Google Pixel 4, Pixel 4 XL Review: Smart Phones, Dumb Decisions

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I’m a Pixel fan. While I test a lot of phones, the Pixel range has been my daily driver ever since it launched. With Pixel 4 that’s unlikely to change, this is one of the smartest smartphones you can buy. But for everyone else, a series of truly dumb decisions means I find it almost impossible to recommend to most users. 
Google’s Pixel 4 and Pixel 4 XL – super-smart phones compromises by dumb decisions
Note: this review will cover both the Pixel 4 and Pixel 4 XL, but I will only name them separately when referring to their differences. And there is one huge one in particular. But first…
Design – Beautifully Boring
The second most controversial thing about the Pixel 4 is its design (for the most, jump to the Battery Life section). While the square camera hump on the back has its detractors for being an iPhone 11-wannabe, I think it’s fine. It isn’t as seamlessly integrated into the chassis as the iPhone 11 range but it doesn’t protrude as much, and the matt edges and white and orange finishes feel great in the hand. Just avoid the black, it’s a non-sensically glossy finish and a fingerprint magnet (Dumb Decision #1 – we’re going to be keeping count). 
Pixel 4 has smart, matt edges which add grip and distinctive style (but you’ll put a case on it … [+] anyway)
The front is a different matter with the large top bezel for the new facial recognition system and surprisingly thick bezels on all other sides. This is more iPhone 11 than iPhone 11 Pro (an issue we’ll get to later). There’s also no headphone jack, no front-firing speakers (good news: yet somehow they’re even louder than last year, so well done Google) and the same dual sim (one physical, one eSim) as previously but they actually support dual standby now (finally). 
Google removed the front-firing speakers but, somehow, Pixel 4 speakers sound better than ever
It is a nice looking phone? This polarises opinion. For me, it’s ok though nothing more. Build quality is great, but it looks plain rather than the styling Scandi-minimalism Google seems to shoot for these days and that top bezel is going to be a deal-breaker for some. 
Here are their respective sizes:

Biometrics – Smartly Stupid 
So what do you get for that thick top bezel? A lot of smarts, with less intelligent integration. 
The biggest arrival is facial recognition which is, um… ok. Yes, it’s extremely fast and yes, it’s better than any rival Android phone but it isn’t better than Face ID on the iPhone. It isn’t as secure because it unlocks if your eyes are closed (an update is coming but at launch that’s Dumb Decision #2), it has a slightly narrower field of vision and it doesn’t unlock if it’s close to your face as it might be when you’re in bed. 
Google’s Pixel 4 facial recognition is smart but compromised
Is it better than a fingerprint reader? Not for me. Facial recognition makes unlocking a conscious process (“…and now look at your phone”) which muscle memory means it never is with fingerprint readers and from a usability and security perspective, having both would make a lot more sense. The two have different strengths and weaknesses and combining dual biometrics is painless for important things like banking and mobile payments (touch the fingerprint reader and look at your phone). Apple will bring this to iPhones next year so why not beat Apple for once Google, rather than belatedly follow in its footsteps (headphone jack, dual cameras, Face ID, dual standby sims). 
As for Soli, the smart radar system it’s the perfect example of the Pixel’s smart/dumb problem. The tech itself is stunningly smart. It’s a miniaturised radar which uses proximity awareness speeds up facial unlocking because it knows you’re reaching for the phone. It also lets the display shut off when you’re not near to save battery life (we’ll get to that…). But the air gestures are a mess. They’re both limited in movement (wave left, wave right) and functionality (skip tracks, silence alarms/calls), unreliable and no quicker than a voice command to make the same requests. 
The underlying tech may be great but releasing it in such a dumbed-down manner has led to ridicule and history shows Google would rather kill off things that struggle (see: Killed by Google) than persist with products/services which are poorly received at launch. Releasing Soli in 2019 may have already sealed its fate and, for tech that Google has spent years developing (it was first unveiled in 2015), that’s Dumb Decision #3. 
Display – 90Hz… 90 Hurts
DisplayMate heaped praise on the Pixel 4’s display but I’m not so taken with it. It’s clear, sharp, and has perfect blacks like all OLEDs but – despite being 10% brighter than the Pixel 3 panel – I find it a little washed out and it isn’t as bright as rivals which can be an issue outdoors. It’s also almost impossible to get white to be, well, white unless you’re on maximum brightness. This bugs me. 
Pixel 3 Vs Pixel 4 (right) – whites are rarely white at anything other than maximum brightness on … [+] the Pixel 4
But the headline act is the Pixel 4’s 90Hz refresh rate and, unfortunately, it leads us to Dumb Decision #4: 90Hz only works at a brightness of 75% or more which – using Google’s adaptive brightness – is almost the entire time you’re indoors. Google promises to address this in a fix, but a variable rate would never have been needed in the first place had a larger battery been fitted (Dumb Decision spoiler alert!). 
Tip: enable developer options (Settings >  About Phone – tap repeatedly on Build Number), navigate to Settings >  System > Advanced >  Developer Options and switch Force 90Hz Refresh Rate to On. You’ll take a battery hit, but only about 20 mins of screen-on time, which you’ll get back by putting the phone in Android 10’s new Dark Mode (something everyone should do anyway). 
Performance – Silky Smooth, For Now
With 90Hz forced on, the Pixel 4 is a gloriously smooth device. It’s OnePlus 7T-fast and that’s a serious compliment. Pixels have always been fast out the box, but they have never felt this gloriously slick. It’s the standard every phone should adopt and it’s jarring going back to a 60Hz display, even the Pixel 4’s when I tried it again with the default 90/60Hz variable refresh rate. 
The caveat in all this is Pixels slow down quickly. At least every one to date has. One year on, my Pixel 3 feels painfully slow, taking up to 10 seconds to open the camera, stuttering and stalling when scrolling and generally janking its way through life. 90Hz should eliminate many of these problems (it’s a brute force solution) but I do still fear for the Pixel 4 long term because – Dumb Decision #5 Google under cooked the specs. 
Forcing 90Hz mode on transforms the Pixel 4 experience, for a small battery hit
Sure, 6GB RAM is fine for now but rivals have 8/12GB which gives them greater future-proofing. The Snapdragon 855 is fine but it’s 10 months old, so this phone will spend most of its life a generation behind the main competition and then there’s the superior 855+ which is fitted into cheaper phones like the Asus ROG Phone II, Xiaomi Black Shark 2 Pro, Nubia Z20, Meizu 16s Pro and OnePlus 7T. 
Google wants to compete with smart software optimisation but smart software optimisation shouldn’t be an excuse to make hardware shortcuts. Give us truly top-spec hardware and smart software as well. It isn’t too much to ask at (another spoiler alert) these prices. 
(See speed tests: iPhone 11 Pro Max Vs Pixel 4 compared to iPhone 11 Pro Max Vs Galaxy Note 10+)
Side note: the Pixel 4’s Recorder app is excellent, using more super-smart algorithms to accurately transcribe audio and video in real time. This is a boon for journalists and students, but seems niche for anyone else other than a warring couple. Google has also confirmed it will come to older Pixels.
Cameras – Brilliant But Self Defeating
Do you know what’s the best thing on the Pixel 4? The camera. Do you know what’s going to hurt sales of the Pixel 4 the most? The camera. 
Google Pixel 4 camera discussion is as much about its missing ultra-wide camera as its quality
In news everyone expected, Google has nailed the primary camera. It takes glorious photos with class-leading dynamic range, colour accuracy and detail. Colour balance does get thrown off at times, but a fix is coming.
Google’s Pixel 4 primary camera is glorious with the best dynamic range of any smartphone
As for the new telephoto lens, at 2x it seems modest but – in typical Google style – results over-deliver thanks to software. Google’s ‘Super Res Zoom’ super-smart image processing gives this phone zoom capabilities to compete with the 5x zoom in the Huawei P30 Pro and pinch-to-zoom is no longer what your grandad does wrong when taking photos, it’s how you get a brilliant shot with the Pixel 4. 
Google’s Pixel 4 zoom is a match for any camera on the market
Google’s Pixel 4 Super Res zoom
Pixel 3 zoom results show a noticeable difference
Dumb Decision #6: Google could’ve changed the game with a 5x optical zoom lens and Super Res Zoom but it instead chose to use this software witchcraft to merely align with the best. Unleash this software Google, give it the hardware to dazzle. 
Which brings us to Dumb Decision #7: no ultra-wide camera. Software can’t compensate for this (no, Panorama Mode isn’t the answer) and with the iPhone 11 camera, in particular, being close-enough in almost all shooting situations, the lack of an Ultra-wide will cost Google sales. It’s a completely nonsensical decision and while Google claims a telephoto lens is ‘more useful’ that should be for customers to decide. Personally, I can compensate for zoom by walking closer in most situations but I can’t compensate for an ultra-wide-angle by walking away. That’s why Apple picked ultra-wide not telephoto for the dual-camera iPhone 11. 
Pixel 4 Panorama shot: inherent distortion and stitching show why it is no match for a dedicated … [+] ultrawide lens
A return to the Pixel 4’s smart-smart comes with Astrophotography mode. The phone detects when it’s in night mode (aka Night Sight), completely still (tripod or propped up) and can see the sky. It then actives Astrophography mode, which delivers 2-3 minute long exposures to capture the stars.
The Pixel 4’s Astrophotography mode can take super-long exposures of up to 4 minutes. But will you … [+] use it?
The results are incredible and a real differentiator. Whether you’ll ever use it, however, is another matter entirely. 
Google Pixel 4 night mode looks ok…
…but it is blown away by Astrophotography mode
As for the front camera. It’s good but more limited than last year. Gone is the nice choice between 70 and 120-degree ultra-wide lenses for a single fixed-focus 90-degree lens. Results are an improvement on the Pixel 3 but it also has more distortion (something others have noticed as well – 1, 2). Here is an example: the Pixel 4 takes the better shot but it has lengthened and straightened the roundness of my face while the Pixel 3 gets it right.
Self cameras: Pixel 4 (left) takes a better photo, but Pixel 3 (right) shows my correct face shape
Side note: I read some grumbling about Google fitting a fixed focus camera in the Pixel 4 but it makes sense because selfies have a fairly consistent focus range and it helps the camera take sharp photos in low light where auto-focus lenses can struggle. 
But here’s Dumb Decision #8: video. Just like the ultra-wide lens, Google thought 4K 60fps recording is something we don’t need so it isn’t included (we now know it was pulled at the last minute). Let us be the judge Google.
What we can shoot is 1080p 60fps / 4k 30fps and results are better than last year, but colour reproduction and particularly audio are still far behind the levels achieved by Samsung and Apple. Pixel video has been lagging behind for four generations now, so I can only assume Google has little interest in half its cameras’ functionality. Which is bizarre, to say the least. 
Dumb Decision #9 Google Photos. Google has removed free unlimited, original quality photo and video storage for the Pixel 4. So this is a phone which emphasises its camera capabilities but then compresses the results, unless you take out an additional monthly Google One storage plan (a service which is also unavailable to G Suite users). Hmmmn. 
Battery Life – Dumb Decision #10
And here we reach the dumbest decision Google has made with the Pixel 4 and Pixel 4 XL and it shows the company at its worst: a stubborn refusal to learn from past mistakes. Numbers alone which show you the problem:

Yes, despite the increased demand of their 90Hz displays, Soli radar technology and dual cameras, Google has fitted the Pixel 4 with a smaller battery than both the Pixel 3 and the $399 Pixel 3a XL. This is an astonishing lapse in judgement because Pixel 3 battery life was already poor and only got worse with time. 
Consequently, the Pixel 4 never lasted me a full day for me (read: dead by 4/5pm) and screen-on time rarely passed above 3 hours. This is simply unacceptable in a premium smartphone and a deal-breaking mistake in a year when Apple massively increased battery life so all iPhone 11 models deliver well over 6 hours of screen-on time (the iPhone 11 Pro Max tops 7 hours). For me, this is a recall-level bad decision and I’d suggest Google relaunches the Pixel 4 with a much larger battery.
Pixel 4 battery life is truly awful
As for the Pixel 4 XL, it’s better but still not great. In my experience it mostly lasts a full day (circa 14 hours) and I get about 5 hours of screen-on time. This may be ‘enough’ at purchase but, as the battery degrades, there will be problems in 12-18 months because there’s no margin for drop-off here. 
Google’s battery decisions with the Pixel 4 and Pixel 4 XL are baffling and bone-headed in the worst possible way, given the remarkable intelligence that has gone into so many parts of these phones. 
Pixel 4 XL battery life is considerably better than the Pixel 4, but still far behind rivals
As for charging, it’s solid but unremarkable. Wireless charging is finally Qi-compatible this year at up to 11W, though rivals like Samsung can hit up to 15W. Meanwhile, wired charging is limited to 18W (circa 90 mins for a full charge) which is ok but still off the pace in a year when 45W and even 65W smartphone charging has caught on.
Price and Storage – Too Much For Too Little
Having made the best value smartphones on the planet earlier this year, sadly Pixel 4 and Pixel 4 XL pricing is Dumb Decision #11.  

Yes, both phones are overpriced and under capacity. Samsung made 128GB its entry-level capacity this year and both Samsung and Apple offer phone capacities up to 512GB. Then there’s this:

Whichever way you slice it ($100 cheaper than a 64GB Pixel 4 or 256GB for $50 less than a 64GB Pixel 4 XL), Google’s new phones look poorly priced. Yes, the iPhone 11 Pro and Pro Max cost more but, apart from their OLED displays, the Pixel 4s spec sheets and design (dual cameras, thick bezels, face unlock) tie more closely to the iPhone 11 while having shorter battery life. With Google hoping to ramp up smartphone sales this year, that’s a problem.  
Google’s Pixel 4 and Pixel 4 XL are super smart-phones ruined by dumb decisions
Bottom Line – I’ll Buy It, You Shouldn’t
Google appears to have outsmarted itself with the Pixel 4 and consequently made a lot of dumb decisions. The root of it seems to be a philosophy that its software/machine learning is so smart that the company can afford to cut corners with hardware and convince us it doesn’t matter. It does and, at these prices, it’s unacceptable. Google’s cutting edge software should be the Pixel 4’s differentiator, a special sauce sprinkled on top of cutting edge hardware, not used to compensate for a litany of bad hardware decisions (no ultra-wide camera, an ageing chipset, lower RAM, weak storage options, small battery capacities – are just the main ones). 
And this is extremely frustrating. Specs should be the easy part. The OnePlus 7T and Asus ROG Phone II deliver cutting-edge specs for knockdown prices but they aren’t smart like the Pixel 4 is smart. Google only needed to make its version of these phones and add its superlative software smarts on top to have a huge hit. But that isn’t what we’ve got. 
Instead, we have a glorious camera which will be remembered for not having an ultra-wide lens, a 90Hz display which isn’t on half the time, restrictive storage which forces users to buy Google One subscriptions and chipset and RAM restrictions which suggest – like previous Pixels – these phones won’t age well. What I do love (Astrophotography mode, the potential of Soli and, as a journalist, Recorder) are niche features which don’t compensate for the everyday flexibility of a third lens and a big, fat battery. 
So who would buy a Pixel 4? Well, me actually. I love stock Android, I want the absolute best camera in most shooting conditions (I’ll use Astrophotograpy mode) and a 90Hz display which I can afford to force on all the time because I am able to charge my phone regularly throughout the day. The Pixel 4 is still a write-off, but the Pixel 4 XL is just about the best phone for me. 
If this sounds like you, great. Go buy one*. For everyone else, stay away. 
___
Follow Gordon on Facebook
(*wait for Black Friday sales. You’ll save $200-300 off the price.)
More On Forbes
Google Pixel 3a Review: The Best Smartphone Under $500
iPhone 11 Vs iPhone 11 Pro: What’s The Difference?
Galaxy Note 10 Vs Galaxy Note 10 Plus: What’s The Difference?

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CJPOTY round 6 winners – Camera Jabber

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The theme for the sixth round of the Camera Jabber Photographer of the Year (CJPOTY) competition was ‘Wildlife’. Once again, the range and quality of the images was very impressive. It made selecting our top ten photographs very hard, and we could easily have included many more! However, the deliberation is over and we are delighted to announce that the following images will be added to our shortlist to be judged by our illustrious panel of judges at the end of the year.

One of these ten shortlisted images has also been selected as the round winner, with the photographer being awarded a voucher from MPB worth £500 – scroll down to find out who.

CJPOTY June 2023 ‘Wildlife’ shortlisted images

Sara Jazbar

Sara tells us that every May bee-eaters come to nest in a reservoir at about a 1 hour drive from her home. She says, ‘it’s a true spectacle to see hundreds of these colourful birds together. Hunting, bickering, and mating, they are colourful not only in aspect but in personality too. When I have occasion to go, I stay there for hours observing them, sometimes even forgetting to take pictures. They are truly amazing creatures!’ Thankfully, Sara did remember to use her Nikon D500 and Sigma 150-600mm to capture some images on this occasion!

Stephanie Chadwick

CJPOTY June 2023 'Wildlife' shortlisted images

This puffin had to face high winds, heavy rain and the constant attack of black-backed gulls to deliver a beak full of sand eels to its offspring. Stephanie had to endure much of that too to capture this wonderful image with her Sony RX10 IV. Like Stephanie, we love the look of quiet fortitude on the bird’s face as it succeeds in its task. The water droplets on its feathers also make the conditions apparent.

Molly Hollman

CJPOTY June 2023 'Wildlife' shortlisted images

Molly used her Sigma 105mm macro lens on her Sony A7 III to photograph this red soldier beetle at the top of a fern, and we think she’s done a brilliant job. The focus is exactly where it needs to be, and there’s just enough field depth so that the beetle’s top half is sharp, but the background is an attractive blur of green.

Helen Trust

Helen captured this red kite circling above her old apartment with her Canon EOS 5D Mark III and Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary. She says, ‘They are so beautiful and majestic, it’s scary to think that they were nearly extinct, yet I was able to observe them daily’.

We love the detail in Helen’s image and the bird’s dynamic diagonal across the square frame.

Jane Gross

CJPOTY June 2023 'Wildlife' shortlisted images

While the female leopard’s body in Jane’s image looks fairly relaxed, its eyes have an intensity. Jane tells us that it was looking for her nearby cub and had a kill up in a tree. Jane captured this superb image using her Nikon D750 and Nikon 80-400mm f4.5-5.6 lens.

Ellen Bogenschutz

CJPOTY June 2023 'Wildlife' shortlisted images

We saw many images of birds and animals catching and eating fish, so it was nice to see Ellen’s image of a salmon leaping upriver. Ellen must’ve had lots of patience to capture this image, and her timing and composition are perfect. We love how the fish matches the colour of the rocks around it.

Carmen Drake

CJPOTY June 2023 'Wildlife' shortlisted images

Carmen says, ‘This is one of the nicest wildlife encounters I’ve experienced – a green woodpecker and the chick in the nest, in Bushy Park, London. Bushy Park is an amazing place for wildlife, and I’m lucky to be close to it and visit often.’

It’s a fabulous image with pleasant earthy tones, attractive bokeh in the background and superb eye contact between the two subjects. The young bird’s message is clear to all!

Carmen captured this wonderful image with the Canon EOS R6 and Canon RF 100‑500mm f/4.5‑7.1L IS USM lens.

Barbara Taskó

CJPOTY June 2023 'Wildlife' shortlisted images

This is an image that many photographers aspire to capture, and Barbara has delivered it superbly. The kingfisher’s wings are at the bottom of their down stroke, so the colourful feathers are on display. Droplets are also still falling from the bird, and the splash around its exit point from the water is clear. Well done, Barabara.

Elizabeth Hammond

CJPOTY June 2023 'Wildlife' shortlisted images

Elizabeth says, ‘This little wren was gathering moss to line its nest in a fallen tree in Bushy Park. Wren’s have been a bit of a nemesis for me. Despite one hanging out in my garden all last year, I didn’t manage a decent shot. It just kept flitting off as I got my sights on it. So it really was an absolute treat to spend time with this cute bird and finally get a decent shot.’

Wrens are tiny, and they move quickly, but Elizabeth’s determination paid off with this wonderful image captured using her Canon EOS R7 and Canon EF 100-400mm 4.5-5.6 L IS lens.

Alison Tetley

CJPOTY June 2023 'Wildlife' shortlisted images

As Alison explains, the expression on the leopard’s face tells a tale, ‘this leopard had crept closer and closer to the grazing zebra herd, but at the last minute, he was spotted. He turned dejectedly towards us and walked slowly away.’ Alison’s composition is excellent. We particularly like that how the zebra are out of focus, but there’s enough detail to see that they are watching the big cat’s retreat.

Alison captured this image using her Fujifilm X-T3 and Fujifilm Fujinon XF 100-400mm F4.5-5.6 R LM WR OIS lens.

CJPOTY June 2023 winner: Carmen Drake

CJPOTY June 2023 'Wildlife' shortlisted images

Congratulations, Carmen, a voucher worth £500 from MPB is heading your way!

Carmen’s image joins the other 9 images selected this month and goes onto our shortlist for our panel of VIP judges at the end of the year for the overall prize.

CJPOTY July: Summer

The theme for the seventh round of the 2023/24 Camera Jabber Photographer of the Year (CJPOTY) competition is ‘Summer’. Although it’s lovely to get out in the sunshine, the harsh light can make photography tricky. Nevertheless, summer holidays, the rural idle and blue skies hold plenty of appeal for photographers. For this round, we’d like to see images of whatever summer means to you, they can be captured anywhere and at any time.

This round of our monthly competition is open for submissions until 23:59 BST (00:59 CET and 15:59 PST) on 31st July 2023.

To submit your entry, follow the link to cjpoty or click on the CJPOTY button at the top of any of our website pages. You can submit up to three entries for £2.00 plus payment processing costs (£0.26). Images should be Jpegs at least 1920 pixels along their longest side but no larger than 2MB.

CJPOTY 2023/24 round 7: Summer - barley at sunset

Camera Jabber Photographer of the Year prizes

At the end of the month, the Camera Jabber team will pick one winning image and nine runners-up from the July entries. The photographer of the winning image will receive a voucher from MPB.com to the value of £500 which can be spent on anything from a huge range of kit from the World’s biggest platform for used photographic gear.

All 10 of the selected images will go into our shortlist for the year.

We’ll do this each month in 2023 so that by the end of the year, there will be 120 shortlisted images. These will then go before our fantastic panel of judges who will decide the 1st, 2nd and 3rd-placed images.

The photographer of the first-placed image overall, as decided by the panel of judges , will receive a voucher to the value of £1000 from MPB.com as well as a trophy and the title ‘Camera Jabber Photographer of the Year 2023‘. The photographers who come second and third will receive vouchers worth £500 and £250, respectively.

MPB

About MPB

Founded by Matt Barker in 2011, MPB is the world’s largest platform for used photography and videography kit. MPB has transformed the way people buy, sell and trade equipment, making photography more accessible, affordable and sustainable.

Headquartered in the creative communities of Brighton, Brooklyn and Berlin, the MPB team includes trained camera experts and seasoned photographers and videographers who bring their passion to work every day to deliver outstanding service. Every piece of kit is inspected carefully by product specialists and comes with a six-month warranty to give customers peace of mind that buying used doesn’t mean sacrificing reliability.

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Reception featuring photographer Sarah Hudzinski will take place Thursday at Thrasher Opera House | News

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Sarah Hudzinski .tif

Photos such as these by Green Lake native Sarah Hudzinski will be on display at Thrasher Opera House. 




Green Lake’s Thrasher Opera House will host an exhibit featuring the works of photographer Sarah Hudzinski through Thursday, Aug. 31, with an artist reception taking place Thursday from 5 to 7 p.m.







SarahHudzinski_BioPic.tif

Sarah Hudzinski


This exhibit may be viewed Monday to Friday from 10 a.m. to 4 p.m. For after-hour visits, call 920-294-4279 to schedule a time. Thursday’s artist reception is free and open to the public; a cash bar will be available.

Hudzinski is a native of the Green Lake area and spent her childhood playing in the woods and waters of Wisconsin. That passion for outdoor adventures spilled over into an interest in photography and capturing the beauty of the natural world. 

The camera soon became the perfect medium for her to document those moments she experienced — those moments in time and nature discovered by chance.

Hudzinski noted that her landscape photography often focuses on long exposures that captures the emotion of water and energy of the environment. Her images reflect her philosophy of finding beauty in everything and her art is an extension of her affinity for the serene, healing aspects of the natural world.  

Hudzinski is a self-taught nature and landscape photographer specializing in open and large-format, museum-quality limited-edition fine art photography prints.  Print buyers include private collectors for home decor, corporate fine art buyers and art consultants for architectural design jobs.

 Thrasher Opera House’s mission is to promote the arts and the power of live performance, provide a community gathering place and preserve the historic opera house.

For more information, visit www.thrasheroperahouse.com.

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New photography exhibition set to celebrate Eastwood’s volunteer superstars

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Volunteers Diane Rowley (left) and Ellie Leatherland are featured in the exhibition.

Volunteers Diane Rowley (left) and Ellie Leatherland are featured in the exhibition.

‘Celebrating the Volunteers of Eastwood’ will open in the Gallery Space at the DH Lawrence Birthplace Museum on Victoria Street on July 27.

The exhibition will feature portraits from more than 30 local organisations, which have been taken by Lesley Grand-Scrutton and Anna Glew from The Beauvale Photography Group.

Speaking about the exhibition, they said: “We came up with the idea of creating an exhibition of photography, which acknowledges and celebrates the important work carried out by organisations and their volunteers to improve the lives of the people in our local community.

“Volunteering takes many forms, including management, administration, giving financial and legal advice, offering spiritual guidance, helping people who are suffering from physical and mental health issues, befriending the lonely and isolated, providing transport to doctor and hospital appointments, giving support to ex forces personnel, working with children and young adults, helping those who are homeless, helping people who are subjected to domestic abuse, working in charity shops, gardening and picking up litter, working in a food bank and serving meals, providing warm spaces. The list goes on.

“The common denominator, in every case, is that so many people are willing to use their skills and experience and give up their precious time to help others in order to make a difference within society.”

Among those featured in the exhibition include Diane Rowley, who set up Eastwood Memory Cafe in 2017 to provide a welcoming and judgement-free space for people with dementia and their carers.

Six years on, Eastwood Memory Cafe is now a registered charity with 22 team members, all continuing to work in a totally voluntary capacity.
Meanwhile Ellie Leatherland, who has been involved in community work since the early 1980s, is also featured.

Ellie is the former co-ordinator of the Eastwood People’s Initiative and has worked tirelessly to help less fortunate members of the local community over the past four decades.

The ‘Celebrating the Volunteers of Eastwood’ exhibition will run at the museum until September 30.

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Photographer, big wave body surfer Tim Tindall honored

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Nearly 100 paddlers formed a circle and joined hands Sunday morning off the end of the Manhattan Beach pier in memory of body boarder, and nature and surf photographer Tim Tindall. He was also a longtime and highly appreciated employee at the Kinkos/FedEx in Hermosa Beach.

Tindall was known for generously sharing his photos with the surfers he photographed,  and was a frequent contributor to Easy Reader. In 2020 he won Easy Reader’s Annual anniversary photography for a picture he took of a family exercising at the Palos Verdes Cove, silhouetted by the sunset. Tindall passed away last month from cancer. He was 59.

He is survived by brothers Thomas and Theodore, and sister Teresa Spears. ER 



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The 2023 Comedy Pet Photography Award Results Are in and the Winners Are Epic

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Anyone who owns a pet knows just how funny and entertaining our animal friends can be. Pets have the cutest ways of expressing their feelings, and they have just the perfect amount of unpredictability. There’s no denying it–even while they’re sleeping, animals have a way of making us laugh.

That’s why wildlife photographer friends Tom Sullam and Paul Joynson-Hicks started the annual Comedy Pet Photography Awards. The duo was previously part of a similar contest for wildlife photography when they realized how successful a comedy pet photo competition would be.

LMAO! Our jaws dropped when we saw the ‘flying’ dog, but let’s be honest–all of these photos are completely golden! As pet owners, we know what it’s like to capture those once-in-a-lifetime photos of our fur babies. The sweet photos are oh-so-special, but the funny pictures? They could put a smile on anyone’s face!

The five pet photographs from this Instagram Reel are just 5 of the 25 finalists for his year’s Comedy Pet Photography Awards! You can check out all of the finalist’s entries on the competition’s website.

This year’s awards have 7 separate categories, including: video entries, funny dogs, silly cats, hilarious horses, “all other creatures,” pets who look like their owners, and juniors. The junior category allowed pet owners 16 and under to submit photos for free, though we can’t tell which ones were from that category. They’re all so good!

The official winners of the photo contest will be announced on August 11, though viewers can visit the People’s Choice voting page to select their favorite image. The picture with the most votes will win the People’s Choice Award, so why not take a minute to browse through them all? The funny animal pictures are probably exactly what you need!

Looking for more PetHelpful updates? Follow us on YouTube for more entertaining videos.

Or, share your own adorable pet by submitting a video, and sign up for our newsletter for the latest pet updates and tips.

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Life, Nature and the Movies

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This past April I was slated to write a review for “Stewart Udall: The Politics of Beauty,” a documentary by John de Graaf. I found my seat in the University of Utah’s College of Law theater and watched the film with the 20 other audience members. After the film had ended, we had a Q&A with de Graaf. It was like I was at a Sundance screening. The whole event would have made a great article, yet I never wrote it. The article was scrapped partially because finals were approaching. But I also didn’t feel I was the right person to speak about the politics of beauty.

When voicing opinions in public, it is common to ask what qualifies someone to speak on the topic and if they have the necessary knowledge to back up what they are saying. Last April, I left the theater very impacted by the knowledge I’d gained from hearing of Udall’s life. Yet, I convinced myself that I’m not qualified to speak on the topic.

Then, in late June, I spent a weekend at Bryce Canyon National Park in southern Utah. I was there for its centennial year with the U’s Nature Photography class. I began to realize that not speaking up, or feeling I was not qualified to have an opinion when it comes to our environment, is against everything that Udall fought for and the message of de Graaf’s film.

Bryce Canyon National Park on June 24, 2023. (Photo by Haley Freeman | The Daily Utah Chronicle)

Udall Himself

Udall was United States Secretary of the Interior under Presidents John F. Kennedy and Lyndon B. Johnson in the 1960s. He grew up in Arizona, spending time in the southwest United States when not working in Washington D.C. After serving four years in the Air Force during World War II, Udall returned to Arizona and finished his education at the University of Arizona. After receiving his law degree, Udall served in the U.S. House of Representatives for three terms, and, starting in 1961 he served as Secretary of the Interior.

Throughout his work in the House and as Secretary of the Interior, Udall and his department assisted with major environmental legislation such as the Clean Air Act, Clean Waters Restoration Act, and the Endangered Species Preservation Act of 1966. Udall oversaw the addition of many national parks, monuments, historic sites and wildlife refuges.

A long-time friend of poet Robert Frost, and the reason Frost recited a poem at Kennedy’s inauguration, Udall spent efforts supporting the arts because he couldn’t contribute artistically. Udall helped set in motion projects that would eventually become the Kennedy Center, Wolf Trap National Park for the Performing Arts and National Endowments for the Arts and Humanities. Udall was also an early advocate for desegregation.

Trying to name someone who contributed in as many positive ways to the United States as Udall would be hard to do.

We get to enjoy all that the Earth has to offer. Breathing in crisp air, brushing your feet in green grass and seeing rivers run across the land, our encounters with nature, big or small, are meaningful and precious. You don’t need a degree in environmental science to know the importance of the Earth we share and speak of the beauty of the land. I was wrong in thinking that I couldn’t share my experiences with nature when I backed out of the article in April. Nature and its beauty inspires us all.

“Stewart Odell: The Politics of Beauty” film promo (Courtesy of IMDb)

Nature Inspiring Art

Movies are about suspending disbelief and transporting yourself to a fictional place. Even if the film is factual, you are seeing the places and people through the filmmakers’ eyes. What we see is never exactly how the place would be in real life. Movies can disconnect us from the world around us, always longing for a distant place instead of what’s real.

Seeing the hoodoos of Bryce Canyon, I was thinking about how all of the films we see, though fiction, are all influenced by real life. The artfully orange desert in Wes Anderson’s recent film, “Asteroid City” takes influence from the American southwest deserts, not far off in appearance from Bryce Canyon. We are witnessing right here art made from life, beauty on screen made from the beauty of the real world.

Check out a short video I made inspired by Anderson’s artistic film style below:

We can’t forget how important it is to protect our world. It is so vast, so beautiful and it is the setting for our lives. While I don’t have a degree in environmental science, I do know the feeling you get when you see the sunrise and slowly paint across the canyon. That’s beauty, and that’s what art is made of.

 

[email protected]

@haleyfreee



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ZHIYUN MOLUS G200 price, specs, release date announced

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ZHIYUN are best known for its CRANE and WeeBill camera stabilisation systems but has recently been making inroads with the launch of the M40, M60 and G100 lights. Now the company has unveiled its latest innovation, the MOLUS G200. This powerful palm-sized COB video light is designed to enhance filmmakers’ creative process, offering exceptional power, portability, and reliability.

Click here to buy the ZHIYUN MOLUS G200 at Amazon

The ZHIYUN MOLUS G200 is the perfect lighting companion for various photography and video uses, including live streaming, interviews, portrait photography, commercial ads, and YouTube shoots. Despite its compact size, weighing just 2.209 kg and measuring 127mm x 67.5 mm x 225 mm (W x D x H), the MOLUS G200 packs a mighty punch. With a maximum power output of 200W, it can deliver an impressive 300W of lighting power in its MAX power mode, although that will probably drain the battery at speed. The MOLUS G200 comes with a separate 0.91g controller featuring two interactive buttons, a handy rope, and a display screen, making it quick and easy to achieve a wide range of lighting functions and effects with five preset dimming levels.

ZHIYUN MOLUS G200

The MOLUS G200 offers powerful illumination, with peak brightness reaching 9460 Lux (without reflector) and 61500 Lux with ZHIYUN’s standard reflector at a distance of 1m. In its MAX Extreme mode, the MOLUS G200 provides a staggering 13800 Lux (1m, without standard reflector) and 85800 Lux (1m, with ZHIYUN standard reflector). With a colour correlated temperature (CCT) range of 2700K – 6500K, a colour rendering index (CRI) of ≥95, and a television light consistency index (TLCI) of ≥97, the MOLUS G200 ensures accurate rendition of colours, bringing your subjects to life.

The MOLUS G200 offers three lighting modes for exciting visual experiences. In normal mode, you can turn on the light and adjust the brightness to your desired level. Live mode automatically activates when the light is powered on, providing a dynamic lighting experience. Music mode syncs the lighting with music beats, creating an immersive atmosphere for your audience; it sounds a little Blow-Up, but it’s a fun feature we’ve seen before.

ZHIYUN MOLUS G200

To provide you with full creative control, the MOLUS G200 comes with a versatile stand featuring 180° flexibility, allowing for easy adaptation to any setting. The stand also includes a universal lighting umbrella slot for added convenience. The MOLUS G200 is compatible with Bowens mount accessories by ZHIYUN and other Bowens accessories, expanding its versatility. For seamless control and remote dimming, users can utilize ZHIYUN’s ZY Vega app, which supports Bluetooth Mesh networking and allows for quick switching between presets, ensuring professional lighting results on any film set or studio.

The ZHIYUN MOLUS G200 kit includes the MOLUS G200 COB light, G200 power adapter, power cable, ZHIYUN standard reflector, quick start guide, and storage bag. It is priced at £369 and is available for purchase from ZHIYUN and Amazon Stores.

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Pensthorpe Nature Reserve revealing the gross side of nature for families this summer

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From alien invaders and pond monsters to poo-eating insects and vampire plants, Pensthorpe’s event for summer is designed for the bravest souls who wish to learn about the grossest parts of nature.

Entertaining explorers from this Saturday, July to 22 to Tuesday, September 5, the trail begins at the Discovery Centre at the popular attraction near Fakenham and takes visitors across the reserve, helping families learn about the weird, wonderful and slightly gross techniques that mammals, insects, plants and fungi use to thrive across the area.

In addition to the main trail, Pensthorpe is collaborating with The Bug Parc for summer, a teaching centre and zoo dedicated to the protection of rare insects, arachnids and other invertebrates. Designing a trail for WildRootz outdoor playground, The Bug Parc trail sees little naturalists examine how different species use their tails, claws or fangs for eating, attacking or defending themselves.

Pensthorpe Natural Park, Norfolk Junior Board members kidding around on the facilities. Photo : Steve Adams
Pensthorpe Natural Park, Norfolk Junior Board members kidding around on the facilities. Photo : Steve Adams

Natalie Douglas, head of marketing at Pensthorpe, said: “At Pensthorpe, we take a huge amount of pride in our seasonal trails and after the success of the Poo Trail in recent years, we think it’s a great idea to harness children’s love of the gross, disgusting and even slightly brutal parts of nature and make it educational.

“Whether it’s learning about maggots and burying beetles, real-life slime organisms, micro monsters or habitat alien invaders, Pensthorpe’s thriving reserve is the perfect place to learn in a fun and engaging way. Everything we do is rooted in conservation and protecting species and we believe by educating the youngest generation through play, we will encourage conservationists of the future.”

When tummies start to rumble, Pensthorpe’s Courtyard Café is serving its new menu consisting of pub classics and light bites, including sandwiches, cakes, ice creams and hot and cold drinks.

Aerial shot of Pensthorpe Natural Park-min
Aerial shot of Pensthorpe Natural Park-min

Once visitors have completed the trails, there’s flamingo talks, pond dipping and free arts and crafts activities to enjoy across the reserve; as well as the five blooming gardens that are bursting with colour and life.

Martin French from The Bug Parc added: “Whilst nature has plenty of fluffy and cute species to admire, bugs and invertebrates play a crucial part in the ecosystem too and it’s wonderful that Pensthorpe is so keen to educate the younger generations about the importance of bugs, in a way that’s fun and appeals to their humour.

“We hope visitors enjoy the memorable “Attack, Eat and Defend” trail we’ve created for the WildRootz playground, showcasing the species we have at The Bug Parc, that make the most of their clever claws, terrifying tails and fearsome fangs.”

Adult tickets are £14.95, seniors and child tickets (three to 16) are £13.95.

Pensthorpe Natural Park, Norfolk Junior Board members kidding around on the facilities. Photo : Steve Adams
Pensthorpe Natural Park, Norfolk Junior Board members kidding around on the facilities. Photo : Steve Adams
Aerial shot of Pensthorpe Natural Park-min
Aerial shot of Pensthorpe Natural Park-min

Alternatively, annual memberships are available for adults at £60, then seniors (60+) and children (3-16) are £55.



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Townsville Astrophotography Workshop Tickets, Thu 10/08/2023 at 4:30 pm

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Join us along with Joel from Tasco (Sky-Watcher Ambassador) and Margaret from Canon Australia for a night of Astrophotography.

Joel will be providing his knowledge on taking night time milky way photos as well as providing 2 demo units being the Sky-Watcher Adventurer 2i Pro & Star Adventurer Mini Pro to do some tracking.

This will be a Canon sponsored event, where there will be Canon mirrorless gear to loan out if you don’t already currently use the system. If you do already shoot with a Canon camera feel free to bring that along! 🙂

ONLY LIMITED SPOTS AVAILABLE SO BE QUICK TO BOOK YOUR TICKET!

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