I like to describe my style of photography as ‘magpie meets mad scientist’. I find shiny objects and through trial and error work out how to use them to create eye-catching in-camera effects.
I spent a lot of time during lockdown playing with this kind of thing, getting the hang of how different shapes and colors reflect and refract light, and using them to take creative (yet slightly quirky) self-portraits. Since that time, I’ve worked with lots of other faces, most recently in a new studio space that I rent with some other photographers. We share the equipment, which has allowed me to experiment with different lighting setups. Here, I’m using a ring light and some LED panels, where I have more control over the power and colour.
5 studio portrait tips: How to get the best out of a studio photography session
Today’s shiny objects are various beads I picked up in an arts and craft shop and strung with wire – total cost under a tenner. Like a lot of photographers, I have some kit-head tendencies, and this DIY approach fights back against the urge to buy new equipment. Sourcing or making it is usually cheaper, easier than you think, and ultimately more satisfying.
Jack’s advice for getting creative in the studio
1: Set up your lights
Here I’m using two Neewer RGB660 Pro LED panels and a ring light. The ring light gives me a soft key light, then I’m free to experiment with the LED panels. I tend to play around with the video modes, such as police lights, which will flash red and blue, meaning I never know what I might capture. For me, this is a far more interesting process than choosing a color, where you know exactly what you’re going to get before you’ve even pressed the shutter.
The best LED light sticks and light wands for photography in 2023
2: Try this shooting setup
I shoot with a Canon EOS 80D and a Sigma 30mm f/1.4 EX DC HSM. This focal length is perfect for portraits, leaving a little room around the subject for placing artifacts such as beads. The 80D has an articulating screen that allows me to swivel round so I can see the shot from various positions. Sometimes I can be closer to the model when dangling beads, so I’ve found it really useful to switch to Live View and use that.
3: Focusing your subjects
I always use eye autofocus when photographing people. It’s 100% reliable, especially if they are not moving too much and there’s a decent amount of light. On many modern cameras, you can choose Left Eye, Right Eye or Auto from the menu in advance, which leaves you free to pay more attention to composition and working with your subjects on their mood and expressions.
4: Use objects creatively
I originally picked up these beads and secured them together with a wire. Ideally, what I’m looking for is something reasonably translucent and colourful. The trick is to stay quite close to the lens, leaving the object out of focus, and then experimenting with various shapes while the light reflects around the image. Again, for varying results play around with this as much as possible.
5. Take your shots
I’ll mix up my shutter speeds, in certain scenarios going from 1/25 sec to 1/100 sec, and will use a shallow aperture of anywhere between f/1.4 and f/2.8. I’ll always keep my ISO low, at around 100, and will then adjust the brightness of the lighting to get the correct exposure. Shooting at speeds of 1/30 sec will let in a lot of light, so you will need to compensate elsewhere. For some motion blur, I may even move the artifacts near the lens as I shoot.
Check out Sigma 30mm f/1.4 DC HSM Art review, be sure to look at the best lenses for portrait photography, and the best softbox lighting kits
KINGSTON, N.Y.—Photographer Andrew Moore hunched over a table at his studio in the Fuller Building recently and walked his new intern, Elizabeth Kiluba, through ways she could make her photos pop.
Kiluba, 16, a Hurley resident on summer vacation from Kingston High School, became Moore’s intern some weeks ago. “We’re still getting to know each other,” Moore said in late June. He stopped her as she scrolled through a series of black-and-white photos on her iPhone. Kiluba said one photo looked wrong because a negative got scratched.
“If you just rewash that negative you can get rid of some of that. You can bring them in, I’ll show you how to do all that stuff,” Moore said. The pair got lost in a tangent, discussing the merits and pitfalls of color photography and processing.
Moore has taught for decades, at the university level and locally at the Center for Photography at Woodstock, and said part of the appeal of having an intern was that he could be around young people and their ideas while feeling more connected to the community. Kiluba’s tasks, he said, would initially be more clerical than artistic, organizing digital files and preparing paperwork for grant applications, but he planned to have her join him on shoots, make promotional content and teach her how to use higher-level equipment.
It will all culminate in a gallery exhibition for Moore later this year in New York City featuring work he and Kiluba are preparing. The exhibition, Moore said, will be a meditation on modern wilderness and our relationship with nature, also exploring how the pandemic affected people’s relationship with Upstate New York and the natural environment.
He said some of the pictures are, “a kind of revisiting of the natural beauty up here in this part of the world.”
Keiluba said, “I feel like not enough people really understand what we have up here. I feel like a lot of people, and I know kids my age, kind of take this area for granted. They think it’s boring and they all just want to leave but they don’t understand how lucky we are to have all of these natural resources and the mountains, the Catskills, the forest, the river. A lot of people don’t have that around where they live, but we have it.”
Moore spent nearly the entirety of his career in New York City before coming to Kingston. His work, he said, which has seen the cover of New York Times Magazine, is inspired by one of his first loves, architecture. Moore said shooting in Kingston’s diverse topography and natural beauty, in contrast to New York City’s concrete and steel, forced him to think about his craft in a different way.
Instead of using the side of a building to frame a photo’s composition, he said, he has to rely on natural elements like branches or stone pillars.
Moore and his wife moved to the Hudson Valley in 2018 and he decided to create his new studio in Kingston after a chance meeting with the Fuller building’s architect Scott Dutton. He said after taking a tour of the space while it was under construction he decided to go ahead with a lease. He said he hasn’t looked back and deeply appreciates the sense of community in Kingston.
“It’s actually been kind of a double blessing to both have this fantastic studio and this community that’s kind of evolved for the past five years,” said Moore. Many of the pictures Moore takes are within an hour’s drive of Kingston with landmarks like Ponckhockie or the Roundout showing up in his work.
Kiluba said she plans to study film in college but was eager to get involved with photography to sharpen her eye and hone her visual palate. Moore said that was a good strategy, comparing photography to a base language like Latin in relation to video.
“It’s like capturing a moment in time and I feel like other types of mediums you can’t really get the same feelings out of taking a picture or photography in general,” said Kiluba. “You can really motivate and move people with photography and you can make a really big impact on a community of people with just a single picture.”
Moore said he began taking pictures at age 12, setting up a small darkroom in his parent’s attic. As he grew up, he said, he started to study paintings, but the emergence of more advanced and cheaper color photography equipment cemented his preference. He said it combined many of his intellectual interests and his artistic ones and his education at Princeton University further explored that.
“Photography has allowed me to see the world and meet all types of great people and hopefully make pictures that touch people and intrigue them and are things that they want to keep looking at every day,” he said.
Moore will be exhibiting his newest collection at the Yancy Richardson Gallery in Chelsea in New York City on Nov. 16. He said he was still working on a title for the show. “I have a lot of ideas,” he said.
Kiluba nodded her head. She said, “Titles are hard.”
At its essence, street photography is a form of documentary art that focuses on capturing candid moments of people in their natural surroundings. It thrives on the authentic and unposed, portraying both the photographer’s perspective and the subject’s essence. The genre serves as a medium for street photographers to convey their curiosity and emotions, filtering the world through their lenses.
While the term “street photography” may evoke images of classic black-and-white shots of people walking on city streets, it encompasses a much broader scope. It transcends specific locations and subjects, offering endless possibilities for creative exploration. Urban areas become the playground, where unexpected and spontaneous slices of life unfold before the photographer’s camera.
Being a street photographer means venturing into bustling cityscapes, ever-ready to seize those fleeting moments that define urban existence – the busy commuters, carefree children, and content elderly couples amid serene parks. However, it extends beyond merely capturing people; it seeks to portray the essence of the city itself, embracing the raw and authentic elements – from vibrant graffiti to the mesmerizing glow of neon lights at night, and the imposing grandeur of urban architecture.
The “Street Photographers” Instagram page masterfully embraces this captivating art form by curating a collection of intriguing street photos from across the globe. Through their lens, they invite us to witness the multifaceted beauty of life in diverse cities, woven together in a captivating tapestry of humanity and urban expression.
You can find Street Photographers Foundation on the web:
APPLETON – The pub at Primrose Retirement Community was bustling at 2 p.m. July 11.
“Oh, just a second, I’ll get you a chair,” said Christine Dicus, the facility’s life enrichment director, as two more residents showed up.
Every table was full but it wasn’t for Happy Hour, bingo or a party. In fact no drinks or food were being served.
The crowd of 32 assembled for a slide show of nature photography.
The program was given by Bob Haase of Eldorado and was titled “The Beauty of Nature Through the Eyes of a Photographer.”
His first slides included scenes of brilliant fall foliage reflecting on the surface of a North Woods lake, a thrush plucking a red berry from a shrub and red fox kits playing in a field.
“Not only does photography bring me closer to nature, but it gives me a positive attitude,” said Haase, 79. “How could I be in a bad mood watching a fox kit playing like this?”
The photo showed a young fox holding the tail of a littermate in its mouth.
Over 40 minutes, Haase showed 164 images culled from the tens of thousands he has captured in his career.
The goal: inspire the audience with impactful images, help stimulate conversation and evoke memories.
“I think pictures have a unique ability to help us remember a time or place or feeling,” Haase said.
Haase decided to bundle his photographic talent in a presentation at Primrose after two friends, Jerry and Gloria Norris, moved to the facility in 2019.
Jerry was in declining health and Haase knew his friend, with whom he had attended college, would appreciate seeing some of the fruits of his recent camera work.
The idea expanded from a personal viewing in 2022 to an event in Primrose’s life enrichment program. Primrose has residents in independent living, assisted living and memory care units at its Appleton campus.
“(Haase) is so talented,” said Dicus, the event director. “He brings the outside in. It turned out to be a big hit.”
The life enrichment program offers six activities on weekdays and four on weekends, Dicus said. The goal is to provide enrichment in social, emotional, physical, spiritual, purposeful and intellectual realms.
After Haase gave the presentation last year, Dicus said the first question from the audience was: “When are you coming back?”
So Haase and Dicus scheduled a follow-up for July 11.
Such a program is more than just viewing beautiful images.
Several studies have shown looking at nature photos can stimulate the memories and senses of older adults, including people with dementia, for example.
“Not just scenery: Viewing nature pictures improves executive attention in older adults,” a 2014 study by Katherine Gamble and colleagues at Georgetown University showed the value of exposure to nature images.
The work found that viewing nature (and not urban) images significantly improved executive attention in older adults as measured by the Attention Network Test.
Among a growing number of interventions, nature exposure offers a quick, inexpensive, and enjoyable means to provide a boost in executive attention, the researchers concluded.
Laurence Aegerter, a visual artist based in Amsterdam, uses nature images as part of a project she calls “Photographic Treatment.” The effort hopes to improve the quality of life of elderly people with dementia by staging “photo interventions.”
Her work was featured in a 2018 article published on CNN.com.
In one example, Aegerter describes meeting a dementia patient in the later stages of the illness at a care facility in Switzerland. She visited the man to note his reactions to photographs she had brought along.
She asked him to remark on the images but he was relatively unresponsive, “fluttering in out of awareness, like a lamp flickering on and off,” she said. For 10 minutes, the patient hardly said anything.
Then Aegerter said she showed him a photograph of a cat and a kitten; the image provoked a marked change.
“He was able to speak for five minutes in a row,” Aegerter said in the report. “That image triggered something very deep in him, a very deep memory that made him feel so strong. In those minutes, it was like he had no disease at all.”
Haase said he isn’t surprised by such studies. And though he hasn’t researched it, he believes images are an effective way to reach people.
He’s seen it work in various ways over more than six decades.
Haase grew up in central Wisconsin and started his relationship with shutter speeds, f-stops and lighting while a student at Montello High School. He worked for the student newspaper and yearbook.
He went on to get degrees at UW-Platteville and UW-Stout and eventually joined the faculty at Moraine Park Technical College in Fond du Lac where for 27 years he taught graphics, production and photography.
Haase retired in 2001. The year was no coincidence. His father had died at the age of 57 so Haase decided he would stop working at that age and try to enjoy as much life as he could, knowing nothing is guaranteed.
Haase now devotes most of his time to volunteering and nature photography. He is a delegate to the Wisconsin Conservation Congress, gives fly-tying lessons through Trout Unlimited and is on the board of directors for the Wisconsin Outdoor Communicators Association.
He makes local photography outings to public parks and preserves, including Heckrodt Wetland Reserve in Menasha, as well as private properties.
He and his wife Mary also spend time at their cabin set on a scenic lake in northern Wisconsin.
A few times a year he also goes farther afield on photo trips to places such as Sax-Zim Bog, about 30 miles northwest of Duluth, Minn., or Montana or Wyoming.
A digital camera is always at his side. Haase estimates he captures about 5,000 images a month.
He has about 2 TB of stored images.
“What good do they do sitting on my hard drive if nobody can see them?” Haase said.
Haase put that sentiment in action at Primrose. Over 40 minutes he showed birds, mammals, scenics. All were of the high quality you’d see in a nature magazine.
A photo of hooded merganser ducklings drew “oohs” from the crowd. So did an image of a white doe with normally-colored fawns.
“I like animals at a distance and I’ve never seen them as close as this,” said Primrose resident Pat Maronek, 87. “And those colors are unheard of.”
For Maronek, the slide show brought back memories of one of her favorite places, McGill Pond in Stevens Point.
Her fellow resident Marcie Tautges, 84, also enjoyed it.
“The lake scenes reminded me of Mayflower Lake near Birnamwood,” Tautges said. “It looked like home.”
The group stayed for 10 minutes of questions and answers: What kind of camera do you have? Are their things left to see and photograph?
Haase said nature photography helps him start each day with a positive attitude. And yes, there are many things he still wants to do, including photograph grizzly and polar bears.
He thanked the group for inviting him again. The room slowly emptied about 3 p.m. But dozens of conversations continued as residents walked or wheeled out.
Haase would like other nature photographers to consider doing the same types of programs at assisted living facilities, nursing homes and schools. He is planning to offer the program to other facilities this year.
“If I can reach one person, brighten one person’s day, it’s worth it,” Haase said.
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This article originally appeared on Milwaukee Journal Sentinel: Nature photographer shows images to stimulate memories, senses
The ban on photography in the Kedarnath Temple here was violated when a pilgrim clicked a photo of spiritual leader Morari Bapu while he was offering prayers inside the sanctum sanctorum. The man was identified with the help of CCTV camera footage after the photo went viral on social media platforms on Saturday, Badrinath-Kedarnath Temple Committee (BKTC) media in-charge Harish Gaud said on Sunday.
A resident of Indore in Madhya Pradesh, the man was let off after he offered a written apology and a donation of Rs 11,000 to the BKTC, he said. According to the devotee, he clicked the photograph of the spiritual leader, who has followers across the country, out of sheer excitement.
Morari Bapu was in Kedarnath during the course of his visit to the 12 Jyotirlingas in the country. The BKTC had put a ban on photoshoots in the Himalayan temple earlier this week and displayed a notice to this effect on the main gates. It also asked people to wear “decent clothes” and desist from setting up tents or camps in the temple precincts.
(Disclaimer: This story is auto-generated from a syndicated feed; only the image & headline may have been reworked by www.republicworld.com)
ZHIYUN’s FIVERAY lights have become a firm favourite with both photographers and videographers as they offer a huge variety of lighting options, colours and effects. Now upgrading the range comes the all-new FIVERAY V60 LED light wand. This compact and portable lighting solution is designed for bloggers and content creators with its versatility, powerful performance and standout looks.
Click here to buy the ZHIYUN FIVERAY V60 at Amazon
The ZHIYUN FIVERAY V60 measures 450mm x 46mm x 47mm and weighs only 891g, making it highly portable and easy to carry. With its compact design and convenient display screen, content creators can effortlessly view parameters and adjust settings using the stick’s intuitive dial. The FIVERAY V60 offers a wide range of lighting possibilities, from brightness adjustments to colour temperature control, allowing users to create stunning visuals in various environments, whether it’s a dimly lit space or an outdoor setting at dusk.
The FIVERAY V60 stands out with its powerful performance, delivering an impressive 60W of lighting power. However, with the MAX mode engaged and connected to a 24V DC power adapter, the V60 can surge up to 100W, providing even more intense lighting when needed.
The FIVERAY V60 boasts exceptional colour rendering capabilities, accurately reproducing the colours of any object. With a colour temperature range of 2700K to 6500K, a television light consistency index (TLCI) of ≥98, and a colour rendering index (CRI) of ≥96, this light wand ensures that your shots exhibit depth and detail, capturing the essence of your subjects.
The FIVERAY V60 is equipped with built-in multiple light effects and accessories, allowing content creators to add creative atmospheric options to their shoots. The effects include SOS, TV, broken light bulb, candle, lightning, and fire, providing diverse lighting options to enhance storytelling. The V60 is also compatible with multiple ZHIYUN accessories, such as barn doors and grids, which offer exceptional versatility and creativity in shaping lighting needs for outstanding shots.
When it comes to power, the FIVERAY V60 offers versatile charging options. It can be operated while charging, ensuring uninterrupted use during your creative sessions. Whether you prefer DC power or USB charging, the V60’s power supply has you covered.
The ZHIYUN FIVERAY V60 kit includes the V60 light wand, a USB Type-C cable, a quick start guide, a storage bag, a power adapter, an adapter pouch, barndoors, a diffuser, a grid, a modifier manual, and is priced at £169. The combo option, priced at £249, includes additional accessories. Both the FIVERAY V60 and the combo package are available for purchase from ZHIYUN and Amazon Stores.
When Lin Chen was an office worker in her 20s, each workday seemed to bleed into the next. So, to escape the daily grind and inject extra oomph into her life, she decided to do a short course in drama.
Being a “creative soul” working in a “rather regimented” environment, she thrived on how good it felt to let loose in the drama program. “That sense of freedom and expression was amazing,” she says.
That short course kick-started a life of learning for the now 41-year-old medical marketing director. Over the years, Chen has completed short courses on many things, from Italian and Mandarin for beginners through to photography, cake baking and public speaking. She even did a two-day course learning to ride a motorbike (“I got a licence out of that,” Chen notes).
Sometimes she simply wants to know more about a topic or to gain certain skills – that’s what spurred her on to do a one-day course on kintsugi (the Japanese art of repairing broken pottery using lacquer and gold). At others, she chooses a course that aligns with a mood she’s trying to cultivate.
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Regardless of the course she is enrolled in, Chen loves immersing herself in learning. When mastering a new skill, she gets a “euphoric burst of dopamine”.
Doing a short course can certainly add some much-needed joie de vivre to our everyday lives, says psychologist Jocelyn Brewer. Mastering new skills in a casual environment also takes the pressure off having to excel in a new activity as it puts us in a “low-stakes learning gear”. And, in short courses, we don’t have to commit a huge chunk of time to the endeavour, either.
As Chen discovered, we’re also likely to feel invigorated by the experience. Brewer says learning new skills can expand our sense of self and challenge our thinking, helping us clear out the “mental cobwebs” that accumulate when we’re stuck in the daily grind.
Meeting like-minded people can also be a great opportunity to strike up new friendships, Brewer adds. Chen can attest to that, saying she’s met some “amazing” people through the courses she’s done.
DC United fires trainer over ‘white power hand gesture’ in All-Star photo as two players are banned amid MLS probe
D.C. United fired head athletic trainer Reade Whitney on Friday night
He allegedly made a discriminatory hand gesture in a photo on social media
DailyMail.com provides all the latest international sports news
By Associated Press and Alex Raskin Sports News Editor For Dailymail.com
Updated:
D.C. United fired head athletic trainer Reade Whitney on Friday night after the MLS team said he made a discriminatory hand gesture in a photo that was posted on social media a day earlier.
The team did not name Whitney in its statement announcing his dismissal but said its athletic trainer had been fired effective immediately. Whitney held that position.
‘There is no place for racism, homophobia, misogyny, or discrimination of any kind in our sport and world and D.C. United do not tolerate any acts of this nature,’ the statement said.
MLS All-Stars took part in a photo shoot on Tuesday on the National Mall, where team members and staff posed for photos. It was there that Whitney allegedly flashed a hand gesture that has been adopted by white supremacists in recent years, according to the Washington Post. The hand signal has traditionally been used to signal ‘OK,’ but the practice of touching a thumb and index finger together while outstretching the other three digits was listed as a hate symbol by the Anti-Defamation league in 2019.
The team and Major League Soccer also said late Friday that two players, Taxi Fountas and Nigel Robertha, have been placed on paid administrative leave while MLS investigates possible violations of league policy. There was no indication whether the investigation had anything to do with the circumstances of Whitney’s dismissal.
D.C. United fired trainer Reade Whitney on Friday after he allegedly made a discriminatory hand gesture in a recent photo. (Right) Whitney is pictured, but isn’t make the gesture
The team and Major League Soccer also said late Friday that two players, Taxi Fountas and Nigel Robertha (pictured), have been placed on paid administrative leave
Last year, MLS probed an allegation that Fountas used racially abusive language in a match
D.C. United informed the league about the two players’ possible violation of league policy, and MLS began an investigation. The players will be away from the team during that review.
‘Placement on paid administrative leave is not a disciplinary measure,’ the MLS statement said.
Last year, the league investigated an allegation that Fountas used racially abusive language toward Miami defender Aimé Mabika during a match.
The league said it found the allegation credible but could not find corroborating evidence, and Fountas was not disciplined.
Experimental photography is a captivating art form that encourages photographers to explore new horizons, challenge conventions, and think outside the box. It offers a platform to unleash creativity and push the boundaries of traditional photography. In this article, we will dive into the realm of experimental photography, providing you with tips and tricks to create unique and intriguing images that stand out from the crowd.
Experiment with Different Techniques: Embrace the Unconventional
One of the key aspects of experimental photography is the willingness to try new techniques. By breaking away from the norms, you can create captivating and distinctive images. Here are some techniques to consider:
Experiment with long exposures to capture the passage of time in a single frame. This technique allows you to convey motion and create ethereal and dream-like effects.
Combine multiple exposures in a single photograph to create layered and visually intriguing compositions. Play with different elements and experiment with blending them together to tell unique visual stories.
Blend two separate images together to create unexpected and mesmerizing combinations. This technique allows you to merge different subjects, textures, or scenes into a harmonious whole.
Intentional Camera Movement:
Embrace intentional camera movement to introduce abstract and impressionistic elements into your images. By purposefully moving the camera during the exposure, you can produce captivating patterns and dynamic visuals.
Use Unusual Subjects: Discover Beauty in the Unexpected
To add an element of intrigue to your experimental photography, seek out subjects that are unusual or unexpected. Here are a few ideas to spark your creativity:
Explore the mesmerizing world of reflections. Capture reflections in puddles, mirrors, or glass surfaces to create captivating and distorted perspectives.
Experiment with the interplay of light and shadow. Shadows can add depth, drama, and mystery to your photographs, offering a unique visual experience.
Uncover the beauty of patterns in everyday objects. Look for repetition, symmetry, or geometric shapes that can bring a sense of harmony and visual interest to your compositions.
Play with Color: Infuse Your Images with Vibrancies
Color is a powerful tool in experimental photography. It can evoke emotions, set moods, and enhance the overall impact of your images. Here are some ways to play with color:
Different Color Palettes:
Explore various color combinations to create distinct atmospheres in your photographs. Experiment with warm tones for a cozy and nostalgic feel or cool tones for a calm and serene ambiance.
Employ color filters, either physical or digital, to add a unique twist to your images. Filters can alter the color balance, intensify certain hues, or create surreal effects, offering endless creative possibilities.
Adjust the color balance during post-processing to achieve unconventional and eye-catching color combinations. Push the boundaries and dare to experiment with unexpected color schemes.
Use Props or Costumes: Infuse Whimsy and Surrealism
Incorporating props or costumes into your experimental photography can elevate your images, injecting them with a touch of whimsy or surrealism. Here’s how you can go about it:
Transform ordinary objects into extraordinary subjects by incorporating them into your compositions. Experiment with unconventional uses and placements to add an unexpected twist to your images.
Let your imagination run wild and create your own props that align with the theme or concept of your photograph. Craft unique elements that enhance the story and captivate the viewer.
Explore Different Lighting: Illuminate Your Vision
Lighting plays a vital role in photography, and in experimental photography, it becomes even more crucial. Here are some lighting ideas to explore:
Embrace the beauty of natural light and experiment with different times of the day, angles, and intensities. Natural light can create captivating shadows, soft highlights, and a sense of natural drama.
Step into the realm of artificial lighting and explore the possibilities it offers. Experiment with various light sources, such as lamps, flashlights, or LED panels, to create unique and dynamic effects.
Self-Created Light Sources:
Unleash your creativity by designing your own light sources. Use candles, fairy lights, or even glow sticks to add a magical and otherworldly ambiance to your photographs.
Get Creative with Editing: Enhance Your Vision
The editing process is an integral part of experimental photography, allowing you to refine and elevate your images further. Consider the following editing techniques:
Experiment with adjusting the color settings to enhance or alter the mood of your photographs. Fine-tune the hues, saturation, and contrasts to achieve your desired visual impact.
Play with contrast and saturation levels to create bold and striking images. Boosting the contrast can add depth and drama, while adjusting saturation can enhance the vibrancy of your subjects.
Apply creative filters to give your images a distinct style or to evoke a particular mood. Filters can add a vintage look, a dreamy atmosphere, or even a futuristic touch.
Keep an Open Mind: Embrace the Art of Experimentation
The essence of experimental photography lies in keeping an open mind and embracing the art of experimentation. Here are some final tips to inspire your creative journey:
Don’t be afraid to step out of your comfort zone and try something new. Great art often emerges from taking risks and defying conventions.
Experimentation encourages you to challenge traditional rules and norms. Push the boundaries, think outside the box, and let your creativity guide you.
In conclusion, experimental photography offers a thrilling avenue for artistic exploration. By embracing new techniques, subjects, colors, lighting, and editing, you can create captivating and original images that leave a lasting impression. The key is to keep an open mind, continuously challenge yourself, and revel in the joy of breaking the boundaries of traditional photography.
Jamie Lee Curtis wrapped up her decades-long run playing Laurie Strode in the Halloween film franchise with her role in Halloween Ends (2022).
But it turns out the Academy Award-winning actress isn’t quite done with the horror genre, just yet.
On Friday, Curtis offered up a first look at her upcoming horror graphic novel Mother Nature at the 2023 Comic-Con at the San Diego Convention Center.
The Scream Queen made her way on stage in front of a packed house full of fans eager to learn more about the graphic novel, which she revealed originated from an idea she had as a teenager living in Southern California.
‘Of course, I had some gruesome deaths because I have a very dark mind,’ she told the audience while laughing and smiling, as reported by Entertainment Weekly.
Preview: Jamie Lee Curtis, 64, gave a first-look at her upcoming graphic novel Mother Nature during 2023 Comic-Con International in San Diego
Dressed in all-black, the actress confessed she played around with the idea of writing the story in a screenplay form for years, but didn’t get serious about publishing it until 2018.
She credits her husband, Christopher Guest, for encouraging her to do the footwork, first as a screenplay and then as a graphic novel.
Curtis ended up co-writing the story with Russell Goldman, while Karl Stevens served up all the graphic illustrations.
Set in the fictional town of Catch Creek, New Mexico, the book follows a young ecological activist named Nova Terrel, who discovers a company conducting an experimental oil extraction project in her hometown.
It doesn’t take long before she realizes those experiments have unearthed an ancient horror that subsequently sets off a wave of death and destruction.
Much of the story delves into Navajo characters and mythology, which Curtis, Goldman, and Stevens all studied in recent years, while collaborating with indigenous experts, including Navajo author Brian Young, who wrote the graphic novel’s afterword.
As for the horror fans, who are expecting gruesome storytelling: there’s all kinds of gory theatrics told through an environmentalist tale that includes people being killed by hailstorms and crushed by collapsing oil machinery.
And while the story is fictional, Curtis is hoping the environmentalist themes in Mother Nature can inspire change, when it comes to the state of Mother Earth.
‘We’re f***ing the world! We need to do better. There is a possibility of change, but we are going to have to do it,’ she declared.
Peace man: Curtis offered up a peace sign w=during her walk through the hallways at of 2023 Comic-Con International at the San Diego Convention Center
Proud: The Academy Award-winning actress got animated when she took to the stage to promote Mother Nature, which she wrote with Russell Goldman, while Karl Stevens served up all the graphic illustrations
Hilarious: ‘Of course, I had some gruesome deaths because I have a very dark mind,’ she told the audience while laughing, smiling and making funny faces
Premise: Set in the fictional town of Catch Creek, New Mexico, the book follows a young ecological activist named Nova Terrel, who discovers a company conducting an experimental oil extraction project in her hometown
Premise: Those experiments by the company unearth an ancient horror that subsequently sets off a wave of death and destruction
Curtis went on to reveal there’s a plan in place to make a film version of Mother Nature that she hopes to direct or co-direct.
‘You know, I’m 65 years old this November, but my point is that I have no time to waste,’ she explained. ‘I joke about it, but I’m going to die way sooner than later, and therefore, I have s**t to do! This is one of the things that I needed to do, and I’m excited about it.’
This year’s Comic-Con in San Diego didn’t have the whirlwind feel of previous events, due to the ongoing WGA and SAG-AFTRA strike. SAG-AFTRA has prohibited its members from promoting its film and TV projects.
Curtis, who’s been an avid supporter of the writers, was only allowed to attend because she was deemed a comic book author.
Didn’t cross line: Curtis, who’s been an avid supporter of WGA and AFTRA/SAG, was only allowed to attend the event because she was deemed a comic book author
Emotional: The Halloween star shows plenty of enthusiasm while pitching the story of her graphic novel/comic
Long-time coming: Curtis was encouraged to write Mother Nature, beginning in 2018, by her husband Christopher Guest
First-look: The Scream Queen icon shared a look at the illustrations by Karl Stevens on her instagram page after the event
Promo mode: The Santa Monica native showed off the cover of the graphic novel/comic
Movie version: Curtis went on to reveal there’s a plan in place to make a film version of Mother Nature that she hopes to direct or co-direct
Show of support: Curtis continued her vocal support of WGA and SAG/AFTRA, amid the ongoing strike
Show of solidarity: Two days earlier, Curtis pushed for people to ‘stand with strikers’
Afterwards she took to her Instagram page and shared her support for the writers again with a photo of the union logo.
‘What a thrilling day! @sdcomic_con @titancomics @karlstevensart @russell_goldman @sagaftra,’ she wrote in the caption.
About an hour later, she gave her 5.4 million Instagram fans and followers a look at the illustrations by sifting through the pages in a video she posted.
She also gave a few shout outs in the caption. writing, ‘MOTHER NATURE @titancomics @karlstevensart @russell_goldman @mothernatureprojects.’
Two days earlier, Curtis who’s the daughter of Hollywood icons Tony Curtis and Janey Leigh, gave another show of solidarity with WGA and SAG-AFTRA by posting a graphic showing her image and a ‘stand with strikers’ sign.
‘STRONGER TOGETHER @sagaftra,’ she announced in the caption.