Sky-Watcher acaba de presentar la flamante montura CQ350 Pro que ocupa el hueco existente entre las populares AZ-EQ6 Pro / EQ6-R Pro y las poderosas EQ8-R. Con esta nueva montura Sky-Watcher ofrece una completa gama de monturas para todos los usuarios y necesidades, desde los astrónomos nómadas hasta los afortunados con observatorio propio.
Llevábamos escuchando rumores de esta montura desde 2019 y finalmente esta semana ha sido presentada al público. Todavía no conocemos testimonios ni reviews de esta nueva montura pero si sabemos todas sus características.
Especificaciones de la Sky-Watcher CQ350 Pro
Esta nueva montura tiene una capacidad de carga de 35kg (15Kg de carga útil) por lo que permite mover con soltura grandes tubos así como sus sistemas de guiado y cámaras. Por supuesto es una montura GoTo SynScan con base de datos de más de 42.000 objetos y conexión USB a PC además de puerto de autoguiado.
La mecánica se basa en transmisiones por correas y motores paso a paso híbridos de 0,9º de alta precisión sin caja de engranajes interna que proporcionan una holgura mínima y un error periódico significativamente reducido de manera silenciosa.
En las opciones de conectividad cuenta con puerto SNAP para conectar la montura con la cámara directamente y usar el intervalómetro incorporado.
Incluye dos pesas de 10Kg y placa D/V para acoplar una amplia variedad de tubos ópticos.
La montura es compatible con trípodes y columnas de la EQ-8R y cuenta con un diseño cuidado para gestionar mejor el cableado de energía y datos. Incorpora un hub USB x4 y 3 puertos de salida de alimentación para dispositivos además de 3 puertos AUX de salida y 3 de entrada.
El trípode (opcional) es de acero con patas de 3″ de diámetro y tiene un peso de 15,6kg. Permite configurar la montura para latitudes entre 10º y 70º.
El conector de alimentación es un jack de aviación de 12V (11~16V 3A).
La montura tiene un precio de 3.366,95€ sin trípode y 4.101,95€ con trípode. Por su peso y volumen estamos hablando de una montura pensada para dejar fija en un observatorio y podemos decir que estaríamos ante una «hermana pequeña» de la EQ8-R. Sin duda, una alternativa interesante para aquellos usuarios que piensan en montar su primer observatorio.
In May this year (May 2022), the extremely compact DJI Mini 3 Pro was launched, and even considering its compact size, this drone instantly impressed with fantastic image quality and features. Now in the depths of -5 winter temperatures and Christmas fast approaching, the DJI Mini 3 has arrived. DJI’s timing really is impeccable!
The DJI Mini 3 is the lite version of the DJI Mini 3 Pro, with fewer features but a little faster, and can stay airborne for a little longer, if your neck and eyesight allow it. The Mini 3 is also quite a bit cheaper but still falls into the same sub 250g drone category that many enthusiasts and professionals have come to love.
Before I delve into the release and what DJI has to say about the drone, I’ll give you a quick run-through of what differs between the DJI Mini 3 and DJI Mini 3 Pro and what the £200 saving actually gets you.
Firstly and this is the important factor, the Mini 3, like the Mini 3 Pro, has a take-off weight of less than 250g, 248.5g to be exact. This means it’s exempt from the usual drone restrictions, although it’s still worth doing the drone awareness course if you’re thinking of flying one. Read more about that here https://register-drones.caa.co.uk/individual/register-and-take-test-to-fly.
OK, so an initial look at the two drones side-by-side and you would think that they are the same, but like any good spot, the difference image after a few moments the difference start to jump out at you. The first visual difference is the sensors at the front, or lack of them on the Mini 3, which has two eyes that initially look like sensors but are just there for decoration, they may be a function, but there’s nothing in the release that states that. Then if you flip the drone over, you’ll see that there are again no downward optical sensors. Rather there is just a simple downward sensor. Likewise, there are no backward sensors. Already you get the picture the Pro is a level up on object avoidance, as far as it has it and the DJI Mini 3 doesn’t.
Then there are the hidden specifications, the camera looks the same and has the same 24mm (Equ) f/1.7 lens, but it’s limited to 4K@30fps rather than the 4K@60fps of the Pro. I have yet to find out whether this is limited in the software or the sensor is different.
There are a few other differences; the video transmission system is scaled back, offering the DJI O2 at 10km rather than the DJI O3 at 12km; as you can’t use this in the UK anyway, that’s not an issue. Then there are the intelligent flight features with just the QuickShots (But no Asteroid), and Panoramic, MasterShots and Timelapse have also been omitted.
The removal of these features to drop the price between the two models makes sense, and while the Mini 3 might initially seem like a stripped-down version of the Mini 3 Pro, there are a few additional features regarding the flight. The first is that the drone is marginally faster, possibly due to the reduction of electronics and sensors, and the Mini 3 has slightly extended flight times. Seeing as how the Mini 3 Pro was pretty quick for its size and the flight times were quite incredible, these two enhancements are nice, but I’m not sure you’ll notice them too much.
Essentially I thought the DJI Mini 3 Pro was outstanding, and the image quality from that small camera blew me away. Now I’m excited to see what the DJI Mini 3 offers, but my main thoughts are for £200 less if the image quality is as good, but with a slightly reduced framerate, I’ll take that and try to avoid the trees; this time; here’s what DJI has to say about their new drone.
“DJI Mini 3 arrives as a welcome addition to our growing compact drone lineup,” said Ferdinand Wolf, Creative Director at DJI. “It follows in the footsteps of its sibling, Mini 3 Pro, and offers many of the same high-performance features as a worthy alternative. We created Mini 3 to invite even more new users to take off for the first time, and we can’t wait to see the moments they create with it.”
Sounds good, so the big features here are that the new DJI Mini 3 weighs in at less than 249g, is compact and ultra-portable, and is exempt from most drone regulations worldwide. It features a 1/1.3-inch CMOS sensor that can capture 4K video and photos at 12MP with True Vertical Shooting for social media, essentially like your phone but with wings (Props).
Lightweight, compact and Portable
DJI has designed the Mini series and the latest incarnation, the DJI Mini 3, to weigh in at under 249g. This means that in many, but not all, locations worldwide, the DJI Mini 3 is exempt from the drone regulations that limit the flight of larger and heavier drones. The lightweight is matched with a compact design, so the Mini 3 easily slips into a backpack pocket, ready for flight whenever you need it.
Vertical and social media ready.
The Intelligent flight modes have enabled DJI drones to capture some stunning scenes, and now the small drone is completely social-ready. A quick tap of a button on the controller and the small camera flips to the vertical position in line with what you’d expect from social imagery. What’s more, with the 4K/30fps video capture on the 1/1.3-inch CMOS sensor fronted by the f/1.7 aperture 24mm (35mm equiv) lens, you can be sure of capturing high-resolution images with a decent depth of field and low image noise in all conditions.
The camera features 4-in-1 pixel technology that can create photos from 48MP to 12MP with individual sensor pixels that are as large as 2.4 μm to improve low-light performance. A Dual native ISO and chip-level HDR tech helps create stunning imagery in both the traditional landscape and social media-friendly portrait orientation.
Fly Longer, faster and smoother
As with previous DJI Mini releases, the DJI Mini 3 features a standard Intelligent Flight Battery that supplies up to 38 minutes of flight time.
A feature that will appeal in some territories is the DJI O2 digital video transmission that delivers a 72-p/30fps live feed up to 10km and utilises powerful anti-interference technology to deliver a clear stream directly from the drone.
Although the Mini 3 is small and lightweight, the powerful motors and design mean that it has a wind resistance of up to 10.7m/s. This resistance means it can cope with being buffeted by the wind and still capture stable shots when hovering.
Cinematic Shots in a Tap
The DJI Mini 3 may be the baby of the family, but it can still pack a punch with features designed to make the most of its imaging potential. Content creation features such as QuickShots that feature pre-programmed flight and filming paths enable anyone to capture stunning drone shots like the pros. Some of the effects are as follows:
Dronie: The aircraft flies back and up with the camera locked on the subject.
Helix: Aircraft flies up and spirals around the subject.
Rocket: The aircraft flies up with the camera facing down.
Circle: Aircraft circles around the subject.
Boomerang: The aircraft flies around the subject in an oval path, ascending as it flies away and descending as it returns.
Effortlessly Adept
For those new to flying drones, the DJI Mini 3 is an ideal first choice, with plenty of features that will ensure you fly safely. Auto take-off and landing, as well as a Return to Home feature, kicks in whenever you need, and as default, the drone is set with Smart RTH, Low Battery RTH and Failsafe RTH, so there is little chance of losing the drone.
For ultimate stability and flight control, the DJI Mini 3 combines GNSS with the downward vision system, enabling the drone to hover stably.
Accessories for the DJI Mini 3
DJI RC is a lightweight, easy-to-use remote controller with a built-in screen. Thanks to the built-in DJI Fly app, it is ready to use without the need to connect to a smartphone, making take-off more focused and aerial photography more enjoyable.
Intelligent Flight Battery ensures a smooth and worry-free flight for up to 38 minutes.
Two-Way Charging Hub charges the remote controller and three batteries in sequence, serves as a mobile power source, and stores batteries for convenient carrying.
ND Filters Set adapts the Mini 3 camera to strong lighting conditions with ND16/64/256 filters to always be ready for the perfect shot.
360° Propeller Guard fully covers the propellers and is easy to attach and detach, ensuring flight safety simply and efficiently.
Propeller Holder binds the front and back propellers when the aircraft is folded for more convenient storage.
Additional DJI Mini 3 Features
180° Wide and Sphere panorama, with Sphere Panorama Viewer 2.0 in the DJI Fly app offering a 720° view to drag and zoom a Sphere panorama.
QuickTransfer with a max download speed of 25 MB/s
Supports large-angle tilt to introduce more creative possibilities.
Digital zoom at 2x in 4K/30fps, 4x in 1080p, and 2x in 12MP photo
Price and Availability
DJI Mini 3 is available for purchase from store.dji.com and authorised retail partners in five configurations:
DJI Mini 3 (Drone Only) does not include a remote controller or charger and is ideal for owners of existing DJI drones. It will be available in early 2023 for the retail price of 439 GBP/ from 489 EUR.
DJI Mini 3 includes the DJI RC-N1 Remote Controller. It will be available in early 2023 for the retail price of 519 GBP/ from 579 EUR.
DJI Mini 3 (DJI RC) includes the DJI RC Remote Controller. It will be available in early 2023 for the retail price of 669 GBP/ from 749 EUR.
DJI Mini 3 Fly More Combo includes the DJI RC-N1 Remote Controller, Shoulder Bag, Two-Way Charging Hub, and two extra Intelligent Flight Batteries. It is available today for the retail price of 678 GBP/ from 768 EUR.
DJI Mini 3 Fly More Combo (DJI RC) includes the DJI RC Remote Controller, Shoulder Bag, Two-Way Charging Hub, and two extra Intelligent Flight Batteries. It is available today for the retail price of 828 GBP/ from 938 EUR.
For more information on all the new features, accessories, and capabilities, please visit https://www.dji.com/dji-mini-3.
CHARLEVOIX — Charlevoix is definitely a feast for the eyes. With abundant natural beauty and wildlife, the picture-worthy visual images are endless.
Charlevoix’s Photography Club gives the community a gift every year by putting into calendar form some of the sights they manage to capture through the lenses of their cameras.
The 2023 annual Charlevoix Photography Club calendar.
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The fourth annual calendar features images from 12 different photographers; the growing club now has 68 members. Founded in 2009 by Mike Schlitt, the club and accepts members at all skill levels, according to John Doskoch, whose photograph of a snowy owl is featured in this year’s calendar.
“My thought on creating the first Best of the Charlevoix Photography Club calendar was to offer to the community examples of what our talented group could do. We have many members with a passion for showing Charlevoix at its best. I felt it would be a worthwhile project for the club, and it is also our primary fundraiser. From a marketing standpoint, we also wanted to help promote Charlevoix as a charming small town worth repeated visits, and to promote our great club,” said Doskoch.
Shoreline photograph by Marie Friske of the Charlevoix Photography Club.
Sales on the calendar have increased each year and ship all over the United States, Doskoch said.
“Our first edition was in 2020, when we sold (to our surprise) about 200. We had no idea of demand. We’ve sold out in the past three years, selling 400 last year,” said Doskoch.
“I recently mailed copies to St. Louis, Missouri; Olympia, Washington, and Redondo Beach, California,” Doskoch said. “I’d say at least one half sold leave the state. In the comment section for online ordering, it’s been wonderful to hear from the purchasers who take the time to write notes like ‘Thank you for this beautiful calendar.'”
Photograph of a famous mushroom house by Rebecca Rhea of the Charlevoix Photography Club.
With a sale price of $25 each, Doskoch said local printer Farley Calendar Co. in Boyne City helps keep the profits local.
To purchase a calendar or learn more about the Charlevoix Photography Club, visit charlevoixphotographyclub.org.
— Contact reporter Annie Doyle at (231) 675-0099 or [email protected]
This article originally appeared on The Petoskey News-Review: Local talent is displayed in Charlevoix photography club’s annual calendar
As well as the image’s beauty, NASA honoured the effort that went into it. Petr spent seven years working on it, on and off. “Orionids are remnants of the famous Halley’s Comet, which won’t return until July 2061, but this meteor shower around October 21 is an annual reminder of the comet. It’s not half as visible as the better-known Perseids – only around five meteors per hour appear in the sky at our country’s latitude. And my only window for taking pictures is a few days around the maximum. Everything depends on the weather, and clear skies can be a problem in October,” Petr says, explaining why the image took so long to create.
Waiting for the right moment
What’s interesting is that the photographs don’t all come from one place. The reason for this is the varying weather situation during those seven years, which made it necessary for Petr to keep moving. “The resulting photograph is a collage of a whole series of time-lapse images of the night sky from several places in Czechia and Slovakia, plus a panoramic image of the landscape, which in this case is the Prešov volcanic hills region. I took the landscape photograph at the time of the Orionid maximum in October of the pandemic year 2020,” Petr lets on. The resulting image shows 47 meteors in total, as well as a clear image of Mars.
This unique image of the Orionid meteor shower took seven years to create and was shot at various locations in Czechia and Slovakia, depending on the weather. When finishing it, Petr Horálek was helped by an all-electric Enyaq iV, and the effort paid off: the image was published by NASA on 28 October 2022, making it Petr’s 35th prestigious Astronomy Picture of the Day. (Click on the image to see it better.)
Newborn photography is one of the most popular genres in the world, and for a good reason. The first few days of life are fleeting, so capturing these moments is essential before they disappear forever. Trying to figure out how best to approach this type of shoot can be overwhelming, especially when working with an adorable little bundle of joy.
Here are some simple tips that will set you up for success and help you get stunning results in your newborn photography sessions.
#1 Consider Hiring a Professional Baby Photographer
If you are looking for a professional baby photographer, it is essential to do your research. When looking at websites, look at the portfolio section of the site. Does their work show strong composition and creative techniques? Are the photos taken in natural light? Is there any evidence of Photoshop or other editing tools used in post-production?
Does their website contain a well-designed layout that is easy on the eyes? If they have a blog, check it out as well. It will give you an idea of how they write and express themselves online, which can indicate whether they would fit your personality and style well.
Furthermore, when looking for a photographer, consider one from your area. Try searching for these details location-wise. Thus, if you live in Washington, DC, look for a newborn photographer from your area. Choosing a local newborn photographer in DC can be one of the best decisions you make as a new parent. Here are some reasons to consider:
The photographer will know your area and may have experience with the type of location you hope to use for your shoot.
A local DC photographer can help select the best locations, saving you time and effort.
Local photographers will be familiar with the best times of day for outdoor shoots in DC, which can make all the difference in getting great photos.
Finally, you’ll be able to easily schedule sessions around nap times and feedings, which will keep your little one happy and comfortable during photos.
#2 Choose a Place with Ample Natural Light
Use the natural light to your advantage. Natural light is more flattering and forgiving than artificial light, so it’s great for newborn photography. In addition, it allows you to create various effects without purchasing additional equipment or spending hours retouching photos in post-production.
In terms of revenue, the photography industry will have a market size of $10 billion in 2022, as per research by IBIS World. The business is booming and is set to rise more, which is always helpful. Coming back to the point, one of the best times to shoot is at sunrise or sunset. The sunlight will be softer and warmer, which makes babies look especially cute in their photos.
#3 Use Pillows to Prop Your Newborn Up
You can use pillows to prop up a newborn in various positions. The first way to utilize pillows is to simply use them to support the head and neck of the infant. It will help keep the neck in a more natural position for less stress on the muscles and ligaments.
The second way pillows can be used is by placing them under the body of the baby, which allows you to have both arms and legs down. However, this position can sometimes cause babies’ feet or hands to fall asleep. Because they aren’t getting enough circulation, make sure not to leave this position too long.
The third way to use pillows with newborns is by placing them under their backside when lying on their stomachs so that they don’t roll over too quickly while sleeping. However, it can lead to some dangerous situations.
Just be sure not to use any kind of blanket with this method. Instead, just place your hands underneath them while they are sleeping, and then when ready, wake up slowly so as not to disrupt any sleep patterns.
#4 Get Down on the Baby’s Level
Next, get down on the baby’s level. A photographer crouched down or lying flat on her back can get a much more intimate perspective than someone standing up and looking down at the baby. Also, make sure to buy a better camera. A report by Digital Camera World states that Canon controls 48% of the camera market share, Sony 22%, and Nikon is down to 14% in 2021. Therefore, make your choice wisely.
If you have a beanbag or pillow handy or even a rolled-up blanket, prop yourself up so that you are at eye level with your subject. Try to be as close as possible without scaring them off. It may feel strange to be lying on the floor, but babies feel most comfortable when they have another human being in their sight that they recognize and trust.
#5 Embrace Imperfection
One of the most crucial things to remember when taking photos of your newborn is that they are just babies. They don’t understand what’s happening and will not sit still for any length of time. They’ll likely be moving around a lot. That’s perfectly fine. It means you have some great opportunities for capturing pictures that are authentic to who your little one is.
You don’t need expensive equipment or fancy techniques to take fantastic photos with your smartphone. Creativity and an open mind about using the tools at hand work well.
#6 Take Advantage of Bath Time
There are many opportunities to take advantage of bath time when photographing newborns. It can be as simple as photographing your subject in the bathtub or using a sink, but you can also utilize the water to create some stunning effects.
For example, you can use warm water and a washcloth to gently cleanse your baby’s skin and hair before applying any products such as baby shampoo or oil. This step can increase the likelihood that these items will stick better to the skin and hair follicles, making them more visible in photos after being washed off later.
In addition, you might find it helpful to have an assistant standing by while you’re bathing your subject so they can assist with washing up afterward.
#7 Coordinate with the Parents and Older Siblings
The most vital part of the newborn photo shoot is the parents. They are taking care of this little human being, and they will be the ones who spend their lives with him or her. Therefore, it’s essential that they feel comfortable with you. You want them to be themselves and feel like they can open up and share their emotions during your session.
Another way to ensure the baby stays calm and happy during your photo shoot is by involving the older siblings in all aspects. You may even consider asking them if there are any special things from home that they would like included, such as a favorite blanket or stuffed animal. Just remember not to overwhelm yourself with too many props.
#8 Incorporate Props
Statista states that a total of 2.16 million DSLR cameras were shipped globally by CIPA businesses in 2021. Along with a well-off camera, incorporating props is another great way to make your photos unique. Props are tools that can help you tell a story with your images, like a baby’s favorite blanket or toy.
They can also be used to highlight certain features of the baby, such as their face or hands. If you’re looking for something super cute and sweet, try different outfits for your newborn.
The Best Newborn Photography Sessions Turn Out Great When You’re Prepared
You can have the finest newborn photography sessions when you are organized and have a strategy. To get the most out of your session, research photographers in your area and ensure they have experience working with newborns. You also want to look for someone good at working with babies.
Your photographer should know how to pose them, so they can give you the best results possible. You may also consider hiring a professional photographer with a good reputation and reviews online. They will be able to give you an idea of what kind of shoot will work well for your baby and you.
When photographer Shannon Taggart was younger, a medium revealed a family secret surrounding the circumstances of her grandfather’s death. That set in motion a lifelong fascination with Spiritualism.
Taggart would eventually spend some 20 years documenting Spiritualist communities around the world, specifically in the United States, the U.K. and Europe. The results of her fascination have been brought together in a fascinating group of photographs in her book “Seance” (Atelier Editions, 2022).
“Seance” was originally published to wide acclaim in 2019 (it was named one of Time’s best photo books that same year). This year, a revised edition of the book has been published.
The photographs mirror the quirky nature of the Spirtualist communities that Taggart visited while delving into the people and activities practiced by the people involved in those communities.
Taggart’s images are rife with mystery. There’s a poetic bent to them as well. Looking at the images throws you into this unique world.
Some of her earliest images were made in the world’s largest Spiritualist community located in Lily Dale, N.Y. An afterword to the book tells us:
“Taggart, then a practicing photojournalist, found herself obsessively drawn to Lily Dale, New York — the world’s largest Spiritualist community. Her transformative experiences there catalyzed a 20-year odyssey documenting Spiritualist communities throughout the world in search of “ectoplasm” — an emanation exorcised from the body of the medium, believed to be both spiritual and material.”
I remember the first time I became aware of Taggart’s work. It was 2002, one year after the fall of the World Trade Center’s twin towers in New York.
I was still trying to make it as a photographer at the time and had made the decision to attend the prestigious Eddie Adams workshop. It just so happened to be that Taggart was also attending the workshop that year.
All of us new photographers would pass our work to each other, eager to hear what kind of feedback we’d get. I had done some political and conflict photography by that point and showed that around.
When I looked at Taggart’s work, I froze in my tracks. It was far more unusual and interesting than just about any work from anyone at that workshop.
Taggart had already begun working in Spiritualist communities and the work, much like what you see here, was full of passion. It was clear then, as it is now, that this subject not only fascinated her but had real meaning for her.
Whenever those things come together and shine through in a body of work, you’ve got something very special.
When I stumbled across an announcement that “Seance” was being republished in a new version, all of those memories of first being exposed to Taggart’s work came rushing back.
Her work has stood the test of time. It is just as fascinating and pulsating with life and passion as it was that day I saw it for the first time.
You can find out more about the book, and buy it, here.
Panasonic cameras allow you to be creative in ways that many other full-frame camera systems don’t. For example, Panasonic cameras have different ways of emulating the look of movie film. And beyond that, the Panasonic S5 can do cool things like Live Composite to make astrophotography super fun. But if you’re going to do this kind of work, you need wide angle lenses. Thankfully, we’ve reviewed most of them! Here are the best wide angle lenses for the Panasonic S5.
How to Use This Guide to the Best Wide Angle Lenses the Panasonic S5
Here’s what you should know about using this guide to the best wide angle lenses for the Panasonic S5:
This guide contains products we’ve reviewed. Lucky for you folks, we’ve reviewed the vast majority of Panasonic lenses and modern lenses in general. Our Ethical Practices don’t allow us to feature products we haven’t fully reviewed. So when we say these are the best wide angle lenses for the Panasonic S5, we mean it.
This guide is sponsored by Panasonic, who trusts us and understands that we have a set of ethics when it comes to reviewing products. All the product images and sample images in this roundup were shot by Phoblographer staff. There are also links to our full reviews.
These are the best wide angle lenses for the Panasonic S5 if you’re looking for smaller lenses. We think you’ll love the build quality, size, and overall performance.
There are lenses in this list that work well with Panasonic’s autofocus features and many have continued to improve with firmware updates.
When considering the best wide angle lenses for the Panasonic S5, remember this is full-frame, otherwise known as Lumix S. So, unlike Micro Four Thirds, the focal length is exactly what it is.
Generally speaking, Panasonic lenses work better on Panasonic bodies than they do with others within the L-Mount Alliance. Part of this has to do with the motors being used.
We’ve chosen lenses with weather-resistance. Weather resistance has more use than just shooting in the rain. It helps prevent dust from getting into your lens and camera. That means you don’t need to retouch sensor dust.
These lenses are for full-frame Panasonic cameras, which the Panasonic S5 is! So they’ll also work on Leica and Sigma L-mount cameras too.
With these lenses, you can pretty much do everything with the Leica L-mount. We should know; we own two of them.
Basically, treat these like you’re using a higher-end lens. They give that level of performance for a bargain.
Panasonic 16-35mm f4 Lumix S Pro
Small
Amazingly lightweight for an L mount lens
Sharp optics
Weather sealing
Nice feeling in the hand
Focuses very fast!
In our review, we said:
I really like the colors from the Panasonic 16-35mm f4 PRO. I still think Panasonic has lenses with even better tint though. However, for small documentary-style setups, cityscapes, or landscapes, you’ll be happy. As stated earlier, we really like the look of the images with L Monochrome D enabled.
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Panasonic 24mm f1.8 Lumix S
Sharp
Beautiful colors
Images require minimal editing when using film simulations
Compact and lightweight
Weather-resistant
Versatile focal length
In our review, we state:
Images are sharp through the center of the frame with softer edges when shooting wide open. At f2.8, the sharpness is extended through most of the frame. And while the 24mm lens offers plenty of detail, it isn’t too sharp for portraits.
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Panasonic 35mm f1.8 Lumix S
Nicely sharp, with good bokeh
Minimal distortion
Easy to use
Weather-sealed
Compact and lightweight
Decent autofocus
In our review, we state:
The only two controls are for manually focusing — the AF/MF switch and the focus ring. The Panasonic S5 menu allows you to customize the speed of the control ring, as well as how far the ring turns to move through the range of possible focal distances. In non-linear mode, the ring turns slowly. That, coupled with focus peaking on the S5, made it easy to manually focus with excellent accuracy. The linear mode focuses much faster, but that makes it more difficult to get perfect focus.
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The Phoblographer’s variousproduct round-up features are done in-house. Our philosophy is simple: you wouldn’t get a Wagyu beef steak review from a lifelong vegetarian. And you wouldn’t get photography advice from someone who doesn’t touch the product. We only recommend gear that we’ve fully reviewed. If you’re wondering why your favorite product didn’t make the cut, there’s a chance it’s on another list. If we haven’t reviewed it, we won’t recommend it. This method keeps our lists packed with industry-leading knowledge. Some of our stories include affiliate links. If you buy something through one of these links, we may earn an affiliate commission.
This piece is presented in partnership with Panasonic Lumix. We’ve independently and ethically reviewed all the products in this post already without sponsorship. And we worked with them to recommend a few key gems to you.
Who said wildlife can’t be humorous? The annual Comedy Wildlife Photography Awards highlight hilarious photos of animals in the wild and this year’s offering left us in stitches. Take a look.
Picture: Martin Grace (Keep calm and keep your head)
Picture: John Chaney (Fight back)
Picture: Mark Schocken (Tight fight)
Picture: Alex Pansier (Jumping jack)
Picture: Ryan Sims (Excuse me…pardon me!)
Picture: Emmanuel Do Linh San (I’m gonna strangle you!)
Picture: Jagdeep Rajput (Pegasus, The flying horse)
Picture: Frederica Vinci (Monkey wellness centre)
Picture: Miroslav Srb (Hello everyone)
Picture: Michael Eastwell (It’s all kicking off!)
Picture: Jia Chen (Football dreams)
Picture: Arshdeep Singh (I see you, boy!)
Picture: Jennifer Hadley (Talk to the fin!)
Picture: Jean Jacques Alcalay (Misleading African Viewpoints 2)
Picture: Jennifer Hadley (Not so cat-like reflexes)
Picture: Arturo Telle Thiemann (Say cheese)
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Draft targets for the 10-year framework include a cornerstone pledge to protect 30 per cent of the world’s land and seas by 2030, eliminating harmful fishing and agriculture subsidies and tackling invasive species and reducing pesticides.
Finance is among the most divisive issues, as developing nations are demanding increased funding for conservation.
Earlier this year, a coalition of nations called for wealthy countries to provide at least US$100 billion annually – rising to US$700 billion a year by 2030 – for biodiversity.
Guterres told AFP: “It must be recognized that without a significant mobilization of funding, of various origins but with a substantial volume, developing countries will not be able to meet the requirements of biodiversity conservation.
“It should not be forgotten that most of the world’s biodiversity wealth exists in developing countries.”
The sticky issue of biopiracy is also causing roadblocks, as many mainly African countries demand that wealthy nations share the benefits of ingredients and formulas used in cosmetics and medicines derived from the Global South.
Implementation has emerged as another sticking point in recent days, with disagreements over how to ensure any final deal is put into practice – unlike its predecessor agreed in 2010.
“FLEXIBILITY, COMPROMISE, CONSENSUS”
The meeting, delayed two years because of the COVID-19 pandemic, follows crucial climate change talks in Egypt last month that ended with little headway on reducing emissions and scaling down the use of planet-warming fossil fuels.
China is chair, though it is being hosted in Canada because of Beijing’s long-standing zero-COVID policy.
NGOs say the lack of world leaders at COP15 risks dampening momentum at the talks and could scupper an ambitious settlement.
At launch, owners of the Pixel 7 Pro could place their phone close to a subject and automatically enable a Macro Mode of sorts, allowing you to take super close up shots. The thing is, it’s not really a macro mode, simply because you can’t manually enter it with the click of a button. Thanks to an updated Google Camera app on the device, that has kinda changed.
Inside of Camera app version 8.7.250, the Macro setting has been moved into the dropdown menu when looking at your viewfinder. This is similar to the Astrophotography mode when you’re inside of the dedicated Night Sight mode. In addition to this move, the Auto Macro toggle has been removed from the Composition section of the Settings menu.
This change should allow for greater control of when you want to enable Macro Mode on the 7 Pro, which to us, is a good thing.
The app update also made another change, one that is reported to possibly be a mistake. In the update, the double-tap gesture option for the camera was removed, the one that allowed you to either double tap to zoom in or out, or switch between the front and rear cameras. Whoops, I guess?
Be on the lookout for this change on your Pixel 7 Pro.
