COLUMN: ‘Secret’ changes within Bill 23 will prove lethal

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Ford’s proposed legislation ‘completely guts’ the vital Ontario Wetland Evaluation System and muzzles conservation authorities, warns columnist

Despite my personal preference of returning this column to one of discussing natural wonders, I am once again propelled to wax political about the proposed Bill 23: The More Houses Built Faster Act. Sorry, but there is a need to further explore this bizarre proposal.

As most of you now know, there is growing push-back to this omnibus Bill 23 that has openly declared war on environmental restrictions to developments; but you must realize that there are other ‘secret’ changes within it. One is the complete gutting of the Ontario Wetland Evaluation System (OWES).

The hand-cuffing and muzzling of conservation authorities from commenting or opposing proposed developments in wetlands or flood plains is bad enough, but to ensure they have no regulations to back them up, OWES is being ‘updated’ by the Ford Conservatives. To truly understand the impact of this, allow me to provide some background.

Prior to 1983, developers could, with enough money and silver-tongued lawyers, get permissions to alter or even destroy wetlands in order to facilitate their dreams of a strip mall on every corner. However, about the same time conservation organizations were raising red flags about the loss of wetlands in southern Ontario (so far over 85 per cent of all the wet areas left behind from the retreat of the Wisconsin glacier have now been destroyed).

The arguments put forth in favour of protecting wetlands were tenfold:

  1. Wetlands (swamps, marshes, bogs and fens) are home to many species of wildlife, some quite rare and unique to the area;
  2. Every food chain or food pyramid has a link to a wetland dependent species;
  3. Wetlands provide flood control by absorbing the vast volume of water that can be suddenly released from rainfall or snowmelt;
  4. Wetlands prevent erosion of streambanks and roadsides by slowing down the velocity of this flash flood rainfall;
  5. Wetlands filter out just about everything from chunky debris to excess nutrients that flow in with dirty water from parking lots and hard surfaces… the outflow water is remarkably clean;
  6. Wetlands cool the water as it seeps underground before being released downstream, and cool water supports life better than warm water (high oxygen levels and no algae);
  7. Wetlands recharge groundwater supply, thus ensuring wells don’t have to be drilled deeper and deeper;
  8. The production of biomass (every living thing considered as one lump) within a wetland equals a rainforest: a lot of plants means lots of oxygen released to the air, and equally a lot of carbon sequestered from the air;
  9. Wetlands attract human users, who pay good money to go hunting, fishing, birdwatching, paddling and to do nature photography (not just in their gear, but buying gas, staying at resorts and hotels, and picking up food). No wetland means no visitors which means no money added to local economy.
  10. Wetlands are recognized for their aesthetic value to our society. They are fun places to visit, they provide a boost to both our physical and spiritual needs. They are pleasing to look at and appreciate. Viewing a sunset over a sea of residential rooftops just isn’t the same as that sun viewed setting over acres of cattails.

One might think that with all of these proven values that wetlands would be revered. Unfortunately, just the opposite. “Too wet to build on, too shallow to boat on.” So wetlands sold for much less money than solid soil as “it was good for nothing.”

However, this cheaply acquired land soon became the sprawling grounds of poorly approved building plans. “Drain ‘em, fill ‘em in, put a little drainage ditch along the roadside, and shazam, we got ourselves a profitable little subdivision.” And within the following years there was a high demand for basement sump pumps, and occasionally a few homes were floated away in spring floods.

Land use planners needed a way to determine if a particular wetland was expendable or not. Along comes OWES, an evaluation and scoring system to level and equalize the field of comparing one wet area to another.

The provincial government put the Ministry of Natural Resources in charge of doing the evaluations, and the conservation authorities used the resultant reports to assist with permit approvals, or not.

OWES assigned a score to four main categories: social history and impacts; biological species present (plants and animals to prove biodiversity); hydrology and size; and to record any special features (such as rarity of wetland type and/or if any endangered or threatened species were there): 250 points max for each category. If the combined score broke 750 points, it was declared to be a Provincially Significant Wetland and ‘hands off everybody’ plus a 100-metre buffer zone around the wetland border.

Land developers were not pleased, not at all. And despite their lands being recognized as special and thereby receiving a break on their taxes, some landowners were not pleased to realize their property resale value has plummeted. But conservationists and environmentalists were very pleased to finally have a process of proving the values of retaining these wet areas.

Back to this proposed Bill 23. As part of the current government’s plan to build poor quality homes really fast on unsuitable lands, this interfering OWES and its Provincially Significant Wetland offspring had to be removed. And therefore hidden within Bill 23 is the plan to gut the evaluation system to the point it is meaningless.

By example, rather than allowing several associated wet areas be lumped together as a wetland complex, there will be a separate evaluation down on each mini-wetland. Oh look, it scores really low when all by itself, so fill it in … quickly!

Also, if an endangered species had been found in a wetland under the original OWES scoring, the area was almost automatically elevated to being Provincially Significant. The new ‘upgrade’ removes the recording of any endangered species. “Shh… I see nothing….”.

So by rendering the OWES program down to be a joke, conservation authorities and local planners have nothing to work with in determining permit issuing. Oh, and the proposed ‘upgrade’ takes the whole program out of MNR&F and allows private consultants hired by developers to do their own evaluations. Can you say fox guarding the hen house?

The sitting Members of Provincial Parliament need to get an education about a lot of things, especially about natural environmental functions. Wetlands provide many natural services for free … it you just leave them be.

 

 

 



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Hybrid solar eclipse: What is it and how does it occur?

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A hybrid solar eclipse is a very rare and strange astronomical event — and there’s one coming soon on April 20, 2023.

Talk to most eclipse-chasers and they’ll tell you that there are three types of solar eclipse. The first is a partial eclipse of the most common and the least impressive because the moon merely blocks out part of the sun sending a shadow — the penumbra — across a swathe of Earth.The second is an annular solar eclipse, where the moon blocks out the center of the sun, but leaves a circle of light from the sun visible from within a shadow called the antumbra. It’s often called a “ring of fire”. The third is a total solar eclipse where the entirety of the sun’s disc is blocked by the moon, revealing the spectacular sight of the solar corona, which can be viewed with the naked eye from within the moon’s dark shadow, the umbra. 

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On Photography: Lauri Novak, 1963-present

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 “How can I see this and photograph it differently? What is a way no one has photographed this before?”  -Lauri Novak

Lauri Novak is a photographer specializing in seeing the world differently. Her work features architecture and nature.

Opening photo

Top row, l-r: Church of Our Lady, Bruges, Belgium, Cyclist in front of The Broad Museum, Chicago, IL, Sky and Stone The Getty Museum, The Chair

Bottom row, clockwise l-r: Whale Fluke, Antarctica, Arctic Iceberg and Mountains, Arctic Reflections, Half Moon Island, Antarctica

Since she was 10

Lauri Novak got her first camera in her pre-teen years. She was 10. “I can’t imagine I’d be me without one,” she says. “It’s my therapy and I love being able to help others with their own work, to expand and grow in how they see.”

Lauri Novak works in dental education. At the same time, she has her camera with her everywhere she goes. It doesn’t matter if she is in her hometown of Elgin, Illinois or in one of her favorite places to photograph architecture — downtown Chicago.

Be in the location

Lauri Novak is deliberate in the way she photographs. “One of the main things I do is to allow myself actually to be in the moment,” she says. “Be in the location and take it all in before I put the camera up to my eye. I believe that you can’t really capture the essence of a place if you don’t live it, feel it and experience it first.”

Seeing differently

“My photography reflects my perspective and personality. I have always had a bit of a different way of looking at the world. I feel fortunate not to have gone along with the crowd, just following trends.” Lauri Novak says. “Even though it wasn’t always seen as “right,” my viewpoint and way of being have pushed through in my work.”

On Photography: Lauri Novak 1969-present
Lauri Novak shooting in Chicago. Photo by Jeff Turner

Lauri Novak not only sees differently. She shoots that way. She looks for angles and compositions that others miss. Her practice of being in a place fully before taking a photograph shows in her work that hangs in many Chicago art museums.

Arctic voyage

In June 2016 Lauri Novak traveled to the Arctic aboard the ship Akademik Sergey Vavilov. She was one of about 50 photographers on the expedition. They were learning to photograph with everything in motion. The boat and the people on it were moving. The water was too. So were the animals. All that movement made taking photos a challenge. There were four professional photographers on the trip. They helped answer questions. Every evening they held a photographic briefing to go over some of the work. They gave tips on how to improve.

Lauri Novak loves to travel. She says, “The world is always on my list, anywhere and everywhere.”

On Photography: Lauri Novak 1963-present
Lauri Novak in the Arctic

Words to live by

Lauri Novak finds inspiration in the words of photographer Elliot Erwitt.

“To me, photography is an art of observation. It’s about finding something interesting in an ordinary place… I’ve found it has little to do with the things you see and everything to do with the way you see them.” -Elliot Erwitt

Sources: In the Viewfinder, Artsy Shark, Happier Place, Ugo Cei.

Read about other inspirational photographers in On Photography.

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Former Press Herald photographer Donald Johnson captured compelling, small moments of history

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Donald Johnson was there, camera in hand, as presidential candidate John F. Kennedy greeted a small boy during a campaign stop in Portland in 1960. A year later, he captured the crumbling Union Station clock tower as the ornate granite building was razed in the name of urban renewal. And in 1965, he was in the arena as Muhammad Ali knocked out Sonny Liston with his so-called “phantom punch” in the first round of their match in Lewiston.

During his time as a staff photographer for the Portland Press Herald, Johnson documented notable events in Maine history. But he also captured smaller moments that offer a compelling glimpse of life in Portland in the 1950s and 1960s.

Johnson, a self-taught photographer with a fondness for nature and the working waterfront, died Nov. 1. He was 92.

In September 1960, Senator John F. Kennedy campaigned in Maine before speaking at the Portland Stadium.

Union Station demolition


During his career as a newspaper photographer, and later as a freelancer, Johnson had a knack for putting people at ease and making images that were timely and memorable, said John McCatherin, a former journalist and longtime friend who worked with Johnson on projects starting in the 1960s.

“He had a sense that I don’t think all photographers had, to know the moment,” McCatherin said.

Johnson was raised during the Depression in South Portland, where his father was a carpenter and his mother was a homemaker. He was the middle of seven children in a family with very little money. He developed an interest in photography when he was young and somehow saved up to buy a Kodak Brownie. He built a darkroom in his parents’ house so he could develop his own film.

“I don’t think he remembered a time when he wasn’t taking pictures,” said his son, Keith Johnson.

The 138-foot-tall clock tower at Portland’s Union Station crumbles to the ground as the station is demolished in 1961 to make way for a strip mall.

At the famous 1965 Lewiston fight, heavyweight champion Muhammad Ali defeated Sonny Liston in the first round. It was the first time Muhammad Ali fought under this name, but local newspapers still referred to him as Cassius Clay.

The heavyweight champion Muhammad Ali defeated Sonny Liston in the first round of their title fight in Lewiston, on May 25, 1965.


After graduating from South Portland High School in 1948, Johnson served in the Marine Corps for two years before returning to Maine to focus on his photography career.

In 1950, he was hired as a staff photographer at Guy Gannett Publishing, then the publisher of the Portland Press Herald, Maine Sunday Telegram and Evening Express. He was just 20 years old. He worked at the newspaper until 1972, then did freelance work until his retirement at age 80. His family says he never stopped taking photos.


The 1966 Maine gubernatorial election pitted Kenneth M. Curtis against Republican Governor John Reed, who was seeking a second term. At a rally in October 1966, Curtis, left, with Sen. Edmund Muskie and Congressman William Hathaway listen to Sen. Robert Kennedy at a campaign rally in Portland.

Sen. Robert Kennedy in Portland in September 1966.


During his career, Johnson documented the last steam engine to leave Maine, the state’s last log drive and the clearing of the site that would become the Cumberland County Civic Center. He photographed Mainers at work and at play, campaign events and boats on the waterfront. He made portraits of poet Carl Sandburg strumming a guitar in 1959, and of author E.B. White behind a typewriter in 1969.

Bette Davis, left, Carl Sandburg and Gary Merrill, Davis’s husband in 1959. Davis starred in “The World of Carl Sandburg,” a stage presentation of selections from Sandburg’s poetry and prose, and the show premiered in Portland.

Carl Sandburg, 1959


Johnson received national attention and an award for a photo he took in February 1956 of a father and son embracing as their family farm burned down. He loved taking photos of nature and Portland after snowstorms.

He married in 1954 and he and his wife, Jane, raised their three children in Westbrook. After the couple divorced in 1980, he moved to Portland. He spent his last 40 years with his partner, Cheryl Cook. They lived together in Otisfield until Johnson moved to the veterans’ home in South Paris a year and a half ago.

When his children were young, Johnson would sometimes bring them along on assignments. Jill Detmer remembers her father waking her in what felt like the middle of the night to go down to the waterfront, where they would ride on tugboats. When she was around 10, she went with him and a reporter on the last passenger train trip from Maine to Montreal. They rode home in the caboose of a freight train.

Donald Johnson, 1962


During those outings, Detmer saw how easily her father connected with people.

“When he was getting a photo together, he wasn’t demanding,” she said. “He knew what he wanted and he knew how to get people to do what he wanted.”

His son remembers tagging along with his father to the Press Herald building on Congress Street. Johnson was always on call and never hesitated to chase after a fire truck so he wouldn’t miss a shot, even if he had other plans.

“He lived photography first,” Keith Johnson said. “He had to document everything.”

Folk singer and social activist Pete Seeger plays before the launch of the sloop Clearwater in South Bristol in 1969. In 2004, the Clearwater was placed on the National Register of Historic Places for its groundbreaking role in the environmental movement.

In despair over the pollution of his beloved Hudson River,  folk music legend Pete Seeger came up with a plan to raise money and awareness by building a boat like the old 19th-century sloops that sailed the river. The sloop Clearwater, in the back center of photo, launched in South Bristol on May 17, 1969, making its maiden voyage from the Harvey Gamage Shipyard to the South Street Seaport in New York City – and eventually on to the Hudson River.

Sen. Margaret Chase Smith, R-Maine, and Sen. Robert Dole, R-Kansas, praise the Nixon administration at a news conference in Portland on May 15, 1971. Dole, chairman of the Republican National Committee, was in Maine to speak at a fundraising dinner for Smith.


McCatherin, who had been a reporter at the Kennebec Journal and Associated Press, hired Johnson for freelance assignments when he edited the company publication for New England Telephone. Johnson’s photos were always terrific, he said. McCatherin’s favorite – a spectacular color photograph of the sun rising over Cadillac Mountain taken from a plane – still hangs in his office.

During the holiday season, McCatherin and Johnson traveled the state by car as Johnson took photographs of people, places and equipment for the telephone company to use throughout the year. They would gab all the way from Portland to Madawaska and back, McCatherin said.

“It was always a treat when we’d finish up the trip and a few days later I’d get proof sheets from Don,” he said. “I would sit there and smile because it was always great stuff.”

After several of his close friends died suddenly in the 1970s, Johnston took up running. He loved running, even in winter, and kept it up until he was 80, his daughter said. When she lived in San Francisco, he visited each year so they could run the 7.4-mile Bay to Breakers race together.

President John F. Kennedy, the 35th president, in Orono, where he received an honorary degree.

President John F. Kennedy received the honorary degree of Doctor of Laws at the University of Maine, Orono on Oct. 19, 1963, a month before he was assassinated in Dallas.

Jill Detmer and her father, Donald Johnson, in 1995 at the Bay to Breakers race in San Francisco.


Johnson loved to be outside and would spend hours waiting for the perfect nature shot, unbothered by the weather conditions. He climbed Mount Katahdin, went to Gulf Hagas and traveled Down East, camera in hand. He and his son would go fishing, but Johnson was always more interested in taking photos than catching fish.

“He never went anywhere without a camera, ever,” Keith Johnson said.

Johnson bought a camp on Little Sebago in 1971 and loved spending time there with his family. He visited for the last time about 10 days before he died and he was happy to be back, his son said.

“The older he got, the more he valued time,” he said. “He didn’t want anyone to be unhappy. He was always looking on the bright side of life.”

One of Maine’s last log drives


Throughout his life, Johnson was curious about the people and world around him. It wasn’t uncommon for him to wander off during a hike because he he had spotted something he wanted to photograph. When he and his daughter went to Iceland, Johnson insisted they get off the main roads to really explore the country.

He also was curious about the lives of his three children, six grandchildren and three great-grandchildren, Detmer said.

“He was very good at listening and asked incredible questions,” she said. “I felt very important to him.”



When Johnson moved into the nursing home, he wasn’t allowed to have a camera with him. It drove him crazy to be without one, but his children made sure to have a camera ready to use on trips to camp or other outings.

“He had to be a photographer,” his son said. “That was just in his blood.”


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Stunning meteor over North Island leads to hunt for meteorite

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Footage captured of a large meteor entering the earth’s atmosphere over the top of the North Island. Video / Supplied by Logan Carpenter

A stunning event lit up the early morning sky across the top of the North Island as a meteor crossed into the earth’s atmosphere, and astronomers are on the hunt for more sightings.

Witnesses reported a large meteor soared over the North Island at 4.26am on Saturday, being spotted from Kaikohe to Auckland, with its calculated trajectory breaking up east of Dargaville.

One of five current witness accounts on Fireballs NZ said they first noticed the meteor when the paddocks in front of them lit up in a pulsing, light green hue.

“Initially I was facing away from the object (and) I turned around thinking it was a vehicle on the road that was behind me. I saw it falling from the sky in a northerly direction where it changed from green to orange-yellow.

“My relief milker who was 30 minutes north driving southwards also saw it and asked about it on her arrival. Another person on the farm also commented. I was unable to hear any sounds as I was on a motorbike. By far the biggest event I’ve seen in the night sky before. And I’ve spent a lot of hours following cows in the dark.”

Logan Carpenter captured a “fireball in the sky” on a security camera on top of his house and felt very fortunate the camera was facing the right way at the right time.

Based in Castor Bay, Auckland the amateur astrophotographer was looking at the stars through his telescope at the time and didn’t notice the event or footage until his wife checked the home security camera the next day.

“I just love all sorts of this thing and thought wow!”

Another witness reported hearing a sonic boom that sounded like an explosion lasting five to seven seconds.

Associate Professor of Geology at the University of Otago James Scott said a sonic boom results from the meteor travelling faster than the speed of sound.

He believed there will be far more people who saw the event but have not yet logged it with Fireballs Aotearoa. With more information, examiners can then analyse the trajectory and hope to recover freshly-fallen meteorites in New Zealand.

“The key thing is that this seems to be over land and not sea, and there may be a meteorite associated with it since it travelled for several seconds in the atmosphere and therefore got low.

“The colour of the fireball relates to the ionisation of elements, principally oxygen, in the meteor trail, due to the heat build-up as the rock travels through the atmosphere.

“The last part of the path was not luminescent because either all the material was burned up, or the meteorite got to a low elevation and slowed down so much that melting of the edge of the fireball ceased and the rock then entered ‘dark flight’.

“These are the most exciting because they can drop meteorites. New Zealand has 9 so far, but it is estimated that 3-4 > 100 gm meteorites should be ‘dropped’ each year on our land mass.

There are currently no Fireball cameras in the region. The Royal Astronomical Society of New Zealand (RASNZ) has just helped to sponsor the rollout of 20 Fireball cameras across the country.

Further public reports could be loaded at www.fireballs.nz.

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Sculptor Josh Gluckstein Creates Stunning Lifelike Animal Sculptures

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London-based Sculptor and Painter Josh Gluckstein creates stunning lifelike animal sculptures. Animals have always been a central theme Josh’s artwork. He recycles cardboard and other discarded materials into striking lifelike animal sculptures.

Its accessibility and versatility allows him to bring the animal to life and capture their character and intriguing beauty while creating zero waste. Josh Gluckstein ambition is to raise awareness for endangered species through my art and contribute to their preservation.

In his words about his work “Inspired by my extensive travels and volunteering through Asia, Africa and South America, I have sought to capture the presence of some of the most majestic animals I have seen by creating life-size sculptures, often made from found and recycled materials. I have continually strived to make my practice more and more sustainable, and my new collection is made entirely of recycled cardboard and paper.”

Scroll down and inspire yourself. Please check Josh’s Instagram and Website for more amazing work.

You can find Josh Gluckstein on the web:

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Life Animal Sculptures By Josh Gluckstein

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Life Animal Sculptures By Josh Gluckstein

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Life Animal Sculptures By Josh Gluckstein

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Life Animal Sculptures By Josh Gluckstein


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Wildlife are adapted to winter | News, Sports, Jobs

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PHOTOS BY GARRY BRANDENBURG — Winter-like weather has given people and wildlife a big dose of reality this past week. Snowy conditions were a sure sign that the chaotic weather machine of Planet Earth is alive and well. What we have to do is adapt. Wildlife is already prepared for this natural cycle of shorter days, colder air, and harder times to find food. In today’s images, snow accumulated on fallen tree limbs in the Iowa River are reflected in mirror smooth water, an interesting combination. While making this image, falling snowflakes can be observed filling the air. And in a harvested farm field, 24 wild turkeys and at least two deerwere searching for any ears of corn or just dropped corn kernels to eat. Wildlife with a good accumulation of body fat will be able to survive a long winter.

Winter weather is with us, even if the season of fall says otherwise. This week’s weather was kind of a surprise but not unexpected.

November is a big transition month for weather events, and Mother Nature just made sure we recognized who is in charge. A quick check of the weather history books tells us of everything from mild and above normal air temperatures, to rain, or snow, and of course in Iowa we must not forget wind.

Those arctic blasts from the northwest can sometimes penetrate even the best of winter clothing to send chills into our bodies. Our friends in Florida, Texas or Arizona like to give us a call with open invitations to come visit for the next three months.

My response is “No thanks. I’m an Iowan and here is where I live.” Home is where the heart is, and although this author likes to visit other places, it is always good to be home.

Even in retirement, now in its 18th year, I have obligations to meet. So does my wife in her volunteer endeavors. Our schedules are flexible for the most part on our terms, not those of an employer.

A footnote in this author’s history book is worth noting. Last week’s edition of Outdoors Today was number 1,600. Today, that number increased by one.

From October 1991, when I started offering outdoor adventure highlights, wildlife and nature photography to share, writing stories and sharing observations in the natural world has become a passion. I can educate readers of this column with natural history happenings, good images and fact based information as together we continue to learn more about the fantastic natural world we live in.

My stories and observations from nature began long ago. I did not realize it at the time, but my curiosity about wildlife and wild places began as a young farm kid growing up on a farm in Bremer County, Iowa.

Hard work was ingrained in me by examples set by my parents, other family members and friends. After the hard work was done, time was found periodically to explore.

Ring-necked pheasants beckoned me to pursue them after a school bus dropped me off. A quick journey along weedy fence rows could be accomplished before the cows needed to be milked.

My intent was to bring home a rooster. Our farm dog named Sport, knew that an excursion to go hunting was a good thing. A pheasant supper a few days later was food we did not have to purchase.

An intriguing thing about those pheasant hunts was a small parcel of unbroken prairie in the middle of the section. This place was fantastic. It had “exotic” plants of all kinds and a unique earthy smell.

I learned much later that big bluestem, prairie cordgrass, switchgrass, and a host of other native grasses and forbs were holdout examples of native vegetation once predominant across Iowa. But at the time I was young and interested in pheasants. That little parcel of land was usually good for a rooster excitedly bursting from behind a clump of grass as its wings clamored for more air and more speed.

Sometimes they escaped, and sometimes I made a good shot. If the bird fell, the dog thought he was the reason for my success. We proudly brought the colorful rooster home.

My farm days ended after high school graduation in 1963. I had enlisted in the Air Force. Soon I was to be whisked away to new places stateside and overseas, observing strange habitats, and no pheasants.

Four years later, with my military time satisfied, Iowa State University said “come on over, glad to have you.” At age 23 and a freshman at ISU, I was enrolled in the Fish and Wildlife Biology course of studies. It was interesting to see my own fascination with nature and natural systems blossom into a career path that ultimately landed me a job with the Marshall County Conservation Board.

I began the Marshall County adventure in 1972 and retired in 2004. I found a niche in writing for work. As an outgrowth of that, writing for the Times-Republican filled an opening when the late John Garwood’s outdoor adventures titled Sighting Upstream closed.

His appreciation for the natural world was evident. Some people, like Garwood and many others, share a bond with nature cultivated in part by participating in hunting and fishing, hiking or canoeing, camping or just relaxing streamside watching clouds drift past.

My aim in writing Outdoors Today columns is simple. I want to share any natural history subject from A to Z. I love science and I love facts.

I do not like or approve of political correctness and the misuse of science, as some will do, to misrepresent the world according to their politicized version of “facts.” I like critical thinking and honest discovery of the truth, even if it is not what we may want to hear.

So I say thank you to loyal readers of this column for your continued interest in the outdoors, our earth’s natural environments, and long-term conservation work needed to sustain a healthy world. That is my proclamation as we all enjoy Thanksgiving time this week. Enjoy.

——–

I have a walnut tree in my yard. It was planted by me nearly 50 years ago. That tree has grown well and produced many walnuts over the years. This year was that tree’s big time production cycle for walnuts.

If I had not diligently picked up those walnuts, walking on the soil under the tree would have been problematic. My collection technique was to try to keep up with collecting as the walnuts fell to the ground.

I started in late September with a daily routine of picking up what fell the night before. I finished in late October when wind and time had allowed all the once heavily laden branches to release the fruits. Baskets, totes and later a trailer filled to the brim attested to the fact that 2022 was an abundant time for this tree.

When it came time to sell the walnuts to the Hammon Products Company of Stockton, Mo., I contacted the local walnut buyer near State Center. First I took my trailer load of walnuts over a scale. After the sale, those same scales showed I had a bulk weight of 1,640 pounds.

That was the walnuts with their outer shells/hulls. At the buying station, a shelling machine took the hulls off and dutifully deposited the nuts into awaiting sacks. When all was finished with the weigh in of de-hulled walnuts, I had 746 pounds to sell.

The Hammon Company has buying stations in many localities in 16 Midwest states. Annually, they take in over 30 million pounds of walnuts. The factory process takes the nuts to the next step of separating the core from the nut meat inside.

Nut meats go one way, and the broken shell fragments go another way. While the nut meats make their way into lots of food products, the shells become fodder for grinding into smaller and smaller pieces.

Sand blasting operations for specialty manufacturing use those byproducts. It is an interesting process.

——–

Here is a quote to ponder:

“It’s not what you look at that matters, it’s what you see.”

— Henry David Thoreau, American writer and naturalist.

——–

Garry Brandenburg is the retired director of the Marshall County Conservation Board. He is a graduate of Iowa State University with a BS degree in Fish & Wildlife Biology.

Contact him at:

P.O. Box 96

Albion, IA 50005


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How to create a 24-hour star trails image

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Star trails are relatively simple to do yet produce very striking results, especially when centred around the north or south celestial poles.

These images capture the movement of Earth as it rotates on its axis, producing star trails that are comprised of fragments of concentric rings.

If you are in the polar regions during the winter and have clear, dark skies for 24 hours, the trails will form complete circles, including the pole star Polaris – also known as the North Star – because it is not perfectly aligned with the celestial pole.

However, you don’t need 24 hours of darkness to create a 24-hour star trails image.

The above image was captured from the UK, and is effectively a 24-hour star trails image.

In this guide, we’ll show you exactly how we did it.

For more advice, read our guide on how to use a DSLR camera or our beginner’s guide to astrophotography.

Star trails captured by Adam Jeffers, Cookstown, Northern Ireland, August 2020 Equipment: Nikon D800E DSLR, Nikon 28–80mm lens, static tripod

What is a 24-hour star trails image?

Most of us will never experience a polar winter, but it is still possible to create a 24-hour star trail photograph by merging together a stack of many images taken with the same setup, from exactly the same spot, on different nights throughout the year.

Although taking a star trail image on a single night is straightforward, replicating it exactly on multiple dates, then merging them together successfully, is the challenge here.

First, the camera location must be identical.

We placed marks on the ground to ensure the tripod was in exactly the same spot, but attaching the camera to a fixed structure would be even better.

Point at the north celestial pole to give your stra trails that attractive circular focal point. Credit: Anthony Beavers.

Focus must also be the same, otherwise the width of the star trails will differ, and they won’t line up perfectly.

Circumpolar star trails can be created under moonlight, but doing so will affect the fainter stars, so try to ensure the Moon’s brightness – its phase – is consistent between sessions.

Also, when you blend your final stacked images, the overlapping regions will be brighter, so only stack what’s necessary to complete the full circle.

Pick your foreground wisely

A good foreground can really make a star trails image! Credit: James Billings

Another consideration is the foreground. It’s important to have something in the foreground for context and scale.

I had a large tree in mine, which grew during the year and then required an extra layer-masking step at the end to compensate for the different tree size.

You might want to opt for a non-organic foreground object!

Star Trails over 18th Century Loop Tower by Peter Brown, Guernsey, Channel Islands. Equipment: Cannon 1100D Camera on Tripod.

Choose some potential imaging dates that are spread across the whole year and if you have a clear sky forecast, be ready on those nights (for help, read our guide to weather forecasting for astronomy).

I took images on seven nights during the year, but only used the photos taken in February, April, July and November.

During the winter months you will have many more hours of imaging available to you, but in the summer you need to grab every minute of darkness.

If thin cloud moves through your field of view, don’t worry; the stars will still shine through.

Star trails captured on a smartphone with NightCap by Iain Todd, Bristol, UK, 26 February 2022.

Issues such as aircraft lights can be omitted from the image stack by using a program called StarStaX, which can fill the gaps.

Before you attempt to merge the stacked images, adjust the brightness and colour balance to make them as similar to each other as possible.

You may also have to apply a lens distortion correction to successfully line up the images. But all this effort is well worth it for the end result.

What you’ll need

  • A DSLR camera with a widefield lens and a high-power battery or mains power lead
  • A remote shutter release cable that locks in place
  • A sturdy tripod
  • A dew heater to prevent the lens from fogging up during long imaging sessions
  • Software for image stacking and processing, eg StarStaX for stacking, and Photoshop or GIMP for merging and processing the stacked images

Create a 24-hour star trails image, step-by-step

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The stunning Welsh picture which has won an illustrious photography award

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A picture of one of the most picturesque sights in Wales has been chosen as the winner of an illustrious award. Will Davies decided to enter a beautiful picture entitled ‘Brecon in Winter’ into the Landscape Photographer of the Year awards, which was founded in 2006, and considered one of the highest accolades to be had in the field.

The 42-year-old grew up in Usk, but moved to study and work overseas including a ten-year spell in Africa, and he now lives in Washington DC pursuing a career in international development. But Mr Davies tries to get home as much as he can, and during 2019, managed to take a stunning photo of Brecon which he decided to enter into the awards.

And he admitted he was stunned when he received a phone call to say that not only had his photograph been chosen to feature within the Landscape Photographer of the Year collection book, but he had won the competition outright to be crowned Landscape Photographer of the Year and receive a £10,000 cash prize.

READ MORE: Country home in a national park with sweeping views and a surprise converted barn



'Brecon in Winter'


© Will Davies
‘Brecon in Winter’



Will Davies


© Will Davies
Will Davies

Mr Davies explained: “The competition is something I’ve followed for a number of years as I have been interested in landscape photography. I never thought I’d have any chance of winning it. I’ve been based overseas a lot for work, but I spent just over a year back in Wales in 2019, then 2020, 2021, and I was able to get a decent number of photos together and I thought I’d might as well have a go. For me, a great result would have been to just get in the collection, because it’s quite prestigious, and just getting a photo in the book would have been an achievement.

“To then find out that the photo I took of Brecon actually won the whole thing was amazing. I was pretty shocked. I think it is the first time a Welsh photo has ever won the overall category. My dad used to take me up the Brecon Beacons pretty often walking and fishing and that kind of thing. I was so pleased the winning picture was one from close to home. I’m trying to spend more and more time back in Wales and I think this has motivated me even more to get over as much as I can.

“I have played around with cameras since I was a kid, but it was probably travel which brought it out for me. Spending time in Africa really first got me obsessed with the landscapes, and the wildlife and everything else. What’s been nice is when you come back home you realise how beautiful your own country is, and taking these amazing photos almost on your doorstep back home has been really nice.

“We’re doing a renovation in the house at the moment and the trophy is in a box, but I’ll have to find a mantlepiece to put it on! My mum has been buying up copies of the book and handing them out, and I’ve been getting prints of the photo as well so it makes nice Christmas presents. I’ve spent a lot more printing them for friends and family than I have made out of selling them that’s for sure! I’m hoping to get back for Christmas, hopefully we’ll have some snow over Brecon Beacons and I can take some more to enter for next year.”

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I never expected to see deals on Apple’s new M2 iPad Pro this quickly

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There’s no doubt that Apple’s latest iPad Pro is a beast of a tablet. Packing the tech giant’s own M2 chip, excellent battery life and a stunning screen, it could put a lot of laptops to shame. The only downside is the price. But the good news is that we’ve spotted the first M2 iPad Pro deals – yes already!

The 2022 M2 iPad Pros were only released last month, so we weren’t expecting to see any discounts this side of New Year, but Amazon has $100 off the M2 iPad Pro 12.9 – now $1,199 $1,099 (opens in new tab) with 256GB of storage.

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