The Woodland Camera Forum will present a free photography program by photographer Beth Savidge, on Monday, Sept. 18, at 7 p.m., at Norton Hall, 70 Cottonwood St., Woodland.
“Photography became my medium for artistic expression as an adult, with my objective focusing on capturing the beauty of the natural world, while evoking an emotional response,” stated Savidge about her show of images, titled “A Journey of Experiments.” “This may be in the form of capturing the story of wildlife, the beauty of a landscape, or the mysteries of the macro world. I continually challenge myself with new subjects and methods and enjoy exploring the creative possibilities that come in post-processing.”
Recent Awards and Recognition include
2023 Yolo Arts Art Farm Juried Auction: “Wine in the Making”
2023 KVIE On Air Art Auction: “Wine in the Making”
2023 Award of Merit, People Category, California State Fair: “Knight”
2023 Award of Merit, Nature, California State Fair: “Sleeping Bee”
2023 Award of Merit, Landscape, California State Fair: “Wine in the Making”
2023 Guest speaker at the Photography Club of Davis
2022 KVIE On Air Art Auction: Juror Award, “Winter at West Pond”
2022 Award of Excellence, Fine Art, California State Fair: “Botanical Blast”
2022 Honorable Mention for “Baskets”, juried show, Botanical, Photo Place Gallery, Middlebury, VT
2021 KVIE On Air Art Auction: “Arboretum”
2021 Yolo County Fair: Most Outstanding Portfolio and Fair Staff Choice Award
2021 Pacific Horticulture online magazine. Photos featured in 5 articles about a local native plant garden, The Native Plant Garden: Winter, Early Spring, Late Spring, Summer and Fall.
2021 First place portfolio, Park Winters Spring Invitational
2020 KVIE On Air Art Auction. “Into the Storm”, auctioned for highest photo bid
2019 Yolo County Fair: First Place and Best of Show for fair theme (Goats); First place Advanced Adult Color Seascape; First place Advance Adult Color Cloud Formations
2019 Award of Excellence, Color Landscape Photography, California State Fair
2019 Yolo County Fair: First Place and Best of Show for fair theme (Goats); First place Advanced Adult Color Seascape; First place Advance Adult Color Cloud Formations
2019 KVIE On Air Art Auction. “Gold on the Horizon”
2018 Sacramento Fine Arts 2D Visions, Honorable Mention
2018 Yolo Arts “Art Farm” People’s Choice Award
2018 Yolo County Fair: First Place, Advanced Adult Color Photography, Landscape
2018 Yolo County Fair: First Place, Advanced Adult Color Photography, Wildlife
Beth’s work can be found on her Zenfolio page, https://bsavidgephotography.zenfolio.com/about.html, and her Instagram page, @bethsavidge.
The Woodland Camera Forum meets every third Monday evening.
Anyone interested in photography is invited to attend. For more information about the Woodland Camera Forum and the program, contact Susan Bovey at (530) 219-0955, or email at [email protected].
Watch video: What is the exposure triangle in photography
Understanding the exposure triangle in photography can be incredibly daunting at first, but don’t panic! We all get our head around it eventually.
In short, there are three main controls on your camera that must be coordinated in order to create a balanced exposure – an image with a good range of tones that is neither too bright nor too dark. These are shutter speed, aperture and ISO.
Shutter speed determines the amount of time that the sensor is exposed to light. The aperture is the size of the opening in the lens that this light passes through. And ISO is the sensitivity of the sensor to light. Change any one setting and you will also have to change one (or both) of the others to compensate.
While the scales used for these controls are all different – shutter speed is measured in seconds (or fractions of a second), aperture in f-stops, while ISO uses multiples of 100 – increasing or decreasing any of these settings to the next unit in its scale is achieved by doubling or halving its value, referred to as a ‘stop’.
So a shutter speed of 1/250sec can be doubled by one stop to 1/125 sec, or halved to 1/500sec. An aperture of f/5.6 lets in twice as much light as f/8, or half as much as f/4. And ISO400 is twice as sensitive to light as ISO200, and half as sensitive as ISO800.
Increasing any of these settings by a stop means that you will also need to decrease one of the other settings by a stop for the same overall exposure. However, in addition to determining the brightness of the image, these settings also have an important creative effect over the look of the image.
A fast shutter speed freezes movement, while a slow shutter speed will record anything moving as a blur. A narrow aperture gives greater depth of field than a wide aperture, meaning that more or less of the scene is in focus. And the greater the ISO, the noisier the image will appear. Let’s see how these settings can be used to our advantage…
Aperture
To ensure that the model is isolated from the background, we used a wide aperture of f/2.8. Then, to compensate for the increased light coming through the lens, we balanced it with a very fast shutter speed of 1/3200 sec.
Shutter speed
To blur the movement of the water, we need to set a long exposure time. Our shutter speed was set to 15 secs, so we stopped down our aperture to f/11 to restrict the light and increase the depth of field.
ISO
Shooting music gigs means working in low light, so we upped the ISO to 3200 in order to make the image sensor more sensitive to light. We used an aperture of f/1.4 to retain a fast shutter speed – enabling us to freeze the motion on stage.
We have more explainer articles on photography terms, such as What is aperture on a camera? as well as What is ISO? and What is depth of field in photography?.
The attorney for a man convicted of killing 2-year-old Faviola Rodriguez requested a new trial Friday after citing the discovery of new medical evidence that may cast doubt on the nature of her death.
The motion comes a week after a jury convicted Lalo Anthony Castrillo IV, 28, on one count of intentional abuse of a child resulting in death. The crime comes with a life sentence.
During the five-day trial, prosecutors accused Castrillo of killing Baby Favi, as the community has come to know her, and presented medical evidence suggesting she suffered blunt force trauma caused by a person.
Castrillo was the only person with Baby Favi the night of her death and, according to phone records presented during the trial, searched “cariogenic shock,” “how to get blood pumping when a child is in shock,” and “child chokes on throw-up during sleep” before calling police.
Photo on Facebook could mean a new trial
Castrillo’s defense pushed back on the medical evidence by presenting a retired medical examiner during the trial who said that the manner of death was impossible to determine. The defense also raised the possibility that Baby Favi sustained a head injury at a park before she died.
Castrillo’s attorney, Jose Coronado, doubled down on that theory in the retrial request. In the motion requesting a new trial, Coronado pointed to a photo posted on Facebook by Baby Favi’s mother, Saundra Gonzales, the day the trial ended. Coronado said the photo shows Favi with a bruise on her head.
That would contradict the testimony of Gonzales and a nurse practitioner who examined Favi hours before her death, according to Coronado’s motion. Both said Favi showed no bruises the day before her death.
A review of Gonzales’ public Facebook page shows she posted two photos of Favi, one the day before the trial ended and one the day after.
The first photo is of Favi at Unidad Park (sometimes called Wooden Park), and the second is of her sitting on a box. The first photo is at the center of Coronado’s retrial request.
In the motion, Coronado alleges that Favi may have injured herself at Unidad Park and sustained a bruise that swelled until it pressured her brain and killed her days later.
Legal biases of a new trial
Ultimately, the decision for a new trial will be in the hands of Judge James Waylon Counts, who’s been given a mandate from the state Supreme Court to oversee this case.
For Counts to find that a new trial is warranted, state law says he must find that:
Newly discovered evidence could change the result.
The evidence was discoverable before the trial occurred.
The defense could not have discovered the evidence.
The evidence is material (meaning it reaches a degree of significance).
It’s not cumulative (meaning it does not repeat evidence already shown to the jury) and does not solely question the testimony of a witness.
Coronado specified he believes the photo meets those criteria.
“(The photo) substantiates the defense position that Faviola R. had fallen before; it substantiates the defense position that on September 5 or 6, 2018, Mr. Castrillo did not cause the contusion in (the photo),” Coronado said.
Coronado adds that there was no way of knowing the photo existed because Gonzales did not turn it over to prosecutors as potential evidence. The photo at Unidad Park was posted on Aug. 31, the day before the trial ended, and appears to have never been posted.
When might the hearing to decide a retrial occur?
Counts has not set a hearing date to determine if he will allow a new trial as of the publication of this article. However, the hearing will likely occur before a sentencing hearing set for Sept. 19. If no new trial occurs, Castrillo could face life in prison. He would be eligible for parole after 30 years.
The Sun-News reached out to the District Attorney’s Office for comment and is awaiting a response. Coronado declined to comment, stating that he feels the motion speaks for itself.
Justin Garcia is a public safety reporter for the Las Cruces Sun-News. He can be reached at [email protected].
This article originally appeared on Las Cruces Sun-News: Castrillo’s lawyer calls for new trial after photo posted of Baby Favi
In its first foray into New York’s Armory Week, Photofairs, dedicated to photography and digital media, opens today, September 8, at the Javits Center, running alongside the massive Armory Show. Originally from Shanghai (save for a two-year stint in San Francisco), the three-day fair held its preview on Thursday, a scorching 96℉ day that made the breezy walk from Penn Station more of a treacherous hike through Midtown hell. Still, even though I had sweated through my clothes and my feet were covered in blisters, as a photography lover, I remained optimistic about what the show had to offer. Once I had taken refuge in the convention center’s air conditioning and bandaged my swollen toes, I made my way into Photofairs, located to the far right of the center, sandwiched between a curious plant-based event and an expo sponsored by a photo and video equipment retailer.
I was greeted by a towering film reel installation by Argentinian visual artist Andrés Denegri and relieved to find the event’s layout refreshingly spacious and navigable, especially in comparison to claustrophobic fairs that feel akin to an inescapable labyrinth of commercialism and opulence. A mix of gallery displays and nonprofit partner exhibitions, Photofairs gathered more than 150 artists and 50 exhibitors from around the world in its New York debut to showcase an expansive range of photo-based work and digital art, spanning prints, collages, sculpture, video installations, art books, and even AI-generated displays.
At the Woodstock Center for Photography booth, which featured artists from the center’s 2022 AIR residency, I found myself lingering by Cheryl Mukherji’s vibrant photographs, matchbox works, and manipulated newspaper print. Taken in her Crown Heights apartment, her reimagined matrimonial pictures are modeled on her mother’s and grandmother’s own bridal photos (which Mukherji playfully referred to as vintage “thirst traps”) that their families used to showcase their availability for marriage. Straddling both a rejection of convention and an honoring of familial and cultural heritage, Mukherji’s self-portraits reminded me of Wendy Red Star’s Four Seasons (2006) series in their similar studio-style approach, as well as the artists’ deliberate choice to look directly at the camera lens, and by extension, the audience.
I then hopped over to the Howard Greenberg Gallery, where a trove of photographic relics were on display including works by Gordon Parks, Joel Meyerowitz, Dorothea Lange, Henri Cartier-Bresson, Vivian Maier, and Robert Frank. In the midst of a fair that includes NFTs and artificially generated works, this was an ode to the 20th-century artists who helped usher in photography as an art form at a time when many refused to accept the camera as an artist’s tool.
Fair organizers Helen Toomer and Scott Gray expressed an openness to “welcoming” the new digitized visual forms.
“I always think about photography as the heart, and image-making as this thread through film and through digital,” Toomer said. The director of this year’s fair, Toomer also founded the upstate Stoneleaf Retreat and Residency and co-created the Art Mamas Alliance.
“I’ve been really beautifully surprised at the amount of emotion that the works have evoked from me,” Toomer said.
When I asked Gray about the fair’s brief time in San Francisco before it was canceled in 2019, the British entrepreneur who founded Creo, the parent company behind Photofairs, explained how the market has evolved since then.
“I think how photography is consumed and bought and appreciated has changed over the last decade,” Gray said, pointing to how the versatility and accessibility of the medium has made room for amateur artists and hobbyists.
Continuing on into the fair, I weaved in and out of booths, trying to keep an open mind, especially when I saw the interactive photo booth experience featuring generative artworks from Huntrezz Janos that felt more like a life-sized TikTok video. I was drawn to Emanuel Hahn’s display of photographs from his ongoing American Fever series that explores the intersections of the post-war Korean immigrant experience and romanticized ideals embedded in Hollywood cinema and the mythological American West. In talking with Eric Hart Jr., whose stylized black-and-white portraits invert notions of heteronormative Black masculinity with illuminated acrylic nails and lacy parasols, the New York-based artist explained how while he continues to use monochrome digital photography as his primary medium, he also has begun warily exploring the ways AI can help grow his own art, such as in mood-boarding and sketching.
“I’m not gonna fight it. I feel like there’s a way to use AI in a way that warrants innovation,” Hart said. “I’m all for the future. I just don’t want it to overtake the practice. I feel like that’s where we should just be cautious of how we’re using it.”
Franco-Senegalese visual artist Delphine Diallo, whose powerful mixed-media collages at the Fisheye Gallery booth mix iconographic portraiture, African cult objects, and sprinkled with technological bits, expressed a similar openness to AI.
“There is no limitation,” Diallo said. “These people say AI is negative, so instead of reacting negatively to AI, I’m like, ‘I hear you! Let me investigate.’”
This couple incorporated décor elements inspired by their Northern Michigan lake house, including birch trees, moss, mushrooms, and stones.
Kristen and Brandon met on a blind date arranged by mutual friends in 2017 when they both lived in Chicago. After the couple’s friends tried to get them to meet organically at group events—only to have one of them cancel each time—they encouraged Brandon to make a move. “I have his first text screenshotted and we still laugh because he completely forgot to say who it was and just asked me out with no introduction,” Kristen says.
In 2019, for her 30th birthday, Brandon surprised Kristen with a trip to Iceland. The couple rented a quaint cabin in the mountains where Brandon got ready for a proposal. He lit candles around the cabin and the couple slow danced to their favorite song when Brandon got down on one knee to pop the question—and the couple rang in the New Year two days later as an engaged couple.
Kristen and Brandon wanted to get married in Northern Michigan, where the bride’s family has a home on Torch Lake; she has invited Brandon’s family to spend time there every summer, so the area had sentimental value to the couple. They invited 135 guests to watch them exchange vows at Emmanuel Episcopal Church in Petoskey, Mich., followed by a tented reception at EK Preserve in Boyne Falls. The couple worked with Ann Travis and her team at Ann Travis Events to pull together a nature-inspired wedding with a color palette of earthy creams, pale pink, light peach, mossy green, and hints of navy.
Related: 40 of Our Favorite Ideas for Your Fall Wedding
A River Runs Through It
Brandon spent the morning fishing for trout in the river on-site at EK Preserve with his groomsmen and ushers before getting ready for the wedding.
The Handsome Couple
Kristen wore the very first wedding dress she ever tried on—an A-line corseted Graziana Valentini gown with floral embellishments that was altered to create a sweetheart neckline. After checking out a variety of styles and narrowing her prospects down to two options, she decided that she wanted her wedding dress to feel like something she would normally choose in real life. “I’m sure I would have been happy either way, but I felt like ‘me’ in that dress and was so comfortable all night long,” Kristen says.
She accessorized the garment with a simple gold herringbone necklace and matching bracelet from Bony Levy. She also wore grandmother’s thin gold ring on her right hand as a way to include her in the big she; she was unable to attend.
A Colorful Clutch of Blooms
The bride held a natural, hand-tied bouquet of seasonal spray roses, garden roses, ranunculus, white berries, greenery, and fall foliage. The arrangement, made by BLOOM Floral Design, was tied with a blush silk ribbon holding the bride’s great-grandmother’s blue stone brooch. “This brooch has been passed from bride to bride in our family, so it was so special to be able to include it in my bouquet,” Kristen says. “My favorite detail however, was the strands of pearls we trimmed from my mom’s wedding veil and intertwined into the silk ribbon so that they fell down over the front of the arrangement and hung over my hands as I walked down the aisle.”
Beautiful Boutonnières
In addition to the groom’s navy tuxedo with black lapels and a black bow tie, he also wore gold cuff links with his initials on them; Kristen gave them to him on the morning of his wedding. The finishing touch? A boutonnière that spoke to the bride’s bouquet.
Cinnamon and Navy
Kristen picked out a cinnamon rose shade from Jenny Yoo and asked her bridesmaids to choose a floor-length dress in their favorite style. “Our wedding was September 4, which can be warm and still feel like summer or cool and feel like the start of fall,” she says. “I wanted a color that wouldn’t feel too summery if it was cool—or too wintery if it was a hot Labor Day weekend.”
Kristen also asked her eight best friends from college who were not in the bridal party to dress in shades of blue to be her “something blue.” The groomsmen wore navy suits and ties to coordinate with Brandon—they also matched the pair’s three nephews and two nieces, who dressed in dark blue for their roles as ring bearers and flower girls.
Woodsy Programs
The couple’s invitation suite included neutral colors with a birch bark background. “It was a nod to the wooded feel and natural elements that we incorporated throughout the weekend,” Kristen says. “The birch tree, in particular, was a highlight.” Other woodland motifs, such as subtle illustrations of mushrooms, appeared on the menus, drink signs, place cards, and ceremony cards, pictured here.
Going to the Chapel
The couple’s ceremony took place in a stone chapel atop a hill overlooking the town with stained glass windows. “Our favorite part was the arched wood ceiling that was designed to look like the hull of a ship,” Kristen says. They kept the décor simple with flower arrangements on the floor near the altar and cascading down the steps.
When Kristen walked down the aisle with her dad, Maurice, it was the first time Brandon saw her on the big day. “Kristen got her wish—the waterworks started as soon as I saw her,” he says. “My best man Tom patted me on my back and it quickly turned into the best moment of my life.”
The couple’s religious ceremony was officiated by long-time family friend Monsignor Kenneth Velo, along with Reverend Kay Houck, the local reverend at the church. Monsignor Velo married Kristen’s parents and many of her family members, so the couple was happy to have him officiate their wedding, as well.
Cocktail Hour in the Mist
The couple’s cocktail hour took place on the venue’s front lawn, where bistro tables and a bar were set up underneath the trees.
On the Lawn
While roaming the property, guests enjoyed passed appetizers including mini beef wellington, sweet and sour meatballs, and fresh fruit kabobs. Kristen’s signature cocktail was a cucumber melon martini with mint, and Brandon’s signature cocktail was a bourbon paper plane.
Soft Jazz
The pair hired a jazz quartette—they stayed dry under a covered patio—to play the classics.
The Rainy Photoshoot
After taking group photos underneath the reception’s tent, Kristen and Brandon walked around the property with their photographer, Clary, and videographer, Emily. Realizing they would get wet eventually, the couple put down their umbrellas and slow danced in the rain. “Even with two photographers and two videographers, it felt like we were completely alone,” Kristen says. “We were soaked by the end and I had to throw my hair in a ponytail for the rest of the night but it was absolutely worth it for the rainy moments they captured.”
A Magnificent Tent
Kristen and Brandon’s wedding reception took place underneath a sailcloth tent. “The EK Preserve was the very first venue we saw and we absolutely fell in love as soon as we drove down the windy driveway,” Kristen says, “It had all the features we were hoping to find in a venue—a sprawling outdoor space, lots of nature, and a casual chic vibe that we hadn’t found anywhere else.”
Foliage-Filled Entrance
BLOOM Floral Design decorated the entrance to the tent with florals in copper-and-orange tones paired with Spanish moss and greenery. “The overall floral design was absolutely stunning and unlike anything we’d seen before,” the bride says.
Related: Here’s What Every Type of Wedding Tent Looks Like
Find Your Seat
The couple’s stationer created dye-cut fish for the couple’s custom escort wall that featured the same mushroom botanical sketches that were seen on the menus and place cards. “There were subtle nods to nature in all of the details and it was exactly what we dreamed of,” Kristen says.
Flowers on the Bar
A stately stained wood bar was topped with an asymmetrical arrangement and a mix of candles; crawling branches and additional florals anchored the station.
In the Round
Round tables were topped with terra-cotta patterned linens and circled with bentwood chairs. “The centerpieces included soft, subtle autumn tones and transitional foliage to capture the essence of the season,” the bride says.
Wood Tones
Long, dark wooden tables added structure to the tent; they were lined with neutral runners and a series of arrangements in compotes.
Under the Birch Trees
The couple made three 20-foot-tall faux birch trees to wrap around the tent’s center poles. “We spent weeks building these and covering them in real birch bark from fallen trees on our property on Torch Lake,” Kristen says. “We foraged live moss and mushrooms to add and even etched a heart with our initials on the main trunk.” Chandeliers made from real branches framed the birch poles, casting shadows on the tent ceiling all evening.
Textural Place Settings
Place settings featured scalloped plates with a green leaf design, rattan chargers, and matte black flatware. “Set atop each plate was a Petoskey stone that had been handpicked by our families from our lake home beach and polished by my dad,” Kristen says. “It was a little piece of Northern Michigan for our guests to take home with them.”
A Locally Sourced Meal
The couple sourced the majority of the food, beer, and liquor from Michigan vendors, breweries, distilleries, and wineries. They served fresh Michigan whitefish and filet mignon with roasted seasonal vegetables tossed with penne noodles and a parmesan pesto cream for dinner.
For dessert, they skipped a traditional wedding cake and served bite-sized cupcakes, cookies, rice crispy treats, cherry pies, cinnamon sugar donuts, and lemon bars. They also had a s’mores station by the river and served pizza and burgers as a late-night snack.
Their First Dance
Kristen and Brandon shared their first dance to James Arthur’s “Falling Like The Stars.” “We’d listen to it and smile at certain lines because it’d make us think of our own relationship and it had the overall vibe we wanted for our first dance,” Kristen says. After, the bride danced with her dad to a duet version of Nat King Cole’s “Unforgettable.” “When I was a little girl, we would spin around our family room dancing to it,” she says.
Brandon shared a special dance with his mom to a live rendition of Amy Winehouse’s “Valerie.” “Whenever I hear it, I send her a text to let her know it’s on and that I’m thinking of her,” the groom says. The couple worked with the band’s manager to customize the song and create a transition to get everyone on the dance floor at the end. “It was fun to hear the band’s take on the song while having that special moment with my mom,” Brandon says.
Related: Your Ultimate Wedding-Planning Timeline and Checklist
Oh, What a Night
The couple spent the rest of the evening on the dance floor with their guests. “You almost felt like you were at a private concert rather than a wedding,” Kristen says. “We had a 12-piece band that could literally play anything you threw at them.” When Gold Coast All Stars played “Love Shack,” a tradition for the Bride’s family, they had everyone singing at the top of their lungs. “The dance floor was packed from the very beginning and never emptied until we had to literally force people on the buses to leave,” the bride says.
To couples who are currently planning a wedding, Kirsten and Brandon recommend taking a moment to step away with your spouse during the reception. “Brandon came and grabbed me off the dance floor so that the two of us could step outside by ourselves and take it all in,” Kristen says. “We sat out by the bonfire and watched as all of our loved ones and closest friends danced the night away, laughing and singing their hearts out under the tent. It was so special.”
Sources
Photography, Clary Pfeiffer Photography Ceremony Venue, Emmanuel Episcopal Church Reception Venue, EK Preserve Wedding Planning and Event Design, Ann Travis Events Wedding Coordination, Andrea Mikolon, Boyne Mountain Videography, Out of the Blue Floral Design, BLOOM Floral Design Invitations and Paper Products, Jade Social Officiants, Monsignor Kenneth Velo, Reverend Kay Houck Bride’s Dress, Valenti Bride’s Jewelry, Bony Levy Bride’s Shoes, Franco Sarto Bride’s Hair and Makeup, The Spa at Inn at Bay Harbor Bridesmaids’ Attire, Jenny Yoo Menswear, The Suit Shop Engagement Ring, Best Friends Diamonds and Gems Music, Gold Coast All Stars Guest Book, Modern Album Designs Catering, Boyne Mountain Desserts, Simply Sweet by Jessica
Terraforming: Olana’s Historic Photography Collection Unearthed is now on display at Olana State Historic Site. Inspired by Olana’s significant collection of nearly 2,000 19th century international photographic prints, artist and guest curator David Hartt reflects on the ways in which human culture and activity shape the land, eroding the boundary between human construction and the natural world.
Through the selection of historic photographs from Olana’s vast collection, the exhibition also explores what this global photographic collection tells us about Church’s painting practice, travels, and ways of knowing and collecting the world.
We get a preview of the exhibit this morning with the President of The Olana Partnership, Sean Sawyer and independent curator and historian of photography, Corey Keller.
EAST PEORIA – Reiki master Wendy Jordan used to see clients on a mountain near Santa Fe, New Mexico. Now she works on the deck of her East Peoria home beside a waterfall flowing into pond filled with giant koi fish.
“I made a vow years ago, that whenever I do healing work, I want to be in nature because that’s what opened me up spiritually,” said Jordan, owner of Wendy Jordan Healing Arts. “I just didn’t want to be some place where you had to rent a little room and have it feel kind of medical.”
A Chicago native, Jordan lived in Santa Fe for 13 years before moving back to Illinois in 2022 to be closer to her grandchildren. The home, situated on a wooded lot near Germantown Hills, is what brought Jordan and her husband, Roger Ayres, who is also a Reiki master, to the Peoria area.
“It’s like one of my little angels up there put this house on Zillow one day,” said Jordan. “We were not even looking at Peoria — I knew nothing about it. And I’m like, ‘Roger, look at this. With the pond and everything, wouldn’t that be the perfect place for people to come and get their stress relieving treatments?’ And here we are.”
The road to Reiki
Jordan was working as a corporate photographer and videographer when she discovered Reiki, which is based on the Eastern idea that vital energy flows though the body. The Reiki practitioner helps promote healing and balance by redistributing energy through gentle touch or by simply holding their hands above a client’s energy centers.
“I was fascinated. As a photographer, we are all about our eyes and seeing. … There was nothing like, ‘OK, shut it all down, close your eyes and feel it with your heart, and see what you are capable of,’” said Jordan. “We all have this wonderful ability, tapping into what’s out there in the natural world without using our five senses – it’s kind of opening up the third eye, as we say.”
More: ‘Healing the body and mind’: This Peoria business offers holistic medical techniques
Though Jordan took her first class just for fun, it began a journey that changed her life. She embarked on a year-long study program. When she got back home to Chicago, she began advertising her new side business, and by the early 2000s she was able to leave corporate photography behind.
Today, Jordan offers both healing treatments and classes. Treatments cost $95 for an hour, $130 for 90 minutes or $240 for three one-hour sessions. Jordon also does distant healings — an hourlong phone session is $85, and three sessions are $200.
Healing near and far
“So we all know the power of prayer, and energy work is actually the same way,” said Jordan about distant healing. “To this day, it’s almost like I do it and I can’t believe it — it’s like a miracle. You can send the energy, you can send the intention and literally pick up on the energy field of the person that’s nowhere in the vicinity and send healing. I have done that for many people when they’re in surgery. … It kind of creates this spiritual bubble around everybody in the operating room, that tapping in and asking the spiritual beings that are out there — the gods or angels, whoever you want to believe in — to just be there with that person, to keep the doctor focused. It’s like you give everybody the right energy, just make it the perfect place to do it and surgeries go better.”
Jordan’s clients from Santa Fe often request distant healings.
“I was surprised when I moved here, how many people still call me and say, ‘I can’t see you in person, but could we just try it?’” said Jordan. “They know me, and I know their energy so well. And we talk on the phone for a little while. Then I might take them through a meditation. … It gets them in this nice place, and I say ‘OK I’m gonna work on you, just hang up the phone,’ and they text me either later in the day or the next day and go, ‘Oh my gosh!’ It’s just sort of a blessing that we were given, as humans, that we can do this.”
More: This Peoria Heights yoga studio came out of the pandemic with a renewed spirit
Leslie Renken can be reached at (309) 370-5087 or [email protected]. Follow her on Facebook.com/leslie.renken.
This article originally appeared on Journal Star: Wendy Jordan Healing Arts in East Peoria IL offers Reiki stress relief
Most art can be described as a skillful combination of creativity and technology – photography being the best example. Ever since 1826 when the first photograph ever was taken, innovation shaped and expanded the horizons of photography. Now, with AI technology rapidly evolving, this art is going through unprecedented changes. How can photographers take advantage of this new technology?
Transforming photography one frame at a time
Artificial intelligence is practically all you hear in the tech news these days. It is changing many industries at a very fast pace, introducing algorithms that can process incredible amounts of data, identify patterns, learn, and deliver a range of reliable, educated solutions. In photography, AI is making huge waves, introducing tools that can quickly process visual data in real-time like AI-powered autofocus.
From a simple AI-driven GIF maker to advanced photo and video editing software, artificial intelligence is becoming an increasing influence on photography as a whole – and photographers will need to adapt to keep up with the changes.
People are also reading…
Your camera might be using AI technology without you even realizing. Cameras that use AI can smoothly adjust their settings based on the detected environment, taking into account lighting, movement, color balance, and many other factors. Photographers can also use free online editing tools like CapCut, which offers AI tools that help in photo and video processing.
Using AI to streamline editing
Nowadays, taking the perfect photo is only half of the journey – the other half is post-processing. Quality editing takes a lot of technical skill and an impeccable artistic vision, but with AI, this time-consuming process can become significantly shorter. What’s better, many AI editing tools are extremely intuitive, which means you don’t have to be an editing expert to use them.
AI can be used to apply a range of adjustments and enhancements to pictures and videos. First, the AI identifies and categorizes different elements in an image, looking for patterns like the ones it has learned from all processed data. Then, it applies enhancements that fit each image edited, whether it’s intelligent sky replacement, background removal, or even complex tasks like altering the lighting – all achieved with a single click.
Artificial intelligence can perform advanced color correction and make your photographs crispier and more vibrant, retouching your images in just a few seconds. Instead of spending all your hard-earned money on expensive editing software, take advantage of free tools like CapCut. With no subscription or purchase necessary, CapCut can take your photos, upscale them to 4K without losing quality, and apply a range of AI-driven enhancements to your art – even restore your old and discolored family pictures.
Will AI take over photographers?
Just like technology has always shaped the art of photography, the introduction of AI will also become a useful tool in the hands of photographers that can use it to their advantage. AI isn’t the artist, but yet another brush that the artist can use to create. These algorithms cannot work on their own – they require human creativity and intelligent use to produce truly excellent results. What they can do is vastly reduce the time needed for post-processing and automate many mundane and time-consuming tasks.
Artificial intelligence is changing more than just photography. We can’t escape technological innovation, but we can learn to use it to amplify our efforts. As we enter the AI-driven future, knowing how to embrace these changes will be the key to success. This also includes photography – just like computer and editing software innovated manual photo editing, so does AI further evolve the process. Don’t be afraid of AI tools. They’re not here to rebel and take over the world anytime soon, and if you know how to use them well, they can bring you many benefits.
Lee Enterprises newsroom and editorial were not involved in the creation of this content.
The business news you need
Get the latest local business news delivered FREE to your inbox weekly.
We’ve all heard the phrase, “A picture is worth a thousand words.” This suggests that if you can simply see something, then you can understand the situation perfectly. In my line of work, however, this is often a gross underestimate of the power of a photo.
In many cases, one of my photos might be worth several thousand words because the photo needs to be explained in several different ways. So I am going to attempt to explain the significance of this week’s photo in 1,000 words or less. Here goes.
It was Aug. 22 and I was returning to my house after another successful visit to my Thinking Chair. During an epic 3-hour session that started at 5:55 a.m., I had managed to accomplish a feat that I had initially thought to be impossible. I had tied the seemingly unbreakable record of observing 64 species in my yard in the month of August. I was absolutely giddy with self-satisfaction.
It was no accident that I had tied the “unbreakable” record. I had certainly put in the time by making 13 visits to the Thinking Chair in 22 days. But time alone is not always going to produce results. You also need a lot of luck and possibly even a smidgen of divine intervention. For this, I rely upon Nikonus and Iso, the photo gods.
Nikonus is the god of timing and he is rather brutal. He will present you with a species, but you have to be quick enough to see it. Iso is the goddess of color and light. Far more compassionate, she dictates the conditions necessary for good photography. Together, they determine if I can take a photograph or not.
So there I was, walking out onto my deck after reaching an amazing milestone when all of a sudden I caught sight of a bird that simply didn’t fit the setting. From the far railing, this bird flies up and I am struck with the simple impression of a gray bird with long wings and a relatively short tail. I would have dismissed it as a mourning dove, but the tail was wrong.
My birder’s brain sent back a reactionary identification after this split second and imperfect view, but I needed to see the bird again to confirm. Nikonus had offered up a challenge, I had been in the right place at the right time and he was so pleased that he gave me an extra moment.
The bird was up in my cottonwood tree and I was able to find it and confirm my initial identification. It was a brown-headed cowbird (Molothrus ater) and it was the species that set a new record. I was elated, but there was also a note of disappointment because of the nature of the species in question. The brown-headed cowbird is a species that is described as a “nest parasite.” This means that female cowbirds will find the nests of other birds and then lay one of their own eggs into the nest of the unfortunate host. If things work out, then the host birds will raise the baby cowbirds as their own. At no point will cowbirds raise their own offspring.
This is often devastating to the host species for two reasons. First, the host loses an egg when the cowbird makes a deposit because the female will physically remove it. Second, the cowbird chick is so much larger than the host species that it crowds out the remaining chicks (causing their deaths) and occupies all of the feeding efforts of the adults. The eastern phoebes that nest by my front door are plagued by cowbirds and sometimes there are very few phoebe chicks to show for months of effort by the parent birds.
So, while delighted that I had broken the unbreakable record, I was also a little disappointed by the identity of the species involved. I went into the house, put down some of my gear and then made the decision to go back out onto the deck to get a photo that would prove that I had seen this particular species at this particular time. This is when the photo gods decided to reward me for my dedication. The cowbird flew down into a large bush just behind my house and perched on an exposed branch. I focused, snapped a few photos and grumbled slightly while doing it. Then I saw the cowbird’s wings begin to flutter in a manner that has a distinct and unmistakable meaning, “Feed me.”
This could only mean that the cowbird’s host parent was nearby and the cowbird expected an imminent delivery of food. Stunned, I kept my eyes peeled on the young bird in anticipation of the arrival of the parent, and I was rewarded for my dedication when a female Common Yellowthroat (Geothlypis trichas) appeared with a green insect in her beak. She quickly shoved the food into the gaping mouth of the young cowbird and then zipped off to find yet another morsel for “her” baby.
In all of my years of wildlife observation, this was the first (and only) time that I had ever witnessed a parasitized species feeding the offspring of a nest parasite. I had not seen a cowbird in my yard in weeks and the only reason that I saw this particular bird in it that particular moment was the female yellowthroat had wandered up out of the meadow into the tall grasses and forbs of my backyard in search of food for the behemoth that she was trying to feed. The cowbird was following its mother and disappeared soon after. Had I not been in that particular place at that particular time, I would have been totally unaware of the entire event.
As summer comes to a close, our backyard birds are quiet as they prepare for migration or hunker down for winter
Well, that was 870 words and I have only managed to scratch the surface of this story. Unanswered questions are: How did it come to pass that cowbirds developed this breeding strategy? Why do other birds fall for this trick? Are there any species that are not as easily fooled? When did I first detect the presence of Nikonus and Iso? These are all questions that would require other columns to answer, but I am out of space for this week.
I end with the same message that I try to deliver every week. Keep your eyes open and make sure you look out a window from time to time. Amazing things are happening out in nature every day and sometimes they are happening in your very own backyard. If you tear your eyes away from the myriad screens that surround you every day and take a peek outside, then perhaps Nikonus and Iso with reward you with something amazing to see.
Bill Danielson has been a professional writer and nature photographer for 26 years. He has worked for the National Park Service, the U.S. Forest Service, the Nature Conservancy and the Massachusetts State Parks and has taught biology and physics at Pittsfield High School for 20 years. For more information, visit his website at speakingofnature.com.
Hyderabad-based photography platform Oneglint Media Solutions has acquired Memzo an AI-powered photo-sharing product developed by Satya Digitech. The acquisition of Memzo signifies Oneglint’s commitment to using AI as the next major stimulus in photography. Although the specific financial details of the deal remain undisclosed, Oneglint has acquired 100 percent control of Memzo in an all-cash transaction. Satya Ayyagari, Co-Founder and CEO, Oneglint Media Solutions, commented on the acquisition, saying, “We believe that this acquisition will create value for our customers, partners, and stakeholders.”
Oneglint plans to seamlessly integrate Memzo’s cutting-edge technology with its existing platform, promising an enhanced and unparalleled user experience. Memzo’s widespread presence across more than 20 countries will accelerate Oneglint’s global expansion, positioning the company to lead the way in the evolving world of AI-enabled photography solutions. Memzo, founded in 2020 by Tarin Poddar and Priyanshi Poddar, has quickly become a leader in the field of AI-driven photo distribution, offering event participants the ability to instantly locate their photos by simply taking a selfie, harnessing the power of Memzo’s proprietary Face Recognition AI models.
Oneglint Media Solutions is renowned for offering a comprehensive range of photography services and products, covering various event types, including sports, weddings, and corporate gatherings. With both on-ground photography services and a robust technology platform, Oneglint has empowered itself to efficiently distribute millions of photographs and videos to tens of thousands of event participants within hours, strengthening partnerships with esteemed companies such as Broadridge, Qualcomm, ZF, Procam, Wizcraft, IDFC First Bank, and others in under five years of operations. Memzo, on the other hand, is an AI-powered photo distribution platform designed to cater to event guests, whether it be marathons, convocations, weddings, or other mass gatherings. By employing powerful and proprietary face recognition AI models, Memzo enables event attendees to instantly find their photos by capturing a simple selfie.
Tarin Poddar, Co-Founder of Memzo, said, “We have built a practical photo distribution platform, and we are extremely excited about this acquisition. We share a common vision, and Oneglint’s customer base and technology platform will strengthen and scale Memzo as a product. We are very excited to join hands with Oneglint and look forward to serving millions of customers in the coming years.” The strategic acquisition represents a step forward in the evolution of photography solutions, driven by cutting-edge AI technology. Oneglint’s expansion and Memzo’s integration promise to bring forth exciting opportunities and advancements in the world of photography, benefiting customers and stakeholders.