent decisions. This partnership streamlined the application process for nonprofit arts organizations while offering shared learning opportunities and improving systems for data collection and analysis necessary for the participating foundations to make funding decisions.

“Metro Detroit’s array of arts and cultural organizations is one of our greatest strengths, one of the keys to our resilience,” says Wendy Lewis Jackson, managing director of Kresge’s Detroit Program. “We seek to support them for their unique roles in anchoring us to tradition and opening windows on our future possibilities.”

The funding process also included focus groups that informed participating arts advocates, community leaders, and artists about the breadth of creativity in the region’s cultural sector. The focus groups provided DAS applicants with feedback about perceptions of their organizations from current and prospective supporters, and they helped DAS funding partners discover arts groups beyond those they have existing relationships with. Taking place over four days, these focus groups represented an important learning component of DAS and emphasized the initiative’s core values of transparency and mutual benefit.

Detroit Arts Support grants provide unrestricted operating support to nonprofits in the performing, visual, and literary arts, as well as to arts service, education, media and broadcasting, and cultural organizations.

For more information, visit here.

Lawrence Tech to host MIOSHA Training Institute Construction Boot Camp

The Michigan Occupational Safety and Health Administration (MIOSHA), in collaboration with Lawrence Technological University’s Construction Safety Research Center in Southfield, is offering a two-week training program teaching MIOSHA’s construction safety standards, job site hazard recognition, and hazard abatement.

The MIOSHA Training Institute Construction Boot Camp will be conducted March 6-16 at Lawrence Tech.

The program is recommended for employers who want to understand employer responsibilities, know how to recognize workplace hazards, and how to protect workers from occupational hazards on construction sites. It’s also recommended for contractors, safety and health coordinators, project managers, job superintendents, and others interested in construction safety and health information.

This boot camp will allow participants to complete training in two weeks rather than in individual MTI classes for months.

Upon completion of this boot camp, class participants will receive:

  • A 30-hour OSHA Construction Course card.
  • A MIOSHA Level 1 Construction Safety and Health certificate.
  • Two electives toward a MIOSHA Level 2 Construction Safety and Health certificate.

This course is open to anyone interested in improving workplace safety and health, not just MTI graduates.

Classes will take place from 9 a.m.-4 p.m. Mondays through Thursdays, March 6-9 and March 13-16, in Room 406 of LTU’s A. Alfred Taubman Student Services Center.

The course cost of $382.50 includes all course materials but does not include lunches on class days. This cost is half the price that MIOSHA and LTU plan to charge for future sessions. To register, visit here.

Seven Local Black Small Business Receive $5K CBBB Awards

The Washington, D.C.-based Coalition to Back Black Business (CBBB) has awarded $5,000 grants to 324 Black small business owners in 40 states, the District of Columbia, and the U.S. Virgin Islands. Seven of the businesses are in Detroit.

Detroiters receiving CBBB awards are:

  • Janice Mitchell of local retail shop Boutique by Janice.
  • Yonika Porritt-Ledbetter of Sun Earth Gold.
  • James Chatman of Family Table Detroit.
  • Monique Bounds of Unique Monique Scented Candles.
  • Tonyal Reid of Muscle Truck Light Hauling and Moving.
  • Raymond Brock of Brock’s Plumbing Sewer.
  • Gwen Thomas of Fresh Perspectives Seminars, a public relations and marketing firm.

When asked how the $5,000 grant help their businesses, the new round of recipients shared that they used the funds to pay rent and invest in new marketing (56 percet), expanded or replaced inventory (45 percent), paid rent/utilities (40 percent), paid their employees (37 percent), repaid debts or loans (16 percent), and bought personal protective equipment (PPE) (9 percent).

The CBBB is a multi-year initiative founded in 2020 by the U.S. Chamber of Commerce Foundation with a $10 million commitment from American Express to support Black small business owners and the communities they serve as they recover from the COVID-19 pandemic and chart a path forward. The initiative is led in partnership with four national Black business organizations: the National Black Chamber of Commerce; the National Business League; the U.S. Black Chambers, Inc.; and Walker’s Legacy.

For more information of the CBBB, visit here.

Jefferson East to Host Small Business Resource Fair Feb. 20

Jefferson East Inc.’s Business Services Team (JEI) is hosting a Small Business Resource Fair at its Neighborhood Resource Hub (14300 E. Jefferson Ave.) from 12-4 p.m. on Feb. 20.

The event is the first in a series that aims to support local entrepreneurs and small business owners with the funding and tools they need to grow and fuel the city’s entrepreneurial revolution.

Every month, JEI will host a Small Business Resource Fair or open hours for Detroit’s District 4 and District 5. District 4 events will take place on the fourth Monday of the month and District 5 events will be conducted every second Monday of the month.

Business Resource Fair dates for District 4 include Feb. 20 and March 20 and dates for District 5 include April 10 and May 8.

Partnering with JEI on the fairs is the Detroit Economic Growth Corp., Detroit Means Business, Motor City Match, and the University of Michigan Center on Law, Finance, and Policy.

While at the events, small businesses will receive technical support, help with filing grants, assistance in the area of business law and accounting, and tips to launch and grow businesses.

Corrections Officers Now Eligible to Attend Michigan’s Community Colleges Tuition-free

Corrections officers needing college credits now are eligible to attend one of the state’s 31 community colleges tuition-free under a new grant program, according to the Michigan Community College Association.

Current state law requires state corrections officers to complete 15 college credits as a requirement for employment. To help officers complete this requirement, MCCA established the Michigan Corrections Officer Grant Program to support tuition and fees at any of its colleges. Funding for the program was included in the Fiscal Year 2023 State Budget.

“Corrections officers are critical to the safety of our communities and Michigan community colleges are pleased to make it easier for them to obtain the credit they need,” says Brandy Johnson, president of MCCA. “Our colleges are located in every corner of the state, making them more accessible for learners that are working and attending classes at the same time.  This grant program removes barriers to success for our state’s corrections officers.”

To be eligible for the Michigan Corrections Officer Grant Program and free tuition, corrections officers must meet the following criteria:

  • Be employed by MDOC.
  • Earned fewer than 15 college credits.
  • Received approval from MDOC for the program.
  • Enroll at a community college in Michigan.

“This grant program is going to make a huge difference for corrections officers needing to complete their education requirements,” says Heidi Washington, director of MDOC. “The ability for our officers to complete their credits at any of the 31 community colleges tuition free is a great opportunity.”

To learn more about the program and how to apply, visit here.

Shelving.com to Host Bocce Ball Event to Benefit Capuchin Ministries March 24

Shelving.com, a family-owned provider of corporate and consumer shelving and storage solutions in Madison Heights, will sponsor the 11th annual Bocce with the Brothers fundraiser on from 6 p.m.-midnight March 24, at Villa Penna in Sterling Heights.

Doors and bocce courts open at 5:30 p.m. One hundred percent of the funds generated from the event will directly support the Capuchin Ministries and its valuable programs.

Bocce with the Brothers fundraiser is celebrating its 11th year with an evening that includes musical performances, buffet dinner, and live and silent auctions. There also will be a late-night afterglow party, featuring a live band performance and appetizers.

Louis Vanaria, Irish actor and singer, and Aaron Caruso, operatic and crossover singer, will be the guest hosts for the evening. Brothers of the Capuchin Ministries will be in attendance to play unlimited bocce ball and chat with guests.

“Our team at Shelving.com greatly values the partnership we have developed with Capuchin Ministries over the past 11 years, and it’s truly an honor to give back to this nonprofit that is so near and dear to our hearts,” says Michael Schodowski, president of Shelving.com. “We deeply believe in the importance of a strong and connected community at Shelving.com, and the Bocce with the Brothers fundraiser gives everyone the opportunity to celebrate together while supporting a phenomenal local cause and learning more about the Capuchin brothers’ mission, programs and the individuals they assist.”

DJ Frank Krause from Uptown Sound will provide music during the event, and live entertainment will be performed by the Capuchin Soup Kitchen Choir, Noelle Borgia from Piano by Noelle, accordionist Joe Recchia, and youth singers Isaac Murray and Dominic Arkensberg.

Speed painter Dave Santia will be in attendance to sell his original works of art during the live auction. This year, one of the live auction gifts is a one-week trip for two to Lauderdale-by-the-Sea Florida, including a $600 airfare credit and a stay at a one-bedroom, one-bathroom condominium. A wide variety of desserts also will be provided by On the Rise Bakery Café, one of the Capuchin Soup Kitchen programs.

Tickets to the event are $75 per person and include dinner, beer, and wine. Tickets only are available for purchase in advance and include reserved seating. Sponsorship and program advertising opportunities for Bocce with the Brothers also are available. Sponsorships are $575 and up, and program advertisements are $75-$250.

For more information and to donate, visit here.

Hundreds of High School Students Expected to Explore STEM Careers at WCC Event

Washtenaw Community College (WCC) in Ann Arbor will showcase the world of STEM and STEAM careers and educational opportunities the week of Feb. 28-March 2.

The 2023 STEAM Week + Campus Explore events will draw hundreds of area high school students and community members interested in exploring science, technology, engineering, arts, and math careers. WCC also is partnering with the state of Michigan’s MiSTEM Network to honor high school STEM teachers.

The events, which will be conducted both virtually and on campus, will feature WCC’s university and industry partners along with college experts and faculty members, who will share inspiring stories and lead interactive workshops and career presentations.

All STEAM Week activities are free and open to the public.

Among the speakers will be WCC alumna Aisha Bowe, a former NASA rocket scientist, future commercial astronaut, and founder and CEO of STEMBoard, one of America’s fastest growing tech companies, according to Inc. 5000. Bowe raised nearly $2 million in venture capital last year to fund LINGO, self-paced kits that help more than 5,000 students in 10 countries learn coding at home.

Bowe, who transferred from WCC to the University of Michigan where she earned a bachelor’s degree in aerospace engineering and a master’s degree in Space Systems Engineering, is preparing to become the first Black woman to fly commercially into space with Blue Origin and the sixth Black woman to cross the internationally recognized boundary of space.

WCC’s STEAM Week highlights:

Day 1 – Keynotes by Dr. Victor Vega, Interim VP of Instruction; Dr. Tracy Schwab, Interim Dean Math, Sciences & Engineering Technology; and Aisha Bowe, CEO STEMBoard.

Virtual sessions will include “Cool Careers: The Liberal Arts in STEAM,” Professional Faculty Hava Levitt-Phillips; “Detroit College of Creative Studies;” “Plane Waves Instruments: Demonstration/Telescopes and Astrophotography,” Plane Waves Team and Chris Miller; “Astrophotography,” Brian Ottum; “Imposter Syndrome Workshop,” Dr. Susan Montgomery.

Day 2 – Keynotes by Devon Keen, Director, Inclusion, Equity and Outreach and Graduate Student Research at the University of Michigan; Matt Nelson, Director of Communications at the University of Michigan; and Eric Aiken, Program Manager for Student Support and Development at the University of Michigan.

Other sessions will include a nursing simulation and tour, as well as in-person tracks on advanced manufacturing, welding, HVAC, auto service, body, transportation and motorcycle programs. An in-person session on campus will include a “Venom Research” presentation by WCC Professional Faculty member David Wooten.

Day 3 – Keynotes by Marly Earlywine (FAME USA), Shamar Herron (MichiganWorks! SE) and Mohan Thomas (MiSTEM).

Virtual sessions will include “Careers in Computer and Information Science,” Sandra Lopez of the University of Michigan School of Information; “STEM Career Exploration and Outlook,” WCC Professional Librarian Sandy McCarthy; and “Careers in Engineering,” Sarah Snay from the University of Michigan Engineering.

To register or view a detailed schedule of the week’s events, visit here.

WCC’s STEAM Week events will be capped off with an Educator of the Year banquet hosted on campus in conjunction with the State of Michigan’s MiSTEM Network. Area high school STEM teachers will be honored at this event.



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Computational Photography Market by 360 Market Updates Reports Escalating Demand to Drive Growth Through 2026

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The MarketWatch News Department was not involved in the creation of this content.

Feb 16, 2023 (The Expresswire) —
In 2023, Latest Development in Computational Photography Market Statistical Figures | 2026 | Newest [92] Pages Report with Top Featured Companies [Alphabet, Samsung Electronics, Qualcomm Technologies, Lytro, Nvidia, Canon, Nikon, Sony, On Semiconductors, Pelican Imaging, Almalence, Movidius, Algolux, Corephotonics, Dxo Labs, Affinity Media] Dominating the Industry

Computational Photography Market research report offers New Insight updates on Top 10 Players, Major Types [Single- and Dual-Lens Cameras, Lens Cameras, Others], Business Highlights and Strategies including Mergers, Acquisitions, Revenue Outsourcing, R and D, Expansion Plans, Increasing Growth and Collaborations adopted by these Major Global Players, Revenue on the basis of Attractive Applications Industry [Smartphone Camera, Standalone Camera, Machine Vision] in [Service and Software] Sector. Ask for Sample Report

Updated Report Spreadsheet[Newest Updated 92 No. Pages Report].

Who is the Top Companies in the Global Market?

Some of the Important Companies in the global Computational Photography market include:

● Alphabet ● Samsung Electronics ● Qualcomm Technologies ● Lytro ● Nvidia ● Canon ● Nikon ● Sony ● On Semiconductors ● Pelican Imaging ● Almalence ● Movidius ● Algolux ● Corephotonics ● Dxo Labs ● Affinity Media

And More…

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What are Industry Insights?

Market Analysis and Insights: Global Computational Photography Market
The global Computational Photography market size is projected to reach USD 12850 million by 2026, from USD 9438.1 million in 2020, at a CAGR of 5.3% during 2021-2026.
With industry-standard accuracy in analysis and high data integrity, the report makes a brilliant attempt to unveil key opportunities available in the global Computational Photography market to help players in achieving a strong market position. Buyers of the report can access verified and reliable market forecasts, including those for the overall size of the global Computational Photography market in terms of revenue.
On the whole, the report proves to be an effective tool that players can use to gain a competitive edge over their competitors and ensure lasting success in the global Computational Photography market. All of the findings, data, and information provided in the report are validated and revalidated with the help of trustworthy sources. The analysts who have authored the report took a unique and industry-best research and analysis approach for an in-depth study of the global Computational Photography market.

Global Computational Photography Scope and Market Size
Computational Photography market is segmented by Type, and by Application. Players, stakeholders, and other participants in the global Computational Photography market will be able to gain the upper hand as they use the report as a powerful resource. The segmental analysis focuses on revenue and forecast by Type and by Application in terms of revenue and forecast for the period 2015-2026.

The report includes six parts, dealing with:

(I.) Basic Information/Summary
(II.) Market Entry and Investment Feasibility
(III) Opportunities and Challenges
(IV) Market Entry Strategies
(V) How compliance with the market
(VI.) Report Conclusion

Get a Sample PDF of the report – https://www.360marketupdates.com/enquiry/request-sample/17355053#utm_source=MWjackson

Computational Photography Market Qualified Report is spread across 92 Pages and provides exclusive data, information, vital statistics, trends, and competitive landscape details in this niche sector.

What is Computational Photography Market – Competitive and Segmentation Analysis?

This Computational Photography Market report offers a detailed analysis supported by reliable statistics on sales and revenue by players for the period 2017-2022. The report also includes a company description, major business, Computational Photography product introduction, recent developments, and Computational Photography sales by region, type, application, and sales channel.

Report further studies the market development status and future Computational Photography, the Market trend across the world. Also, it splits Computational Photography Market Segmentation by Type and by Applications to fully and deeply research and reveal market profiles and prospects.

By Product – Global Computational Photography Market and Forecast:

● Single- and Dual-Lens Cameras ● Lens Cameras ● Others

By Application – Global Computational Photography Market and Forecast:

● Smartphone Camera ● Standalone Camera ● Machine Vision

Get a Sample Copy of the Computational Photography Market Report 2023

What are the major regions in Global Computational Photography Market?

Geographically, this report is segmented into several key regions, with sales, revenue, market share, and growth Rate of Computational Photography in these regions, from 2023 to 2026, covering

● North America (United States, Canada, and Mexico) ● Europe (Germany, UK, France, Italy, Russia and Turkey, etc.) ● Asia-Pacific (China, Japan, Korea, India, Australia, Indonesia, Thailand, Philippines, Malaysia, and Vietnam) ● South America (Brazil, Argentina, Columbia, etc.) ● Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria, and South Africa)

What is the Impact of COVID-19 | Regional Conflict | Russia-Ukraine War in Computational Photography Market by 360 Market Updates?

Regional Conflict / Russia-Ukraine War: – The Computational Photography Industry report also presents the impact of county disputes on this market with the aim of helping readers understand how the market has been negatively influenced and how it is going to develop in the coming years.

Challenges and Opportunities: – Factors that could assist create possibilities and raise profits for marketplace players, in addition to demanding situations that could restrain or even pose a risk to the improvement of the gamers, are revealed within the report, which could shed a mild on strategic decisions and implementation.

COVID-19: – Amid the COVID-19 crisis, the Computational Photography market has definitely taken a hit. The Industry report describes the market scenario during and posts the pandemic in the vision of upstream raw materials, major market participants, downstream major customers, etc. Other aspects, such as changes in consumer behavior, demand, facts and figures, meaning, Definition, SWOT analysis, PESTAL analysis, have also been taken into consideration during the process of the research.

Final Report will add the analysis of the impact of COVID-19 on this industry.

TO KNOW HOW COVID-19 PANDEMIC AND RUSSIA UKRAINE WAR WILL IMPACT THIS MARKET – REQUEST SAMPLE

CLIENT FOCUS OF THIS REPORT:

-Does this report consider the impact of COVID-19 and the Russia-Ukraine war on the Computational Photography market?

Yes. As the COVID-19 and the Russia-Ukraine war are profoundly affecting the global supply chain relationship and raw material price system, we have definitely taken them into consideration throughout the research, and we elaborate at full length on the impact of the pandemic and the war on the Computational Photography Industry.

– How do you determine the list of the key players included in the report?

With the aim of clearly revealing the competitive situation of the industry, we concretely analyze not only the leading enterprises that have a voice on a global scale, but also the regional small and medium-sized companies that play key roles and have plenty of potential growth.

-What are your main data sources?

Both Primary and Secondary data sources are being used while compiling the report. Primary sources include extensive interviews of key opinion leaders and industry experts (such as experienced frontline staff, directors, CEOs, and marketing executives), downstream distributors, as well as end-users. Secondary sources include the research of the annual and financial reports of the top companies, public files, new journals, etc. We also cooperate with some third-party databases.

Research Methodologies

Primary Research Methodologies: Surveys, Interviews with Individuals, Small Groups, Questionnaires, Telephonic Interviews, etc. ● Secondary Research Methodologies: Printable and Non-printable sources, Newspaper, Magazine, and, Journal Content, Government and NGO Statistics, white Papers, Information on the Web, Information from Agencies Such as Industry Bodies, Company Annual Reports, Government Agencies, Libraries, and Local Councils and a large number of Paid Databases.

Inquire more and share questions if any before the purchase on this report at – https://www.360marketupdates.com/enquiry/pre-order-enquiry/17355053#utm_source=MWjackson

Major highlights from Table of Contents:

1 Introduction
1.1 Objective of the Study
1.2 Definition of the Market
1.3 Market Scope
1.4 Years Considered for the Study (2015-2026)
1.5 Currency Considered (USD)
1.6 Stakeholders

2 Market Competition by Manufacturers
2.1 Global Computational Photography Production Capacity Market Share by Manufacturers (2015-2023)
2.2 Global Computational Photography Revenue Market Share by Manufacturers (2015-2023)
2.3 Computational Photography Market Share by Company Type (Tier 1, Tier 2 and Tier 3)
2.4 Global Computational Photography Average Price by Manufacturers (2015-2023)
2.5 Manufacturers Computational Photography Production Sites, Area Served, Product Types
2.6 Computational Photography Market Competitive Situation and Trends
2.6.1 Computational Photography Market Concentration Rate
2.6.2 Global 5 and 10 Largest Computational Photography Players Market Share by Revenue
2.6.3 Mergers and Acquisitions, Expansion

3 Global Computational Photography Consumption by Region
3.1 Global Computational Photography Consumption by Region
3.1.1 Global Computational Photography Consumption by Region
3.1.2 Global Computational Photography Consumption Market Share by Region
3.2 North America
3.3 Europe
3.4 Asia Pacific
3.5 Latin America

Get a Sample Copy of the Computational Photography Market Report 2023

4 Segment by Type

5 Segment by Application

6 Key Companies Profiled
7.1 Company
7.1.1 Computational Photography Corporation Information
7.1.2 Computational Photography Product Portfolio
7.1. Computational Photography Production Capacity, Revenue, Price and Gross Margin (2015-2023)
7.1.3 Company’s Main Business and Markets Served
7.1.5 Company’s Recent Developments/Updates

7 Computational Photography Manufacturing Cost Analysis
7.1 Computational Photography Key Raw Materials Analysis
7.1.1 Key Raw Materials
7.1.2 Key Suppliers of Raw Materials
7.2 Proportion of Manufacturing Cost Structure
7.3 Manufacturing Process Analysis of Computational Photography
7.3 Computational Photography Industrial Chain Analysis

8 Marketing Channel, Distributors and Customers
8.1 Marketing Channel
8.2 Computational Photography Distributors List
8.3 Computational Photography Customers

9 Market Dynamics
9.1 Computational Photography Industry Trends
9.2 Computational Photography Market Drivers
9.3 Computational Photography Market Challenges
9.3 Computational Photography Market Restraints

10 Consumption and Demand Forecast

13 Forecast by Type and by Application (2023-2026)

13 Research Finding and Conclusion

15 Methodology and Data Source
15.1 Methodology/Research Approach
15.1.1 Research Programs/Design
15.1.2 Market Size Estimation
15.1.3 Market Breakdown and Data Triangulation
15.2 Data Source
15.2.1 Secondary Sources
15.2.2 Primary Sources
15.3 Author List
15.3 Disclaimer

Continued….

Purchase this report (Price 3900 USD for a single-user license) – https://www.360marketupdates.com/purchase/17355053#utm_source=MWjackson

Contact Us:

Email:[email protected]

Organization: 360 Market Updates

Phone: +13232530807 / + 33 20 3239 8187

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East Hampton teacher’s Arrigoni Bridge photo graces new USPS stamp

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Joe Gowac, a second-grade teacher at Memorial School in East Hampton and amateur photographer, had, in fact, forgotten about the agency selecting his image in 2020.

The circa-1938 structure, which spans the Connecticut River between Middletown and Portland, is an iconic image throughout the state. Known locally as the Portland bridge, its two distinctive, 600-foot steel arches have the longest span length of any bridge in the state, according to the state Department of Transportation.

The Arrigoni is among the new presorted first-class mail four-bridge series, which includes the Bob Kerrey Pedestrian Bridge in Omaha, Neb.; Skydance Bridge in Oklahoma City; and Iowa-Illinois Memorial Bridge in Bettendorf, Iowa, and Moline, Ill.

USPS Art Director Ethel Kessler designed the bridge series stamps, according to the postal service.

“When I saw the news that it was being released this year, I was excited to see that it was finally happening. Anytime a photo you take gets some recognition, it’s a great feeling,” said Gowac, a 17-year teacher.

The image is indeed an eye-catching one: The setting sun casts its last rays of light on the horizon with the Arrigoni’s blue-purple arches in the foreground against a darkly colorful sky. Lush, green trees and other vegetation in the foreground provide a natural contrast to the scene.

The photograph originally was shared on his Instagram account, @joegophotos. Gowac’s feed is filled with up-close pictures of life in the wild: eagles, deer, owls, hummingbirds, flowers and bees, as well as nature and ocean scenes.

When the photograph was taken, he was living in Middletown, closer to the Arrigoni, said Gowac, who was paid for the use of his photo but still owns the rights to the image.

He began his hobby by using a traditional camera, taking pictures of wildlife, said Gowac, who spends a majority of his leisure time capturing scenes. Eventually, he took up drone photography, which he uses to chronicle sunrises and sunsets at the bridge.

“Being an elementary school teacher takes up a lot of my time during the school year, so when the weekend comes, I like to get outside and enjoy the free time,” he said.

Gowac has added youth sports to his photography repertoire, “but wildlife and drone photography are my favorite things to do,” he said. “The unpredictability of what you will find or capture is something that keeps me going out whenever I get the chance.”

The photo was taken in 2019 and posted on his Instagram account that day, Gowac said. A year later, a USPS representative commented on the post, wanting to get in touch with him, but “I immediately thought they were trying to get something from me.”

The schoolteacher eventually called the person and learned the agency was interested in his photograph being among bridge stamps being released over the next few years, Gowac said.

“I kept grilling this guy, because I didn’t believe it. … Everything I asked him, he had an answer for; everything I asked him to share, he shared with me,” he said. Soon, Gowac realized, “this is legit.”

The photographer believes his image may have been found because of his use of hashtags, such as #bridges and #bridgesofAmerica. After signing the contract with USPS, Gowac heard nothing more. “It took so long, almost two years later … I forgot about it.”

He only realized that he’d achieved “fame” when a friend sent him a link to a recent article about the new stamps.

Photographers return again and again to the river to capture scenes. Gowac, who is fascinated with how light plays upon the structure, feels similarly.

“I always try to get a good sunset or sunrise,” he explained. “I’ve probably done drone photography there 15, 20 times. Every time, whether it’s the color of the sky or how the sun is lighting up the bridge, it’s always something different.”

Gowac is also inspired when he sees friends take a particularly striking picture of the bridge, and feels a little bit of envy: “I wish I went out that night to take that photo.”

It’s not uncommon for Gowac to bring his wildlife shots into class, especially when the unit is about birds, or owls — his favorite subjects. He’s also included them in his weekly newsletter to parents, who always enjoy seeing them.

He’s gotten a lot of good feedback from friends and colleagues now that his art is being displayed on a national stage, said Gowac, who enjoys the hunt for the perfect scene. “What I love about it is the unpredictability of the whole thing. You just don’t know what you’re going to find,” he said. “That not knowing is a little bit more fun than actually taking the pictures, for me.”

The excitement, Gowac noted, stems from thinking “is today going to be the day where I get that picture I’ve always wanted or is it going to be four hours of sitting outside doing nothing? Either way, it’s about getting away from the classroom a little bit, and having that peace and calm, just getting outside with nature.”

Gowac’s favorite subject is owls. He’ll get tips from friends who have spotted one and head out to try his luck at getting a photo. “Owls stay for a very long time; even in the same tree, all day, day after day,” he said, which makes them very easy to find.

Gowac has photos of snowy owls on his Instagram feed, but they’re not so easy to spot this season. In fact, he’s only found one in New Hampshire that he took a photo of from very far away. “Last year there were a ton in Stratford, so I could go almost every weekend after the beach and there would be at least one or two. It was almost guaranteed,” he added.

The four-bridge stamp series is available for purchase by bulk mail users in coils of 3,000 and 10,000. Collectors can purchase them in strips of 25 by calling Stamp Fulfillment Services at 816-545-1110, but those stamps are not valid for postage. For information, visit bit.ly/3wGmqfx.



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One UI 5.1 doesn’t bring Galaxy S23’s Astro Hyperlapse to older models

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Samsung Galaxy S23 Astro Hyperlapse video


© Provided by Android Headlines
Samsung Galaxy S23 Astro Hyperlapse video

Samsung is in the process of rolling out the One UI 5.1 update to its eligible Galaxy devices. The update brings new features introduced with the Galaxy S23 series to older models. Unfortunately, not every new feature makes it to older Galaxy devices due to hardware limitations and other factors. Most notably, Samsung is limiting Astro Hyperlapse to its latest flagships.

Samsung keeps Astro Hyperlapse exclusive to the Galaxy S23 series

The Galaxy S23 series arrived earlier this month with several new camera features and improvements. Samsung made 8K videos smoother by adding 30fps (frames per second) support, up from 24fps on the Galaxy S22. The new phones also capture 4K portrait videos and support QHD resolution when shooting in Super Steady mode. Astro Hyperlapse is another new camera feature that the Korean firm debuted with the Galaxy S23 series. As you might have guessed, it lets you capture hyperlapse videos of the night sky. The phones can record stunning visuals of star trails and other objects in the sky.

There were hopes that Samsung would bring this feature to older Galaxy models with the One UI 5.1 update, but not to be. The new One UI version has already reached several Galaxy devices, including the Galaxy S22, Galaxy S21, Galaxy Z Fold 4, Galaxy Z Flip 4, and more. But none of these devices received Astro Hyperlapse with the update (via). It’s worth noting Samsung’s Expert RAW app already lets Galaxy S22 users capture Astro Photos. However, they still aren’t getting Astro Hyperlapse videos. The company is keeping the new feature exclusive to the Galaxy S23 trio.

Apart from Galaxy S22 and Galaxy S23, no other Galaxy device supports any kind of astrophotography. So it isn’t surprising that they are missing out on Astro Hyperlapse too. But many expected the Galaxy S22 series to get the new feature, only for Samsung to disappoint them all. Maybe hardware limitations prevented the company from bringing it to the 2022 flagship lineup.

Galaxy S23’s Image Clipper may trickle down to other Galaxy models

Image Clipper is another interesting feature that Samsung introduced with the Galaxy S23 series. It lets you crop out objects from photos in the Gallery app by simply tapping and holding on to them. You can save the cropped object as a new image or instantly copy and share it. This feature is missing from the One UI 5.1 update for older Galaxy models, but rumors are that most of those will get Image Clipper down the line. A future update for the Gallery app will likely bring it. You can click the button below to download the latest version of Samsung Gallery from the Galaxy Store.

DOWNLOAD SAMSUNG GALLERY

The post One UI 5.1 doesn’t bring Galaxy S23’s Astro Hyperlapse to older models appeared first on Android Headlines.

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10 Winning Photos Of The Independent Photographer’s Black And White Photography Contest 2023

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Here are the 10 winning photos of The Independent Photographer’s Black and White Photography Contest 2023.

“Regardless of genre, we wanted to celebrate the beauty and wealth of black & white photography. Be it in the street, fashion, portrait, landscape, documentary, or any other form of photography: we want to be moved and inspired.” Here are the 10 Winners and Finalists who have been selected by award-winning photographer Nick Brandt.

Scroll down and inspire yourself. Check their website for more information.

You can find more info about Independent Photographer:

#1 Martina Holmberg -  1st place. Prize: $1000

Independent Photographer Black And White Photography

“Emma” from the series “Outside the inside”

“In this project, I examine the exterior of the body, its shell; defects, wrinkles, aging, and changes as symbols of life, that we have lived. The project also involves people who have suffered from diseases that have changed their bodies both on the inside and the outside. Emma lost her twin sister to cancer a few years ago. Now, Emma, herself lives with a chronic brain tumor and breast cancer.”


#2 Florian Kriechbaumer  -  2nd place. Prize: $600

Independent Photographer Black And White Photography

“The Confrontation” – Dubai, United Arab Emirates

“A journey of patience led me to this image, as it took many scouting trips to identify this spot, and even more visits to the location to finally find clear skies adorned by clouds, while a pair of oryx were engaging in their territorial rivalry. The resulting photograph is meant to represent both the confrontation of the animals, but also the contrast of the harsh urban shapes of Dubai, with the natural soft outlines of the dunes of the UAE desert.”


#3 Melissa Cormican – 3rd place. Prize: $400

Independent Photographer Black And White Photography

“Canada Goose” – Brevard, North Carolina, USA

“The Canada goose is a large wild goose with a black head and neck, white cheeks, white under its chin, and a brown body. It is native to the arctic and temperate regions of North America, and it is occasionally found during migration across the Atlantic in northern Europe.”


Independent Photographer Black And White Photography

“Raindrops” – Southwark, London, UK


#5 Finalist: Alain Schroeder

Independent Photographer Black And White Photography

“Wonja Kang, 83 years old” from series “Haenyeo – The Grandma Divers”

“Jeju island, known for its characteristic basalt volcanic rock, sits off South Korea. It is the home of the renowned Haenyeo or women of the sea who free dive off the black shores of Jeju harvesting delicacies from the sea. Wearing thin rubber suits and old-fashioned goggles, this aging group of women are celebrated as a national treasure and inscribed on the UNESCO list of Intangible Cultural Heritage, but the tradition is slowly fading as fewer women choose this extremely hazardous profession.

Today, the majority of Haenyeo are over the age of 50 and many are well over 70. In a society obsessed with education, the future of this physically arduous activity would appear bleak, and yet… Efforts by the government and local communities to preserve and promote this ecological and sustainable lifestyle have brought renewed interest from young people disillusioned with urban life and eager to return to their roots. It is perhaps a renaissance.”


#6 Finalist: Alessandra Manzotti

Independent Photographer Black And White Photography

“Unbreakable bond” – Western Mongolia

“A Kazakh eagle hunter of Western Mongolia poses with his beloved eagle during a winter migration through the Altai Mountains.”


#7 Finalist: Arun R Hegden

Independent Photographer Black And White Photography

“Kambala Buffalo Race” – Karnataka State, Southwest India

“Kambala is an annual buffalo race held in the southwestern Indian state of Karnataka. Traditionally, it is sponsored by local Tuluva landlords and households in the coastal districts of Dakshina Kannada and Udupi of Karnataka, and Kasaragod of Kerala, a region collectively known as Tulu Nadu. The Kambala racetrack is a slushy paddy field, and the buffaloes are driven by a whip-lashing farmer.”


#8 Finalist: Charlotte Ladefoged

Independent Photographer Black And White Photography

“Balanced” – – Lago di Carezza – Italy

“Lake Carezza is a small alpine lake in the Dolomites in South Tyrol, Italy. It is known for its wonderful colors and its view of the Latemar mountain range.”


#9 Finalist: Fenqiang Liu

Independent Photographer Black And White Photography

“Paradise” – Winter Park, Florida, USA

“After countless trips to Kraft Azalea Garden in Central Florida, I captured this beautiful moment in late February of 2022. During the post-process of converting the color picture to a black-and-white image, I darken the originally blue sky in Lightroom. After transferring the file to Photoshop, I also made specific areas of the image darker by using a digital airbrush before adding lights to the background to create a mysterious and dreamy world that could exist only in imagination.”


#10 Finalist: Roberta Vagliani

Independent Photographer Black And White Photography

“The right to know” – Zanzibar

“Nelson Mandela said, ‘Education is the most powerful weapon you can use to change the world.’ This image was taken in a school in Zanzibar, where there are no desks, chairs, or school supplies. All these little girls own is a notebook and their own memory. Knowledge is passed on to them by a single master. In every person, there is the possibility to transform the world.”


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Why close the ‘super bloom’? Because we can’t seem to love nature without trampling it

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A close-up view of the poppies blooming in the Walker Canyon area of Lake Elsinore on Feb. 7, during a press conference about the closure of the area to the public. (Allen J. Schaben / Los Angeles Times)


© (Allen J. Schaben / Los Angeles Times)
A close-up view of the poppies blooming in the Walker Canyon area of Lake Elsinore on Feb. 7, during a press conference about the closure of the area to the public. (Allen J. Schaben / Los Angeles Times)

I had mixed feelings when I heard that officials in Riverside County were closing hiking trails and parking areas to keep visitors from trampling a spectacular bloom of wildflowers along Interstate 15 in Lake Elsinore.

It’s too bad something as beautiful and quintessentially Californian as hillsides blanketed with orange poppies is being closed to the public with no-parking signs, law enforcement patrols and threats of citation, towing or arrest. But I have to admit I was also relieved that this landscape, stressed by years of drought, won’t emerge from a sorely needed series of winter storms only to be crushed by sightseers. That maybe this time, Californians won’t collectively harm something we all love.

Authorities are trying to avoid a repeat of 2019, when the last “super bloom” in the Walker Canyon area attracted heavy crowds and traffic congestion from hundreds of thousands of visitors, some of them tramping on the flowers to get the perfect photo and haphazardly parking their cars, even on the shoulder of the freeway.

I understand the impulse to see such a stunning burst of beauty firsthand. And Californians have a right to enjoy these open spaces. But not at the expense of the environment and public safety. Why can’t we appreciate natural beauty without destroying it?

It’s not an isolated example of self-centered behavior spoiling one of California’s natural wonders.

Last year, authorities at Redwood National Park had to urge visitors to stay away from Hyperion, the world’s tallest tree, or risk a $5,000 fine and six months in jail, after its off-trail location — which had been kept secret to protect it — was being “discovered” by a growing number of travel bloggers and thrill-seekers. They were damaging the forest by bushwhacking to reach the 380-foot tree, trampling the vegetation around its base and even trying to climb it.

When officials announced last week that public access to the Walker Canyon wildflowers would be cut off entirely, Riverside County Sheriff Chad Bianco warned that there would be zero tolerance for parking violations, going so far as to say that scofflaws could be arrested and booked into jail.

Officials told me this week that people have mostly stayed away, though some are still pulling over on the side of the freeway and a few have tried to sneak in. They’ve issued some parking tickets and towed some vehicles, but there have been no arrests and “most people follow the rules and respect the closures,” Riverside County Sheriff’s Sgt. Deirdre Vickers said Tuesday.

It would be better if officials weren’t resorting to such heavy-handed measures. Isn’t there some way to control crowds and allow for limited public access without depriving everyone? Like a timed-entry lottery system or a designated area for people to safely view flowers? The city isn’t offering a shuttle service to Walker Canyon it used four years ago, and seems to think nothing short of a total closure will stem the misbehavior.

“Because even if we do have the viewing area, people don’t listen,” said Jovanny Rivera Huerta, a city of Lake Elsinore spokesperson.

Many of us have been starved for time outdoors after years of pandemic isolation. Nature is good for the body and soul, and it’s understandable that we’d want to pull over to gaze at the colorful hillsides and post some pictures on social media. But we also need to consider our collective impact and resist the urge to flock to these fragile landscapes and risk ruining them for everyone.

In California, nature and crowds often uncomfortably converge. We endure hours of traffic to see Yosemite’s waterfalls, visit the beach on summer days and play in the snow in the San Gabriel and San Bernardino mountains. To get there, most of us burn gasoline, spewing greenhouse gas pollution that is heating the planet and threatening those same ecosystems.

Situations like the Hyperion tree and Walker Canyon wildflowers are fueled, at least in part, by social media and people’s desire to experience and document the superlative of everything: the best food, the tallest tree, the most elusive landmark, the biggest bloom. News coverage doesn’t exactly help by calling attention to the “super bloom” and reinforcing the hype, only to cover the mayhem that ensues when people go to see it for themselves.

One of the best things about California is that so much of its natural beauty — the coast, mountains, hills and desert — is public and belongs to all of us. But with that access comes a duty to protect these landscapes, more than anything, from ourselves.

This story originally appeared in Los Angeles Times.

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Best DSLR cameras in South Africa

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There are three major digital single-lens reflex (DSLR) brands in South Africa that offer excellent photographic capabilities — Canon, Nikon, and Pentax.

With smartphone cameras drastically improving in recent years, many people have questioned whether dedicated digital cameras will continue to exist.

Although a handful of flagship smartphones could beat entry-level DSLR image quality under very specific circumstances, the opposite is more often the case.

DSLR and other digital cameras have much larger sensors, allowing for better low-light performance.

Smartphone cameras have become impressively capable of shooting dark scenes, in part thanks to their use of advanced software.

But software can only get you so far; better sensors and lenses will always be preferable for higher-quality photos and videos.

DSLRs are also much more versatile and configurable, with a wide range of add-on accessories that can enhance their capabilities.

That includes interchangeable lenses, which provide DSLRs with another key advantage.

Optical or true zoom requires a large amount of space, which there is very little of in a smartphone camera bump.

DSLR and mirrorless camera lenses let you enlarge a scene without substantial quality losses.

Physically-adjustable lenses also allow for true and wider depth of field, enabling photographers to capture pictures with greater contrast between focus areas and backgrounds.

DSLRs can also shoot in a RAW uncompressed format, ideal for preserving quality during editing.

This is only available on a select few flagship smartphones. When enabled, they can also quickly eat up storage space.

Although smartphone camera software has improved to provide better control over settings like aperture, exposure and focus, they still fall well short of what’s possible on a DSLR.

DSLR down but not out

There are three typical types of digital cameras — DSLR, mirrorless, and bridge.

The first two options support interchangeable lenses and are used for professional photography, while the latter comes with a built-in zoom lens and is typically aimed at casual snappers.

While mirrorless cameras are gradually starting to supplant DSLRs as the top choice for professional photography, they are still costly, particularly for newcomers at the entry level.

DSLR cameras also generally offer better battery life and boast a larger back catalogue of supported lenses.

Two of the world and South Africa’s best-known brands — Canon and Nikon — are popular precisely because of their long history of supporting hardware.

Nikon has released its F-mount lenses since 1959, while Canon started producing its EF range in 1987.

Two other major brands — Fujifilm and Sony — have completely discontinued their DSLR offering and focus on mirrorless cameras.


Canon

  • Entry-level: Canon EOS D2000 — From R7,499 with 18-55mm lens (Foto Discount World)
  • Top-end: Canon EOS 1D X Mark III — From R113,999 for body only (Foto Discount World)
  • Best for video: Canon EOS 1D X Mark III — From R113,999 for body only (Foto Discount World)

Canon sells its DSLR range under the EOS brand, which currently consists of eight models.

One feature of Canon that makes it stand out from its main rival Nikon is that all of its EOS lenses have autofocus, whereas only Nikon’s AF-S lenses support autofocus.

Canon’s L-series lenses offer noticeably high quality and excellent autofocus performance.

Its cameras also support a wider range of third-party lenses, which can be attached using adapters.


Nikon

  • Entry-level: Nikon D5300 — From R8,999 with 18-55mm lens (SA Camera Land)
  • Top-end: Nikon D6 — From R139,995 for body only (Outdoor Photo)
  • Best for video: Nikon D850 — From R39,995 for body only (Outdoor Photo)

Nikon’s lenses tend to be lighter and smaller than Canon’s, making them better suited for photographers that are often on the move.

One thing to keep in mind is that some of Nikon’s entry-level DSLRs no longer have an autofocus motor built-in. That means they cannot support older Nikon AF-S lenses.

However, the removal of the autofocus motor allows Nikon to cut costs, meaning its beginner cameras can be cheaper.

While Canon offers a wider range of entry-level cameras, Nikon’s options generally perform better in terms of ISO and battery life.


Pentax

  • Entry-level:  Pentax K-70 All-Weather — From R13,799 (Camera Warehouse)
  • Top-end: Pentax K-1 Mark II — From R41,399 for body only (Camera Warehouse)
  • Best for video: Pentax K-1 Mark II — From R41,399 for body only (Camera Warehouse)

The third brand that still sells DSLR cameras in South Africa is Pentax. Although perhaps better known for its film cameras, Pentax has received high praise for its DSLRs’ image and build quality.

Most Pentax cameras feature dual controls for faster navigation through captured images and settings. With Canon and Nikon, these are only offered on higher-end models.

Astrophotography is another area where Pentax shines, thanks to its Astrotracer feature, which automatically moves the camera’s image sensor with the motion of the stars and planets.


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how I learned to embrace Berkeley

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For me, the city of Berkeley wasn’t the easiest to get to love. Its nooks and charms were much peculiar and did not reveal themselves as easily as I’d hoped. I’ve been to a lot of different cities over time, and while Berkeley might not have its own sobriquet, I’ve persisted to embrace the city in my own way: wining, dining & photography. 

It didn’t take long for me to realize Berkeley and the bay was a golden hub for good food and drinks. There’s an endless range of cuisine with restaurants presenting delicious menus and dreamy ambiances. For someone who wakes up for breakfast and requires multiple pick-me-ups throughout the day, this was enough for me to dive headfirst into the city. 

Throughout the semester, I took it upon myself to utilize my free time in visiting various restaurants, cafes and food stands. Have a seven-page essay due tomorrow? I’ll do it at the Chic n’ Time cafe on Valencia St. Free evening? I’ll put on a pretty top and read a book while losing myself in some spicy rigatoni downtown. 

Paired with my never-ending impromptu visits to San Francisco, I’ve accumulated a pretty extensive restaurant list that’s well logged in my Notion. I treat it like treasure. 

For someone who doesn’t have a car, the process of eating my way through the bay demanded me to travel through a million different roads and streets. I’ve marched through the hills of San Francisco, gotten lost in suspicious places and hopped on & off every bus in the bay. Naturally, I got to learn the area and understand its hidden quirks and rules. Most importantly, I’ve learned that I go to lengths for some good sushi. 

Along with learning about my foodie ways, I’ve realized how much I love taking in the world around me. When I strolled through the streets of Berkeley or was wandering around museums in the bay, I got to notice so many special moments. And by special I mean the ordinary where kindergarteners play catch and couples share a kiss at the park. 

Because when you’re alone, you do become increasingly perceptive, and impressions leave a greater mark on you. 

So, I decided to document my encounters through photography. I now always have my camera around my neck and when I catch myself in love with a scene, I take a snapshot. I’ve even grown to ask strangers if I can take a picture of them (it’s a gamble but happy to report that most people are delighted!). I now have a whole collection of the bay’s fashionistas, lovers, girls, boys and everyone in between. It’s amazing to look back at the photos and think that I was here, witnessing the split seconds of magic. 

Independence has always been my forte, and I’d like to think she’s served me well throughout. 

Recently, I’ve been walking around campus and taking photos of the school as well. It’s really fun to see all the moments that make up the university’s days and nights! If you catch someone walking annoyingly slow or going back and forth with a camera, it’s me. I’m sorry. 

The difficulty of breaking into a new city is a well-shared sentiment, regardless of where you are in your life. But, fortune tends to favor the brave, and I’d like to encourage everyone to venture out to unfamiliarity (really good pasta is waiting for you). Cheers to another!   

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Reflections on COP15 and the ‘super years’ for people, nature and climate

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A major new international agreement for biodiversity

The key success at COP15 was the Post-2020 Global Biodiversity Framework (GBF) (PDF), a landmark agreement that replaces the Aichi targets and sets new goals and targets for conserving nature and biodiversity by 2050. Following three and a half years of negotiations, the GBF is a major accomplishment, though not all parties were happy with the process or final outcome.

In the lead-up to and at COP15, IIED and partners were involved in a series of reports, events and other activities highlighting the importance of locally-led action and the need to put the rights, needs, interests, cultural values, knowledge and customary governance systems of Indigenous Peoples and local communities (IPs and LCs) at the heart of the GBF.

Key building blocks of the GBF

Certain elements of the GBF stand out as important for supporting locally-led action for people, nature and climate. Parties agreed the controversial 30×30 target to conserve 30% of the world’s land, inland water and marine areas by 2030, emphasising equitable governance of protected areas, recognition of Indigenous and traditional territories, and IP and LC rights.

A significant and welcome step forward from previous drafts of the framework, the International Indigenous Forum on Biodiversity – the Indigenous Peoples’ caucus to the Convention on Biological Diversity (CBD) – celebrated the inclusion of “strong language on respect for the rights of Indigenous Peoples and local communities”.

This focus on rights and equitable governance is essential to avoid a surge in land grabs and ‘fortress conservation’ approaches that violate IP and LC rights and lead to ineffective and ill-managed conservation areas.

Parties reached a clear agreement on finance and resource mobilisation, with quantifiable targets to mobilise US$200 billion per year, including an annual minimum of $20 billion and $30 billion in biodiversity finance from developed to developing countries by 2025 and 2030, respectively. This funding will be delivered through the Global Environment Facility’s new Global Biodiversity Framework Trust Fund, one of the more controversial agreed outcomes from the GBF negotiations.

The GBF also locks in an agreement to increase domestic resource mobilisation, private finance and innovative finance schemes such as biodiversity credits and non-market-based approaches.

Crucially, it includes a target to enhance the effectiveness, efficiency and transparency of resource provision and use. This is vital to ensure finance for nature and biodiversity reaches the local level, is easily available and accessible to IPs and LCs, and complements similar climate finance agreements from COP27.

Other significant wins in the GBF include a standalone target recognising the important links between nature and climate change, and two strong targets on the sustainable use of wild species.And for the first time, the agriculture and aquaculture target includes biodiversity-friendly practices and agroecology.

The GBF also has a much stronger focus on human rights than the Aichi targets had, including the rights of, and access to justice for, IPs and LCs, women and girls, children and youth, persons with disabilities and environmental human rights defenders.

What next for the GBF?

Despite these significant outcomes for nature and biodiversity, the GBF’s success will ultimately depend on its implementation over the next decade, so designing a monitoring and evaluation framework is the next priority. Including appropriate indicators to monitor equitable governance of protected areas and the rights of IPs and LCs will be paramount to see meaningful results for biodiversity.

To deliver on the GBF goals, the funds must be designed and implemented by IPs and LCs, as they know best how to conserve the biodiversity around them. IIED has already launched an ambitious new piece of research on nature finance to investigate how much funding for nature reaches the local level, how far governance structures facilitate this and how transparent and accessible this funding is. We will continue to grow this research with partners over the coming years and develop recommendations that can inform the implementation of the GBF finance targets.

The ‘super years’ and beyond

The GBF is a testament to the ‘super years’ that preceded it. COP27 and the G20 Summit in November 2022 catalysed political momentum on nature and climate issues and set the scene for a landmark agreement on nature at COP15. The G20 Bali leaders’ declaration (PDF) (page 5/para 14)  calls on all parties to adopt the GBF and commit to halt and reverse biodiversity loss by 2030.

Nature is also strongly embedded in the COP27 cover decision which mentions food, rivers, nature-based solutions, forests and oceans. We hope that COP28 later this year will go further to formally recognise links between the UN climate negotiations and CBD COP processes.

There are already signs of stronger links between the nature and climate agendas. The GBF finance targets aim to optimise co-benefits to target the biodiversity and climate crises, and both the GBF and COP27 cover decision mention nature-based solutions for the first time.

The many high-level events during the ‘super years’ – in the end spanning three years − have helped to join up previously disparate conversations around nature and climate, building stronger recognition that we cannot address one crisis without the other.

There is a clear commitment from diverse partners and stakeholders to work together on these interconnected issues, and IIED is no exception. We surpassed many milestones during the ‘super years’ but recognise the distance still to travel and will continue to advocate for a unified approach to nature and climate this year and beyond.

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Déjà Vu With Slight Upgrades

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On paper and to the eye, the Galaxy S23 Ultra doesn’t appear to be too much different than last year’s Galaxy S22 Ultra. It has the same display, same overall appearance thanks to the floating design for the rear cameras, and in general a very similar spec sheet to last year.

However, to say Samsung didn’t do anything new this year would simply be untrue. We have the new HP2 camera sensor on the backside, Qualcomm’s latest Snapdragon 8 Gen 2 chipset, plus a subtle hardware change that has completely changed my opinion on big phones. While we can say that the Galaxy S23 Ultra is really just a refined Galaxy S22 Ultra, I wouldn’t try to angle that as a bad thing. I’ve been using the phone for over a week now and I’m ready to share my thoughts on my time with it.

This is our Galaxy S23 Ultra review!

What I Like


Display – This is last year’s Galaxy S22 Ultra display, a 6.8-inch Dynamic AMOLED 2X (1440 x 3088) panel with a refresh rate of up to 120Hz and 1750 nits of peak brightness. It’s literally the same specifications as last year, but the one thing different is the glass protecting it. Samsung is using Corning’s all new Gorilla Glass Victus 2 on the S23 Ultra, which should increase the phone’s protection against display scrapes and cracks. I’m not saying you should test it, but yeah, it’s there. And just because it’s the same panel, who cares? This display is amazing, with incredible levels of brightness, superior colors, while also being able to produce a very easy-on-the-eyes level of low light performance.

Since I didn’t review the S22 Ultra last year, this is the first time experiencing this display for me, and honestly, I think it’s the best display I’ve ever used. As always, Samsung spares no expense when it comes to tweaking settings for it either. We can toggle the variable refresh rate, set an adaptive brightness, adjust white balance and choose between screen mode presets, and adjust resolution. Comparing it to my Pixel 7 Pro’s display, I wouldn’t say it’s a night and day difference to my human eyes, but it certainly performs better in direct light conditions thanks to the higher peak brightness.

Hardware – Yes, this phone looks like last year’s Galaxy S22 Ultra. If that’s an issue for you, sorry. For those who don’t mind, it’s a handsome device. Personally, I like the floating cameras on the backside, but maybe that’s just me. Most importantly, though, Samsung made a hardware adjustment that I’ve really fallen in love with. For many of the past Galaxy Note and Ultra devices, there was a severe curve for the phones’ sides, making for little area to actually hold the device. On the S23 Ultra, Samsung has lessened the curve while widening out the sides, making for a noticeably larger area to hold the phone. I don’t want to be that guy, but it’s a legit game changer for a phone of this size. It makes one-handed use much more comfortable, as it feels more secure while in hand. This, alongside the new and improved HP2 camera sensor, is my favorite thing about the phone. Besides that, yeah, this is pretty much a Galaxy S22 Ultra in the hardware department.

Battery – It shouldn’t be a shock, but this phone’s battery life, thanks to 5,000mAh of juice, is great. To test it, I have been going hard on my Marvel Snap game, climbing the ranks to push this phone to its limits thanks to the game’s performance toggles. I can force 60Hz gameplay, increase graphical settings, as well as enable the game’s gyroscope feature. No doubt, a lesser phone with a smaller battery may struggle with extended gameplay at these levels, but the Galaxy S23 Ultra holds up well.

I’m sure this is all thanks to much work Qualcomm and Samsung have into their respective products, but also the cooling system that Samsung uses on the internals of this device. I’ve used this phone a ton and I haven’t felt it get warm at all. Even with my gaming and lots of picture taking, as well as videos I’ve taken, this phone’s battery is holding up super strong. I’m easily pulling in 4+ hours of screen on time every day, while going to bed with 20%+ of battery remaining each night. I repeat, the battery is very good. When the need to charge arrises, 45W wired charging is available, as well as 15W wireless charging and 4.5W reverse wireless charging for your accessories.

Performance – As I just got done saying in the section above, I’ve been putting this device through the paces with gaming, video recording, and all that jazz. It hasn’t skipped a beat yet. Areas where you might typically notice hiccups are the quick switching of apps and the processing of high resolution photos. From my experience, the phone has no problems jumping through apps and delivering quick processes on photos, with exception to the 200MP setting. That’s no surprise, as we’re typically talking about 50MB to 100MB shots. I think it’s safe to assume any phone would take a second or two to process that much information. Point being, with a base of 8GB RAM and the Snapdragon 8 Gen 2 chipset being partnered with the Adreno 740 GPU, this phone hauls in the performance department.

Camera – There are a lot of cameras on the backside of the Galaxy S23 Ultra. In total, there are four — the new 200MP HP2 wide angle, 10MP periscope telephoto, 10mp telephoto, and a 12MP ultra wide angle. The crown jewel is obviously the HP2 sensor, with its massive 200MP sensor. The goal here is a camera that can not only capture incredible detail in optimal lighting conditions, but also bring an improved levels of low light photography. After testing it myself, I can confirm, the camera system on the S23 Ultra is the best and most versatile system currently available from Samsung. I’d also argue it’s the best in the entire smartphone market, but I haven’t tested every phone ever, so it’s hard to make that claim. It’s really, really good though.

The importance of being able to capture any shot, in any condition, is paramount to me. Not only that, but let’s say there’s considerable distance between you and the subject. This phone and its up to 100X zoom takes care of that, so long as you have either hands with surgeon steadiness levels or a tripod. With that said, anything up to 10x zoom is still captured without much additional image processing, so that watercoloring effect we sometimes see from zoom levels of 30x and 100x is not present.

For those interested, astrophotography is easily achievable on this device, thanks to the downloading of Samsung’s Expert RAW camera app. What’s more, the fact that taking breathtaking shots of stars and other celestial bodies is accessible by a single press of a button, with the user not needing to know absolutely anything about the process itself, is incredible. I praised Google for bringing astrophotography to the masses with Night Sight and Samsung builds upon this principle considerably well. With a single press of a button inside the camera app’s improved Hyperlapse mode, you can enable star trail shots that professionals usually have a lengthy setup and post processing software for. On the phone, I press the shutter button, walk away for an hour, and then return to amazing pictures and videos.

It took Samsung a couple of years to catch up, but I would now argue that they have surpassed Google in the astrophotography category. Last year, Google introduced its new Macro setting for Pixel phones, but yeah, the Galaxy S23 Ultra has that as well and it’s also very good. I’m racking my brain, but I don’t think there’s anything this phone’s camera array can’t capture well.

S Pen – For those who live that stylus life, yup, the Galaxy S23 Ultra has an S Pen hidden within it. There are no new features that I’m aware of, but that’s fine. The S Pen already does so much, like remote camera shutter functionality and other Air Actions, so I’m not exactly sure what more it could need. I think S Pen has reached its final stage of evolution, which for those who have to have it, I’m sure is great. Personally, I’m not a stylus user and I don’t intend on becoming one. The universe granted me with 5 stylus’ per hand, so I don’t need any extra. The remote shutter is certainly useful in some occasions, but the S Pen won’t ever be a dealbreaker feature for me. S Pen Pro is supported on the device, just in case you have one, too.

What Could Be Better


Software Redundancy, Bloat – Samsung is notorious for software settings redundancy. The company reminds me of Boeing or any other airplane manufacturer. Any setting on this phone can either be accessed from multiple locations or settings for the same area of the phone are sometimes split into separate menus. This has been an issue with Samsung phones for what feels like forever, the feeling of being absolutely lost within the settings menu. It’s not fun, and thank goodness for the search function. Without it, you’d never find anything. When One UI was first introduced, it felt polished and slim. As we venture now into One UI 5.1, built atop Android 13, it feels like we have regressed into what can sometimes feel like a bloated mess.

Speaking of bloat, a recent report drew our attention to the actual OS size on these new Samsung devices. In the storage settings for this device, it says that the OS takes up 87GB of space, though, there has been a bit of back and forth on how accurate these numbers are. Whatever the true number may be, the fact that most Android makers have removed expandable storage remains to be an issue for many potential buyers.

Where the software pleases me is the continued steps towards improved user customization, but technically that’s a Google and Android 13 thing. On this device, under the Wallpaper and Style menu, users can enable the color palette, which is stupidly disabled out of the box. If I was Samsung, it’s something I’d want to highlight. When enabled, users can choose which colors of their set wallpaper they’d like to highlight throughout the entire OS. It really is one of the best things introduced into Android in some time (first available in Android 12), with Android 13 building even further upon it.

Samsung has also adopted it nicely by having all of its apps support the masked icons feature, but unlike Pixel devices, the masked icons carry over to the app drawer, too. Does it look great when we consider what feels like 95% of developers aren’t adopting the masked icons feature yet? No, no it doesn’t. But one day, hopefully soon (wink, wink), it won’t matter that developers are either lazy or have stopped supporting their apps.

Video


Unboxing

First 10 Things to Do

The Verdict


I can make this very simple. If you have a Galaxy S22 Ultra, you can skip the Galaxy S23 Ultra. If you have any other device, I recommend this phone. Even to my fellow Pixel fans, this is a really good phone that offers a ton of stuff. If you can’t live with One UI, I totally understand. However, if you’re on an aging Samsung device or finally getting ready to rid yourself of an old LG phone maybe, this is the super mega phone you want if you consider yourself a power user. For specs, there’s nothing better currently out in the Android world here in the US, so for now, Galaxy S23 Ultra is the undisputed King of Android. Haters gon’ hate, but this phone is fantastic in all of the main categories: Camera, Display, Hardware, Battery Life, and Software Updates.

If we’re looking at device purchases purely from a stance of how long something will be supported, Samsung is currently winning the race. As of now, new Samsung devices get 4 years of Android OS upgrades, plus 5 years of security patches. Even Google doesn’t match that. There’s no arguing that Samsung devices are good Android investments.

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