A massive issue in tech is the inevitable obsolescence and waste associated with both wear and constant development. We replace our devices for newer, more powerful models at an increasing frequency, and with laptops there are still far too few alternative to buying an entirely device when we want to upgrade.
But a year ago, Dell revealed what could be a game changer in the form Concept Luna, a laptop that can be dismantled so that its components can be replaced, upgraded or recycled whenever needed. Now the company’s provided an update, and the Concept Luna looks even more convenient, but it seems there’s still some way to go (if you can’t wait, see our pick of the best laptops for graphic design today).
Concept Luna introduces a laptop in which everything, from the memory and SSD to the screen, keyboard, speakers battery and fan can be removed and replaced. A year after it revealed the project, Dell says it’s advanced the concept further, refining the modular design to eliminate the need for adhesives and cables and minimise the use of screws. Components snap together, which Dell says means the system can now be dismantled in “mere minutes” with no need for special tools.
In the video above, what appears to be a push pin is used to pop open the device to reveal the components – it looks to be as easy as opening a phone’s SIM card tray. That alone could help solve one of the causes of laptop waste – the difficulty in opening them up to make repairs.
The device is modelled on Dell’s 13-inch Latitude, and Dell says the idea of the modular design is not only to allow repairs and upgrades, but also to allow the components to be easily removed for reuse. It says robots can dissemble the device in seconds, which would allow the laptop’s components to be salvaged at a recycling facility, potentially reducing its production carbon footprint by 50%.
But while prototypes are now in testing, Dell still hasn’t given us any idea of when or even if Concept Luna will ever make it to market. We hope it’s sooner rather than later. The best Dell laptops are among our favourite devices for creative work and productivity. An easier way to make repairs and replace components could clinch the deal.
When photographer Josh Defibaugh climbed to the top of Vermont’s Mount Mansfield, he was hoping for a successful night of photography. But he never could have imagined the incredible image he was about to take. Defibaugh was looking to capture the Milky Way, but his plans were upended by the presence of a SpaceX rocket.
At the time, Defibaugh was unaware that a rocket by the Elon Musk-run company had recently been launched. But, after carefully composing his shot, he suddenly saw a bright light shoot across his viewfinder.
“As the galaxy was on my mind, I saw this bright glow in the sky and thought, very briefly, that it was aliens,” Defibaugh tells My Modern Met. “And I was really excited to photograph it. But that thought wore off pretty quickly as I realized it was just another SpaceX rocket.”
Though he hadn’t originally planned on sharing the photo, once he did, the image took on a life of its own. Personally, Defibaugh has mixed feelings about the photo.
“I hope people realize that the degradation of the night sky with satellites and light pollution is an ongoing problem. The Earth is getting anywhere from 2-6% brighter each year and Elon Musk has stated he plans to launch hundreds, if not thousands, of SpaceX rockets in the coming years. The effects of so many satellites in the night sky may not be apparent now, but they will be soon, not just for astrophotographers but for any looking up to the sky.”
SpaceX has steadily increased its number of launches each year. At the time of writing, there have been 54 launches in 2022, with 10 more scheduled before the end of the year. And if SpaceX hits its goal in 2023, it will hit 100 launches in a calendar year. In the past, the company has experimented with a special coating to darken its satellites, but with so many bodies in the sky, experts agree that light pollution will increase.
So while Defibaugh’s image may look cool, it’s also a reminder that these rockets can and will transform the night sky.
If you want to see more of Defibaugh’s astrophotography, sans rocket, as well as his other creative projects you can follow his work on Instagram.
Josh Defibaugh: Website | Instagram
My Modern Met granted permission to feature photos by Josh Defibaugh.
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Artificial intelligence (AI) technology is already having a significant impact on the future of photography and is likely to continue to do so. One way in which AI is being used in photography is through the development of smartphone cameras that use machine learning algorithms to improve image quality. These algorithms can be used to enhance the color and contrast of an image, remove noise, and even create a bokeh effect, which blurs the background of a photograph to make the subject stand out.
Another way in which AI is being used in photography is through the development of interchangeable lens cameras with advanced subject recognition capabilities in their autofocus systems. These cameras use AI algorithms to identify the main subject in a scene and adjust the focus accordingly, allowing photographers to capture sharp, well-focused images with ease. This is especially useful in situations where the subject is moving, as the camera can continuously adjust the focus to keep the subject in focus.
As AI technology continues to develop, we can expect to see even more advanced applications in cameras of the future. For example, AI could be used to automatically retouch and edit images, allowing photographers to spend less time post-processing and more time shooting. AI could also be used to create virtual reality (VR) or augmented reality (AR) experiences, allowing photographers to capture and share immersive experiences with their audience.
Some photographers may be concerned that AI technology will take the creative control away from them, but it is important to remember that AI is simply a tool that can be used to enhance a photographer’s creative vision. While AI can certainly make some tasks easier and more efficient, it cannot replace the artistic eye and creative vision of a skilled photographer.
In fact, AI technology in cameras may actually allow photographers to push their creativity further. For example, by automating certain tasks, photographers can free up more time and energy to focus on the creative aspects of their work. Additionally, the advanced capabilities of AI-powered cameras may allow photographers to capture images and experiences that were previously impossible or impractical to capture.
Overall, AI technology is already having a significant impact on the future of photography and is likely to continue to do so as it continues to develop. While some photographers may be concerned about the role of AI in their work, it is important to remember that it is simply a tool that can be used to enhance their creative vision and allow them to push their creativity further.
Editor’s Note: Perhaps some of you eagle-eyed readers may have guessed it already, but this column was written entirely by AI using the new ChatGPT bot. Announced this month, the ChatGPT, or Chat Generative Pretrained Transformer was developed using OpenAI and trained to generate text on any given topic when given a short brief. Below you can see the brief I provided to generate this column. Like AF systems in cameras that are fed huge numbers of pictures of different animals and human smiles to create fast and accurate subject detection modes, ChatGPT is exposed to huge amounts of human-generated copy so that it learns how to structure sentences and predict what should come next. While the AI bot’s writing lacks some of the lyrical flair you get from human-generated writing, you can see that it’s still very good!
Some have speculated that AI like the ChatGPT will spell the end of the writer, much like some have argued that AI in imaging will automate the image-making process and diminish the role of the photographer. But like the ChatGPT bot argues in its column above, AI can mimic, automate and streamline; it can replace some of the more arduous human tasks – but it can’t replace our humanity. It can’t replace our judgment, our sense of humour, our creativity. Instead of fearing developments in AI, whether in imaging, writing or other areas of our lives, we should discover how we can combine the best of us with the best of what it has to offer and realise new creative possibilities.
My Brief to ChatGPT
In 500 words please explain how AI technology will impact the future of photography. Explain how AI technology is already being used in smartphone cameras and how it is just starting to be used in interchangeable lens cameras with advanced subject recognition capabilities in a camera’s autofocus. Please explain how AI technology will develop further and what applications we might see in cameras of the future that use this technology. Some photographers are afraid of AI and believe it takes the creative control away from them; please reassure these photographers that AI technology in cameras will only allow them to push their creativity further.
“Looking at Alex Katz,” oil on panel by Sarah Benham Spongberg. At Jag Gallery. COURTESY PHOTO
Key West is an artist’s utopia. Here’s a look at local galleries:
7 Artists & Friends The combination of a supportive arts community and inspirational tropical setting combine to make Key West ideal for nurturing creativity. 7 Artists & Friends (213 Simonton St.; 305-294-8444) began as a co-op run by seven of the island’s most respected artists.
Alan S. Maltz Gallery At the Alan S. Maltz Gallery (1210 Duval St.; 305-294-0005), Maltz — who has been designated the “Official Wildlife and Fine Art Photographer for the State of Florida” by VISIT FLORIDA and the Wildlife Foundation of Florida — offers a window into his vision of the state’s natural beauty.
Collections, Key West Gallery Collections, Key West (6810 Front St., Stock Island; 305-923-4778; www.collectionskw.com), is a time capsule of a gallery, with figurative paintings, kinetic sculpture, antiques and fine custom furniture, made of locally milled hardwoods. On the docks of Safe Harbour Marina on Stock Island. Open weekends noon-5 p.m. and by appointment.
De La Gallery The peaceful De La Gallery (419 Duval St.; 305-395-2210) is an artistic oasis in the middle of bustling Duval Street. It showcases the photography of Jorge de la Torriente and the masterful framing of Jeffrey Rodriguez.
Effusion Gallery A bright flash of color on the Key West gallery scene, Effusion Gallery (701 Duval St.; 305-735-4345) infuses the vibrant world of Pop Art with a cool, tropical vibe.
Gallery on Greene Under the helm of Nance Frank, the Gallery on Greene (606 Greene St.; 305-304-2323) is packed wall to wall with pieces from “some of the most talented artists within 100 miles, like Peter Vey, Mario Sanchez, Suzie de Poo, Jeff MacNelly and many artists from Cuba,” Frank says.
Gingerbread Square Gallery On the upper end of Duval Street, amidst the tropical foliage and quaint historical buildings, sits Gingerbread Square Gallery (1207 Duval St.; 305- 296-8900), Key West’s oldest private art gallery, founded in 1974 by Key West’s former mayor, Richard Heyman. Today, Gingerbread Square exhibits original paintings, limited edition prints, sculpture and art glass.
Guild Hall Gallery Located in one of Duval Street’s busiest blocks, Guild Hall Gallery (614 Duval St.; 305-296-6076) was established in 1976 as a co-op. It features many media, including stained glass, watercolor painting and sculpture. Guild Hall is open 10 a.m.-8 p.m. daily.
Harrison Gallery After over 30 years in Key West’s gallery scene, Harrison Gallery (825 White St.; 305-294-0609) has become an institution known as much for its proprietors, Helen and Ben Harrison, as for the eclectic contemporary works of art exhibited inside its walls.
Jag Gallery Jag (1075 Duval St., Space C23; 305-294-0609), Key West artist Letty Nowak’s Duval Square Gallery, currently is showing its “Small Works” exhibit. First conceived in 2005 at Nowak’s previous art space, The Lemonade Stand, this juried show includes work from over 100 artist finalists all 10 inches or smaller. Continues through Jan. 9 and can be viewed at Jag’s online gallery at www.jaggallery/art.
Key West Art Center & Gallery The Key West Art Center & Gallery (301 Front St.; 305-294-1241), officially the island’s oldest art collective, is a place for local artists to display their work, work on art-related projects and teach and take classes.
Key West Gallery The gallery specializes in a range of art, from Old Master originals to contemporary works from around the globe. (601 Duval St.; 305-292-9339).
Key West Pottery Key West Pottery (1203 Duval St.; 305-900-8303), owned by the husband and wife duo of Kelly Lever and Adam Russell, Key West Pottery is a working pottery studio slash art gallery that is dedicated to showcasing the connection between man and nature.
SALT Gallery SALT Gallery (830 Fleming St.; 305-817-6055) is a boutique-cum-gallery with a focus on local artists and artisans. Exhibits vary in medium and genre from month to month, featuring everything from abstract oil paintings to underwater photography to mixed-media sculptures.
Shade Ceramics & Shutter Photography Shade Ceramics & Shutter Photography (1102 White St.; 305-767-3769) highlights locally crafted ceramics by Mark Klammer and vibrant nature photography by Sarah Carleton.
Stone Soup Gallery & Frame Shop
In addition to featuring work by local artists, Stone Soup (802 White St.; 305-296-2080) also has an extensive framing, canvas stretching and fine art printing outfit. ¦
If you’re getting started in astrophotography, I am here to save you some time and frustration by learning from the mistakes of myself and others.
Whether you’re looking into a full-blown deep-sky camera and telescope setup, or just getting started with a DSLR and tripod, I think this article will come in handy.
The following advice and tips were compiled by myself and the hundreds of responses I received when I asked the AstroBackyard community: “What’s the most important piece of advice you’d like to give to beginners?”
So get ready, because the advice I have may surprise you.
1) Astrophotography is more than deep-sky imaging
You need to choose an area of interest. I know you want to do it all. Planets, meteor shower time-lapses, galaxies, nightscapes, but you should narrow down your interests to focus on the equipment and techniques that are most important for your goals.
To me, astrophotography usually means deep-sky images of galaxies and nebulae. To others, it’s a nightscape of the winter constellations rising above a snow-covered mountain.
Astrophotography is a close-up of the surface of Mars, a wide-angle photo of the Milky Way, and everything in between. This is why it is difficult to provide broad astrophotography tips that cover all aspects of the hobby.
You need to decide which area of the hobby interests you most because the necessary equipment varies wildly depending on the one you choose. I generally stick to tracked, long-exposure images through a telescope, but for others, it’s a wide-angle lens and a hike through the mountains.
A pet peeve of mine is when people generalize “astrophotography” into one aspect, and make ‘rules’ that confuse beginners. Taking a photo of the moon with your phone through a manual Dobsonian telescope is still astrophotography, just in its simplest form.
So pick an area of interest early on and don’t try to do it all. For me, that’s deep-sky imaging through a telescope in the backyard because it’s the most practical way for me to enjoy the hobby. For you, a lighter travel-friendly system may make more sense.
2) Become obsessed with your progress
If you’re like me, all it takes to stay motivated is to make progress toward your goal. It’s a simple concept, but it’s difficult to sustain at times. They can be very small steps, but always forward, not back.
The reason I say this is that you need to appreciate your own personal progress (not someone else’s) to stay excited about astrophotography. The game of astrophotography is best enjoyed on the court, not the sidelines. Only you will truly know the meaning and pride behind each photo.
My progress on the Orion Nebula from 2010 to 2021
Will the average Joe see your image and say “that’s unbelievable”? Lots will, but others may say “I’ve seen better”, or “you could have just found a better picture online”. The difference is, this image was captured by you, the person who didn’t even know how to use a telescope just a few months ago.
You spent the time perfecting your craft to capture and share an image of an object you chose. You watched the image get better and better over time as you patiently gathered light on it.
Comparing your latest version of a deep-sky target with your previous attempt is a real eye-opener, and you should be very proud of the progress you’ve made. Astrophotography is not for the dabblers. It takes grit to get to the finish line.
3) If it were easy, everyone would do it
Astrophotography, in all aspects, is hard. Expect to fail several times and to get frustrated and discouraged. This is not a hobby you walk into and get immediate results. If that’s the game you’re playing, you will need to adjust your expectations accordingly.
Celebrate any amount of progress, because it truly is an amazing feat. You balanced your rig, you focused your camera. Maybe you set everything up and didn’t get a single picture but you will next time because you learned a pivotal step of the process through the experience that you now know forever.
Setting up my telescope on a cold winter night.
The steep learning curve of astrophotography is the barrier to entry, and why I respect anyone that has chosen to take the challenge on. We are a different breed, and that’s why what we do is extraordinary. At some point, you may even run into people that claim your images are fake, but I believe it is because they just don’t understand the process.
4) Take online advice with a grain of salt
There are some amazing resources out there to learn astrophotography on your own. YouTube, Facebook Groups, Reddit, and Forums. The problem is, there is a lot of conflicting advice, and the people that like to hang out there can be a little opinionated.
My wife Ashley recently got started in astrophotography, and I cringe at the idea of her posting a question in a forum about her Sky-Watcher mount and someone saying “you got the belt mod done right? You re-greased the worm gear? Don’t even bother using it before you do that or your guiding will be terrible. Throw out all of your subs that aren’t 0.3 arc seconds per pixel or less.”
That’s the kind of information that scares people away from our hobby for good. The scary part is, many people read the hive-mind expert advice, and start telling others about it as if it were true. I’ve even read outrageous stories about me written by a stranger. The internet can be a strange place.
So like I said, take everything with a grain of salt and understand that the advice or opinions there aren’t always true. Instead, reach out to an individual astrophotographer who’s around your skill level (or better yet, just ahead of you) and kick ideas off of them.
Unlike the faceless keyboard warriors, they do not have the incentive of manufacturing drama for attention or boast about their extensive knowledge. There’s a good chance you will make some lifetime friends through these authentic connections, too.
If you can’t find a mentor yet, try replicating the exact process you have watched on YouTube. Look at the results they are achieving, so you have a realistic expectation of what you could potentially accomplish.
5) Your mount is really important, get a good one
Beginners like to focus on the camera and telescope used for an astrophoto they see shared online. “What telescope did you use” is the most common question I get when newcomers see my photos on Twitter and Instagram.
The telescope is essential, yes, but it’s the equatorial tracking mount that makes it all possible. Whether it’s a star tracker or a full-blown goto system, you can make your life easier by choosing one that’s been proven to be reliable.
Sky-Watcher EQ6-R Pro
The basics like polar alignment and balance may seem obvious, but I still see beginners getting this wrong early on and blaming their equipment. Take the time to understand how your tracking mount works and its limitations.
This will be your platform for almost every type of astrophotography you do. Once you are comfortable with consistently setting it up properly and polar aligning it, you are free to experiment with new camera settings, filters, and techniques.
Aim for a motorized equatorial mount (not an alt-az), that has a listed maximum payload capacity that is well over the weight of your imaging gear. If that’s only 11 pounds, no problem, there are still plenty of configuration possibilities on there.
Sky-Watcher Star Adventurer GTi Mount
I really like the Sky-Watcher Star Adventurer GTi, the EQ6-R Pro, and most recently, the super portable ZWO AM5. Look at what others are using, and the imaging system they have riding on top. If they consistently pump out great images with it, that’s a pretty good sign.
6) Don’t start with a long focal length telescope!
A long focal length (anything over 1000mm) means a higher native magnification. So, when you attach a camera, this is the field of view you will get.
If you are used to a camera lens, 300mm is considered a long telephoto lens, but in the telescope world, this is taken to the extreme. A popular telescope package choice for astrophotographers starting out is a Celestron CGEM II 800 at over 2000mm.
Don’t get me wrong, this is a great telescope package, but I believe it will make that first tracked, long-exposure image of a nebula or galaxy harder to achieve.
A high-magnification SCT is less forgiving than a wide-field refractor.
But high magnification is good, right? We want to see and photograph small galaxies and the planets right up close, don’t we? Well, we do, but the learning curve goes way up when you are pointing at a tiny area of the sky.
It makes alignment, finding objects, and accurate tracking more difficult simply because it literarily magnifies any tiny error you’ve made along the way. Instead, start wide, to give yourself a break.
A compact refractor in the 400mm range is ideal, it will make everything easier. No matter which camera you use, you should now be able to find and focus on the brightest stars, and begin your first tracked, long exposure image.
The William Optics RedCat 51 is a solid choice for beginners and shoots at a beginner-friendly focal length of 250mm. This telescope is also compact and lightweight enough to be used with a star tracker mount.
The William Optics RedCat 51. 250mm at F/4.9.
Once you have mastered the process with your wide-field setup, increasing focal length is a lot more approachable.
7) Get ready for image processing
If you are already a daytime photographer and know your way around Adobe Photoshop or Lightroom, great. But even then, you will have to make a massive shift in the way you edit photos.
The process of creating an astro-image is more than just creative edits to enhance color and clarity. It’s image stacking, it’s hours of integration, calibration frames, and learning the art of pre-processing.
Performing a curve stretch in Adobe Photoshop
I know that a lot of beginners have very little experience with image editing going in, and it’s going to require a lot of time and energy to get up to speed. Just like the image acquisition portion, this experience will be a lot more enjoyable with realistic expectations.
I personally love the image processing side of things, and I think eventually beginners will too. There is something about spending a few hours really digging into your data and bringing it out the hidden beauty that is both satisfying and rewarding.
There are many great tutorials here on YouTube, no matter which software you are using. I’ve created a beginner-friendly Image Processing Guide that aims to help you save a lot of time and frustration.
Just remember that you will need to make a choice in terms of the software you use, and stick with it. I recommend starting with Adobe Photoshop, and gradually applying a few techniques from PixInsight over time. That’s what I did.
8) Weather is cruel, and you will obsess over it
I check 3-4 weather apps multiple times per day. I’ve been doing this for 10 years, and it is not healthy.
Clear Outside, the Clear Sky Chart, Astrospheric: they’re all pretty good. But unless you live in the desert, and/or shoot remotely, you are going to experience lots of cloudy nights. They often are timed out exactly when a new piece of gear arrives, or when you are particularly excited to start or continue a new project.
It is probably the most devastatingly helpless part of astrophotography, and it will hurt. Even worse, is when a clear night is coming up, and you have ‘real life’ plans you can’t get out of. Work nights, birthday parties, sporting events, etc. These will all be clear nights.
Out of all the abuse we take as an astrophotographer, I think the weather is probably the worst. However, it gets a little easier to stomach when you commit to astrophotography as a lifelong journey.
So you missed Orion this winter, he will be back next year, I can promise you that. And you’ll be ready.
9) It’s expensive – there is no way around it
Photography in general is expensive but astrophotography takes it one step further. Telescopes can be expensive, even if you have a budget in mind, you will go over it. And over, and over again.
As a full-time astrophotographer, it’s a little easier to justify expenses now. But when I started, I purchased my telescope mount on the old credit card and said “If I don’t get this to work, I’m out almost a grand.” It’s a nice incentive to get it to work.
Now, I don’t want to scare you away if your budget is limited, and you want to get in the game. Used gear, smaller setups, older cameras – you can do so much with this type of equipment. And I bet it will be a lot more rewarding than someone who buys their way to the top.
If you’re looking for a number, I am going to say that it will be tough to build a deep-sky astrophotography rig for under $2000. And this will be a smaller-scale system for wide-field targets. But, if you are thrifty and hungry, I bet you could get in for even less.
Astrophotography with a camera lens and star tracker
10) Social media sharing joys and letdowns…
Now, I don’t know what your plans are for your images when they are done, but chances are you want someone to see them. You can print them out to hang on your wall, you can post them on your website, or you can share them on social media and watch the likes come rolling in, right? Well, sometimes.
The social media landscape has changed over the last few years and astrophotographers are using “feed the algorithm’ tactics to get more eyeballs on their work. This is all cool with me, but just remember that hitting an arbitrary number of likes on your image has nothing to do with how good it is. Yeah, it feels good when others appreciate your work, but if that’s what you need to enjoy the hobby, it’s not going to work.
Follow astrophotographers that have a particular style you enjoy for inspiration, and don’t get too hung up on likes and views. It sounds obvious, but it can really get in your head, and it’s not why you got started.
I have recently gotten into printing large, high-resolution astrophotos to display in my home, and eventually offer for sale. The process has been refreshingly different than how I dress up an image to share on a phone screen.
11) Get out there and shoot
I can’t believe I have to say this one, but Alan Dyer is right – spend less time watching YouTube videos (wait a minute), and just get outside and practice.
Don’t try to over-prepare yourself with too much information, and try to nail your first attempt – it just won’t happen. When you’re out there in the moment, you’d be surprised at how different things become and what sticks and what doesn’t.
If your expectations are set to just have a night of experimentation and learning, you will enjoy every minute of it. This is exactly the way I got hooked on astrophotography, through trial and error and having fun experimenting with camera settings in my backyard.
I have found that a lot of the ‘experts’ in the astrophotography Facebook groups and forums take very few (if any) actual photos.
You can have all the answers but until you are executing what you’ve learned, you really haven’t even started.
12) Dark skies make a big difference
If you’ve only ever shot from a light-polluted city, you may be surprised at just how much of a difference dark skies make. It’s not just that the quality and detail of your images will be better, but the entire process seems to become easier and more enjoyable.
You are no longer fighting against the light dome of a washed-out sky, and you can actually focus on collecting quality data (and as much of it as possible).
Milky Way under Bortle 2 skies at the Cherry Springs Star Party
You can see more stars and even deep-sky objects in the sky. The images you capture there will be easier to process, and you will need less overall integration time to create an amazing image.
Any chance you get to set up your camera and telescope under dark skies, take it!
I like to go on an astro-adventure on new moon weekends. I look for Airbnb’s in dark sky locations using a light pollution map, and book a last-minute trip once I am certain it will be clear.
Make those dark-sky trips count, and go after the fainter targets while you’re there.
Use a light pollution map to decide where your next dark-sky astrophotography trip will take place. lightpollutionmap.info
13) Don’t be afraid of the dark…
This one sounds like a joke, but it’s seriously something to consider if you’re new to the hobby.
If you aren’t used to spending a night outside alone in the dark (most of us aren’t, right?), it can be a little freaky out there. Seriously, if you’ve set up at the dark-sky spot away from home and it’s truly dark (which is exactly what you want), you will hear every stick break, every rustle in the bushes, and question why every car that drives by is out so late.
You need to be in the right mindset to stick it out, or you’ll completely freak out and pack up. A word to the wise here, a small stereo playing some classic rock can really help ease the tension. That’s my routine, anyway. And if I’m at home, my pal Rudy helps keep me company.
14) Join your local astronomy club
I know, I know, you’re a lone wolf who likes to figure things out on your own. You’re resourceful and you can learn anything online. That’s me too, I hear you.
But you will save a year’s worth of struggle by hanging around the astrophotographers at your local astronomy club. Trust me, there will be a die-hard pack of them in the club.
I’m talking in-person hangouts with a group of people that geek out just as hard about space as you do. One-on-one advice based on the gear you currently own, from people that have been there.
This is precisely how I managed to escape the complete the incredible, rare accomplishment of taking my first tracked, guided long exposure image through a telescope.
Sometimes you need a responsive guide or mentor to help you through the key steps, and this is something that I, through the screen on YouTube or this website, cannot do for you.
Final Thoughts
Astrophotography is a hobby you can enjoy for a lifetime. Don’t rush the early stages because you are impatient for a result. Some of my favorite memories involving this hobby are from the summer I got started, and the early victories I achieved.
Photographing the night sky in any form is a challenge, and it’s something most people will never get to experience. Enjoy the process – the crushing lows, the short-lived highs, the pictures that leave you speechless, and the ones that make you want to sell your ‘scope.
It’s the journey to the image that makes it fun. Life is too short to spend on the sidelines, watching and critiquing others. Get out there. Capture. Create. Inspire. This is where the true joy of astrophotography lies, trust me.
Germany-based bird lover Lisa (aka Ostdrossel) sets up a feeder cam for birds in her yard, and the photos are extraordinary. Her homemade feeder camera setup captures incredible pictures of a variety of species remotely as they enjoy tasty bird feed.
Lisa originally began taking photos to share with her family, but as time went on, she got deeper into the art of bird photography. She began experimenting with different camera setups that allowed her to capture close-ups of her garden wildlife without disturbing them.
She soon arrived at her current feeder cam setup, allowing her to photograph all kinds of garden critters while they feast on tasty bird feed. Along with her feeder cam, Lisa also uses Birdsy Cam for capturing videos. The system uses artificial intelligence to recognize bird and wildlife species while recording them 24/7.
Here in this gallery you can find Lisa’s best 25 photos. Scroll down and enjoy yourself. Check her website and Instagram for more amazing work.
A version of this story appeared in CNN’s Wonder Theory science newsletter. To get it in your inbox, sign up for free here.
CNN
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Some of our favorite space missions are closing out the year in a big way.
Artemis I made a literal splash(down) when it successfully returned to Earth on December 11. Engineers are studying the data collected by the Orion spacecraft now to prepare for the first crewed flight of Artemis II in 2024.
Meanwhile, the latest images and findings from September’s Double Asteroid Redirection Test are in. Everyone can now see the indelible mark DART left on the asteroid Dimorphos.
And the James Webb Space Telescope captured a new image featuring a dazzling array of never-before-seen galaxies.
Meanwhile, the Perseverance rover is preparing for its next big step on Mars — and we can’t wait to follow where it roams.
Perseverance isn’t letting any dust gather under its wheels. The rover is about to build the first depot on another world as it drops a collection of rock and dust samples on the Martian surface.
These samples are part of a matching set that will remain stowed on the rover — and either cache could be the collection that makes its way back to Earth in 2033 through the Mars Sample Return program.
The rover is also plotting a course up the steep bank of an ancient river delta and will begin studying the intriguing material there in February.
While Perseverance was investigating Jezero Crater on Mars in 2021, a towering whirlwind of dust passed right over it. The rover’s microphone happened to be turned on at the time, and the robotic explorer captured the eerie sounds in an audio recording released this week.
Wild chimpanzees in Tanzania have provided researchers with new insights on our ability to walk upright. Bipedalism may have started up in the trees.
Previous studies have suggested that ancient human relatives evolved to walk on two legs because they lived in an open savanna — but the latest research contradicts that popular theory.
Scientists spent more than a year observing adult chimpanzees in an environment similar to what our early human ancestors encountered — a mix of open land and dense forest. Much of the time, the chimps walked upright among the trees.
The study doesn’t draw a direct comparison between chimps and our early ancestors, but it has suggested scientists need to take a deeper look at the anatomy of ancient humans and how they moved.
Marine archaeologists have found a well-preserved medieval shipwreck resting at the bottom of Mjøsa, the largest lake in Norway.
Researchers believe the ship, with unique stem posts and overlapped planks, dates to between the 1300s and 1800s. The ship was discovered during a sonar survey, which has been used to locate dumped munitions.
The lake’s freshwater environment has caused the ship to appear frozen in time, apart from a little corrosion on its iron nails. The Norse-built ship likely sank during bad weather.
Researchers plan to capture more footage of the wreck next year and hope to find more shipwrecks during their ongoing survey.
How many tote bags do you own?
My colleague Katie Hunt recently posed this question, and many of us were surprised to discover just how many reusable bags are stashed in our homes and vehicles.
Reusable bags are preferable to single-use plastic bags, but hoards of reusable bags pose their own issues. Being conscious of how you use your bags, as well as what you put in them, can offset these unintended consequences.
And it’s not just humans who can do their part for the environment. New research has suggested whales play an important but oft-overlooked role in tackling the climate crisis.
For ideas on how to minimize your role in the climate crisis and reduce your eco-anxiety, sign up for CNN’s Life, But Greener limited newsletter series.
Images of a sassy penguin, smiling fish and a toppling lion cub are some of the winners of the 2022 Comedy Wildlife Photography Awards.
The photos are great for a laugh, but they also raise awareness for wildlife conservation and support the Whitley Fund for Nature, a UK-based charity.
Meanwhile, scientists have discovered that female snakes have a clitoris. This overlooked aspect of their anatomy could serve multiple purposes for the snakes — and the finding suggested female animals likely have a much more active part in mating than they are given credit for, the researchers said.
Linger over these new revelations:
— Scientists achieved a milestone for the future of clean energy this week when they produced more energy from nuclear fusion than the laser energy used to power their experiment.
— Were dinosaurs capable of creating sonic booms when they whipped their long tails? Researchers have finally settled the debate with an unexpected find.
— Jupiter’s moon Io, the most volcanic place in the solar system, is about to become the main focus of NASA’s Juno spacecraft.
Wonder Theory will be on hiatus next Saturday as the team enjoys the holidays, but we’ll return with a special edition on New Year’s Eve!
A photograph of the Big Dipper taken by an Indian youth, Arya Anthony, has won honourable mention in the 2022 IAU OAE Astrophotography Contest in the category of Still Images of Celestial Patterns.
The contest had attracted entries from 31 countries and Arya was the only Indian whose entry was selected for the honour. It was conducted by the Office for Astronomy and Education (OAE) under the International Astronomical Union (IAU).
The IAU has 12,000 active members in more than 100 countries with a mission to promote Astronomy in all aspects including research, communication, education and development through OAE centres.
Arya, 20, who hails from Vadodara in Gujarat, is a third year student of mechanical engieering at the Manipal Institute of Technology, Udupi in Karnataka.
“As I have been interested in astronomy since childhood and the night sky is my fascination, I had participated in the Astrophotography contest conducted by OAE,” he said.
The photograph, taken in Udupi, Karnataka in May 2021, shows the seven brightest stars in the constellation Ursa Major.
The selected photos from the contest will be available as educational resources with astronomical topics to astronomers globally on the OAE website.
Around 5,000 entries from more than 85 countries were submitted this year.
With up to 5,000 entries from across the globe, this year’s Comedy Wildlife Photography Awards are back with a variety of hilarious images. The awards were founded in 2015 by professional photographers and conservationists Paul Joynson-Hicks and Tom Sullam to showcase light-hearted photography and the importance of wildlife conservation.
This year an image of a three-month-old lion cub falling out of a tree has been named the overall winner. The moment was captured by Jennifer Hadley in Serengeti, Tanzania.
“Not So Cat-Like Reflexes” Jennifer Hadley titled the image.
Ms Hadley also won the Affinity Photo 2 people’s Choice Award for her image of a standoffish penguin snubbing his mate. “This was shot on the Falklands Islands,” she wrote on Instagram.
Ms Hadley titled the image “Talk to the Fin”.
A brilliant image of two grey triggerfish won the Underwater category. The image was captured by Arturo Telle Thiemann. “A couple of triggerfish looking into the camera, captured at the Azores. Even though they may look funny, these fish can be quite aggressive. In this case they didn’t attempt to bite me, but the domeport of my camera housing ended up with some scratches… life is hard… at least it wasn’t me who was hurt,” Spain’s photographer Arturo Telle Thiemann wrote.
Mr Thiemann titled the photograph “Say cheeeese”.
Jia Chen won the Amazing Internet Portfolio Award for her series of photos depicting a Cooper’s Hawk playing football with a pine cone in Canada.
This photo was taken in the Greater Toronto Area, Canada. “Kick Off,” Ms Chen titled the image.
The image of a serene heron oblivious to the wide jaws of a hippo yawning behind it won the Creatures of the Air Category Award for Jean Jacques Alcalay. “I took this picture at a water point in Kruger National Park in South Africa,” the photographer said.
“Misleading African viewpoints 2” Jean Jacques Alcalay tilted the image.
Arshdeep Singh won the Think Tank Photo Junior Category for his shot of an owl winking inside a pipe. “Few hundred miles away we went to explore the wildlife of a small town named ‘Bikaner’. It was after almost a year that I travelled because of covid. We hired a guide to explore places around. During the last day of our trip we came across a pipe in a city where we spotted an owlet,” he said.
In the image, an owl appears to wink in Arshdeep Singh’s “I C YOU, Boy”.
Meanwhile, ten other wildlife photographers earned Highly Commended honors from the Comedy Wildlife Photography Awards, including Michael Eastwell, Miroslave Srb, Federica Vinci, Jagdeep Rajput, Emmanuel Do Linh San, Ryan Sims, Alex Pansier, Mark Schoken, John Chaney and Martin Grace.
A wildlife photographer has shown that nature doesn’t need to be picture-perfect after she shared a series of funny animal photos.
Julia Cook tells PetaPixel that she has accumulated a number of wildlife photos where the animal has a “crazy expression” or “awkward pose.”
“I normally just discard them in favor of the more dramatic and majestically posed wildlife, but I thought they might be something that people would enjoy,” she explains.
“If nothing else, they’d cause a good laugh. The photos were always a complete accident, and I often didn’t even notice the funny captures until reviewing images on my computer after a shoot.”
Cook grew up in Wyoming just outside of Yellowstone National Park and has always been enraptured by nature.
Her social media feeds are festooned with awe-inspiring wildlife pictures. But it was a video she made of her outtakes that suddenly generated a big buzz.
“I have been shocked by how well people have responded to the funny wildlife photos. I initially shared a short video on TikTok with the photos not expecting much, and it now has over five million views,” Cook says.
“Numerous people were asking for prints of the images, or to be able to use them as a phone background for a daily laugh. For me, it’s a good lesson that wildlife doesn’t always have to be in the perfect pose or with a stoic expression to be worth photographing, or for people to enjoy it.”
@julia.littlelightning we all have our moments #wildlifephotography #wildlife #wildlifephotographer #photography #photographer #naturephotography #naturevibes #wyoming #wyominglife #animals #funnyanimals #funnywildlife #animalsoftiktok #explorewyoming #funnymoments #animalsfunny #grizzlybear #moose #bison #bighornsheep #canonr5 #canonphotography #personalitypic #wildlifeoftiktok #yellowstone #yellowstonenationalpark #alaskawildlife #montanawildlife #yellowstonetv ♬ original sound – Tik Toker
Cook’s TikTok video (above) is plastered with people begging her to make a calendar. “I would much rather have any of these pictures framed than a classic stoic one,” writes one TikTok user.
The photographer believes that the photos make people connect with nature in a way that traditional photos do not.
“The silly photos show their individual personalities and proves we are more alike than most people realize,’ Cook says.
Cook picked up a camera three years ago to document animals and says she’s “completely fell in love with wildlife photography.”
She uses a Canon R5 and recently upgraded her Tamron 150-600mm to a Canon 300mm f/2.8.
“For me, my overall goal now is to create impactful images of our native wildlife to inspire others to love and protect wildlife, as well as to share glimpses of wild places with those who don’t have easy access to nature.”
More of Cook’s work can be found on her website, Instagram, and TikTok.