‘Talk to the fin!’: These are the funniest wildlife photos of 2022

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Highlights
  • The Comedy Wildlife Photography Awards
  • The awards began as a small competition in 2015, and have now grown to attract thousands of entries each year.
  • They aim to celebrate the hilarity of nature while also highlighting the threats animals face.
Optical illusions, moments of clumsiness and comical expressions have taken out top honours at this year’s Comedy Wildlife Photography Awards.
US photographer Jennifer Hadley was named overall winner and Creatures of the Land Award winner for her “not so cat-like reflexes” photograph, which captured the moment a lion club awkwardly tumbled out of a tree.

“He wanted to get down and walked all over the branches looking for the right spot and finally just went for it. It was probably his first time in a tree and his descent didn’t go so well,” she said.

A 3-month old lion cub attempts to descend from a tree.

‘Not so cat-like reflexes’: A 3-month-old lion cub attempts to descend from a tree. Credit: Jennifer Hadley

“He was just fine though after landing on the ground. He got up and ran off with some other cubs.”

The Comedy Wildlife Photography Awards were launched in 2015, and now attract thousands of entries each year.

Hippo yawning next to a heron in the water.

Jean Jacques Alcalay won the Spectrum Photo Creatures in the Air Award in the Comedy Wildlife Photography Awards. Source: Supplied / Jean Jacques Alcalay / Comedy Wildlife Photography Awards

The free competition is open to wildlife photography novices, amateurs and professionals.

It celebrates the hilarity of the natural world while also highlighting what needs to be done to protect it.
“A funny animal photo is incredibly effective because there are no barriers to understanding, or taboos that must be negotiated,” the Comedy Wildlife Photography Awards website says.
“It taps into the impulse for anthropomorphism … which is well-documented as one of the most powerful triggers for human empathy.
The Comedy Wildlife Photography Awards also aim to draw attention to the threats facing animals, using humour to attract audiences.

“To really understand animals and the issues that affect them, you need to empathise with them as fellow inhabitants of the same planet.”

Who were the other award winners?

Creatures Under the Sea Award: Arturo Telle Thiemann, Spain

Two fish underwater looking at camera with mouths open.

Spanish photographer Arturo Telle Thiemann was awarded the ‘Creatures Under the Sea Award’ for their picture ‘Say cheeeese’. Source: Supplied / Arturo Telle Thiemann / Comedy Wildlife Photography Awards

Junior Award: Arshdeep Singh, India

An owl sits inside a tunnel appearing to wink at the camera.

Indian photographer Arshdeep Singh won the Junior Award for their photograph ‘I CU boy!’. Source: Supplied / Arshdeep Singh / Comedy Wildlife Photography Awards

Amazing Internet Portfolio Award: Jia Chen, Canada

Four photos of a bird playing in a backyard

Jia Chen won the Amazing Internet Portfolio Award in the Comedy Wildlife Photography Awards. Source: Supplied / Jia Chen / Comedy Wildlife Photography Awards

Highly Commended: Alex Pansier, Netherlands

Squirrell jumping in the air

Dutch photographer Alex Pansier was awarded a Highly Commended in the Comedy Wildlife Photography Awards for their photograph ‘Jumping Jack’. Source: Supplied / Alex Pansier / Comedy Wildlife Photography Awards

Highly Commended: Federica Vinci, Italy

One monkey lays on the ground while another leans over it.

Italian photographer Federica Vinci captured one monkey taking care of another while walking near a Cambodian temple. Source: Supplied / Comedy Wildlife Photography Awards

Highly Commended: Jagdeep Rajput, India

A horse standing in front of a large bird with its wings spread.

Indian photographer Jagdeep Rajput captured this optical illusion photograph, titled ‘Pegasus, the flying horse’. Source: Supplied / Jagdeep Rajput / Comedy Wildlife Photography Awards

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Cómo ver las Gemínidas de 2022

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La lluvia de estrellas de las Gemínidas se presenta este 2022 con la incertidumbre de la situación meteorológica inestable sobre la Península Ibérica que está dejando importantes lluvias y muchas nubes durante los últimos días y que no tiene vistas de cambiar a corto plazo. Además la Luna se encontrará en fase de cuarto menguante durante el máximo y su brillo dificultará la observación de meteoros.

Las Gemínidas son una de las lluvias de meteoros más importantes del año, con tasas de actividad de hasta 120 meteoros por hora. Estas estrellas fugaces son los restos de partículas que deja el asteroide Faetón a su paso y que penetran a gran velocidad en la atmósfera de nuestro planeta, desintegrándose.

Gemínidas capturadas por Juan Carlos Casado.
Gemínidas capturadas por Juan Carlos Casado.

El radiante de esta lluvia de estrellas se encuentra en la constelación de Géminis, de la que reciben su nombre. Las Gemínidas nos dan la sensación de partir desde un punto situado en esa constelación, con una velocidad moderada, pero son visibles en cualquier parte del cielo. Si vemos otro meteoro con una trayectoria diferente posiblemente sea un esporádico o pertenezca a otra lluvia de estrellas.

¿Qué días se pueden ver las Gemínidas en 2022?

Las Gemínidas son visibles entre el 4 y el 17 de diciembre mayoritariamente aunque su pico de actividad se produce en las noches del 14 y 15 de diciembre. Para los habitantes de España el radiante comienza a estar por encima del horizonte desde una hora después del anochecer.

Es posible que durante los días siguientes sigamos viendo más meteoros pero si nos fijamos bien tendrán un radiante diferente. Se trata de las Cuadrántidas, otra importante lluvia de estrellas que tiene su actividad principalmente entre el 1 y el 5 de enero.

observación de estrellas fugaces
Salida de observación para ver estrellas fugaces.

Consejos para ver las Gemínidas

Ya hemos hablado en anteriores ocasiones sobre cómo ver las estrellas fugaces. Los consejos son básicamente abrigarse mucho, sobre todo porque en esta época del año las temperaturas son bajo cero cuando cae la noche, alejarse de la contaminación lumínica de las ciudades, llevar algo de comida y bebida, una tumbona o silla cómoda a poder ser reclinable y algunas mantas. No olvidéis indicar a amigos o familiares dónde vais a estar y llevar completamente cargado el teléfono móvil.

No hace falta telescopio para observar estrellas fugaces, se ven mejor a simple vista. Ni siquiera se recomienda usar binoculares aunque podéis aprovechar para observar algunos cúmulos y nebulosas con ellos.

Lo recomendable también es ir acompañado con amigos y familiares, este tipo de observaciones se disfrutan mucho más en compañía pero insistid en que se abriguen mucho u os abandonarán enseguida.

Si tenéis la suerte de dar con una buena noche de actividad meteórica os llevaréis un bonito recuerdo a casa.

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50 Rare & Alternative Views Of Iconic Events And Places In History

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Here in this post you can find rare and alternative views of iconic events and places in history. You can find “Niagara falls without water”, “Mount Fuji seen from the International Space Station”, “Behind the scenes of Sesame Street”, “A more realistic view of the Taj Mahal” and many more from this collection.

Scroll down and inspire yourself. All photos are linked and lead to the sources from which they were taken. Please feel free to explore further works of these photographers on their collections or their personal sites.

#1 Neil Armstrong’s family watching him launch to the Moon (1969)

Rare Historical Photos

Image Source: Imgur

#2 Eruption of Mount St. Helens seen from Yale Lake (1980)

Rare Historical Photos

Image Source: Imgur

#3 Niagara Falls without water, 1969

Rare Historical Photos

Image Source: Imgur

#4 Manhattan Bridge under construction, 1909

Rare Historical Photos

Image Source: Imgur

#5 The shadow of Mt. Fuji

Rare Historical Photos

Image Source: Imgur

#6 The Gate of Heaven in Bali, often seen online with a reflecting pool digitally added to the foreground

Rare Historical Photos

Image Source: Imgur

#7 Charles Ebbets shooting his famous photograph, Lunch atop a Skyscraper, while perching on the 69th floor of the GE building (1932)

Rare Historical Photos

Image Source: Imgur

#8 The Pyramids of Giza are located only 11 miles away from Cairo

Rare Historical Photos

Image Source: Imgur

#9 While filming the wreck of the Titanic, the movie set was inverted to ease lighting and camera angles (1997)

Rare Historical Photos

Image Source: Imgur

#10 Mount Fuji seen from the International Space Station

Rare Historical Photos

Image Source: Imgur

#11 Dental prosthetics used by Marlon Brando in the Godfather series, which gave the Vito Corleone character his iconic ‘bulldog’ look

Rare Historical Photos

Image Source: Imgur

#12 The film crew of Elf used forced perspective to make Will Ferrell seem larger than the other elves

Rare Historical Photos

Image Source: Imgur

#13 The Nevermind album cover baby getting out of the pool (1991)

Rare Historical Photos

Image Source: Imgur

#14 Mount Rushmore before the Presidents were carved in. It was called Six Grandfathers at this point (c. 1905)

Rare Historical Photos

Image Source: Imgur

#15 Jerry Seinfeld waiting for his cue to enter a scene while taping the last episode of the show (1998)

Rare Historical Photos

Image Source: Imgur

#16 Inside view of the glass pyramid at Musèe du Louvre, Paris

Rare Historical Photos

Image Source: Imgur

#17 Behind the scenes of Sesame Street

Rare Historical Photos

Image Source: Imgur

#18 Mechanical shark used on Spielberg’s Jaws

Rare Historical Photos

Image Source: Imgur

#19 The Great Pyramids of Giza can be seen from a nearby Pizza Hut

Rare Historical Photos

Image Source: Imgur

#20 A more realistic view of the Taj Mahal

Rare Historical Photos

Image Source: Imgur

#21 Sunset from space

Rare Historical Photos

Image Source: Imgur

#22 The models for American Gothic (1942)

Rare Historical Photos

Image Source: Imgur

#23 Crowds at the Woodstock Music Festival (1969)

Rare Historical Photos

Image Source: Imgur

#24 Wilbur Wright flies around the Statue of Liberty (1909)

Rare Historical Photos

Image Source: Imgur

#25 The iconic Muhammad Ali photo and how that moment looked on television (1965)

Rare Historical Photos

Image Source: Imgur

#26 Aerial view of Central Park, New York

Rare Historical Photos

Image Source: Imgur

#27 The Statue of Liberty being displayed at the Paris World’s Fair (1878)

Rare Historical Photos

Image Source: Imgur

#28 Marilyn Monroe filming the iconic subway grate scene in The Seven Year Itch (1955)

Rare Historical Photos

Image Source: Imgur

#29 Inside the Hindenburg’s control room and dining room

Rare Historical Photos

Image Source: Imgur

#30 Batman & Robin scaling the side of a building (1966)

Rare Historical Photos

Image Source: Imgur

#31 Construction of the world’s tallest building, Burj Khalifa (2008)

Rare Historical Photos

Image Source: Imgur

#32 Uncropped version of the Tank Man photo from the day of the Tiananmen Square Massacre (1989)

Rare Historical Photos

Image Source: Imgur

#33 Da Vinci’s Mona Lisa Is Returned To The Louvre After WWII

Rare Historical Photos

Image Source: Imgur

#34 Traffic Jam near the Brandenburg Gate as East Germans move into West Berlin after the fall of the Berlin Wall (1989)

Rare Historical Photos

Image Source: Imgur

#35 The recording of the MGM Lion (1928)

Rare Historical Photos

Image Source: Imgur

#36 Two men posing for a photo booth photograph (c. 1900)

Rare Historical Photos

Image Source: Imgur

#37 The filming of Star Wars: Episode V‘s “I Am Your Father” scene (1979)

Rare Historical Photos

Image Source: Imgur

#38 The blood-stained glasses John Lennon wore the night he was shot (1980)

Rare Historical Photos

Image Source: Imgur

#39 Some of the original Jawa cast without their hoods on the set of Star Wars (1976)

Rare Historical Photos

Image Source: Imgur

#40 Man being shaved with an axe (1940s)

Rare Historical Photos

Image Source: Imgur

#41 Hiroshima victim’s scars

Rare Historical Photos

Image Source: Imgur

#42 Miss Correct Posture winners (1956)

Rare Historical Photos

Image Source: Imgur

#43 The Ohio National Guard opened fire at Kent State on a crowd protesting the Vietnam War, killing four (1970)

Rare Historical Photos

Image Source: Imgur

#44 The first-ever roller coaster ride in Ireland (1912)

Rare Historical Photos

Image Source: Imgur

#45 The last inmates departing Alcatraz prison (1963)

Rare Historical Photos

Image Source: Imgur

#46 Che Guevara in a Conga Line in a kindergarten in Shanghai (1960)

Rare Historical Photos

Image Source: Imgur

#47 Coal miners coming up coal mine elevator after a day’s work in Belgium (1920s)

Rare Historical Photos

Image Source: Imgur

#48 Looking down at L.A. from behind the Hollywood sign

Rare Historical Photos

Image Source: Imgur

#49 The original shot for Neil Young’s After the Gold Rush album cover (1970)

Rare Historical Photos

Image Source: Imgur

#50 Filming the first-ever Superman movie (1978)

Rare Historical Photos

Image Source: Imgur

 


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This mind-boggling optical illusion claims to reveal a whole new colour

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We’re fascinated by optical illusions here at Creative Bloq, and just when we think we been bamboozled in every way possible, along comes another one. We’ve already seen plenty of optical illusions that test how we perceive colour, but here’s one that claims to actually generate a new colour altogether while we stare at the screen.

Stare long enough and you should be able to see a shade of orange that isn’t there and which, according to the illusion’s creator, can’t actually be shown on a screen. Confused? I certainly am. This could be one for our pick of must-see optical illusions and the best optical illusions of the year.

@beatonthebeeb (opens in new tab)
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Northern Lights Photographer of the Year captures the most magical skies

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Capture the Atlas (opens in new tab) has just announced its Northern Lights Photographer of the Year winners. The Aurora Borealis has mesmerized people for millennia with its dancing waves of light in green, purple, and blue hues. It can be seen from both the North and South Pole and while incredibly beautiful to watch, it’s actually the result of solar storms that give out huge clouds of electrically charged particles. 

• These are the best camera for astrophotography

Seeing the Aurora Borealis is a bucket list dream not just for keen landscape photographers but for a lot of people who are left in awe of its beauty. This year’s entries were taken all over the world from places you’d expect to see it such as Iceland, Norway, New Zealand and Canada, however, some countries are not so well-known spots to watch the stunning spectacle. 

Northern Lights Photographer of the Year 2022

Nugget Point Lighthouse Aurora, Nugget Point Lighthouse, New Zealand [14 secs, f/3.5, ISO 6400, 16 images stitched] (Image credit: Douglas Thorne)

Nugget Point Lighthouse is on the eastern side of New Zealand’s South Island. It rests above the famous rocks, which were named by Captain Cook because they looked like pieces of gold. The lighthouse is set on a precipice, where the ocean meets the sky. From here, you can get panoramic views of the southern seas, so it’s a photographer’s dream location.

Northern Lights Photographer of the Year 2022

Under a Northern Sky, Tombstone Mountain Range, Yukon Territory, Canada [Foreground: f/2 1/60 seconds, ISO 3200 Sky: f/2.8, 1 second, ISO 3200] (Image credit: Rachel Jones)

We have all heard stories about the land of the Midnight Sun: in the summer, the sun doesn’t really set, and in the winter, nights are long with no sun, or very little sun at all. But there are also 3-4 days each month when the moon doesn’t set (circumpolar) and 3-4 days each month when it doesn’t rise!

Northern Lights Photographer of the Year 2022

Explosions of the Sky, Taiari Beach, Otago, New Zealand [Sky: Panorama made up of 11 tracked shots. Each shot at ISO1600, f/2.8, 15 secs.
Foreground: 2 row x 3 shot panorama. Each shot at ISO6400, f/6.3, 150 secs]
(Image credit: Kavan Chay)

New Zealand is really a special place for astrophotography (opens in new tab). The skies are beautifully dark, and there are so many interesting landscape features to take in. Despite this, I’ve never managed to capture an Aurora shot with an interesting foreground element prior to this moment.

Unfortunately, the Aurora activity is not as consistent compared to other forms of astrophotography, so I had to be patient.

Northern Lights Photographer of the Year 2022

Inception, Lofoten Islands, Norway [Sky: 10 shots, 14mm, f/2.8, 15 sec, 6400 ISO Foreground: 10 shots, 14mm, f/4, 60 sec, 4000 ISO Model: 1 shot, 14mm, f/3.2, 10 sec, 8000 ISO] (Image credit: Giulio Cobianchi)

These are the Arctic nights that leave you breathless! I decided to spend that night up in the mountains with one of the most beautiful views of the Lofoten Islands. My goal was to photograph a “double Aurora & Milky Way arc”, to add to my Aurora collection. I had been planning this pano for a couple of years, and finally, all the elements aligned.

Northern Lights Photographer of the Year 2022

Captain Hook, Kirkjufell, Iceland (Image credit: Mattia Frenguelli)

This day will probably remain etched in my memory forever. It’s difficult to explain with words since to fully understand it you had to be there. To take this photo, I had to stay focused while contemplating this immense spectacle of nature, trying to stay as calm as possible despite my strong emotions.

Northern Lights Photographer of the Year 2022

The Light Upon Kerlaugar, Suðurland, Iceland [Sky: f/4, ISO 6400, 5 sec Foreground: f/5.6, ISO 1600, 25 sec] (Image credit: Jannes Krause)

I was lucky enough to witness a fantastic KP 8 display on my trip to Iceland back in October. Not only that, but it was also my first time experiencing and photographing the Northern Lights.

Originally my flight back home was scheduled to depart about 12 hours before this intense solar storm, but as soon as I saw the perfect weather and Aurora projections, I knew that I just had to change my plans and extend my trip by an additional day. Things finally came together, and I couldn’t be more pleased with the images I got. 

Northern Lights Photographer of the Year 2022

Auroraverse, Nordreisa, Norway [12mm, 6 sec, f/2.8, ISO5000] (Image credit: Torvlar Naess)

When the Northern Lights go crazy in the night sky, focusing on your composition is worth the utmost effort because there is so much happening so quickly.

Even for a seasoned photographer, it’s very hard to focus on enjoying the Aurora while photographing it.

Northern Lights Photographer of the Year 2022

Bridge to Dreams, Brúarfoss, Iceland [F/2.8 ISO 6400 2.5 sec. Single exposure] (Image credit: Jabi Sanz)

This is one of the most magical experiences I had on my last visit to Iceland.

I would also like to say that it was not easy at all. I took this picture the first day I arrived after a very long trip from Thailand. Of course, my goal was to chase the Green Lady during this trip, but I went to this location with the idea of photographing the sunset and then getting back to the hotel to rest.

Northern Lights Photographer of the Year 2022

Queen of the North, Iceland [Sky: ISO 6400, f/2.8, 5 sec
Foreground: ISO 3200, f/2.8, 60 seconds]
(Image credit: Pierpaolo Salvatore)

Seeing the Northern Lights dance above one of the most beautiful mountains in Iceland is a difficult experience to put into words. Imagine the wind in your face, the smell of the sea, and the sound of the waves on the rocks while the Queen of the North dances in the sky.

I love nature in all its forms precisely because it offers moments like this.

Northern Lights Photographer of the Year 2022

Green Balls, Teriberka, Russia [ISO 3000, 14mm, 1.8, 4 sec] (Image credit: Jose D Riquelme)

Last February, I took a trip to explore Northern Russia. The place was very inhospitable, but we had some spectacular encounters with the “Green Lady”.

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Comedy Wildlife Photo Award Winners Make You Laugh

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The 2022 winners of the Comedy Wildlife Photography Awards have been announced, and they couldn’t be funnier or more adorable. The overall winner, titled “Not so cat-like reflexes,” shows a lion cub faceplanting into a tree trunk.

“No one expected this to happen and of course we were concerned for his safety but happily as cats do, he righted himself just in time and landed on all fours and ran off with his siblings,” photographer Jennifer Hadley was quoted as saying in the Facebook post accompanying the photo. “A happy ending for a hapless kitty who didn’t quite know how to get down from a tree.”

What Are The Comedy Wildlife Photography Awards?

Paul Joynson-Hicks was a wildlife photographer living in East Africa who had an epiphany. A couple of photos he had captured of an eagle peering at the camera through its back legs and a warthog’s bottom made him laugh. He realized that this type of humorous photo could be a way to get people engaged with wildlife conservation. So, in 2015, he and co-founder Tom Sullam created the Comedy Wildlife Photography Awards.

Every year, thousands of photos are submitted from around the world. There are five competition categories:

  • The Alex Walker’s Serian Creatures of the Land Category
  • The Spectrum Creatures in the Air Category
  • The ThinkTank Photo Junior Category
  • The Amazing Internet Portfolio Category
  • The Underwater Category
  • The Video Clip Category

Comedy Wildlife Photography Awards Winners

Arturo Telle Thiemann won the 2022 Creatures Under the Sea Award with this picture of two triggerfish that seem to be posing for the camera, shared on the Comedy Wildlife Photography Awards Facebook page.

Other winning entries include a yawning hippo that looks like it might swallow a heron, a winking owl, a Cooper’s hawk playing soccer with a pine cone and this penguin that seems to be gesturing a friend to “talk to the fin.”

Prizes include a trophy, photography bags and even a one-week safari in Kenya. But perhaps knowing that the winners have helped promote wildlife conservation is the biggest reward.

“Our world is extraordinarily beautiful and interconnected, yet the human race is doing its best to over-exploit and damage it,” Joynson-Hicks said in a statement. “Issues of wildlife conservation and sustainability are gaining momentum globally, yet the messages and images tend to be negative, depressing and enervating.”

You can check out all the winners on the competition website, but you might also want to browse the Comedy Wildlife Photography Awards Facebook page for some hilarious runners-up.

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Photographer’s lens reveals beauty of nature

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The photo taken in April of 2008 shows the Yumtso Lake, also known as Lake Manasarovar in Tibet autonomous region. [Photo by Wang Chen/cpanet.org.cn]

A group of photos taken by photographer Wang Chen portray tranquil sceneries, and bring people to feel the beauty of nature from the bottom of the hearts.

Wang Chen, vice-chairman of China Photographers Association, has won the Golden Statue Award for China Photography for three times. He has published nearly 30 photography books, and among them, one of his environmental friendly-themed series about the earth has won the United States” Benny Award.

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Wildlife Roundtable: Are we loving it to death?

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Many Roads and trails are regularly closed at specific times of year to protect an area that animals frequent for mating, winter foods, and birthing.
Rick Spitzer/Special to the Daily

Perhaps you have noticed that it seems that there are more people recreating in the outdoors than at any time in the past. Parking lots and trailheads are full of cars, and in some situations, cars are parked along the roadways because the lots are full.

There is a backup at times at boat launches because more people are on the rivers. You go into a store to buy some outdoor gear and they are sold out of what you want. Online stores say “back-ordered” on a lot of items. Even astrophotography gear is limited in availability because of an increase in interest.

Why? COVID-19 has had a huge impact on all of this. Since people could not go to places and events that normally involve a lot of people, they took up other interests where they can avoid those COVID-19 issues. Seems like they found out they had been missing out on something great and now want it more.



Crowds are controlled with reservations at many areas like Hanging Lake in Glenwood Canyon.
Rick Spitzer/Special to the Daily

There is an increase in the number of people that are enjoying national parks, national forests, Bureau of Land Management lands, and state parks. In addition, lakes, rivers, and 14ers are seeing more and more people. More people are joining outdoor clubs and groups, signing up for blogs, and podcasts. Along with the increase of people, there is an increase in the impact on our public lands. “Getting away from it all” really did not work out in some situations.

A Pogo cartoon, by Walt Kelly, related to human impacts said it best: “We have met the enemy and he is us.” That phrase originated in 1953 with “The Pogo Papers,” and became better known with a poster Kelly was hired to illustrate for the first Earth Day in 1970! As the population increases, the enemy is becoming more and more of a problem.

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It seems like those quiet hikes in the backcountry are becoming a thing of the past.

Rick Spitzer/Special to the Daily

Because of that increase in use, we, as users of the great outdoors, need to think more about stewardship. Merriam-Webster defines stewardship as “the conducting, supervising, or managing of something; especially the careful and responsible management of something entrusted to one’s care.” We have been entrusted with caring for public lands. We have to follow laws and regulations as it is incumbent on all of us to carefully manage those key resources in the most effective manner possible.

Native Americans viewed the land as sacred and still do. They view the land like churches for spiritual purposes, that the land itself was a sacred, living, being. Even water is sacred, as it sustains life. It seems that people in today’s world would benefit by considering our land and water in the same way as Native Americans. There are a lot of negative impacts on our resources that are easy to mitigate but, we should not leave it to federal and state land managers. All these problems are easy for individuals to correct and it takes little effort, if any.

Reservations are needed at some areas, like Mt Evans, to reduce the number of cars and people using the area.
Rick Spitzer/Special to the Daily

People say put litter in its place. That makes no sense because it becomes litter when it is not disposed of properly. That includes dog waste. All of that “stuff” builds up at trailheads and along the trails. It is an eyesore, and in some cases, can be a danger to wildlife. If you brought it in, take it out, and dispose of it properly.



Because of increased trail use, trail closures are becoming more frequent. Trails are closed by wildlife and land managers to protect the land’s wildlife and resources. At certain times of the year, these closures protect animals in birthing grounds or in critical winter habitats. Timed entries being used by many agencies help to spread people out and reduce numbers to a level that the sites can sustain. All these measures help reduce or stop overuse that may have an impact on ecosystems and wildlife as a whole.

Backpackers and campers need to develop a mindset to protect ecosystems and wildlife. Regulations that restrict camping in certain areas are in place to protect the overuse of the land and protect water. A clean camp is something that most search for when they are out in the environment. A number of people have the mantra of “leave it cleaner than you found it!”

Snowmachines in areas can be difficult to control since they do not need roads or trails to operate.
Rick Spitzer/Special to the Daily

Hikers, bikers, horses, motorcycles, and ATVs all have a potential impact. Cutting trails and off-trail use that creates “social trails” and “roads” can cause erosion that destroys not only the appearance of the land but may cause runoff that damages land and water resources. Trail bars can help mitigate that erosion, but the best solution is to stay on the established roads and trails. Information about these closures can be found posted at trailheads and launch facilities and on the agency’s website.

Snowmachines are a somewhat different problem. In the winter, trails may not be clearly marked. Any county, city, or town acting by its governing body may regulate the operation of snowmobiles on public lands, waters, and property under its jurisdiction. Closures may be large areas and because of that may be difficult to post. Many of those closures are to protect winter feeding grounds for a variety of animals. Check with the local jurisdictions if you are not sure of the regulations for a specific area.

When we are out enjoying the outdoors, we often encounter wildlife. How close is too close? A few “rules of thumb,” one is literal, that I have used for years. If you encounter wildlife, extend your arm, and if you cannot cover the entire animal with your thumb, you are too close. If the animal is paying attention to you and not feeding, you are too close. If the animal changes its behavior, you are too close. Respect the wildlife to keep it healthy, particularly during winter months and drought conditions.

ATVs should stay on established roads that have been identified for travel.
Rick Spitzer/Special to the Daily

Fire danger is another area of concern. Any summer may have a high fire danger. Some areas of the state may have a smaller snowfall from previous years. This means that the lack of ground moisture may cause trees and grasses to dry out more quickly. That results in a higher fire danger. It is important that we all follow the fire regulations established by counties, and federal and state agencies!

Safety is an important consideration. The more people that are out recreating, the more people will get lost or injured. This puts a greater strain on search and rescue organizations. Be safe. Know where you are going, tell people close to you about your plans, and have the right gear with you to keep you safe. Spring can have wild swings in weather from 60º to below freezing in a few hours.

We are not going to reduce population growth or the number of people who travel to many of these outdoor locations. What we can do is reduce our impact by being responsible, following regulations, and seeking out areas where our activity is not harmful to the land and wildlife.

Rick Spitzer is a renowned wildlife photographer and longtime local who lives in Wildridge. The Eagle County Community Wildlife Roundtable is a collaborative partnership with the White River National Forest, Colorado Parks and Wildlife, Bureau of Land Management, local government entities, community members and citizen scientists. The purpose of the Eagle County Community Wildlife Roundtable is to gather a group of diverse stakeholders in the valley to understand and address issues facing wildlife populations.



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Film resurgence captures photographers seeking to ‘slow down’ and hone their art

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Treading water off a beach on Queensland’s Gold Coast, Calin Jones is waiting for the right moment.

A professional photographer, Jones would usually be snapping hundreds of photos a second as boardriders pass the lens of his digital camera.

Now, using an old film camera, he only has one chance.

“It’s so much more challenging,” he said.

“You’ve only got 36 shots on the roll, especially when you’re out in the water, so you’ve really got to make it last and watch for good moments, not just take a photo of everything that moves.”

A black and white image of a surfer on a wave
Calin Jones says film photos remind him of his childhood.(Supplied: calinshootsfilm/Calin Jones)

Jones has been taking photos for 13 years. But two years ago, he swapped his digital camera for an old film rig.

“Digital cameras are so advanced; you can literally just hold the trigger and take 100 photos in a couple of seconds,” he said.

“It didn’t feel authentic. It just felt like cheating.

“It felt like I wasn’t a photographer. I was just using a camera and it was doing all the work for me.”

A black and white griany photo of a skateboarder
Calin Jones develops his own black and white film at home.(Supplied: calinshootsfilm/Calin Jones)

The challenge of film

The first photo from the moon was taken with a film camera.

Entitled Earthrise it was developed in 1968 by Kodak, the world’s largest film producer at the time.

Since then, digital cameras have stormed the market, taking away the perceived pain of winding, printing and waiting.

But for Jones, it was his return to film that “re-sparked” his passion for the art.

A grainy black and white image of a swimmer underwater
Jones says “little mishaps” while developing his own film are part of the reason he enjoys it.(Supplied: calinshootsfilm/Calin Jones)

“I was getting quite bored [with the digital camera]. I just found it too easy,” he said.

“With film … you really learn about how to capture those moments and watch what people are doing because you can’t just sit there and hold the trigger.

“It feels raw. It feels real.”

Blake Tate co-owns Lazarus Lab on the Gold Coast, one of the few businesses in the country that specialises in digitising film photos.

He said the lab gets orders from all over the world.

“In the [last three years] I’ve definitely seen a pretty big upward trajectory on all levels,” Mr Tate said.

“Big brands are demanding the film aesthetic, so it’s come back in on the higher-up commercial level, too.” 

 A film photo of a gloved hand printing brown negatives on film
The team at Lazarus Lab specialise in digitising film.(Supplied: Lazarus Lab)

Film is a ‘culture’

Digitised film photos have flooded the social media feeds of hobby photographers, wedding photographers and even businesses in recent years.

Jones said it was the feeling of nostalgia some of his clients were drawn to. For others, it was an aesthetic.

Packages of film lined up hanging from a coat rack
Blake Tate says demand is high for digitised prints.(Supplied: Lazarus Lab)

For many who have their film developed with Mr Tate, it is about the process.

“It is a whole culture,” Mr Tate said.

“Back in the day, it’s all that there was, so it wasn’t considered this special thing.

“Nowadays, with the whole resurgence, it’s a niche thing that is cool and there’s a whole culture around it.”

The Lazarus Lab team mix the chemicals, develop and scan the images into digital photos.

A black and white film photo of a bucket full of rolls of film
Blake Tate says film rolls can be expensive, but it did not disuade hobbyists.(Supplied: Lazarus Lab)

Mr Tate said it can take up to half an hour to develop a roll of black and white by hand.

“It’s weird, but people love that it takes so long and that it’s way more difficult than digital. They love what’s involved and that’s what’s keeps it interesting,” he said.

“It’s something that’s hard to replicate authentically with digital gear, which is why it’s still popular.”

Jones has been developing his own film at home after taking an online tutorial.

“It’s actually been so good for my mental health, sitting there focusing on something … being hands-on, touching the film, feeling it,” he said.

“Doing it myself now, I think, ‘I did that. I did all of that’.

“The rawness and being able to slow down, that was a huge one for me.”

In with the old …

Kodak filed for bankruptcy in 2012 after 130 years in business. It had not embraced modern digital technologies.

A blurred image of a female surfer on a wave
Jones says the “rawness and being able to slow down” are his favourite parts of film photography.(Supplied: calinshootsfilm/Calin Jones)

But for Jones, it was the simplicity he loved.

“The technology [now] is too good; auto-focus is just next level,” he said.

“It just takes away what photography means to me.

“I think capturing moments [with film means] waiting for moments and really involving yourself in the surroundings and whatever you’re shooting.

“[You’re] being present there — not just holding a camera and holding down the button.”

Jones believes film will only grow in popularity.

“I am waiting for big [camera] brands … to bring a new film camera out,” he said.

“It’s been 20 years since they brought out a film camera. I think that’s what’s to come.” 

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The Radical, Exuberant Transformation of “Random Acts of Flyness”

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In the first season of Terence Nance’s HBO series “Random Acts of Flyness,” from 2018, he makes use of the episodic nature of serial television to do what a narrative feature film can’t: by collaborating with other writers and directors, he creates a work of collective imagination that’s a vast collage of Black American experience. The new season, the first two episodes of which air Friday, is different. While extending his exploration of Black American life, Nance also expands the premise of his first (and, to date, only) feature film, “An Oversimplification of Her Beauty,” from 2012, which is a personal, romantic, and metafictional drama told in the first person, or, rather, in two first persons—by himself and by his real-life former partner—with a teeming array of formats and styles. The second season of “Random Acts” has a similarly intimate and intricate narrative framework, involving the personal and professional relationship of a filmmaker and musician named Terence Nance (played by Nance) and a video-game creator named Najja Freeman (Alicia Pilgrim).

Season 2 is no less collaborative than the first season—Nance directs only the first of the four episodes I’ve seen (there are six in total), and he’s the head writer (with Jamund Washington) of a raft of credited writers. But, this time around, the very nature of artistic collaboration comes under intense dramatic scrutiny, even as Nance develops an in-depth, visionary, and speculative exploration of Black life in the United States—and the results are as exuberantly imaginative as his earlier work. Combining modern-historical counterfactual fiction with animation, special effects, fantasies, and dreams, the second season is a work of music-like Afrofuturism, the closest thing I’ve seen to a cinematic reflection of the tones and moods of the music of Sun Ra, complete with the mythopoetic dimension.

As the story begins, Najja is the more active of the two artists. She’s completing a vast project for a company that’s run by a trio of faceless, but apparently white, men. Terence, who is recovering from some recent professional failures (one involves an app, another a movie), is a key part of Najja’s team, composing music for the game and helping her with a variety of side tasks. But their collaboration is fraught with what remains of their personal relationship. They’ve been a couple, but now Najja is romantically involved with another man, Xavier (Austin Smith), while still being, in some form, together with Terence (who, nonetheless, is moving his belongings out of Najja’s home).

The practicalities of these relationships are propelled, from the start, into metaphysical dimensions: in the visualizations of the disembodied game executives; the onscreen realization of the game sequences (including one that involves Najja chasing Terence, who is wearing a bunny costume, through the streets); interjected sequences that resemble commercials, music videos, and television programs; the insertion of extended animation scenes that deliver fables and allegories; and even the essence of Najja’s game, based on what she calls rituals, which invoke both her cultural imagination and her personal life. As that game, like the arc of the drama, leads toward a long-planned and elaborate birthday celebration for Najja’s mother, there’s also the question of who her mother is—and why she’s sometimes referred to as Najja’s sister.

Both Najja and Terence are working through trauma and emotional wounds. Where Najja’s quest has a fundamentally mythological dimension, an explicit element of what she calls “spirit work” involving her family, Terence’s work has a more directly political one: the app that he worked on is designed to yield economic reparations to the descendants of enslaved Africans. His activities involve an appearance on a TV show—a magical appearance on a rocky terrace high above a river—with a host (played by Tashiana Washington) who will “appraise” an object from his life that’s linked to his wounds. Both Terence and Najja offer diagnostic riffs on pop culture, recent and classic, with a particular emphasis on the figures and the tropes (and the cartoonish comedy) of Looney Tunes; these include a wild biographical portrait of a revised Bugs Bunny, who’s an employee of the studio that’s not Warner Brothers but Brother We Warned You.

The series employs large-scale magic: dancing fire figurines, flying characters, objects with wills of their own, video-game scenes as a part of street life, imaginary spaces of music and dance, elaborate costumes and sculptural effigies, riffy sidebars of documentary-like yet phantasmagorical montages filled with archival clips. These elements are matched by an equally original variety of fantasies that are fused with the show’s realistic drama. The series daringly renders the psychological dimensions and emotional overtones of seemingly ordinary scenes by way of inspired, hallucinatory audiovisual effects. Straightforward dialogue sequences of confrontations and arguments are expanded with echoing and overlapping voices, phantom presences; characters are multiplied and double-exposed and superimposed; faces are transformed, tinted, digitally masked. In such sequences, “Random Acts of Flyness” outleaps the specifics of the action to loom as a reproach to filmmakers who rigorously separate the cinema’s supernatural aspects from its naturalistic ones.

Though this second season is nominally a follow-up to the first, a title card, at the end of each of these four episodes, suggests the radical break that Nance has in mind: it reads “Random Acts of Flyness Program No. 2: The Parable of the Pirate and the King.” Though he isn’t the sole director, the visual consistency is provided by his longtime collaborator, the director of photography, Shawn Peters. (They’ve worked together on “An Oversimplification of Her Beauty,” Nance’s remarkable short films “Univitellin” and “Swimming in Your Skin Again,” and the first season of “Random Acts.”)

The spiritual quests of the new season are linked to the power of Black artistic creation, the reclamation of history, and the possibility of love. The show embraces the tones and moods of the church while also seeking to recover a specifically African heritage, and doing so by way of new aesthetic technologies (whether the ones that Najja and Terence deploy in their work or the ones that Nance and his collaborators bring to bear on the series itself). For all its sensory exuberance and inventiveness, the second season is suffused with an air of melancholy, of ecstatic grief. It dramatizes the characters’ rebuilding of damaged and tangled-up modern selves and lives confronting the past—and their search for the artistic means of doing so. In the process, it cinematizes a sort of spiritual archeology, a reckoning with places that embody a holy terror. The show reaches deep into the American heartland, in body and in spirit. 

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