Ray Hennessy – Easily One Of The Best Bird Photography Portfolio Out There And You Will Find Out Why

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Before We actually get to the Interview Part, I want to quote that this will be the best bird photography portfolio on any photography blog hands down and so easy. Meet this Contemporary Master Bird Photographer, Ray Hennessy.

Portraits of Birds along their natural habitat could well be the theme but what is so astounding about this portfolio is the brilliance put into every frame. Masterpiece interms of light and Ray’s individuality and his desire to stand out from the crowd of wildlife photographers is very much a success.

Three things I love about this Portfolio:

  1. Actually there is n number of things which I admire here, firstly the light. To be honest this portfolio is a sheer surprise for me. I do understand what amount of patience and perseverance goes into making a good bird photograph. Backlit portraits are such a delight to watch.
  2. More of environmental portraits creates more interest and eagerness to learn about the bird rather than just starring at the feathers.
  3. Richness and presentation, be it the bokeh’s or the colors or the composition. This is certainly high class stuff.

Stay Inspired folks.

Ray Hennessy - Bird Photographer

Few words about Ray Hennessy?

Starting in 2007 my fascination with nature photography began. In the years since wildlife photography with a focus on birds has become a very passionate hobby of mine. I spend most of my free time in natural areas searching for birds and any other wildlife that comes along. I concentrate on using creative natural lighting and interesting compositions to capture unique images of common and rare wildlife. My favorite style is a more scenic photo that includes some of the habitat wildlife lives in.

Ray Hennessy - Bird Photographer

Why photography & A big how for bird photography?

My father introduced me to bird photography. I find bird photography to be the most challenging of the different photography types I have done. It is also easy to find birds all around you no matter where you live.

Ray Hennessy - Bird Photographer

According to Ray, what are some basic attributes a bird photographer should have?

Patience is probably the most important attribute for a bird photographer. I have often had to wait for hours for a bird to come close enough to photograph. I also think it helps to be willing to fail. The more difficult subjects or locations to take photos often lead to a higher chance of failure but the reward can be great when you capture that special image.

Ray Hennessy - Bird Photographer

What are your homework before you go out to shoot these wonderful creatures?

Most of the time the only preparation I do before going out to shoot is to make sure my batteries are charge and camera cards ready to go. Most of the homework has been done in the months and years before by learning what birds are around during certain times of years and in what habitat they can be found in.

Ray Hennessy - Bird Photographer

How does your style stay unique when compared to other bird photographers out there?

The style I strive for is a bird photograph with a creative composition that include more of the bird’s habitat in the photo. Lately I have also been working hard to find and use different lighting, specifically backlight, to stand out from the crowd. I find that many photographers are all about getting close and filling the frame with the bird. While this can be great to show off the detail of the feathers it doesn’t show much more.

Ray Hennessy - Bird Photographer

Could you reveal something you have learnt over the years in this genre?

I’ve learned over the years that the more time you can spend in the field the more opportunity you have to capture a unique photo or interesting behavior. I have also learned that many times great images require countless hours of scouting. Capturing a great photo of a bird is not only about finding their habitat which can sometimes be easy but about finding them in a habitat that can provide a great photo location. Many times I’ve seen great birds in locations that are not great for photography. You need to find a location that has good access to get the correct perspective, great light and close enough to the bird, these are just some of the main ingredients.

Ray Hennessy - Bird Photographer

What drives you for the constant passion for photography?

I love the challenge to try to capture very difficult species and to try to capture the common in an uncommon way. Always trying to better a previous bird photo that I’ve gotten keeps me coming back for more.

Ray Hennessy - Bird Photographer

A necessary ingredient for success as a photographer?

I think really being able to see light and use it how you would like is incredibly important and often one of the hardest things to learn. I personally had a great base in using natural light from my wedding photography. I’ve applied many of the lighting techniques I learned taking portraits to my bird photography.

Ray Hennessy - Bird Photographer

How do you plan a day out for photography?

Most outings start well before sunrise for me. I love to be on location and ready to go as the sun is coming over the horizon. If it’s an overcast day then I’ll usually start later but often I’m leaving home in the dark. I gather my gear together the night before and make sure I have the proper clothing ready to go. Usually I’ll just shoot in the morning then wrap it up once the light starts to get harsh which can sometimes be only an hour or two after sunrise. When I’m planning on shooting all day long I’ll spend the middle of the day scouting new locations and then wrap up with another session of photography just before sunset.

Ray Hennessy - Bird Photographer

Your gear?

I use all Nikon gear, currently I shoot a Nikon D4s and mainly a Nikon 500mm f/4 VR lens for my bird photography. Occasionally I’ll add a Nikon 1.4x Teleconverter or use a Nikon 300mm f/4 PF lens. When shooting water or ground level I use a Naturescapes Ground Pod to keep a low angle perspective, other then that I like to be mobile so I use a monopod which is much more portable and flexible then a tripod in my opinion.

Ray Hennessy - Bird Photographer

Your inspiration?

Oddly enough I don’t spend a lot of time looking at other’s photography. I don’t have a lot of free time so I try to spend most of that working on shooting new photos or editing existing shots. In any case I tend to follow and gain inspiration from photographers who shoot very differently often using dramatic and creative lighting.

Ray Hennessy - Bird Photographer

Your favorite location?

I don’t have a specific location that I visit often so I don’t really have a favorite location. I will say my favorite thing is watching the sun rise while out in nature when it’s just me and the birds.

Ray Hennessy - Bird Photographer

Any final word of advice or thought for aspirants in this field?

I always tell people just getting into bird photography the best thing you can do to grow and learn this photography or any photography for that matter, is to get out and shoot. It can certainly be helpful to read, watch tutorials or take workshops but there is no substitute for getting out there and photographing birds yourself. Get out as often as you can and try capturing many different types of birds, you will learn many different skills when you try to photograph different species. Lastly, don’t be afraid to get dirty and go where other photographers don’t. It seems obvious when written out that to create unique images you should do something different but I can’t tell you how many times I see a group of photographers huddled together all taking the relatively same photo. There of course is nothing wrong with those photos but if you want to stand out from the crowd something as easy as standing in a different spot can help make that happen.

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

Ray Hennessy - Bird Photographer

You can find Ray Hennessy on the Web :

Copyrights:
All the pictures in this post are copyrighted Ray Hennessy. Their reproduction, even in part, is forbidden without the explicit approval of the rightful owners.

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Cornwall Library features photography by Prud’homme

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CORNWALL — The Cornwall Library presents artist Sarah Prud’homme’s new series, Inhuman Time, a meditation on stones collected from the New England coast, opening with a reception Jan. 21. 

According to a statement: Prud’homme’s stones were created over 400 million years ago, when volcanic magma was propelled to the earth’s surface. Mostly basalt, they have high concentrations of magnesium, iron, and calcium, which gives them a rich black hue. As they cooled and were shaped by ocean wave action they became smooth and round, which captivated the artist’s eye.

In making these photographs, Prud’homme used a digital camera to capture twenty to fifty images of each stone, which she layered in Photoshop to reveal what normally escapes our gaze. While this technique was developed out of necessity — to overcome the medium format camera’s shallow depth of field — Prud’homme embraced it and used it to enlarge the stones to many times their actual size. These images examine a stone’s surface from its center to its outer edges, resulting in a hyperfocused composition that appears both flat and three-dimensional. This highlights the fact that photography creates its own reality rather than simply documenting fact.

Inhuman Time includes stones of various shapes and hues, each of which reflects their point of origin. In her images, Prud’homme removes single stones from a crowded beach and examines them closely, which individualizes and monumentalizes them. The stones’ smooth roundness and blackness against an infinity of white reveals their ineffable, immanent qualities. In her grid of a dozen oval stones, Prud’homme emphasizes the similarities and subtle differences between each example. The stones’ seemingly identical shapes cause the eye to compare and contrast them, and encourages viewers to become active observers. The grid is in the art historical tradition of “typologies,” exemplified by the work of minimalist artists such as Karl Blossfeldt and Bernd and Hilla Becher.

With Inhuman Time, Prud’homme hopes the viewer will discover something about beauty/art/science/math/nature/reality/truth. Or at least reflect on the fact that humans and stones are composed of the same minerals, that the universe is interconnected, and that our survival depends on this awareness.

Prud’homme lives in Brooklyn, NY, and spends as much time as she can at her family’s house in Cornwall, she said.  She has an MFA from the School of Visual Arts. Her thesis was a series of cubes mounted with abstract photos of the human body that was included in “Somatogenics,” a show curated by Cindy Sherman, Sarah Charlesworth, and Laurie Simmons at Artists Space. Prud’homme’s work has appeared at Brooklyn Cottage, and in several group shows in New York.

Inhuman Time, Photographs by Sarah Prud’homme, runs from Jan. 21 to March 4, with an artist’s reception from 5-7 p.m. Jan. 21. The public is welcome; registration is required. Go to cornwalllibrary.org/events/

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Bright Star Being Eclipsed by its Dusty Companion

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Astronomers at the University of Washington were on the watch for “stars behaving strangely” when an automated alert from the Gaia survey showed Gaia17bpp. The survey data showed that this star had slowly brightened over a two and a half-year period.

An artistic rending of the star Gaia17bpp being partially eclipsed by the dust cloud surrounding a smaller companion star. Image Credit: Anastasios Tzanidakis.

As Tzanidakis reported on January 10th, 2023 at the 241st meeting of the American Astronomical Society in Seattle, the sequel analyses denoted that Gaia17bpp itself was not getting altered. Rather, the star is partly part of a rare kind of binary system, and its evident brightening was the end of a year-long eclipse by a strange stellar companion.

We believe that this star is part of an exceptionally rare type of binary system, between a large, puffy older star—Gaia17bpp—and a small companion star that is surrounded by an expansive disk of dusty material.

Anastasios Andy Tzanidakis, Doctoral Student, Astronomy, University of Washington

Tzanidakis added, “Based on our analysis, these two stars orbit each other over an exceptionally long period of time—as much as 1,000 years. So, catching this bright star being eclipsed by its dusty companion is a once-in-a-lifetime opportunity.”

Some detective work had to be done by Tzanidakis and Davenport, a UW research assistant professor of astronomy and associate director of the DiRAC Institute, respectively, as the Gaia spacecraft’s observations near the star only went back to 2014. 

Initially, they stitched side-by-side Gaia observations of the star with observations by other missions stretching back to 2010—such as Pan-STARRS1, WISE/NEOWISE, and the Zwicky Transient Facility.

Such observations joined with the Gaia data showed that Gaia17bpp dimmed by around 4.5 magnitudes—or approximately 63 times. The star stayed dim for almost seven years, from 2012 to 2019. The brightening revealed by the Gaia survey was the end of that seven-year dim.

Similar dimming behavior was not shown by any other stars next to Gaia17bpp. Via the DASCH program, a digital catalog of over a century’s worth of astrophotography plates at Harvard, Tzanidakis and Davenport looked at observations of the star extending back to the 1950s.

Over 66 years of observational history, we found no other signs of significant dimming in this star,” stated Tzanidakis.

The two researchers think that Gaia17bpp is part of a unique type of binary star system, with a stellar companion that is very dusty.

Based on the data currently available, this star appears to have a slow-moving companion that is surrounded by a large disk of material. If that material were in the solar system, it would extend from the sun to Earth’s orbit, or farther.

Anastasios Andy Tzanidakis, Doctoral Student, Astronomy, University of Washington

During its eclipse, the hidden companion was blocking around 98% of Gaia17bpp’s light.

For the past few years, a few other similar “dusty” systems have been discovered, most remarkably Epsilon Aurigae, a star in the constellation Auriga that has been eclipsed for two out of every 27 years by a comparatively dim and huge companion.

The system that Tzanidakis and Davenport found is special amongst such dusty binaries because of the eclipse’s length—at almost seven years, it is considered to be the longest.

For Epsilon Aurigae and similar systems, the identity of the dusty companion is a point of discussion. Limited preliminary data show that Gaia17bpp’s companion could be a white dwarf star. The source of its debris disk is still a secret.

This was a serendipitous discovery. If we had been a few years off, we would’ve missed it. It also indicates that these types of binaries might be much more common. If so, we need to come up with theories about how this type of pairing even arose. It’s definitely an oddity, but it might be much more common than anyone has appreciated.

Anastasios Andy Tzanidakis, Doctoral Student, Astronomy, University of Washington

The study’s additional group members are Eric Bellm, a UW research assistant professor of astronomy, and David Wang, a UW graduate student in astronomy.

Source: http://www.washington.edu/

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Dikan Center Accra Ghana Photography Library Opening

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Ghana has steadily become a cultural and artistic hotspot as of late. In terms of music, Vic Mensa and Chance the Rapper recently announced plans to launch the first ever Black Star Line Festival — deemed “a celebration of Pan-Africanism, building bridges between Black people and artists of The Diaspora with The Continent.” Across art, Accra’s own Amoako Boafa unveiled a new multi-purpose art space in the Ghanaian capital that will serve as a hub for the creative community.

Accra is also now home to the Dikan Center, Africa’s largest photography library. Founded by photographer and filmmaker Paul Ninson, the library boasts over 30,000 archival books that he’s collected from across the continent and the African diaspora. Dikan Center also features a photo studio, gallery, classrooms and space for workshops and a fellowship program aimed at visual artists and documentarians.

In an interview with the Guardian, Ninson spoke about the genesis for the non-profit center:

“I started buying African photo books, with the idea of sharing them with young photographers back home, but as my collection grew, it dawned on me that I could create a library dedicated to photography and visual education, so I started reaching out to booksellers for donations. I also received donations from private galleries and collectors.”

Dikan, which means “take the lead” in Asante, was specially chosen to carry Ghana’s rich photography lineage for a new generation of aspiring artists. Stay up to date with the new photography center on Instagram.

Elsewhere in art, Louis Vuitton and Yayoi Kusama team up for an ethereal night in Hong Kong.

Dikan Center
HR3J+GP2, Third Kaadjano St,
Accra, Ghana



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The New Centre for British Photography in London Is the First Space Dedicated Entirely to U.K. Artists Working in the Medium

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Photography aficionados will need extra stamina to explore the seven exhibitions across three floors at the opening of the Centre for British Photography in central London on January 26.

The 8,000-square-foot new space on Jermyn Street will house the Hyman Collection—the private collection of Claire and James Hyman, widely considered one of the world’s major libraries of British photography. Over 3,000 significant works by more than 100 artists—such as Bill Brandt, Cecil Beaton, and Martin Parr—since 1900 are included. Until now, it was only available to view online.

Bill Brandt, David Hockney (1980). Courtesy of the Centre for British Photography, London.

The center will give a historical overview of British photography and—importantly—present the diverse landscape of British photography as it exists today. “There is no venue specifically dedicated to artists working in photography in Britain,” Founding Director James Hyman told Artnet News.

“While institutions such as Tate and the V&A have extraordinary, encyclopedic collections, they are not devoted to photography, or to British photography,” he continued. “We have one of the most substantial collections of British photography, which we wish to make more public.”

Natasha Caruana, Fairy Tale for Sale (2011-2013). Courtesy of the Centre for British Photography, London.

The new center, Hyman said, is “committed to presenting a diverse view of photographic practice in Britain,” which the opening program embodies. One of the major opening shows takes its name from Bill Brandt’s seminal publication of 1935, The English at Home, presenting over 150 works that explore the central place of the home in 20th-century British photography.

In “powerful contrast” to this is the group show “Headstrong.” Curated by Fast Forward—a research group designed to promote and engage with women and non-binary people in photography across the globe—the show will focus on recent self-portraits by women working in photography.

Trish Morrissey, Pretty Ogre (2011), part of “Headstrong. Courtesy of the Centre for British Photography, London.

“This exhibition foregrounds artists and photographers who have been using self-portraiture as a tool to crack open the oppressive, often punishing nature of patriarchy,” explained Anna Fox, Director of Fast Forward. “From exposing cyberbullies to exploring the multiplicity of female identity, these portraits reinvent outdated concepts of how we should behave, how we should be, and what we can become.”

The center will also reopen with three solo exhibitions by Heather Agyepong, Jo Spence, and Natasha Caruana. “Each show is different but, by putting these artists together—each of whom uses theater and performance—connections can be drawn,” Hyman said to Artnet News.

The new center is for anyone with an interest in photography—amateur or professional. It will be free to visit year round, and will present self-generated exhibitions, shows led by independent curators and organizations, as well as monographic displays, events, and talks. “We hope visitors will get a sense of the incredible range and diversity of historical as well as contemporary photography in Britain,” added Hyman.

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10 ways to save money on astrophotography gear 2023

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When it comes to buying the best astrophotography gear, the number of different brands and products available can make it all a bit overwhelming, especially if you’re a beginner or don’t have a huge budget. But before you even jot down your budget, there are several factors to consider when looking for the correct equipment, such as what celestial objects you want to photograph. 

Will you need one of the best telescopes in order to be able to see them? Do you want to take long-exposure images? Figuring out precisely what kind of astrophotography you want to do can be a big help when it comes to looking for your astro gear. That way, you won’t end up spending money on things you don’t need or end up buying completely the wrong thing. 

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20+ Cute Dog Photos from the 2022 Dog Photography Awards

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Dog Running Agility

“The first obstacle of the course is the moment I prefer most of all. There, where it all begins, where the bond between Human and Dog is expressed in such a clear way by such a magnetic look, where you can see the power of dog’s muscles contracting and releasing energy at every handler’s nod.” (Photo: Francesco Junior Mura, 1st Place, Action)

For the second year, the Dog Photography Awards shines a spotlight on the best pet photography around the globe. This annual contest shows the artistry behind capturing the spirit of our furry friends in all their forms. From high-action shots to dogs at work to pensive portraits, the winning photographs are a tribute to these special animals.

Created by dog photographers Audrey Bellot and Claudio Piccoli, the contest invites professional and amateur photographers to enter their work into four categories—Action, Portrait & Landscape, Studio, and Dogs & People. After a strong showing, the pool of finalists was whittled down to the top three photographs in each category.

Francesco Junior Mura was awarded the top prize in the Action category for his striking photo of a collie on an agility course. With its body nearly flat, this collie rockets itself over the initial hurdle of the event and Mura was able to perfectly capture the strength and power of the moment.

Border collie Kyron is the star of the image that won the Portrait & Landscape category. The pooch was photographed while training as an avalanche rescue dog. In this exercise, Kyron was digging out photographer Dalia Fichmann, who was shadowing a rescue team in Switzerland. Right as the dog dug its way through the snow, she was able to snap this incredible portrait showing the intense concentration of the border collie at work.

In the Studio category, Su Kaye plays with our expectations of pet photography with an innovative take on a portrait. By capturing the underside of the French bulldog’s neck, we’re treated to the squishy wrinkles that are part of its unique character. Taking this artistic risk paid off with a win in the category.

Check out even more dog photography below; and, if you want to try your hand at capturing the spirit of your pet, check out the My Modern Met Academy online course on pet photography by renowned photographer Belinda Richards.

Check out the winners of the 2022 Dog Photography Awards.

Portrait of an Avalanche Rescuedog

“Away from the pistes, away from the hustle and bustle, enjoying the softness of the powder snow, the untouchedness. The dark side of it: every year people are buried by avalanches. The search in rough terrain is usually very difficult. The avalanche rescue dogs are often the first responders, fighting their way through the avalanche cones on their four paws with a lot of perseverance to look for the buried people, who are sometimes buried several meters under the snow masses. In Melchsee-Frutt (Switzerland) I have accompanied the rescue teams led by Nicole Dammann with the camera for a day. The dogs are trained using positive reinforcement to keep them enjoying the search. To capture the moment when the dog finds the buried person and digs through the snow, I lay down with the camera in a small, dark ice cave and let the dogs search for me. The moment when the snow cover opens up, the first ray of light penetrates the cave, the paws dig away the snow and the dog’s nose sniffs towards you is wonderful.
A big compliment to all the dog handlers with their four-legged friends who invest a lot of time and patience.
In an emergency, they risk their own lives. Thanks to all!
The picture shows Border Collie Kyron, who was looking for me and fortunately found me.” (Photo: Dalia Fichmann, 1st Place, Portrait and Landscape)

Dalmatian Running in the Water

“This was the first picture I edited after the workshop in Belgium with Claudio.
I saw it already during the shooting on the beach and it made me so excited. The post-processing was not easy because I don’t like the blue colour so much. It was really difficult to edit the picture in those blue tones because I feel more comfortable with the warm colors. At the End I was satisfied with the result and thankful for that workshop.” (Photo: Sylvie Lettal, Finalist, Action)

2022 Dog Photography Awards

“Just trying to do something different from the norm and create something unique in my studio and a new style. Not something I’ve seen other people doing and has created a great response and good reactions.” (Photo: Su Kaye, 1st Place, Studio)

2022 Dog Photography Awards

“Unconditional Love” (Photo: Sabrina Theden, 1st Place, Dogs and People)

Cute Dog Portrait

Photo: Fleur Scholte, Finalist, Portrait and Landscape

Pet photographers were asked to submit their work to one of four categories.

Dog Running in the Landscape

“I took this picture during our vacation in Norway. It was very foggy that day, so I wanted to create a friendly and sunny look.” (Photo: Julia Haßelkuß, 3rd Place, Action)

Dalmatian in Misty Landcsape

“This shot of Amber my Dalmatian is so special to me as this was one of the first walks we were able to do off lead since her two leg operations. It fills me with emotion seeing her so independent and captivated by the beauty of nature and wildlife.” (Photo: Sophia Hutchinson, 2nd Place, Portrait and Landscape)

Cute Greenland Dog Photography

“These photos are of Greenland Dogs (Greenlandic: Kalaallit Qimmiat, Danish: Grønlandshund) in Ilulissat, Greenland behaving naturally on the land provided to them by the government. There used be 30,000 Greenland Dogs and now there are only around 15,000. In Greenland they are exclusively used as working sled dogs. Climate change has reduced their use in favour of skidoos, which are better able to handle marginal ice conditions. Puppies up until about 6 months of age are allowed to roam untethered in order to socialize them and are friendly and playful. Adults are chained and kept separate. Housing and veterinary care is provided by the government.” (Photo: Joanne Liu, 3rd Place, Portrait and Landscape)

Dog Sitting on Bale of Hay

“An azawakh, on lookout. Always on look out and ready for action.” (Photo: Sanna Sander, Finalist, Portrait and Landscape)

Dog Color Powder Portrait

Photo: Desina Zbranková Albaniová, Finalist, Action

Dog Leaping in the Air Over Its Owner

“Took at sunrise in Slovenia. (Photo: Kjara Kocbek, 2nd Place, Action)

The photos highlight all aspects of our canine friends—from cute portraits at rest to dynamic action shots.

Portrait of Cute Dog

Photo: Cornelia Deigner, Finalist, Portrait and Landscape

Photo of Newborn Puppy Cupped in Someone's Hands

Photo: Daniela Schmid, 3rd Place, Studio

Woman and Her Dogs at Sunset

Photo: Sarah Ebner, 2nd Place, Dogs & People

2022 Dog Photography Awards

“Walking the dog along the beach. Photo taken by DJI Mavic Air2 drone of my partner walking our dog, Luna.” (Photo: Russell Charters, 3rd Place, Dogs and People)

2022 Dog Photography Awards

Photo: Elke Braet, Finalist, Portrait and Landscape

Terrier Dog Portrait

“Mimi’s Backstory” (Photo: Jane Thomson, 2nd Place, Studio)

Cute Dog in Fall Leaves

“Levy loves the nature. He enjoyed sitting between the coloured leafs and I took his nose up and smelt here and there… He looked happy and so I was happy to take this picture.” (Photo: Christin Scholz, Finalist, Portrait and Landscape)

Dachshund Peeking Out of Owner's Scarf

Photo: Emma Pope, Finalist, Dogs and People

2022 Dog Photography Awards

“Luis is our friend Karin’s Afghan, he’s relaxing on the couch.” (Photo: Tanja Zech, Finalist, Studio)

Dog Photography Awards: Website | Instagram | Facebook 

My Modern Met granted permission to feature photos by the Dog Photography Awards.

Related Articles:

12 Photographers Who Have Elevated Pet Photography Into an Art Form

Adorable Dog Photography That Will Make You Happy by Alicja Zmyslowska

Learn To Take Professional Photos of Your Pup in This Introductory Pet Photography Class

These Funny Animal Photos Are the Winners of the 2022 Comedy Pet Photography Awards



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Dazzled by nature: Readers share their photos of Long Island

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The cold season draws Long Islanders outdoors to capture comings and goings — of the sun, moon, wildlife, even an intrepid fisherman.

The moments can be fleeting, said Wayne Kiesel of Huntington, who has increased his outdoor photography during the pandemic. “These moments don’t last forever, then the light changes,” he said of his photo of the misty marshes of Crab Meadow in Northport.

His message: Seize the moment.

Nancy Hassel of Babylon agreed, saying she hopes her photo of the sunset over the Great South Bay “inspires people to get out and watch a sunset this year!”

And when you do, snap a photo and share it with us at newsday.com/readerphotos.

Credit: Meghan Dyckova of Sayville

SANDSPIT AT SUNSET. The days are so short in autumn that the photographer says she sometimes has trouble getting to her favorite South Shore spots (Sayville, Bayport, East Islip) before the sun puts on its show. But something told her to try on Nov. 26, “and I was not disappointed,” she says. “Nature is amazing, and we are so lucky here on Long Island to be able to see and appreciate sunrises and sunsets.”

Credit: Linda Karlin of Valley Stream

FLOCK OF BIRDERS. This little Southern bird — identified by admirers as a juvenile painted bunting — made an unusual stop last month at the Marine Nature Study Area in Oceanside. Images of it were posted on birding apps, bringing many bird-watchers to the preserve. “She put on a show for them,” says Linda Karlin, who called the bunting a “lifer” for her — a bird she would probably see only once in her life.

Credit: Trish Minogue Collins of Mastic

SEA OF PINK. The photographer was at the harbor-side park in Northport when a sailboat quietly motoring by the village pier caught her focus.

Credit: Gerry Corrigan of Rockville Centre

THE CHILL WAS BITING. And maybe the fish were, too, writes the photographer, who has tried his hand at surf casting and could imagine the exhilaration of the Fire Island fisherman in late November.

Credit: Nancy E. Hassel of Babylon

SAVING THE BEST FOR LAST. The sunset over the frozen Great South Bay was stunning, the photographer writes, but “it just got better and better after the sun actually set.” She says she hopes the photo, taken from the Babylon Pool property, “inspires people to get out and watch a sunset this year.”

Credit: Gerry Corrigan of Rockville Centre

FIRE ISLAND VISITOR. This buck was part of a trio enjoying their breakfast on a mild December morning, says the photographer, who was drawn to the calm demeanor of the buck and two does. 

Credit: Fred Greco of North Massapequa

COLD MOON RISING. The photographer titled this photo for the December moon rising behind the Fire Island Lighthouse — an image he had been seeking for some time. “I finally got my chance on Dec. 9, 2022, at 5:48 p.m.,” he told Newsday. He took the photo from Field 5 at Robert Moses State Park, guided there by his PlanIt Pro app for landscape photography.

Credit: Christina Schriver of East Northport

CLOUDS OF LIGHT. The photographer and her mother, Cathy, arrived at Heckscher State Park just before sunset on Dec. 27. Christina quickly found her spot. “All of a sudden the clouds appeared as the sun touched the horizon,” Cathy says.

Credit: Wayne Kiesel of Huntington

MYSTICAL MARSHLAND. “Sometimes you’re just in awe of nature,” says the photographer, who captured this moment at the wetlands near Crab Meadow Beach in Northport shortly after sunrise Oct. 30. “That morning was magical,” he says. “These moments don’t last forever, then the light changes.”

Credit: Danielle Leef of Southampton

WAVES OF ‘FIRE.’ “I like to capture the ‘big sun’ during the winter when it sets on the ocean,” says the photographer, who took this picture at Little Plains Beach in Southampton. “I also enjoy watching people walking the beach, capturing silhouettes in this light.”

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Watch Mars reverse directions in the sky tonight (Jan. 12)

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Mars will reverse directions in the sky tonight.

On Thursday (Jan.12), Mars will end its retrograde motion which has seen it moving westward through the night sky. Starting tonight, the Red Planet will resume its usual eastward, or “prograde” motion past the constellations. 



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33 Stunning Winning Photos From The Close-Up Photographer Of The Year 2022

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Here are the 33 stunning winning photos from the Close-Up Photographer Of The Year 2022. Over 9,000 pictures from 54 countries were entered this year across the eleven categories. Here in this gallery, you can find Winner, 2nd Place, and 3rd Place photographs across eleven categories: Animals, Insects, Butterflies and Dragonflies, Invertebrate Portrait, Micro, Young, Fungi, Plants, Intimate Landscape, Underwater, and Manmade.

This year Close-up Photographer of the Year was won by Canadian photographer Samantha Stephens for her photo titled “Nature’s Pitfall”. This photo is also the Overall winner & Animal category winner.

Congratulations to all the winners, you can find the full gallery from the below link.

You can find more info about The CUPOTY:

#1 Close-up Photographer of the Year, Overall winner & Animals winner – “Nature’s Pitfall” by Samantha Stephens

Close-Up Photographer Of The Year 2022

‘Northern Pitcher Plants (Sarracenia purpurea) are carnivorous, allowing them to survive in nutrient-poor bog environments. Here there is no rich soil, but rather a floating mat of Sphagnum moss. Instead of drawing nutrients up through their roots, this plant relies on trapping prey in its specialised bell-shaped leaves, called pitchers. Typically, these plants feast on invertebrates – such as moths and flies – but recently, researchers at the Algonquin Wildlife Research Station discovered a surprising new item on the plant’s menu: juvenile Spotted Salamanders (Ambystoma maculatum).

This population of Northern Pitcher Plants in Algonquin Provincial Park is the first to be found regularly consuming a vertebrate prey. For a plant that’s used to capturing tiny invertebrate, a juvenile Spotted Salamander is a hefty feast!

On the day I made this image, I was following researchers on their daily surveys of the plants. Pitchers typically contain just one salamander prey at a time, although occasionally they catch multiple salamanders simultaneously. When I saw a pitcher that had two salamanders, both at the same stage of decay floating at the surface of the pitcher’s fluid, I knew it was a special and fleeting moment. The next day, both salamanders had sunk to the bottom of the pitcher.’


#2 Animals, 2nd Place – “The Footprint Friend” by Juan J. Gonzalez Ahumada

Close-Up Photographer Of The Year 2022

‘As this pond dried up near Monda, Spain, hundreds of miniature toads, barely a centimetre in size began to wander around seeking refuge. A pair of them found safety in the huge paw print of a mastiff that was left in the mud when it came to quench its thirst at the water’s edge.’


#3 Animals, 3rd Place – “A Tale in the Sand” by Paul Lennart Schmid

Close-Up Photographer Of The Year 2022

‘After three luckless attempts of searching for Sahara sand vipers (Cerastes vipera) in rainy conditions, we finally had a dry day and night that brought us success. We followed the tracks of this snake for over a hundred metres through the dunes of the Negev desert in Israel. At times, our eyes were almost directly over the sand so as not to lose the trail. We even saw that it had crossed our foot tracks from earlier in the night. After quite a while we finally found this specimen digging itself into the sand to get into an ambush position, right next to the tracks of a dune gecko (Stenodactylus petrii) that had turned around at the right moment before becoming a meal.’


#4 Insects, Winner – “Intruder” by Anirban Dutta

Close-Up Photographer Of The Year 2022

‘Before the start of the monsoon every year, some species of termite swarm in the late afternoon and early evening – this behaviour is known as nuptial flight. One day I witnessed this event near a petrol pump in the town of Cooch Behar, India. There were thousands of termites drawn to the powerful street light, and one black drongo. This bird spent almost 20 minutes swooping through the termites, snatching and eating them as it went.

I shot multiple exposures to capture this event, which I had never seen before. Three frames were recorded and combined in-camera. The first one with a high shutter speed and in Kelvin white balance, the second with a high shutter speed isolating the drongo and the third with a slow shutter speed in Tungsten white balance.’


#5 Insects, 2nd Place – “Violet Ghost” by Bernard Van Elegem

Close-Up Photographer Of The Year 2022

‘This ground beetle Carabus germari is locally common in forests of Italy and Slovenia. The species is mostly active during the night, but when sexually active the beetles can also be found running or foraging during the daytime. I found this beetle running along a small forest road one hot July evening in Boca de Piombo, Albaville, Italy.

I have taken several hundred images of running ground beetles over the years, but it is extremely difficult to get a decent image. The beetle often moves in several directions while he runs: his body moves up and down and often from the left to right or vice versa… Moreover, it is very difficult to keep the beetle in focus while following him with a macro lens that has a very small depth of field.

In this instance, I noticed that the beetle was running through sunny patches every so often. I knew this could have the same effect as a fill in flash, but with the beautiful, natural colours of the evening light. My aim was to have an image showing enough movement to illustrate the speed of the beetle, while illustrating the elegance of the beetle with its superb violet and turquoise colours. Much to my surprise one image came close to what I had in mind!’


#6 Insects, 3rd Place – “Little Naughty Draw Circle” by Minghui Yuan

Close-Up Photographer Of The Year 2022

‘The beetle Aplosonyx nigriceps has developed a clever tactic to be able to eat the Alocasia macrorrhiza leaves and avoid the toxic alkalis that the plant secretes. It nibbles a 3cm circle on the leaves to cut off the toxin transmission before feasting inside the circle free of poison.

This example was photographed in Nonggang National Reserve, Guangxi Province, China.’


#7 Plants, Winner – “Next To My Tree” by Sébastien Blomme

Close-Up Photographer Of The Year 2022

‘Snake’s-head fritillary is one of my favourite flowers. This one was taken in the city of Toulouse, France. It usually grows on wet meadows but can also be found in forests. In this image, I wanted to introduce some context, but keep the flower as the centre of interest. I managed to get a tree in the background and decided to keep it out of focus so that its shape is only suggested.’


#8 Plants, 2nd Place – “Thawing Beauty” by Jay Birmingham

Close-Up Photographer Of The Year 2022

‘I am fortunate enough to live near a location where snake’s head fritillaries grow natively. Broad Meadow, near Tamworth in the UK, floods regularly and creates the ideal conditions for these beautiful flowers. The flowers move easily in the wind, so I waited for a morning where there was no breeze. There had also been an overnight frost. This combined with the mist and rising sun, created some beautiful conditions for photography.

In order to maximise focus and make sure the flower stood out against the background, I shot wide open at f/2.8 using a 180mm macro lens. I then stacked a few images together where I had focused on different parts of the flower.’


#9 Plants, 3rd Place – “Sun Worshippers” by Henrik Spranz

Close-Up Photographer Of The Year 2022

‘Three greater pasque flowers (Pulsatilla grandis) right after sunrise in early spring near Vienna – with Sahara dust in the air. It’s a rare occasion and always gives an unreal light condition.’


#10 Fungi, Winner – “Ice Encrusted Comatricha” by Barry Webb

Close-Up Photographer Of The Year 2022

‘In January last year, following two days of freezing fog and sub-zero temperatures, I found some mature Comatricha, growing on an old fence post lying on a pile of discarded, rotting timber. I was attracted to the way the ice had encased the slime mould, creating strange, windswept, leaf-like shapes. The tallest one was only 3mm high, including the ice. The final image is the result of 55 focus-bracketed images combined in Zerene Stacker.’


#11 Fungi, 2nd Place – “Scarlet Waxcap in Early Morning Dew ” by Jeremy Lintott

Close-Up Photographer Of The Year 2022

‘Arriving early on a beautiful misty morning to meet a fellow enthusiast for a day of fungi photography at Ebernoe Woods last October, I spotted a large number of waxcaps growing around the periphery of a nearby cricket pitch. The whole area was covered in spider webs and early morning dew creating an ethereal scene. Using a small beanbag to rest my camera at ground level I took a series of 12 focus-bracketed images at a wide aperture. This enabled me to achieve maximum detail in the waxcap whilst maintaining the soft back- and foreground.’


#12 Fungi, 3rd Place – “Slime Mould Didymium Squamulosum on Holly Leaf” by Andy Sands

Close-Up Photographer Of The Year 2022

‘Many happy hours in winter can be spent crawling around under a holly tree searching for slime moulds. This tiny slime mould, around 1mm tall, often grows in leaf litter. These three were found growing along the edge of a holly leaf in a Hertfordshire woodland in January.

The challenge photographing slime moulds such as these is their tiny size. I used my 60mm Macro lens with three extension tubes mounted between the lens and camera to achieve the required magnification. I then used focus bracketing to take a series of images in natural light, 28 in total, and combined them in post production at home using Zerene Stacker.’


#13 Underwater, Winner – “Little Predator” by Viktor Lyagushkin

Close-Up Photographer Of The Year 2022

‘This is a Lucernaria quadricornis (Stauromedusae), a stalked jellyfish, photographed beneath the ice of the White Sea in Russia – the only freezing sea in Europe. The green colour of the water is a sign of spring as algae grows.

The “leg” of the jellyfish helps it to attach to a stone or seaweed. Its tentacles project up or down, waiting for prey. If its hunt is successful, it catches the prey and collapses its tentacles into a fist. If the hunting site is no good, Lucernaria walks away on its “leg” or sometimes its “hands”.’


#14 Underwater, 2nd Place – “Beauty and the Beast” by Kate Jonker

Close-Up Photographer Of The Year 2022

‘As I was shallowing up after a 25-metre dive at Steenbras Deep in the centre of False Bay, South Africa I came across a small patch of Mediterranean mussels. This invasive species, brought to the waters off Cape Town in the bilge of passing ships in the 1980s, is a beast, replacing the colourful marine life on shallower sections of some reefs with dark patches.

Whilst I was investigating the impact these mussels were having on this particular section of reef, I found a beautiful Bluespotted klipfish (Pavoclinus caeruleopunctatus) perched amongst the mussel shells. He peered up at me cautiously, watching my attempts to battle the surge whilst photographing him with a shallow depth of field. My aim was to capture his beauty whilst softening the sharp edges of the mussels. A challenge not only due to the limited dive time I had remaining, but because of the surge that was washing me to and fro whilst I tried to focus on his eye.’


#15 Underwater, 3rd Place – “The Martian” by Pietro Cremone

Close-Up Photographer Of The Year 2022

‘At night, many planktonic forms of animals come up from the deep sea, making it possible to take pictures of these fantastic critters. This is the larval form of a mimic octopus (Wonderpus photogenicus). It was taken while I was floating 300ft below the surface at Anilao, Philippines in complete darkness without any points of reference.’


#16 Butterflies & Dragonflies, Winner – “Veiled” by Wim Vooijs

Close-Up Photographer Of The Year 2022

‘I found this dew-covered male Banded Demoiselle on a reed stem among the streams near my hometown, Ede in the Netherlands. Banded Demoiselles are easy to approach as they rest and dry in the early morning. I tried to find an angle that would produce bokeh bubbles in the warm light, creating the atmosphere that I desired in the picture.

I like to emphasise the beauty of these insects by showing their strength and vulnerability. I’m not after a record shot, more an emotional portrait – maybe this is due to my background as a portrait photographer.’


#17 Butterflies & Dragonflies, 2nd Place – “Atlas Moth” by Uday Hegde

Close-Up Photographer Of The Year 2022

‘This beautiful Atlas moth (Attacus atlas) was found during my daily walk in our areca nut plantation in Sirsi, India. As our plantation is surrounded by evergreen forest a lot of frogs, snakes, insects and butterflies take shelter there.

These huge moths often have a wingspan that extends beyond nine inches. I wanted to show the moth in its habitat, so I decided to shoot this picture with a wide-angle macro lens. I set-up the camera, tripod, flash and trigger away from the moth so that it would not get disturbed. Once I felt happy with the set-up I placed my camera near the moth, composed the frame and took 5-6 shots.’


#18 Butterflies & Dragonflies, 3rd Place – “Common Winter Damselfly” by Kai Rösler

Close-Up Photographer Of The Year 2022

‘This picture was taken in July, in a small nature reserve close to the town of Fribourg, Switzerland. The damselfly was sitting on a blade of grass, but flew away when I slowly approached, eventually placing itself on the tip of these grass spikelets. I managed to take some shots, trying to align my camera with the body of the damselfly. The constant moving of the grass caused by the wind and the insect’s movements made things tricky, but after a few seconds, despite the damselfly flying off, I had my shot.’


#19 Invertebrate Portrait, Winner – “Mayan Derriere” by Jamie Hall

Close-Up Photographer Of The Year 2022

‘This Triangular Spider species (Arkys curtulus) is an ambush predator, not a web-based hunter like most. To hunt its prey, it sits compact and curled up on a leaf, mimicking bird poo or other bio-debris. Balanced abdomen-side down, eyes up, it looks to the sky and watches for an unsuspecting fly or other insect to wander onto the leaf. The abdomen on this species has some very pronounced and interesting markings, which reminded me of the Mayan carvings on rocks and stone. This individual was photographed in a conservation park in Brisbane, Australia.’


#20 Invertebrate Portrait, 2nd Place – “Gordian Worm Knot” by Ben Revell

Close-Up Photographer Of The Year 2022

‘It was early autumn as a friend and I were exploring the rainforest creeks of the Australian Sunshine Coast Hinterland by night when we stumbled upon this remarkable scene. Emerging from the abdomen of a fire back huntsman spider was this long cylindrical worm. I had read about these horrific creatures before, but this was the first time I had witnessed a Gordian Worm.

Named after the impossible knots they form when out of water, these parasitic worms thankfully only infect invertebrates. After hatching, their microscopic larvae swim free in water and are ingested by drinking insects. They grow inside the stomach of the insect until they move through the stomach lining and begin devouring the non-vital organs of its victim. Reaching maturity, the worm releases a mind controlling agent, forcing its now zombie like host to walk to water where it bursts through the abdomen and drops into the water to complete its life cycle.’


#21 Invertebrate Portrait, 3rd Place – “Shining Snail” by Alex Pansier

Close-Up Photographer Of The Year 2022

‘A common snail on a blade of grass, taken with a flash, so that the detail can be seen nicely against a dark background.’


#22 Intimate Landscape, Winner – “Frequency” by Mike Curry

Close-Up Photographer Of The Year 2022

‘This is a reflection of a building at Canary Wharf in London taken in November. The water was moving in a very fluid way and I was there to try out my new Sony DSC-RX100M6 – I was particularly keen to test the camera’s fast burst and slow motion video modes. I was struggling to get it to focus on the water’s surface, but after about two hours of failed attempts it suddenly worked, and the results were amazing!’


#23 Intimate Landscape, 2nd Place – “Artwork of Nature II” by Klaus Axelsen

Close-Up Photographer Of The Year 2022

‘A July capture from Marmorslottet in Nordland, Norway. The rock formations and the water flowing through it invited an intimate capture of the details and structures of these unique rock formations and potholes.’


#24 Intimate Landscape, 3rd Place – “Sea in Fan” by Angelo Richardson

Close-Up Photographer Of The Year 2022

‘The steady trade winds and the waves they produce, make the rugged northeast coast of the island of Aruba, in the Dutch Caribbean, a true beachcombers paradise. These sea fans are one of the most common jewels you can find there along the beach. I dipped one into the sea and photographed the waves crashing on the rocks through it. The tiny seawater lenses captured a different view of that same moment.’


#25 Manmade, Winner – “Oil & Water 44” by Matt Vacca

Close-Up Photographer Of The Year 2022

‘This picture was captured as two drops of oil were merging. I’m intrigued by polarity and experimenting with oil and water has become a rich source of abstract expression. The symbiotic relationship that evolves from naturally opposing elements has become metaphoric for me. I am constantly learning and finding new inspiration, as I watch and continue to be fascinated by the dance that plays out through a macro lens.’


#26 Manmade, 2nd Place – “Fishing Nets” by Nigel Halliwell

Close-Up Photographer Of The Year 2022

‘Many landscape photographers with an interest in manmade and abstract subjects will know of Dungeness on the Kent Coast, UK. It was there that I came across this bundle of fishing nets. The striking blue colour initially drew me to this composition. But as I looked more closely the S-shape coming out of the lighter blue net convinced me to set-up my large-format Ebony camera and capture a couple of frames of Velvia 50.’


#27 Manmade, 3rd Place – “Colour Study 35” by Paul Gravett

Close-Up Photographer Of The Year 2022

‘Despite their painterly appearances, each Colour Study starts with a camera and a series of photographs of papers and colour acetates, layered three to five deep on a stack of glass shelves. The images are layered and blended in the computer to create abstractions that reference contemporary art, including pointillism, colour fields, transparencies, collage, and painterly techniques. The hallmark of this experimental process is unpredictability and discovery, leading to startling and unexpected images that blur the boundary of photography and contemporary art, and trick the eye and test our assumptions about photography.’


#28 Micro, Winner – “Batrachospermum Red Algae” by Marek Miś

Close-Up Photographer Of The Year 2022

‘I took a sample of Batrachospermum (a kind of red algae) from a small river in Wigry National Park, Poland. Although it has natural beauty, it doesn’t look great using bright-field illumination. However, by combining polarised light and darkfield techniques I managed to get a colourful and interesting picture.

It was challenging to show more than one or two “twigs” of algae, because even a 4x microscope objective shows too small a part. To capture it properly, I made a panorama consisting of nine images stitched together during post-processing. To expand the depth of field, which is very shallow using a microscope, each of the nine images consist of several frames combined in one output image in Helicon Focus. The final image is the result of combining more than 100 separate shots.’


#29 Micro, 2nd Place – “Pollen Tubes Growing Through the Pistil of Arabidopsis Thaliana” by Jan Martinek

Close-Up Photographer Of The Year 2022

‘In this fluorescence microphotograph, you can see yellow pollen tubes growing through the blue pistil of Arabidopsis thaliana (Thale cress) to fertilise the eggs. This sample was chemically cleared, so the plant tissues become partially transparent, and the pollen tubes growing inside the pistil can be seen.’


#30 Micro, 3rd Place – “Schistidium Capsule” by Harald Cederlund

Close-Up Photographer Of The Year 2022

‘I am fascinated by the Schistidium mosses. The intricate capsules look like tiny flowers when viewed up close. With the peristome teeth extended, the capsule is only about 1mm wide, yet from afar the mosses often give a drab blackish impression. They thrive on exposed surfaces such as rocks on the shoreline or forest edge and persist unnoticed on concrete slabs in city locations. I picked this one up from a concrete foundation close to where I live in Ulleråker, Sweden and shot it in my living room. By combining long exposures with a flash I could create some ambience and not just a black background.’


#31 Young Close-Up Photographer Of The Year – “Hemitrichia calyculata” by Nathan Benstead

Close-Up Photographer Of The Year 2022

‘I was walking through my local woodland, inspecting rotten logs and sticks last winter, when I came across a log covered in slime mould fruiting bodies or sporangia. I set up my camera gear and focused on a small cluster amongst the moss.’


#32 Young CUPOTY, 2nd Place – “Demoiselle Wing” by Nathan Benstead

Close-Up Photographer Of The Year 2022

‘The wing of the damselfly is incredibly detailed and delicate. The banded demoiselle (Calopteryx splendens) males have dark coloured bands on their wings, which I decided to try and photograph on my trip to the New Forest, Hampshire back in June. After finding a stunning male individual I set my lens to 2x magnification to get as close as possible and took the shot. You can see the drops of dew on the wing as the image was taken very early in the morning. I then left the demoiselle to dry off and warm up in the early morning sun.’


#33 Young CUPOTY, 3rd Place – “Doner Kebab and Pizza” by Anton Trexler

Close-Up Photographer Of The Year 2022

‘In Berlin there is a lot of urban wildlife, such as this population of starlings living at Alexanderplatz. When my photographer friend Richard Pohl and I tried some creative photography we noticed the birds eating the leftovers from humans. I positioned my wide-angle lens on the table and triggered the camera wireless when the starlings came close to it. With this picture I want to show the coexistence between human and nature and how interesting and diverse this relationship can be.’


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