Beloved Grandma Janet ‘retires’ from Grundy Co. Fair photography | News, Sports, Jobs

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PHOTO COURTESY OF KATRINA HEMANN
Reinbeck resident and now retired Grundy County Fair photographer Janet Schildroth pictured at the fairgrounds in Grundy Center during fair week in a previous year.

GRUNDY CENTER – A familiar face behind the lens at the Grundy County Fair has elected to hang up her camera strap after years of capturing special moments throughout the fairgrounds each July.

Reinbeck resident Janet Schildroth – affectionately known as ‘Grandma Janet’ to area schoolchildren and 4-H/FFA members alike – switched gears this year, moving from fair photography to other volunteer avenues at the annual county fair which took place last month from July 17-22.

“Janet has been a wonderful addition to our volunteers for the Grundy County Fair for many years. She spends countless hours taking photos of events going on at the fair, especially focusing on the behind-the-scenes,” Grundy Co. Fair Board member and primary fair photographer Katrina Hemann said. “She is fondly called ‘Grandma Janet’ throughout the fairgrounds, and [exhibitors] and visitors alike know to smile for her camera. She will be greatly missed as her presence was a constant on the fairgrounds!”

While Hemann has been the fair’s official photographer for 13 years, she said Schildroth has been her official helper for at least the last five years.

“I get photos when I can,” Hemann explained, “but being on the [fair] board and having a daughter still showing, I can’t get to everything, so we had Janet help out. … [S]he has done a fantastic job at not only capturing precious moments but really being able to tell stories with her photos. She has a knack for capturing pure moments of joy and getting fantastic candids.”

When asked to comment on her ‘retirement’ from fair photography, Schildroth – ever humble – respectfully declined, choosing instead to focus on the members of the fair board and the incredible work they do to make the Grundy County Fair a success each year.

Grundy County Fair Board officers currently include president Jared Gutknecht, vice president Kyle Dudden, treasurers Jodi Michael and Justin Lynch, and secretary Clay Geitter.

Fair board directors include Katrina Hemann, Brandon VanLoh, Dr. Kurt Steckelberg, Gavin Dudden, Justin Thesing, Curt Kyhl, Jason Scafferi, Kerri Lynch, Jody Peters, Bryan Moeller, Renee Messmore, Ryan Woebbeking, Jason Steinmeyer, Justin Lynch, Luke Kjormoe, and Jenny Meyers.

“The fair board members are very committed and do a lot of work,” Schildroth said of the board, which includes her daughter Jodi Michael. “[They all] work hard to make it an ‘All-American’ county fair.”

Despite stepping back from her official role, Schildroth could be found volunteering at the fair again this year, Hemann said.

“She was able to help this year with taking tickets in our 1851 Pavilion, so we’re crossing our fingers you’ll still see her helping now and then at the All-American Grundy County Fair.”

The Grundy County Fair ended on Saturday, July 22 with 24 static/non-livestock 4-H projects selected for the Iowa State Fair which takes place Aug. 10 through Aug. 20.

Grundy County 4-H members whose projects will be on display in the Bruce L. Rastetter 4-H Exhibits Building include Christian Meester, Charlie Wessels, Kinzee Hemann, Westen Steinmeyer, Will Rogers, Anna Meyers, Daniel Hommel, Ryder Messmore, Bentley Beenken, Anna Goodman, Page Messmore, Madi Traeger, Dalton Boldt, Avery Smith, Collin Primus, Colton Rogers, Lizbeth Meester, Cameron Sieh, Owen Primus, Levi Sieh, Greely Everts, Kennedy Cole, Melanie Meester, and Kennedy Brant.



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Pennsylvania photographer wins National Audubon award for bird photo

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This story comes from our partners at WPSU.

The National Audubon Society has named this year’s winners of its bird photography contest. One of the winners is Sandra Rothenberg, from Warren, Pennsylvania. WPSU reporter Sydney Roach talked with her to learn more about the picture of a yellow Baltimore Oriole that won the prize for best photo of a female bird.

LISTEN to their conversation


 

Sydney Roach: Help me set the scene here for how you got this picture. Before taking the shot, you say you went out to your bird blind — that’s an outdoor wooden structure with windows — so you could see the birds and take pictures. And you set out some food and nest-building materials for any birds passing through. Then what?

Sandra Rothenberg: Yeah. She came in very briefly. She flew in. And generally when female Orioles come in, if they’re building their nest, they will take one tiny little strand of horsehair and usually then they go and have a bite of orange. Or they’ll have a sip of nectar or a bit of grape jelly and often they forget they have the horsehair and leave it there.

But in this instance, the female Oriole just swooped in and took this large clump of horsehair and with a little bit of twine mixed in and flew off immediately. She didn’t pause or she wasn’t distracted by the food. She was completely directed in her pursuit of this clump of horsehair and off she flew.

I kept my finger on the shutter, hoping to capture images as she flew off, but it just happened so fast that I only got the one image of her. But it looked, as she flew it just looked like this wonderful diaphanous veil, enveloping her. And it was so unique. It was something I had never seen before. So I was very much struck by the image and kind of entranced by it also.

Certificate of Audubon Photography Award. It reads, "2023 Audubon Photography Awards certifies that Sandra M. Rothenberg is the winner of the female bird prize. A quote from Purbita Saha, former Audubon editor and member of Bergen County Audubon Society, reads "we usually see the grace and inventiveness that goes into a Baltimore Oriole's nest manifest in the final product. But in this photograph, we get to witness the female oriole literally wrapped up in the process. It conveys urgency and a healthy dose of whimsy, which is one of my favorite ways to think about birds, female or not." The certificate is signed at the bottom by Sabine Meyer, photography director of the National Audubon Society.

National Audubon Society

Sydney Roach: How did you get the picture? Did you already have the camera set up? Like, were you already watching her?

Sandra Rothenber: During the month of May, I just become obsessed with the magic that happens in May. I spend as much time as I can outdoors and witness the kaleidoscope of colors emerging as the Earth shrugs off her winter sepia and white hues, those dull tones and observe the burgeoning display of their verdure, the explosion of blossoms.

So I spend about five or 10 hours every day in May outside. I’m standing in my blind with my camera and lens. In this case, it was a 200 to 600 millimeter lens. Usually I use the 600, but I’m kind of glad I was able to go a little bit wider for her, and I’m just so pulled in by the beauty as I stand there. It’s kind of an opportunity to release any thoughts that you’ve been caught up with about political or environmental or family or whatever you’re worrying about or thinking about and just be swept up into the beauty of nature.

For me, it’s kind of like my cathedral, I’d say, where I feel more actively awake and aware and just really present to all my physical experiences. My feet standing on the ground, and the solidity of the camera, just waiting for the next bird to come in or whatever comes in. Sometimes it’s not a bird. Sometimes it might be a woodchuck or a tiny eft that marches in on its path.

Sydney Roach: How did you get started with bird photography?

Sandra Rothenberg: I got started with bird photography, or photography in general, from the time I was a child. My first camera was a Brownie camera. I was probably eight or nine. I was just really loving it. I developed my own. It was black and white that I liked, to begin with. And I developed some of my own images and mostly nature, but I did photograph people back then. And then life went on and I became a psychotherapist and a yoga teacher and didn’t really have the time to devote to photography.

But now that I’m retired I have all the time in the world. So there’s a lot to love about photography and just being in nature. For me it’s also that awareness of the passage of time. All creatures, all flora are ephemeral. Each instant becomes precious. And with a photograph you’re capturing one infinitesimal facet of a moment and as you look at that photograph, after I’ve taken the image and I go home to my computer or come into the house to my computer and import it, you see so much more.

First, you see that gestalt, the integrity and wholeness of the image. And then you begin to see more and more. With the image that you’re referring [to] it’s the Baltimore Oriole female. I hadn’t noticed in that second when I took the image, her intense gaze. She just looks so focused and determined. Well, I’m projecting onto her, but that’s how she appears to me. And just the weight of her body on the branch, you can see a little bit of dipping in the branch.

Sydney Roach: I really like just how much of the horsehairs are coming off of her. Like, it’s a pretty big amount. It’s like taking up the whole branch in that picture.

Sandra Rothenberg: Yes, and it appears very solid but in reality, it weighs nothing. I mean, those little horsehairs are just kind of weightless so they just floated around her. I thought they were so beautiful. [I’ve gotten] lots of attention since my image has been in the magazine and online. I’ve received numerous calls and numerous people wanting to purchase images.

Sydney Roach: How do you feel about all that attention?

Sandra Rothenberg: I feel curious about it. I mean, of course, I’m honored to have my image in the magazine, and I’m always hoping with my images of nature to promote other people to get out there and open their eyes.

Sometimes I see so many people hiking with their cell phones. Of course, I have mine, but I do keep it tucked in my back pocket. There’s so much to see and so much to hear and so much to feel. Just the air touching your skin. And how your body, your trapezius muscle maybe, relaxes in the back of your neck and shoulders with the sun on your back. And just feeling your feet on the earth.

I love the sensual aspects of being outside and just again, I know I already mentioned it, but the wonder and awe at the beauty of the sunset, the beauty of a flower. Or even a tiny mosquito if you see it on your arm. My sister often holds up her arm to look at it as we’re walking and watches it closely. Just feeling that connection to other creatures that we share the Earth with and hopefully it will instill a love of nature and people will want to do something to protect our mother Earth.

Sydney Roach: Sandra Rothenberg, thank you for talking with us.

Sandra Rothenberg: Well, thank you so very much.



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Australia’s best astronomy photos have been announced and, yep, they’re out of this world

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By AG STAFF

August 3, 2023

These cracker astronomical images were chosen for this year’s David Malin Awards.

In July 2023, the Central West Astronomical Society held its annual astrophotography competition. Amateur astronomers and photographers from around Australia entered the competition, submitting their astrophotographs for consideration in the prestigious David Malin Awards.

According to Dr David Malin, renowned astronomy photographer, good astronomy photographs – or astrophotos – are tricky to take.

“Unlike everyday photographs, astro photos are sometimes of objects too faint to be seen by the human eye, even with a powerful telescope,” says David.

How to capture the sky

David says that although digital enhancement is almost always necessary, a good astrophoto should still appear natural after these edits.

Since the awards began almost 20 years ago, David says he has observed their effect among Australian astronomers.

“The awards have been going for over a decade now, and I can confidently say they have contributed to the imaging skills of the Australian amateur astronomy community,” says David.

“Australians are always conspicuous in international competitions and are often awarded.”

David says what makes a good astrophoto is how eye-catching it is at an initial glance, how interesting the content remains on closer inspection, and also the degree of difficulty that was involved in creating it – which David says can be considerable.

Related: AG Nature Photographer of the Year 2022: Astrophotography shortlist



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4 Tips To Take Your Paintings From Beginner To Advanced Level

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Do you consider yourself a fairly solid beginner painter? Did you originally get into it as a hobby and a way to relax, and now you’re finding you’re ready for a new challenge? The great thing about painting is that there are no rules, the only limit is your creativity. Taking your paintings from beginner to advanced level may be simpler than you thought, so why not give it a try? Here are some fabulous tips you can get started with, giving you the push you need to elevate your paintings.

Paintings From Beginner To Advanced Level

#1. It’s Time to Upgrade Your Tools and Supplies

It’s really hard to elevate your paintings if you don’t upgrade your tools and supplies. Better quality tools mean your paintings will look sharper and it will allow you to branch out and use different techniques. Even if you just upgrade a few items at a time, you’ll see the results instantly.

#2. Paint in Layers and Mix Mediums for Elevated Results

Using acrylic paint is a very beginner-friendly option. They tend to be simple to use and because you have such a wide array of colours to choose from, you can ensure the results are perfect.Acrylic paint also dries incredibly fast, which makes it the perfect choice for layering. You will be adding texture, dimension, and interest.

But don’t just stick to acrylics; try working with mixed media. When using a water-soluble medium such as gouache or watercolour, acrylic should be used on top. Meanwhile, acrylic paintcanbe used as a base layer when you want to work over it with chalk, pastels, or paint markers. Mixing the mediums allows you to be more expressive, and therefore elevate your results.

Paintings From Beginner To Advanced Level

#3. Add Dimension to Watercolour Paintings

If you enjoy the softness that watercolour offers but are finding your work is looking a bit flat, adding dimension can be the solution. Look at options like shimmering watercolour paints that add colour shifts and interest. They can transform what would be a rather standard painting into something that is eye-catching and unlike anything else. Metallic watercolours have a way of picking up the light that is just so beautiful and sophisticated.

#4. Give Abstract Painting a Try

Do you tend to paint specific subjects? Maybe you’re into painting landscapes, animals, people, and so forth. If so, a great idea is to give abstract painting a try. Abstract painting is all about uniqueness and not focusing on perfection. While that may sound easy, many artists find it harder to try abstract artwork. It can be difficult to tell yourself it’s perfect the way it is, and that there is beauty in imperfection.

Beginners may want to try layering their abstract ideas. You can use a variety of techniques such as collaging, stamping and mark-making giving the piece depth. The goal is to let your mind be free and erase any “rules” you think exist.

Paintings From Beginner To Advanced Level

Wow Yourself with the Results

Not only will you be able to elevate your paintings with these tips, but you’ll also wow yourself with what you’re capable of producing.


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Photography exhibit offers connection to nature

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Bobcat LAS CRUCES — For Elizabeth Abrams, the art of photography offers an opportunity to connect deeply with the world around us, especially in the form of nature.

Her exhibit, “Antidotes: Seeing Beauty, Finding Connection,” opens at the New Mexico Farm & Ranch Heritage Museum in Las Cruces on Aug. 19. An artist’s reception with refreshments and free admission is set for 1:30-3:30 p.m. on Aug. 19. The show will continue in the Museum’s Arts Corridor through Dec. 2, 2023.

The show features 24 beautiful landscape and wildlife images by Abrams, who lives in Las Cruces. The show also includes a “Death and Life” display, a memorial work dedicated to horses and other animals.

“My own journey of reconnecting with the landscape of the Chihuahuan Desert has brought experiences of deep healing and meaning,” Abrams says in her Artist Statement. “I think about photography as a practice of seeing the land and animals with love, care, and attention, and acknowledging our interdependence. This is my way of contemplating the mutual antidotes humans and the rest of nature might be able offer each other in facing the unique challenges of the times we live in.”

Her landscape photographs reflect the light and texture of the environment and the seasons, whether it’s the Rio Grande or the Organ Mountains. The 12 wildlife images in the show feature everything from a bobcat to a variety of birds.

DesertHorizonElizabeth Harvey Abrams is a nature photographer and interdisciplinary artist. She grew up in Alamogordo and Las Cruces with multiple generations of farming and ranching on both sides of her family. Abrams returned to Las Cruces after a 15-year career in federal government and related work in Washington, D.C. After changing careers, she now practices as a mental health counselor focusing on grief, trauma, and ecotherapy.

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Photography “hobby” lands Nunavut man’s work in Maine museum exhibition – Eye on the Arctic

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A self-portrait by Niore Iqalukjuak. (Courtesy Niore Iqalukjuak)

Photographer Niore Iqalukjuak says even though he often gets demands to show his work in exhibits or shows, he never considers it when he’s out creating. 

“Photography started off as a hobby so I don’t think about, like, ‘This will go into a museum’ or ‘This will go into an English newspaper” or somewhere else out in the world,” Iqalukjuak told Eye on the Arctic in a phone interview.

“I just do it for my own enjoyment and to relax.”

Most recently, Iqalukjuak’s images are being shown along with the work of four other Inuit photographers in the Iñuit Qiñiġaaŋi: Contemporary Inuit Photography exhibition at the Peary-MacMillan Arctic Museum in Maine.

Bringing the work of northern photographers to the forefront

Fellow Canadian Jennie Williams, from Happy Valley-Goose Bay in Labrador, is also featured, as well as Greenlander Minik Bidstrip, and Alaskans Jenny Irene Miller and Brian Adams.

Adams also co-curated the show with curatorial staff from the Arctic Museum.

Niore Iqalukjuak says nighttime photography is a particular passion. (Courtesy Niore Iqalukjuak)

In a statement on their website, the museum said the goal of the show was to feature northerners’ representation of their lands and environment.

“For too long, visual storytelling about the North has been dominated by photographers from the South,” the statement said. 

“This exhibit is part of an effort to reverse that longstanding imbalance and to bring the work of northern photographers to the forefront.”

Landscapes and wildlife

Iqalukjuak’s images in the show feature the Arctic vistas and animals he’s known for.

“I find taking pictures of people hard so most of what I do is wildlife, landscape or night photography,” he said.

“Even if I do sometimes take pictures where people are in the foreground, what I’m doing more is looking at what’s behind them in the landscape, because if I make the landscape look good, then I make the person look good,” says Niore Iqalukjuak. (Courtesy Niore Iqalukjuak)

Iqalukjuak, who was born in Clyde River, Nunavut and now lives in the community of Arctic Bay, says he doesn’t plan his images, but that they come out of a process where’s he’s simply capturing what’s happening organically around him.

“If a polar bear was coming into the community, I used to run and go take pictures of it,” he said. “But, after a while I told myself ‘People are all taking pictures of the same thing.’ So I prefer to take pictures of the polar bears in their own natural environment where they’re relaxing. It’s easier to take their pictures that way. 

“I’ve seen polar bears hunting, standing by the seal breathing holes, and taken pictures of them. It seemed like just a few minutes, but it turned out I took pictures for three hours.”

Iqalukjuak said he realized his images were able to convey narrative uniquely when he was once invited on a cruise ship to talk about his work alongside National Geographic photographers.

He says he hopes viewers at the Maine exhibition will have the same experience viewing the images.

A Nunavut landscape. (Courtesy Niore Iqalukjuak)

 “The [National Geographic] photographers presented their photos and I did mine but it was a bit different,” Iqalukjuak said.

“It’s because I know about my land, and the wildlife and how they act. So when I’m showing my pictures, I’m telling a story at the same time.  I think that makes it more interesting for the people that are viewing the pictures.”

The Iñuit Qiñiġaaŋi: Contemporary Inuit Photography exhibition runs until May 26, 2024.

“When I’m showing my pictures, I’m telling a story at the same time,” says Niore Iqalukjuak. (Courtesy Niore Iqalukjuak)

Comments, tips or story ideas? Contact Eilís at eilis.quinn(at)cbc.ca 

Related stories from around the North: 

Canada: Director hopes film on Hebron relocation can both educate and spark healing, Eye on the Arctic

Norway: Certification marks help both Sami artisans and consumers, says council, Eye on the Arctic

Russia: German project to house everything published in Siberian and Arctic languages to seek new funding, Eye on the Arctic

Sweden: 2022 Gollegiella Nordic Sami language prize awarded in Stockholm, Eye on the ArcticCan

United States: How Inuit culture helped unlock power of classical score for Inupiaq violinist, Eye on the Arctic



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Jess Curning featured artist at Portage Center for the Arts

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The Portage Center for the Arts is hosting an opening reception Friday for Nature Photographer and Jeweler Jess Curning.

The event is being held in the Drury Gallery of the PCA, 301 E. Cook St., from 4 to 6 p.m.

The gallery will be open for viewing until Aug. 25 from 1 to 6 p.m. Wednesday to Friday and 10 a.m. to 3 p.m. Saturday.







Jess Curning Owl

A portrait of an owl. “There are so many really beautiful areas around Wisconsin to explore and find cool photographs,” Curning said.




Curning has been photographing Wisconsin’s nature and wildlife for the past 30 years and said she tries to spend as much time as possible exploring trails, waterways and natural areas.

“I’ve lived (in Wisconsin) my whole life,” Curning said. “I grew up in Madison and live just west of there now. It is just a beautiful place to live and there are so many really beautiful areas around Wisconsin to explore and find cool photographs.”


Bear takes 400 'selfies' on wildlife camera

“Of the 580 photos captured, about 400 were bear selfies,” a Colorado parks official wrote.

Curning will sometimes sit in one spot for hours waiting for the perfect lighting and said patience within a beautiful, scenic moment is “almost meditative”.

People are also reading…

Alongside the nature photography, jewelry will be on display. Which Curning describes as a mix between “medieval, punk and industrial” but also “delicate and sexy.”







Jess Curning

Jess Curning at one of her many photo shoot locations.




She draws inspiration for her jewelry from ancient flexible armor that was forged in the middle ages.

“I took one class on how to make this type of jewelry and I got obsessed with it,” said Curning. “I love to make really unique designs that I like, and hope that other people will like as much as I do.”

For more information about the event, visit portagecenterforthearts.com







Jess Curning Necklace

A medieval armor-inspired necklace, designed and constructed by Jess Curning.




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Unleash The Wild: Annual Tennessee Nature Photography Contest Now Open

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Calling all nature enthusiasts and photography aficionados: the Tennessee Wildlife Federation is thrilled to announce the launch of its 9th annual Wildlife and Landscape Photo Contest.

As we celebrate the beauty of Tennessee’s wildlife, landscapes, and natural wonders, photographers of all skill levels are invited to submit their captivating shots for a chance to win exciting prizes and be featured in the Federation’s 2024 calendar. 

Photos of Tennessee’s incredible wildlife and wild places can be submitted at tnwf.org/photo-contest until August 31. Whether you’re an amateur capturing the mesmerizing hues of a sunrise over the Smoky Mountains or a seasoned pro with wildlife masterpieces, this contest welcomes all nature-inspired imagery. 

Photographers can submit one photo with a $5 suggested donation, up to five photos for $10, and up to 20 photos with a $20 donation. This donation helps support the Federation’s mission to lead the conservation, sound management, and wise use of Tennessee’s wildlife and great outdoors.

“We are incredibly excited to host this photography contest each year because it’s another way to join together with other passionate people to highlight our state’s rich biodiversity and natural splendor,” said Kendall McCarter, chief development officer, Tennessee Wildlife Federation. “We hope this contest provides a platform for photographers to show their love for nature and wildlife, inspire a greater appreciation of conservation, and foster a deeper connection with the great outdoors.”

A panel of judges will select the best photos to be featured in the Federation’s 2024 calendar and across the Federation’s digital platforms. Winners will also receive a variety of prizes including Patagonia gift cards up to $250, Federation apparel and more!

The deadline to submit photos is 11:59 p.m. CT Aug. 31. Voting for the People’s Choice winner will be open to the public on Sept. 8. 

For contest guidelines, submission details, and more information, visit tnwf.org/photo-contest



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Brazilian 3D Artist Yan Blanco Transforms Our Favorite Childhood Heroes Into Creepy Characters

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Brazilian 3D artist Yan Blanco transforms our favorite childhood heroes into creepy characters. Yan Blanco, a 24-year-old independent artist hailing from Sao Paulo, Brazil, possesses a unique talent for transforming beloved childhood icons into nightmarish figures straight out of a horror film.

His artistic style is deeply unsettling, giving his renditions an uncanny and hyper-realistic appearance that’s both haunting and oddly flesh-like. Prepare yourself for a spine-chilling journey into Yan Blanco’s imagination as he reshapes familiar characters into something eerily new and unsettling.

Scroll down and inspire yourself. Please check Yan’s Instagram for more amazing work.

You can find Yan Blanco on the web:

#1 Peppa Pig

Childhood Heroes Into Creepy Characters By Yan Blanco

#2 Bugs Bunny

Childhood Heroes Into Creepy Characters By Yan Blanco

#3 Tin Woodman

Childhood Heroes Into Creepy Characters By Yan Blanco

#4 Bananas In Pyjamas

Childhood Heroes Into Creepy Characters By Yan Blanco

#5 Rick

Childhood Heroes Into Creepy Characters By Yan Blanco

#6 Brocoloco

Childhood Heroes Into Creepy Characters By Yan Blanco

#7 Mr. Carrot

Childhood Heroes Into Creepy Characters By Yan Blanco

#8 Spongebob

Childhood Heroes Into Creepy Characters By Yan Blanco

#9 Teletubbies

Childhood Heroes Into Creepy Characters By Yan Blanco

#10 Santa Claus

Childhood Heroes Into Creepy Characters By Yan Blanco

#11 The Junkie Fish

Childhood Heroes Into Creepy Characters By Yan Blanco

#12 Pizza

Childhood Heroes Into Creepy Characters By Yan Blanco

#13 Carnivorous Plant

Childhood Heroes Into Creepy Characters By Yan Blanco

#14 Lonely Tree

Childhood Heroes Into Creepy Characters By Yan Blanco

#15 Little Dolly

Childhood Heroes Into Creepy Characters By Yan Blanco

#16 Cocoa

Childhood Heroes Into Creepy Characters By Yan Blanco

#17 Boxer Pig

Childhood Heroes Into Creepy Characters By Yan Blanco


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Australia’s best astronomy photo winners: David Malin Awards 2023

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By AG STAFF

August 3, 2023

These cracker astronomical images were chosen for this year’s David Malin Awards.

In July 2023, the Central West Astronomical Society held its annual astrophotography competition. Amateur astronomers and photographers from around Australia entered the competition, submitting their astrophotographs for consideration in the prestigious David Malin Awards.

According to Dr David Malin, renowned astronomy photographer, good astronomy photographs – or astrophotos – are tricky to take.

“Unlike everyday photographs, astro photos are sometimes of objects too faint to be seen by the human eye, even with a powerful telescope,” says David.

How to capture the sky

David says that although digital enhancement is almost always necessary, a good astrophoto should still appear natural after these edits.

Since the awards began almost 20 years ago, David says he has observed their effect among Australian astronomers.

“The awards have been going for over a decade now, and I can confidently say they have contributed to the imaging skills of the Australian amateur astronomy community,” says David.

“Australians are always conspicuous in international competitions and are often awarded.”

David says what makes a good astrophoto is how eye-catching it is at an initial glance, how interesting the content remains on closer inspection, and also the degree of difficulty that was involved in creating it – which David says can be considerable.

Related: AG Nature Photographer of the Year 2022: Astrophotography shortlist



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