The group uses profits from beach photography to generate a stream of donations to the Make-A-Wish Foundation.
WELLS, Maine — Maine’s rocky coastline is often the subject of beautiful photographs, something that inspired Wells local Matthew Rainey to pick up photography as a hobby a few years ago.
Rainey started to take photos of southern Maine’s beaches, sharing them online with friends and family. And it didn’t take long for the photos to gain traction and for others to join in.
“It just started, you know, taking pictures with a cell phone,” Rainey said. “Just doing pictures here and there, and then I just got a lot of encouragement from the Wells community.”
But instead of turning a profit, Rainey and his crew had a different plan: to give back to the state he fell in love with.
“That’s when we started thinking, well maybe we can turn it into something that we can benefit Make-A-Wish from?” Rainey added.
After founding the Facebook group “Maine Beach Photos,” Rainey and others started to display and sell their photos through prints, decor and photo books for Make-A-Wish’s Maine and New Hampshire chapters.
So far, the group has generated $12,000 dollars for the foundation.
The group has even partnered with small businesses such as Salt Water Farm and the Wells Harbor Shellfish Lab.
“They send us updates, on the good that it’s doing,” co-worker and Make-A-Wish liaison Peter Parisey said. “You wanna do more, and that’s why we didn’t make it a one-off. We wanted to continue and build.”
With no signs of stopping, both Parisey and Rainey hope continue to inspire others to find their own niche to give back, or join in on the movement.
“You’re among all of this beauty. Grab a camera, and keep practicing,” Rainey said.
The ex-girlfriend of Olympic boxer Harry Garside has been charged with distributing an intimate photo of him posing with a purple wig.
Ashley Alsione Ruscoe was represented by her lawyer Bryan Wrench in Sydney Downing Centre Local Court on Wednesday after she was charged with four domestic violence offences.
The 35-year-old was arrested at her Bellevue Hill home in July and charged with assaulting and intimidating her former partner.
A month later, the boxing coach and wellness guru was charged with two fresh offences of intentionally distributing intimate images of Mr. Garside without his consent.
The boxer gave permission to be identified as the alleged victim through his legal team.
Ashley Alsione Ruscoe has been charged with distributing an intimate photo of him posing with a purple wig.Getty Images
Ms. Ruscoe is accused of sending messages containing the intimate photos on the afternoon of March 27 and the evening of June 1.
However, her lawyer railed against the classification of the image as intimate.
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He claimed that Mr. Garside had given Ms. Ruscoe a photo of himself involving a brightly coloured wig that had been displayed in her living room.
“He basically gifted my client with a photo of himself … posing with a purple wig,” Mr. Wrench said.
“It’s definitely not an intimate image.”
The court was told the photo had been used as a bookend in the living room, where it had been “prominently” displayed.
He said witnesses would be called to attest to the nature and display of the image in question.
On Wednesday, Ms. Ruscoe formally entered not guilty pleas to the two charges of distributing an intimate image without consent.
She had previously pleaded not guilty to the charges of common assault and stalking or intimidating her former partner.
Mr. Wrench asked for an adjournment so he could obtain “exculpatory” information from his client’s phone, which is being held by police.
He noted that he had also not been provided with data from Mr. Garside’s phone despite the boxer’s reassurances the material would be provided to the defence.
A police officer estimated it would take more than two months for police to obtain detailed reports about the data contained on both devices.
The 35-year-old was arrested at her Bellevue Hill home in July and charged with assaulting and intimidating her former partner.Getty Images
The police prosecutor noted some of the material may need to be redacted.
Ms. Ruscoe’s matter was adjourned until November 8 to allow for all the evidence to be served and assessed.
The court was told an interim apprehended violence order would remain in place until the next court date.
Despite the ongoing legal proceedings, Mr. Wrench claimed the boxer had previously “turned up unannounced to (Ms. Ruscoe’s) workplace”.
He also took issue with an interview with the sportsman published in The Australian earlier this week in which he discussed the domestic violence allegations.
“It is totally and grossly improper,” Mr. Wrench said strongly.
Mr. Garside was initially charged over an alleged domestic violence incident at the couple’s Bellevue Hill home on March 1.
He was arrested at the airport on May 2 immediately upon his return from filming I’m a Celebrity … Get Me Out of Here! in South Africa.
The Olympic boxer steadfastly maintained his innocence, and the charges against him were dropped by police.
His legal team told a Sydney court that a video previously not seen by police showed Ms. Ruscoe was the alleged aggressor.
Garside won a bronze medal at the 2020 Olympics. WireImage
Weeks later, the martial arts instructor was arrested and charged over the alleged altercation.
Mr. Wrench previously told a Sydney court that he was “surprised” his client had been charged over the alleged incident.
He said he was “concerned” about Mr. Garside’s “motivation” in coming forward with the allegations against his ex-girlfriend.
The lawyer said in court he would rely on the evidence of witnesses who would reveal the boxer “has a history of domestic violence”.
Mr. Garside and Ms. Ruscoe dated for 18 months before they split earlier this year.
The couple were often snapped by the paparazzi together and made several high-profile appearances, such as at the GQ awards in November last year.
De nuevo Júpiter ha sufrido el impacto de un objeto de grandes dimensiones, posiblemente un asteroide o un cometa. El evento fue registrado por varios telescopios a las 16:45 UT del 28 de agosto.
En las imágenes se puede apreciar un súbito aumento de brillo en una zona del planeta, un breve destello que solo se puede explicar por la colisión con otro objeto celeste. No es la primera vez que esto sucede, ya hemos visto con anterioridad eventos similares por lo que hay múltiples telescopios capturando constantemente imágenes del planeta y monitorizando si se producen destellos similares.
En esta ocasión el proyecto OASES (Organized Autotelescopes for Serendipitous Event Survey) y PONCOTS (Planetary Observation Camera for Optical Transient Surveys) publicaron una alerta sobre el evento y fueron varios los astrónomos aficionados, muchos de ellos japoneses, que confirmaron haberlo capturado.
El gran tamaño y la masa de Júpiter producen una gran atracción gravitatoria para estos cuerpos menores de nuestro sistema solar. En ocasiones sus órbitas son modificadas y en otras, como ésta, les pone en rumbo de colisión.
Por el momento se desconocen más detalles sobre el tamaño y órbita del objeto que chocó contra Júpiter.
Photography often referred to as the art of capturing light, has a history rich in innovation and transformation. From the early days of unwieldy glass plates to the contemporary era of digital and AI-enhanced photography, it has evolved into a universal language that transcends cultures and connects people across the globe. This journey through time and technology has redefined the way we document our lives, express our creativity, and tell stories. In this exploration of photography’s evolution, we will venture through its various stages, from the age of film to the digital revolution, uncovering how it has not only democratized visual expression but also left an indelible mark on our collective memories and understanding of the world.
The Age of Film Photography
The Age of Film Photography dawned with the groundbreaking invention of roll film, an epochal moment that liberated early photographers from the constraints of glass plates and unwieldy equipment. In 1888, George Eastman emerged as a pioneer, introducing the world to the Kodak camera, an ingenious device that would forever reshape photography. At its core was the revolutionary roll film, a compact, flexible medium that replaced fragile glass plates. This innovation democratized photography, making it accessible to the masses with the promise that ‘you press the button, we do the rest’. The Kodak camera’s portability, user-friendliness, and convenience allowed people to effortlessly document their lives and experiences, fostering a new era of visual storytelling. George Eastman’s legacy extended beyond this invention; his dedication to simplifying photography laid the foundation for the industry’s future growth and innovation, leaving an indelible mark on the art of capturing life’s moments.
Emergence of Digital Cameras
The emergence of digital cameras marked a watershed moment in photography’s history, fundamentally altering how we capture and interact with images. Instead of relying on traditional film, digital cameras harness electronic sensors to convert light into digital data, enabling instant image capture and viewing. This transformative technology unleashed a wave of creative possibilities, offering photographers unprecedented control over their craft. With the advent of digital cameras, the concept of megapixels and resolution became paramount, allowing for the preservation of intricate details and unparalleled clarity in photographs. Beyond the realm of dedicated cameras, integrating high-quality digital cameras into smartphones brought photography to the fingertips of billions, democratizing the art form and enabling individuals to document their lives and express themselves visually on a global scale. The digital era continues to evolve, driven by innovations such as AI and computational photography, further enhancing image quality and the creative potential of the medium. In essence, the emergence of digital cameras has not only reshaped photography but has also revolutionized the way we communicate, share, and experience the world through images.
Megapixels & Resolution
Megapixels and resolution have become central pillars in the modern photography landscape, shaping how we perceive and capture images. Megapixels, the tiny light-capturing units within a digital camera’s sensor, determine the image’s level of detail, with higher megapixel counts translating to greater clarity and sharpness. Resolution, a measure of how many pixels are packed into an image, plays a pivotal role in determining print quality and digital display. The advancements in megapixel technology have empowered photographers to capture astonishing levels of detail, transforming the way we document our world. High-resolution images have revolutionized industries ranging from advertising to scientific research, enabling us to zoom into the tiniest nuances and zoom out to panoramic vistas. The world of photography develops, giving us ever more beautiful visual storytelling tools that preserve life’s ephemeral moments with astounding fidelity and elegance as technology pushes the limits of megapixels and resolution.
The Rise of Smartphone Photography
The rise of smartphone photography has democratized the art of capturing moments, placing a powerful camera in the hands of billions. These pocket-sized devices have evolved into formidable imaging tools capable of producing stunning photographs and videos. With intuitive interfaces and many creative apps and filters, smartphones have enabled individuals of all skill levels to express their creativity visually. The instant accessibility and share ability of smartphone photos have reshaped how we document our lives and experiences, and social media platforms have become a canvas for personal expression through images. Smartphone photography transcends cultural and geographical boundaries, fostering a global community of image-makers who continually redefine the art, making it more inclusive, dynamic, and pervasive than ever before. As smartphones push the limits of camera technology advancement, they are securing their position as a crucial tool for visual storytelling and memory preservation in the digital age.
Film Photography’s Nostalgic Resurgence
Film photography’s nostalgic resurgence represents a heartfelt return to the roots of the craft, a journey back to a time when every shot was a carefully considered and finite endeavor. In an era dominated by the immediacy and convenience of digital technology, film photography offers a slower, more deliberate and tactile experience. Enthusiasts are drawn to the unique aesthetics of film, appreciating its grain, color rendition, and the unpredictability of chemical reactions. Communities and specialty labs dedicated to film have thrived, celebrating the tangible and authentic qualities of analog photography. This resurgence is not just about sentimentality; it’s a deliberate choice to embrace the deliberate and artful process of image-making, highlighting the enduring allure of film’s timeless, physical medium amidst the digital deluge.
Preserving the Heritage: Film Archives & Museums
Preserving the heritage of film photography is a testament to the enduring value of this art form. Film archives and museums worldwide play a pivotal role in safeguarding the rich history of traditional photography. These institutions meticulously collect, catalog, and conserve vintage cameras, photographs, and darkroom equipment, ensuring that the legacy of film photography remains intact for future generations. By showcasing historical artifacts, hosting exhibitions, and organizing educational programs, film archives and museums pay homage to the pioneers of photography and offer a window into the evolution of visual storytelling. They allow us to appreciate the craftsmanship, techniques, and artistic vision of photographers from a bygone era while nurturing an appreciation for the heritage of this remarkable medium in an increasingly digital age.
Advancements in AI & Computational Photography
Advancements in AI and computational photography are redefining the possibilities of image capture and enhancement. With intelligent algorithms and machine learning integration, modern cameras, including those in smartphones, can now automatically optimize settings, reduce noise, and enhance image quality in real time. These technological leaps allow amateur and professional photographers to focus more on creativity and less on technical intricacies. Beyond basic enhancements, AI-driven features can generate artistic effects, such as bokeh and portrait mode, or even merge multiple exposures to create stunning high dynamic range (HDR) images. Moreover, computational photography techniques expand the horizons of what’s achievable in low-light conditions and astrophotography. As AI and computational photography continue to evolve, they promise to make photography even more accessible, versatile, and visually captivating, shaping the future of this art form in remarkable ways.
Conclusion
Photography has evolved remarkably from film to digital and a resurgence of film photography. It now serves as a universal language, uniting people worldwide. Digital cameras, smartphone photography, and AI-driven techniques have democratized the art, making it more accessible and versatile. Film archives and museums ensure its heritage endures. As we look forward, photography will evolve, offering fresh creative possibilities and expanding visual storytelling boundaries. Whether we embrace film’s nostalgia or digital and AI-driven innovation, one thing remains unchanged: photography’s power to capture life’s essence and shape our memories for generations.
Another awe-inspiring magical image of deep space has been captured by the James Webb Space Telescope (JWST). Released on August 29, the latest high-resolution photo shows us a glimpse of a spiral galaxy that is found 27 million light years away from Earth in the Canes Venatici constellation.
Known as the Whirlpool Galaxy, or Messier 51a, it has been a central focal point for astronomers and astrophotographers for years (it was first discovered in 1773) but has never before has it been viewed in such fine detail.
The most recent image shows a red whirlpool galaxy with protruding spirals and a bright bluish-white core. While you might not be able to get such a high resolution even with the best cameras for astrophotography, this bedazzling galaxy is sometimes visible from Earth.
• Check out the best telescopes for astrophotography so you can capture stunning photos of the night sky from your back garden
Image of the M51 galaxy from James Webb Telescope
Taken using the JWST main near-infrared camera (NIRcam) and a mid-infrared instrument (MIRI), the two separate photos have been combined into a composite to create a truly out-of-this-world galactic portrait. These incredibly advanced camera systems capture the infrared light that the eye cannot see and decode the data to create images scientists can study to unlock the secrets of our universe. It’s thought that the shape of M51 is due to its close proximity to the nearby dwarf galaxy NGC 5195 and its spiraling arms are formed through its strong gravitational influence.
Up until now, the clearest image we had of the M51 galaxy was taken by the Hubble Telescope in 2011 but it was nowhere near as in-depth and detailed as the JWST offering. The actual image has been colorized so we can distinguish areas of ionized gas created by recently formed star clusters (the orange and yellow buts) while the darker areas represent empty cavities necessary for the galaxy to maintain its spiral shape.
Image of M51 galaxy by James Webb Telescope
This latest image is part of a body of research known as Feedback in Emerteging Extragalactic Star Clusters or for east, FEAST. Since the James Webb telescope is 100 times more powerful than the Hubble Telescope, it enables scientists and astronomers to discover even more about deep space. The European Space Agency commented, “Webb is opening a new window into the early stages of star formation and stellar light as well as the energy of reprocessing gas and dust”.
Not only do these images enable us to develop a deeper understanding, but they are signs that the instruments onboard the JWST are still fully functional following some concern there have been some technical issues. While the NIRcam image and the MIRI image offer two different perspectives of the same galaxy, the combined composite offers exaggerates the remarkable wonders of this “grand spiral staircase sweeping through space” – a term that NASA has used to describe it.
Image of M51 galaxy taken by James Webb telescope
Also check out the best telescopes for kids or the best telescopes for beginners
2022 best in show winner, Cadillac Vista Photograph by Jen Hickey. Submitted image
RANGELEY — The Rangeley Friends of the Arts announces the Ninth Annual Western Mountain Photography Show. Juried exhibit awards reception:
Saturday, September 9, from 5:30 – 7 p.m. at the Lakeside Contemporary Art Gallery located in the lobby of the RFA Lakeside Theater at 2493 Main Street in Rangeley.
The Theme for the 2023 Exhibit is PERSPECTIVE.
During the entire exhibit, attendees may vote for their favorite image in the People’s Choice competition. The show will run Sept 9 through Oct 2. Gallery hours are Tues-Sat 10 a.m.-2 p.m..
This is a public event and reception featuring complimentary snacks and a cash bar (beer/wine) where the accepted images will be on display and the winners will be announced and prizes awarded.
The Western Mountain Photo show is sponsored by: Nick Leadley Nature Photography & Rangeley Lakes Trail Center.
The RFA is a 501(c)3 not-for-profit “bringing the arts to life” in the Rangeley Lakes Region. FMI about their programs and events, visit rangeleyarts.org.
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The Hubble Space Telescope has photographed a bright stellar nursery studded with dazzling infant stars.
Taken using Hubble‘s Wide Field Camera 3 instrument, the image captures a massive protostar called OH 339.88-1.26 lurking behind star-forming clouds of dust and gas. OH 339.88-1.26 lies an estimated 8,900 light-years from Earth in the constellation Ara.
During the protostellar phase, stars are still in the process of gathering mass from their parent molecular clouds. Despite its young age, OH 339.88-1.26 is estimated to be about 20 times the mass of the sun, according to a statement from the European Space Agency (ESA). (Hubble is a joint mission of NASA and ESA.)
Related: The best Hubble Space Telescope images of all time!
“Winding lanes of dark dust thread through this image, which is also studded with bright stars crowned with criss-crossing diffraction spikes,” ESA officials said in the statement. “The dark vertical streak at the center of this image hides OH 339.88-1.26, which is an astrophysical maser.”
A maser (short for “microwave amplification by stimulated emission of radiation”) is a naturally occurring source of stimulated spectral line emission, or laser, that produces coherent light at microwave wavelengths. This type of emission has been observed in molecular clouds, comets, planetary atmospheres like that at the north pole of Jupiter and stellar atmospheres, ESA officials said.
The recent views of OH 339.88-1.26 were collected as part of an initiative to study the hearts of regions where massive stars are born to better understand the nature and formation of protostars like OH 339.88-1.26.
Observations to support Hubble’s findings were also taken using the ground-based Atacama Large Millimeter/submillimeter Array (ALMA) in Chile and the now-retired Stratospheric Observatory For Infrared Astronomy (SOFIA), which previously operated out of a converted 747 aircraft. ALMA comprises 66 high-precision antennas, spread over distances of up to 10 miles (16 kilometers), making it the largest currently operational ground-based astronomical project, according to the ESA statement.
OH 339.88-1.26, cloaked by dark dust at the center of the image, is surrounded by hundreds of stars whose bright light causes diffraction spikes from reflecting off Hubble’s mirrors. The recent image of OH 339.88-1.26 was released online on Monday (Aug. 28).
The theme for the ninth round of the 2023/24 Camera Jabber Photographer of the Year (CJPOTY) competition is ‘Natural Colour’. Nature always seems to go one way or the other with colour. It’s either full-on or subtle. We want to see your images of whichever you prefer, muted tones or vibrant hues – or both!
The photographs can be taken anywhere at any time.
This round of our monthly competition is open for submissions until 23:59 BST (00:59 CET and 15:59 PST) on 30th September 2023.
To submit your entry, follow the link to cjpoty or click on the CJPOTY button at the top of any of our website pages. You can submit up to three entries for £2.00 plus payment processing costs (£0.26). Images should be Jpegs at least 1920 pixels along their longest side but no larger than 2MB.
Camera Jabber Photographer of the Year prizes
At the end of the month, the Camera Jabber team will pick one winning image and nine runners-up from the September entries. The photographer of the winning image will receive a voucher from MPB.com to the value of £500, which can be spent on anything from a huge range of kit from the World’s biggest platform for used photographic gear.
All 10 of the selected images will go into our shortlist for the year.
We’ll do this each month in 2023 so that by the end of the year, there will be 120 shortlisted images. These will then go before our fantastic panel of judges who will decide the 1st, 2nd and 3rd-placed images.
The photographer of the first-placed image overall, as decided by the panel of judges, will receive a voucher to the value of £1000 from MPB.com as well as a trophy and the title ‘Camera Jabber Photographer of the Year 2024‘. The photographers who come second and third will receive vouchers worth £500 and £250, respectively.
You don’t have to enter the competition every month, but you are welcome to do so, and the more shortlisted images you have at the end of the year, the greater the chance of winning the top prize.
CJPOTY VIP Judges
At the end of the year, our illustrious panel of judges has the onerous task of selecting the first, second and third-placed images overall from the shortlist of 120. Our judges are:
Benedict Brain – Photographer, journalist & Sigma ambassador Sophie Collins – Chief Marketing Office at MPB, Trustee of Royal Photographic Society Donna Crous – Food photographer, author, Nikon Europe ambassador and Rotolight Master of Light Ross Hoddinott – Landscape photographer, wildlife photographer, author, tutor, conservationist Tracy Marshall-Grant – Arts Director, curator and producer Denise Maxwell – Multi-genre photographer and lecturer Carolyn Mendelsohn – Artist and portrait photographer Paul Sanders – fine art photographer Jemella Ukaegbu – Photographer & founder of UK Black Female Photographers (UKBFTOG) Christina Vaughan – Founder of Cultura Creative, the home of inclusive stock photography
Follow the link to find out more about the CJPOTY judges.
About MPB
Founded by Matt Barker in 2011, MPB is the world’s largest platform for used photography and videography kit. MPB has transformed the way people buy, sell and trade equipment, making photography more accessible, affordable and sustainable.
Headquartered in the creative communities of Brighton, Brooklyn and Berlin, the MPB team includes trained camera experts and seasoned photographers and videographers who bring their passion to work every day to deliver outstanding service. Every piece of kit is inspected carefully by product specialists and comes with a six-month warranty to give customers peace of mind that buying used doesn’t mean sacrificing reliability.
New techniques for sorting microbes is leading to new discoveries about the many amazing abilities … [+] of bacteria, and how to utilize them.
Getty Images
Aligning manufacturing with nature is a massively important step toward becoming sustainable stewards of Spaceship Earth. In part, it will require addressing the existing consequences of industry and confronting pollution in partnership with nature.
Since the age of advanced chemistry in consumer products that took off in the middle of last century, the things humans make are more useful, durable, and affordable than ever. But that means they are often made of plastics and chemicals that extend more thoroughly throughout our ecosystems and stay there for much longer, even forever. Science is still working to understand the extent of pollution to Earth’s waterways, soil, even our own bodies.
Among the most concerning pollutants are polyfluoroalkyl substances, or PFAs, the ‘forever chemicals’ used to manufacture nonstick cookware, waterproof clothing, and countless other applications since manufacturers started using them in the 1930s. These days, they are being discovered all over the place, including the bloodstreams of almost every human being. Thankfully the PFA levels detected in humans have gradually declined as awareness has increased, but their presence in groundwater and food remain a real risk.
But where life is being harmed by such chemicals, life may also offer the solution: the endless creativity of microbes.
Within their tiny, often single-celled bodies, they contain the tools for creating and breaking apart endless varieties of chemicals. We harness these abilities to create things like citric acid to enhance our food, or ethanol for fuel. Microbes are even behind many of the vitamins we take to stay healthy, and countless other important chemicals.
Humans have been replicating microbes for millennia, in the form of fermentation, encouraging Lactobacillus bacteria to create lactic acid in a crock of sauerkraut, Saccharomyces cerevisiae yeast to create alcohol in a vat of beer. Fermentation is vast, but recent advances in parsing the DNA of different microbes given humans the ability to access and apply previously unknown or undetectable microbial abilities.
163193 01: Hydrogeologist Michael Day uses a diagram to explain groundwater contamination and … [+] cleanup at the French Limited superfund site July 1, 1993 in Houston, TX. An industrial waste facility where oils, grease, acids and solvents were dumped for five years, the French Limited superfund site is being treated for toxins through bioremediation, which uses naturally-occurring bacteria that digest toxic sludge. (Photo by Paul S. Howell/Liaison)
Getty Images
For instance, among the most exciting to emerge recently is the discovery of bacteria that consume PFAs as food, currently being advanced by a company called Allonnia. Their recently announced 1,4 D-Stroy system uses a specially identified bacteria that targets the forever chemical 1,4 Dioxane. Common to detergents and other consumer chemical products, been used since the 1950s, has been discovered in as much as 25% of drinking water, and causes serious health problems. To address the problem, Allonnia brings a tank of the specially cultivated bacteria to a target site, introducing them to the 1,4 D contaminated water, where the bacteria eagerly break the bonds of the forever chemical, leaving water and CO2. The company claims rates of as high as 98 percent removal of the contaminant.
This is an example of what is often called ‘bioremediation’, which essentially means using biology to clean up contamination and pollution. It’s a promising industry that has actually been around in a somewhat less sophisticated form for decades. What makes this moment different than before is the tools available to discover the useful abilities of microorganisms. This is made possible thanks to high resolution, high volume sequencing of DNA, and analytical tools that allow scientists to isolate a single microbe with a unique and super useful skill — like eating PFAs, for example. Companies and researchers are just beginning to explore the vast, untapped diversity of life already out there doing things that could help solve some of the biggest impacts of manufacturing and chemical industries.
A culvert on San Luis Obispo resident Kathy Borland’s property drains water coming from SLO Regional … [+] Airport, where her well water has been contaminated with high levels of PFAS chemicals from firefighting foam that for years was used in training exercises at the airport.
Los Angeles Times via Getty Images
Nature has already invented many of the solutions we are looking for. As our ability to scan swathes of DNA for specific traits and abilities becomes more refined, it will be like nature beginning to open all its patents for humanity to use.
Best cameras for low light photography 2023: Jump Menu
Having the best cameras for low light photography is a game-changer, regardless of your experience level. Whether you’re just starting out or an astrophotography pro, these cameras are your best companion when shooting in low light environments, be it indoors or outdoors.
Cameras are made to capture light, but it’s important to remember that taking photos in low-light situations can be challenging, in a similar way to how our eyes struggle to see in the dark. However, technological advances in recent years means that digital cameras can produce breathtaking nightscapes and beautiful results in dark environments too, especially when you pair them with the Best lenses for astrophotography.
To cut through the jargon and confusion, check out our low light cameras FAQ for answers to your top questions.
Space.com is here to cut through the noise and help you find the perfect camera for your needs, budget and abilities. We’ll be looking at our favorite cameras for low light photography from all our favorite big brands — Canon, Sony, Nikon, Fujifilm and more.
If it’s astrophotography specifically that you’re looking to purchase a new camera for, you may want to read our guide to the Best cameras for astrophotography — these cameras have more astro specific features. Or if something more generalist is on the cards check out the Best cameras for photos and videos. This guide includes many different cameras that perform well in various types of low-light situations, that photographers of all types will benefit from.
The quick list
Best all rounder
Best all-rounder
Particularly good for astro and low-light photography, but excels in all photographic styles, the Z7 II is the ideal all-rounder for most photographers.
Read more below
Best DSLR
Best DSLR
This DSLR still competes with mirrorless models, but for how long? Fantastic image resolution, but low light focusing is beaten by its mirrorless counterparts.
Read more below
Best hybrid model
Best hybrid model
An absolute beast with a massive 61MP sensor that can do it all, but its comprehensive list of features and premium price could be overkill for some users.
Read more below
Best for intermediates
Best for intermediates
With impressive ISO handling and accurate autofocus, this is a great option for intermediate users looking for a reliable shooting partner.
Read more below
Best for beginners
Best for beginners
A perfect combination of top-notch technology with simplicity and ease of use — a great affordable option for beginners.
Read more below
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Best compact option
Canon PowerShot G1 X Mark III
Best compact option
A great pick if you want a small and compact camera — perfect for beginner vloggers with image stabilization and wide focal length.
Read more below
Best micro four thirds camera
Olympus OM-D E-M10 Mark IV
Best micro four thirds camera
An impressive blend of quality, usability and an easy-to-understand interface, all in a neat little package perfect for traveling. Though more experienced photographers may outgrow it quickly.
Read more below
Best budget option
Best budget option
If you’re on a budget then this is a great option for low light photography. It doesn’t have the most detailed sensor, but it has a wide aperture lens to let lots of light in for low light shooting.
Read more below
Best cameras for low light photography 2023
Best all rounder
The Z7 II features a welcome dual memory card slot that allows photographers to back up their data while shooting. (Image credit: Jason Parnell-Brookes)
Best all rounder: The Z7 II is especially good for astro and low light photography
Specifications
Type: Mirrorless
Sensor: Full-frame
Megapixels: 45.7 MP
Lens Mount: Nikon Z
ISO Range: ISO 64 – 25600 (expands to 32 – 102400)
You shoot different styles: This camera excels at shooting many different styles of photography thanks to its detailed sensor and processing power.
Don’t buy it if:
You’re only shooting astro: The 45.7MP sensor would likely be too much if you only shoot astrophotography, and there are cheaper models out there that will be more suited.
You’re a beginner: Although it’s gradually coming down in price as time goes on, it’s still an expensive camera and will likely price out beginners.
The bottom line
Nikon Z7 II Combines power, speed and precision with a simple interface and organized button layout in an attempt to master all trades — although it would be overkill for just astrophotography. ★★★★½
The Nikon Z7 II tops our list, a few entries above its predecessor, the Nikon Z6 II. Although it’s visually identical to the Nikon Z6 II in terms of design, we noticed some worthwhile differences when it came to image quality and functionality in our Nikon Z7 II review.
The Z7 II camera has a significant improvement — it now has dual memory card slots. This allows you to select where you want to store your photos or use one card as a backup. With this setup, every picture you take is automatically saved to both cards. So, if one card gets damaged, you’ll still have all your photos safely stored on the other one. This may not seem like a big deal, but it’s extremely useful for professional photographers and gives everyone more peace of mind during their photo sessions.
The other obvious difference is the Z7 II has almost double the amount of megapixels — 45.7MP vs the 24.5 megapixels of the Z6 II, giving absolutely mind-blowing resolution. While this isn’t crucial for excellent astro shots (and can sometimes be a hindrance), you may benefit from the extra megapixels if you’re going to be producing large prints or shooting other styles of photography, such as landscape, or shooting long-lens wildlife photos where stunning detail makes the world of difference.
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Test results
Attributes
Notes
Design
Weather sealing protects it from the elements
Performance
High ISO image noise is fantastic
Functionality
Plenty of customization
Best DSLR
The Nikon D850 is built using magnesium alloy — this makes it both lightweight and durable. (Image credit: Jason Parnell-Brookes)
Best DSLR: The D850 is the best DSLR for low light photography and videography with features that can match or outcompete contemporary mirrorless models
Specifications
Type: DSLR
Sensor: Full-frame
Megapixels: 45.7 MP
Lens mount: Nikon F
ISO Range: 64 – 25,600 (expandable 32 – 102,400)
Stabilization: None
Reasons to buy
+
Huge stills resolution with excellent cropping options
+
Outstanding ISO range for a DSLR
Reasons to avoid
–
DSLRs are being phased out
–
Not as good at low light focusing as its mirrorless counterpart
Buy it if
You’re a pro looking for a second camera: Produces high-resolution images without breaking the bank, and it’s just about the best DSLR for professional use.
Don’t buy it if:
You want something that’s futureproofed: DSLRs are gradually being phased out, so there won’t be any newer versions or lenses released as most companies are focusing on mirrorless models going forward.
The bottom line
Nikon D850 A 45.4MP beast, the Nikon D850 will capture every single star you can possibly see and then some, thanks to its wide ISO range — although DSLRs are being phased out in favor of mirrorless models. ★★★★½
Professional photographers absolutely love the D850 because it’s a true workhorse that can withstand any environment. It’s built with a tough and lightweight magnesium alloy, and it’s completely weather-sealed, so it’s durable and reliable. But even if you’re not a pro, you can still benefit from it. The D850 has an amazing ISO range of up to 102,400, which is quite impressive considering it’s been around for over five years now. The full frame BSI CMOS sensor handles ISO noise well thanks to the processing ability of the EXPEED 5 image processor — take a look at our Nikon D850 review for our full thoughts on this camera.
Unfortunately, the camera itself doesn’t have in-body image stabilization. However, if you use F-mount lenses, you can benefit from Nikon’s Vibration Reduction which can provide up to 4.5 stops of stabilization. This comes in handy when capturing shots in low-light conditions. You can choose from a series of stills when shooting in continuous burst mode that captures up to 9FPS, which may not sound like much, but when you consider each image is 45.7MP — that’s a serious amount of data capture. Not to mention, low-light photography doesn’t necessarily require fast burst rates. It also keeps up with the competition regarding video, providing 4K30p video recording with zebra stripes that help highlight potential exposure issues in certain areas.
The camera is great for shooting videos in low light conditions because it can focus really well even in dark environments (down to -4EV). It uses an autofocus sensor module called Multi-CAM 20K with TTL phase detection and 153 focus points. If you need extra light for your low-light scenes, there’s a hot shoe and PC sync connector on the camera body to connect external lights, both on the camera and off it. Plus, there’s a handy feature called face-priority autofocus, which makes it easier to focus on portrait subjects without having to switch to manual focus.
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Test results
Attributes
Notes
Design
Back illuminated buttons to help see in the dark
Performance
Good low light AF detection
Functionality
Huge stills resolution
Best hybrid model
The Sony A7R IV photographed during our review. We think it’s a great all-rounder for generalist photographers. (Image credit: Kimberley Lane)
Best hybrid model: The A7R IV is in a class of its own and gives fantastic detail even in the darkest shadows
Specifications
Type: Mirrorless
Sensor: Full-frame
Megapixels: 61MP
Lens mount: Sony E
ISO Range: 100 – 32,000 (expanded 50 – 102,400)
Stabilization: In body OSS
Reasons to buy
+
In-body Optical Steady Shot
+
Awe-inspiring image quality
Reasons to avoid
–
An expensive camera
–
Huge RAW files
Buy it if
You want insanely high resolution: Currently, this is the highest resolution full-frame camera thanks to its massive 61MP sensor.
Don’t buy it if:
You’re a beginner: Not because you wouldn’t get on well with it, just because it would likely be overkill and you probably wouldn’t need 61 megapixels.
The bottom line
Sony A7R IV An incredible camera that was revolutionary when it was released due to its incredibly detailed sensor. It’s expensive, sure, but you can’t argue with the quality of the images it produces, although you’ll need a powerful computer to be able to process them. ★★★★½
With a huge 61-megapixel resolution, the Sony A7R IV can bring out exceptional detail, even in the darkest shadows. At the time of writing, it is the highest-resolution full-frame camera on the market and shoots 4K max video resolution.
It would make a fantastic option for astrophotographers as it performs remarkably well in low light. Our Sony A7R IV review found that noise only started to creep in after pushing the ISO up to ISO 6400.
The battery life is equally impressive. During our tests, we surpassed Sony’s claim of 670 shots using the rear screen and managed to capture over 2000 shots on a single charge, with the battery still showing 65% power remaining. Based on this, we think you could potentially exceed Sony’s claims. However, it’s worth noting that astrophotography, with its longer shutter speeds, may consume more battery power.
We’ve ranked it number one in our best cameras for photos and videos guide and its astronomy variant the Sony A7R IVA is ranked third in our best cameras for astrophotography guide.
The camera’s 7.5cm screen is of incredibly high quality, with over 1.4 million dots, which makes the images look fantastic. However, for astrophotography, one helpful improvement would be to have a fully articulating screen, which would be especially useful when taking pictures in portrait mode or pointing the camera upwards to capture the stars. Having a fully flexible screen like this would make it easier and more convenient to capture stunning astrophotos from various angles.
Considering the massive image sizes, we wouldn’t suggest using this camera for sports or action photography due to the buffer lag (unless you have a seriously fast card). However, when it comes to astrophotography, low-light portraiture and landscape photography, you simply can’t go wrong with this camera. We’ll be reviewing the newer Sony A7R V very soon, so keep your eyes peeled for that.
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Test results
Attributes
Notes
Design
Comfortable and lightweight for a full frame camera
Performance
Excellent autofocus and tracking
Functionality
Highest megapixel mirrorless camera to date
Best for intermediates
One of our review images of the Nikon Z6 II taken during testing. (Image credit: Future)
Best for intermediates: The Z6 II has great low light autofocusing and exposure metering
Specifications
Type: Mirrorless
Sensor: Full-frame
Megapixels: 24.5MP
Lens mount: Nikon Z
ISO Range: 100 – 51,200 (expandable 50 – 204,800)
Stabilization: 5-axis sensor-shift
Reasons to buy
+
5 stops of image stabilization in-body
+
Great range of Z-mount lenses perfect for low light
+
Good value for money, especially for enthusiasts
Reasons to avoid
–
ISO range isn’t the widest in its class
–
Not enough difference to upgrade from the Nikon Z6
–
Some functionality quirks need addressing
Buy it if
You’re on a budget: While cameras, in general, are not cheap, this is certainly one of the more affordable options available.
You’re making the jump to mirrorless: This would be a great camera to choose if you’re switching from a DSLR over to a mirrorless setup.
Don’t buy it if:
You already have the Z6: While there have been upgrades, they aren’t substantial enough to warrant upgrading to if you already own the Z6.
The bottom line
Nikon Z6 II The Z6 II is the perfect camera for semi-pros or advanced amateurs looking to make the first leap to mirrorless and could also work well as a second camera for professionals. ★★★★
One of the challenges when shooting in low light is the performance of the camera’s autofocus, which tends to search around the frame and face difficulties in dim conditions. However, the Z6 II(and the original Z6) addresses this issue remarkably well. It boasts one of the finest autofocus and exposure metering systems among cameras, allowing it to autofocus even in extremely dark situations, reaching an impressive -6EV. This capability ensures that you can achieve accurate and reliable autofocus performance, even when the lighting conditions are far from optimal.
In our Nikon Z6 II review, one of the things we loved about this camera is that it has eye-detection autofocus and animal-detection autofocus. These clever features automatically keep the focus on your subjects, so you don’t have to keep adjusting it all the time. This makes taking clear portraits and pictures of animals much easier, whether you’re inside or outside in low-light conditions like dusk or dawn. With this camera, you can effortlessly capture great shots because it takes care of keeping your subjects in focus for you.
The camera can handle any low light shooting with a native ISO range of 51,200 and can be increased to 204,800. Even though it doesn’t quite have the highest ISO range in its class, its ISO handling is impressive, with minimal image noise in still images. That’s all thanks to using the same image sensor as its more expensive pro model, the Z7 II (see our review of the Nikon Z7 II), but with a drop in resolution, which can help alleviate noise.
When shooting in low light, longer shutter speeds are often necessary to capture enough light for photos and videos. However, this can make it difficult to keep your shots steady. Thankfully, the Z6 II comes equipped with 5-axis in-body image stabilization, which provides up to five stops of stabilization. This feature not only benefits newer lenses but also extends to older F-mount lenses originally designed for Nikon DSLR camera bodies. Even when using non-stabilized lenses with the FTZ lens mount adapter, you can still enjoy up to 3-axis stabilization, resulting in smoother and steadier shots.
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Test results
Attributes
Notes
Design
Durable feel and comfortable grip
Performance
Subtle but impressive improvements over predecessor
Functionality
Consistent and impressive
Best for low light video recording
The Sony A7S III camera body has high-end video resolution and performance. (Image credit: Sony)
Sony a7S III
Best for low light video recording for filmmakers and online content creators
Specifications
Type: Mirrorless
Sensor: Full-frame
Megapixels: 12.1MP
Lens mount: Sony E
ISO Range: 80 – 102,400 (expandable 40 – 409,600)
Stabilization: 5-axis sensor-shift
Reasons to buy
+
High-end video resolution and performance
+
Best ISO handling in its class
Reasons to avoid
–
Low-resolution stills compared to others
–
Relatively expensive if not into video
Buy it if
You shoot a lot of astro/low light: This camera has an insanely high expanded maximum ISO, making those low-light images much more achievable.
Don’t buy it if:
You’re on a budget: Full-frame cameras are rarely ever cheap, and this is no exception.
You don’t shoot video: This camera doesn’t claim to be a still-only camera, so if you’re only taking photos with it, it is quite expensive.
The bottom line
Sony a7S III This camera excels in low light situations, especially for video recording. Though it is fairly expensive if you don’t shoot any video, and there are better cameras for less money ★★★★
The Sony a7S III, which came out in 2020, is a great mirrorless camera ideal for shooting in low light conditions. It’s specifically made for videographers and filmmakers who need a compact yet powerful camera that can shoot 4K video at an impressive 120FPS, enabling super slow-motion shots. Moreover, it smoothly integrates into professional video workflows with its 16-bit RAW HDMI output and the capability to record simultaneously in-camera.
It captures 12.1MP stills photographs, which is very low resolution compared to the latest mirrorless cameras, but it doesn’t claim to be a stills-oriented camera either. However, it does include 5-axis in-body image stabilization that steadies the frame up to a fantastic 5.5 stops for sharper handheld low-light photos and smoother video recording.
The expandable ISO range of 40 – 409,600 on this camera is seriously mind-blowing. It’s absolutely perfect for shooting in low light because you can crank up the ISO sensitivity to make the most of available light without having to mess around with your aperture or shutter speed too much. Plus, the hybrid autofocusing technology of the a7S III is an absolute game-changer in low light conditions, working even in extreme darkness down to -6EV. With all these features combined, you can confidently capture steady and sharp pictures in any low light situation.
RAW images and video can be pushed even further in post-production thanks to the camera’s wide 15-stop dynamic range, capturing more detail and data in scenes with extreme contrasts in brightness — for example, a dimly lit portrait on the street next to bright street lights.
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Test results
Attributes
Notes
Design
Compact yet powerful
Performance
Best ISO handling in its class
Functionality
Low resolution stills compared to others
Best for beginners
The Fujifilm X-T4 photographed for our review stands out as better for low light than its newer X-T5 successor. (Image credit: Future)
Best for beginners: The X-T4 perfectly combines simplicity with top notch technology
No battery charger, whole camera needs to be plugged in
Buy it if
You’re upgrading: If you’re upgrading from your beginner camera or from an old DSLR then this would be a great option.
Don’t buy it if:
You’re on a budget: While it isn’t the most expensive camera by any means, there are certainly cheaper options available.
The bottom line
Fujifilm X-T4 Offers a simplified digital experience, coupled with a solid build and features like the insanely high ISO and the articulating screen that make astro and night photography easier to achieve. ★★★★
The X-T4 is an excellent option for low-light shooting and astrophotography enthusiasts. The vari-angle screen makes composing shots much more comfortable than if it only had a tilt screen, particularly if you’re shooting in portrait orientation.
Fujifilm’s cameras exude an overall stylish aesthetic reminiscent of classic film cameras. However, what sets them apart is their intuitive body-mounted dial controls, which enhance usability even in low-light environments — as long as you can remember which dial controls what function. The 26.1MP APS-C sensor produces excellent image quality, and there is a wide choice of X-mount lenses that fit the X-T4s, adding even more versatility. It’s a perfect blend of timeless design and impressive performance.
The Fujifilm X-T4 uses the NP-W235 battery and has a CIPA rating of around 500 shots per charge. During our hands-on Fujifilm X-T4 review, we noticed that the battery life is usually much better when shooting during the daytime, but it tends to drain much faster when taking longer exposures at night. The main downside of this battery type is that you have to charge the entire camera instead of just the battery, so make sure it’s fully charged before you start your shooting session.
The X-T4 comes with 6.5 stops of in-body image stabilization (something the X-T30 II lacks), excellent low-light performance, and a high-speed processing engine — ideal for action or sports photography and astro.
We have given the newer Fujifilm X-T5 a review, but we felt that although it does perform well, it wasn’t strong enough in low light to warrant a place on this list, so if astrophotography is what you’re shooting, we’d recommend saving the extra money and go for the X-T4.
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Test results
Attributes
Notes
Design
Reminiscent of retro film cameras
Performance
Impressive ISO capabilities
Functionality
Good in-body stabilization
Best compact option
The Canon PowerShot G1 X Mark III camera has in-body image stabilization for steadier shots in low light conditions. (Image credit: Canon)
Canon PowerShot G1 X Mark III
Best compact option: If you want a simple and small camera, this is a great pick
Specifications
Type: Compact
Sensor: APS-C
Megapixels: 24.2 MP
Lens mount: N/A
ISO Range: 100 – 25,600
Stabilization: Four stops
Reasons to buy
+
In-body image stabilization
+
RAW file shooting
Reasons to avoid
–
Fixed lens design
–
A little costly for a point-and-shoot
Buy it if
You need something lightweight: This camera weighs just under 400g, and has an impressive sensor for that you’d usually find in bigger DSLRs.
You’re a beginner vlogger: Although it doesn’t have 4K video, the 5-axis image stabilization ensures footage is smooth and steady.
Don’t buy it if:
You’re on a budget: This certainly isn’t the cheapest option out there, particularly for a fixed lens point-and-shoot camera.
You want different lenses: This camera has a fixed lens, so you can’t swap and change lenses to suit different photographic styles.
The bottom line
Canon PowerShot G1 X Mark III Canon equipped this camera with a DSLR-style sensor while keeping the body compact, meaning less image noise in low light shooting. Though it is a bit costly for a fixed-lens camera. ★★★★
The PowerShot G1 X Mark III serves as Canon’s solution to the challenges faced by compact cameras when it comes to low-light photography. Typically, compact cameras struggle with image noise due to their fixed lens and small image sensors, making them less suitable for low-light shooting. However, Canon has effectively addressed this issue by equipping the PowerShot G1 X Mark III with a 24.2MP APS-C picture sensor, similar to what you would find in a DSLR camera. This enhancement significantly improves its performance in low-light conditions, providing users with better image quality and reduced noise.
Another benefit of this camera is its electronic viewfinder, which proves invaluable when capturing stills or videos in the dark. It enhances visibility by boosting the perceived brightness of low-light environments. Additionally, the four stops of image stabilization work wonders in stabilizing the scene, ensuring sharp results even when shooting handheld with longer exposure times.
The fixed lens zooms from a wide 15mm to 45mm focal length for 3x optical zoom. The Dual Pixel CMOS AF provides quick and reliable focusing, and the 7FPS continuous shooting gives you many options.
As mentioned earlier, the PowerShot G1 X Mark III is a good option for people who want to shoot videos as well. Although it doesn’t have 4K capabilities and is limited to full HD 1080 60p video, the 5-axis Advanced Dynamic IS ensures that the content you create looks professional and smooth. So, if you’re a beginner vlogger or content creator aiming for professional-looking videos, this camera is perfectly suitable for your needs.
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Test results
Attributes
Notes
Design
Small and compact
Performance
Reduced noise in low light shooting
Functionality
Similar sensor to a bigger DSLR
Best Micro Four Thirds camera
The Olympus OM-D E-M10 Mark IV is a triumph in the Micro Four Thirds format. (Image credit: Jacob Little)
Best Micro Four Thirds camera: This Olympus captures gorgeously detailed stills
Specifications
Type: Mirrorless
Sensor: Micro four thirds
Megapixels: 20.3MP
Lens mount: Micro four thirds
ISO Range: 80 – 25,600
Stabilization: 5-axis
Reasons to buy
+
Incredible stills resolution for MFT sensor
+
Lightweight and portable
+
Comprehensive 5-axis IBIS
Reasons to avoid
–
Plastic construction feels a little cheap
–
Not ideal for experienced photographers
Buy it if
You want great quality in a lightweight package: This camera combines top-notch image quality with the ability to interchange lenses while still keeping things small and lightweight.
Don’t buy it if:
You’re a professional: While we don’t deny that this camera gives pleasing results, professional photographers tend to go for more powerful full-frame cameras.
The bottom line
Olympus OM-D E-M10 Mark IV A small, lightweight camera that offers a great balance between usability, quality and an easy-to-understand, beginner-friendly interface. That said, more experienced photographers may get frustrated quickly. ★★★★
Olympus has gone above and beyond with its newest mirrorless MFT (micro four-thirds) camera. They’ve pushed the limits by improving the image sensor detail while still maintaining the convenience of having interchangeable lenses. This camera is a dream for beginners and photography enthusiasts who desire the flexibility to grow their equipment whenever they like. It’s all about providing top-notch image quality and empowering photographers to personalize their kit as they wish.
We found the in-body image stabilization outstanding when we reviewed the Olympus OM-D E-M10 Mark IV. It operates over a 5-axis range and provides an equivalent of 4.5 stops of optical stabilization, which is impressive given the camera’s lower price. A fast 8.7FPS burst speed can capture the action as it unfolds, giving plenty of extra chances to low-light shooters who are sometimes disappointed with single-shot mode shooting due to the blur from camera shake to nail the shot.
The electronic viewfinder is big and bright, with 2.36 million dots for a detailed display, and the rear screen is a tiltable 3-inch touchscreen that allows the photographer to see the screen easily at more awkward shooting angles. It can even flip down 180 degrees for selfie shooting.
This inexpensive MFT camera does have its limits, though, and the autofocus detection range is where it suffers. Compared to this list’s much more expensive mirrorless models, this camera can only manage -2EV autofocus range so photographers will likely need to manually focus and use one of the best tripods. Still, the ISO range is impressive, topping out at 25,600.
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Test results
Attributes
Notes
Design
Lightweight design aids portability
Performance
Autofocus up there with the best in its class
Functionality
5 axis image stabilization
Best budget option
The Panasonic LX100 II camera is probably the best budget-friendly option in this round-up. (Image credit: Panasonic)
Panasonic LX100 II
Best budget option: The LX100 II is a great premium compact camera at an affordable price
Specifications
Type: Compact
Sensor: Micro four thirds
Megapixels: 17MP
Lens mount: N/A
ISO Range: 200 – 25,600 (expandable 100 – 51,200)
Stabilization: Yes
Reasons to buy
+
Post-focus refocusing feature
+
Compact body with large MFT sensor
Reasons to avoid
–
Competitors beat these specs
–
Fixed lens means restricted use
Buy it if
You travel a lot: Compact cameras are much smaller and lighter than interchangeable lens cameras, so if you travel a lot and want to take photos along your travels, this would be ideal.
You aren’t confident with focus: This camera has a clever ‘post focus’ function which lets you select your desired focus point after the photo has been taken, so if you missed focus in a particular shot, you can go back and correct it.
Don’t buy it if:
You want to do a range of photographic styles: While you technically can do whatever style you like and get ok results, having a fixed lens means you’re limited to what you can do because you can’t change to a more suited lens for each photographic style.
The bottom line
Panasonic LX100 II For a neat little camera for less than $1000, you can’t go wrong if you want to use it for traveling or for low light photography thanks to its wide aperture. Though if you want to expand your photography skills into the future, you may need to upgrade ★★★½
The Panasonic Lumix LX100 II is a fantastic compact camera that really shines in low light conditions, and the best part is, it won’t break the bank. It sports a sleek design with controls on top that give it an SLR or rangefinder camera feel. Plus, you get two dials — one for adjusting the shutter speed and the other for tweaking exposure correction — giving you that extra level of control to capture the perfect shot without having to go into the menu. It’s a pro-level camera that doesn’t compromise on style or performance.
Unlike typical compact cameras, this one has a micro four-thirds image sensor, which means it can take great pictures and capture impressive details, especially when used with a lens like the f/1.7-2.8 24-75mm Leica DC Vario-Summilux. This lens has a wide aperture range, allowing it to gather lots of light while keeping the shutter speed quick. That means you can take handheld shots even in low-light situations without needing a tripod.
What makes the LX100 II stand out from its competitors is its amazing post-focus function. This feature lets you select the desired focus point in a photo even after it has been taken, which proves to be a significant advantage in low-light photography. We’ve all experienced that frustration when reviewing our photos and realizing that the photo that would’ve been ‘the shot’ turned out to be out of focus. Manual and autofocus systems tend to struggle in darker environments, where the subject is challenging to see, resulting in misplaced focus points. However, with this camera, you have the incredible ability to adjust the focus point after capturing the shot — truly remarkable!
For less than $1,000 at Amazon, this camera is much more affordable than most of its competitors — ideal if you’re just starting out in low-light photography or want to upgrade your kit for less.
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Test results
Attributes
Notes
Design
Compact body with large MFT sensor
Performance
Wide aperture lens
Functionality
Post Focus feature lets you choose focus point after shooting
Best cameras for low light photography FAQ
Which camera is best for low light photography?
The Nikon Z7 II is the best for low light photography. We think it strikes a good balance between excellent image quality, competitive price, and flexibility for generalist shooting, too.
What ISO is best for low light photography?
The critical factor in finding the best camera for low light photography is how it deals with light sensitivity. The ISO range determines this — the higher the ISO sensitivity, the better the camera will capture well-exposed images in darker environments.
The flip side of a higher ISO is that it brings noise into the image, so you’ll also want to look for a camera with a larger image sensor (it physically takes up more space so it can capture more light) and one with fewer megapixels to mitigate the noise. This is why compact cameras with fixed lenses aren’t traditionally favorites for low light photography — unless they have specialized sensors like the Canon PowerShot G1 X Mark III.
Which camera is best for autofocusing in low light?
The Nikon Z6 II and Sony a7S III are the best for autofocusing in low light from our guide because their exposure value goes as low as -6EV. However, another important consideration in low light photography is focus, which keeps images sharp. Autofocusing functions struggle in darker environments, so you’ll want to look at how low the exposure value (EV) range on each camera goes. The lower the number, the better the camera will cope with autofocusing in less-than-ideal light conditions.
What should I look for in a camera for low light?
In-body stabilization is vital, especially in dark environments, as it lets you shoot handheld without needing a tripod, making sure video footage isn’t shaky and stills come out sharp. For this purpose, you’ll also want a camera with a fast lens (or one compatible with fast and wide aperture lenses) to maximize the amount of light coming through the image sensor. For more in-depth guidance about choosing lenses for low light photography, check out our guides to the best lenses for astrophotography and the best zoom lenses.
Design and ergonomics are other factors to look out for when choosing a camera. Not just for aesthetics — some people prefer on-screen menus whereas some prefer buttons or dials. Consider whether you’ll want something more portable and versatile, or a specialized camera dedicated solely to low light photography.
Tied into these considerations is, of course, your budget — we’ve included cameras at various price points, so you’ll be sure to find something that works for you.
How we test the best cameras for low light photography
To guarantee you’re getting honest, up-to-date recommendations on the best cameras to buy here at Space.com we make sure to put every camera through a rigorous review to fully test each product. Each camera is reviewed based on a multitude of aspects, from its construction and design, to how well it functions as an optical instrument and its performance in the field.
Each camera is carefully tested by either our expert staff or knowledgeable freelance contributors who know their subject areas in depth. This ensures fair reviewing is backed by personal, hands-on experience with each camera and is judged based on its price point, class and destined use. For example, comparing a 60MP full-frame mirrorless camera to a sleek little crop-sensor DSLR wouldn’t be appropriate, though each camera might be the best-performing product in its own class.
We look at how easy each camera is to operate, whether it contains the latest up-to-date imaging technology, whether the cameras can shoot high-quality stills photos and high-resolution video and also make suggestions if a particular camera would benefit from any additional kit to give you the best viewing experience possible.
With complete editorial independence, Space.com are here to ensure you get the best buying advice on cameras, whether you should purchase an instrument or not, making our buying guides and reviews reliable and transparent.
