Use of mobile phones, videography, photography banned inside Kedarnath Temple

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Mobile phones, videography banned in Kedarnath Temple

The move comes after a recent video of a woman blogger proposing to her boyfriend in front of the temple went viral.

Kedarnath Temple. Credit: PTI Photo

Devotees have been banned from taking photographs and making videos inside the premises of the Kedarnath Temple here.

The move comes after a recent video of a woman blogger proposing to her boyfriend in front of the temple went viral.

Shri Badrinath-Kedarnath Temple Committee has put up boards at various places in the temple premises which read, ‘Do not enter the temple premises with mobile phones; any kind of photography and videography is completely prohibited inside the temple; and you are under the surveillance of CCTV cameras’.

Also Read | High-level committee to probe alleged scam in gold plating at Kedarnath temple

The temple has also asked the people to wear “decent clothes” and desist from setting up tents or camps in the temple precincts.

The boards, written in Hindi and English, also state that legal action will be taken against those not following the orders.

Shri Badrinath-Kedarnath Temple Committee president Ajendra Ajay said a religious space follows a set of belief system and the devotees should respect the same.

He said although no complaints have come from the Badrinath Dham yet, such boards will also be installed there.

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ZHIYUN CRANE 4 Gimbal price, specs, release date announced

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ZHIYUN has announced the company’s latest premium offering in the form of the CRANE 4-camera gimbal. This new gimbal has been designed for filmmakers and content creators.

Click here to buy the ZHIYUN CRANE 4 at Amazon https://geni.us/AMZ-CR4-PR

Equipped with a range of features that build on the company’s long experience in the stabilisation sector as well as feedback from creatives, the ZHIYUN CRANE 4 looks to be an interesting proposition. One of the stand-out features that I’m excited to see is the new built-in balance indicator lights on each motor, which provide a quick visual check of calibration status and should help to ensure precise and reliable stabilisation. Again the gimbal will provide Bluetooth connectivity that will enable seamless integration with a range of compatible cameras and help to eliminate the need for cables.

ZHIYUN CRANE 4

As we’ve seen with the WeeBill range of gimbals, ZHIYUN knows how to strip back the size and weight of their gimbals whilst building on the design quality and features. The CRANE 4 is again lightweight and ergonomic in design. ZHIYUN has engineered this gimbal to be lighter than its predecessors, enabling extended usage without fatigue. While we have seen lightweight CRANE gimbals from ZHIYUN in the last year the update to the CRANE 3 has been long anticipated.

Aimed at the mid to high-end enthusiast and professional user, the CRANE 4 is available with the sling grip that has become a popular choice with the WeeBill models and also incorporates an ergonomic wrist rest, that all help to ensure operators can achieve smooth control and comfort while filming. The versatile sling grip can be effortlessly adjusted to align with the gimbal’s central axis, allowing easy transition between sling and two-handed modes depending on the operator’s preference. The quick-release module facilitates seamless switching between landscape and portrait orientations to meet various shooting demands, whether that’s traditional video or social media.

The ZHIYUN CRANE 4 might be lightweight but it has been designed to take heavy payloads and is able to support heavier full-frame DSLR and compact cinema cameras. Filmmakers can now confidently use cameras like the Blackmagic Pocket Cinema Camera 6K, ZCAM, and SIGMA FP series, ensuring exceptional stability and accuracy during operation. Its extended arm length and powerful motors deliver precision and portability

ZHIYUN CRANE 4

A nice feature that is becoming increasingly popular on this style of gimbal is a small 1.22-inch colour touchscreen. This interface enables easy adjustment over essential functions such as balance settings, operating modes, and real-time status monitoring.

When it comes to run time the CRANE 4 boasts four high-capacity 18650 batteries that offer up to 12 hours. Thanks to PD fast charging technology, these batteries can be fully recharged in less than two hours using a USB PD charger, so coupling with a Bluetti AC180 Powerstation might be a good idea.

With ZHIYUN investing heavily in lighting at the moment the CRANE 4 has a built-in 10W fill light. This powerful fill light delivers a maximum illuminance of 3200 lux, with excellent colour rendering capabilities (CRI 95+) and a colour temperature range of 2700K-5500K.

The CRANE 4 can be paired with a range of professional accessories, including remote monitoring systems, follow-focus motors, and ZHIYUN’s TransMount Image Transmission system to further expand its creative possibilities. This comprehensive ecosystem caters to the diverse needs of professional filmmakers, offering unmatched versatility and flexibility.

For more information about the ZHIYUN CRANE 4, please visit the official website at ZHIYUN Tech.

Price and Availability:

  • CRANE 4: £669
  • CRANE 4 Combo (with MasterMove accessories and storage bag): £749

The CRANE 4 and CRANE 4 Combo are now available for purchase from ZHIYUN’s official website and Amazon UK stores.

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wild animals in Altun Mountains National Nature Reserve, NW China’s Xinjiang-Xinhua

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This photo taken on July 2, 2023 shows a wild yak in the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Cai Yang)

This photo taken on July 6, 2023 shows ruddy shelduck in the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 7, 2023 shows Tibetan antelopes in the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 5, 2023 shows a plateau pika in the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on June 30, 2023 shows a Himalayan marmot (Marmota himalayana) in the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Cai Yang)

This photo taken on July 5, 2023 shows a plateau pika in the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 5, 2023 shows Tibetan gazelles in the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on June 30, 2023 shows black-necked cranes in the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Cai Yang)

This photo taken on July 6, 2023 shows Tibetan antelopes in the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 8, 2023 shows a vulture flying over the Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

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Emmanual Lenain’s photo exhibition a feast for art lovers

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On a hot and humid day in a back lane of Old Delhi, a man trains his Leica camera on a group of young women in burqa. The surroundings buzz with the proverbial chaos of everyday life. But Emmanuel Lenain remains unperturbed. Standing still, he clicks his subject and moves on to his next stop—the Jama Masjid. Not your casual backpacker visiting India, Lenain is France’s Ambassador to India since the last four years. And in those years, he has been somebody else too—a chronicler of the country.

Also read: Say cheese, go chic click: Inside Picco Studio

He is showcasing his recent project—Nature Strikes Back—as a curtain-raiser to the second edition of the Bihar Museum Biennale. Talking about the exhibition that will go on till July 22, the 53-year-old says, “I have visited India before being posted here. And, like everyone else, I have been fascinated. The country has been my muse for over 25 years now. 

I would often travel here and naturally my camera accompanied me. But earlier, my lens would focus on different aspects. I would photograph religious rituals, weddings, festivities.”

Khajuraho, April 2022
 

He maintains that “the cultural diversity in the country” has always attracted him. While this holds true for most artists who try to capture the multi-hued nation through their craft, in Lenain’s case there is a marked departure. He likes to celebrate his colourful muse in black and white. “That’s my taste. I like shades, I like patterns. 

I like the way different textures are created in monochrome,” says the photographer, who has earlier exhibited in Kolkata, Delhi, Hyderabad and Chandigarh. But isn’t portraying India in black and white difficult? In answer, Lenain silently points to one of his pictures of Ladakh. The otherwise blue sky looks stark with shades of grey. The landscape throws up different patterns. In colour what would have been a vibrant picture, gets a different visual life of its own, dystopian in nature—a barren land with stressed textures that one can almost touch.

Chandernagor, West Bengal, November 2019
 

Why the theme ‘nature strikes back’? “Everywhere I have been struck by the tension between urban dwellers and nature. In large cities, you see nature surviving in unusual places—trees growing on walls or holding on stubbornly to what little piece of land there is. Sometimes nature takes revenge and occupies the space once occupied by humans,” Lenain says. One of the images of an abandoned bus in Aurangabad testifies to this. Left forlorn and neglected in the wild, the rusting bus has creepers claiming it. Yet another picture of the State Bank of India building in Kochi is striking. The overgrowth on the building almost reminds one of the late Sri Lankan architect Geoffrey Bawa and his penchant for letting nature be the dominant force in his designs.  

Also read: Madras Muse’ exhibition titled Experimentative Novelties showcases the art of deconstruction

Lenain, who collaborated with the maverick photographer, Raghu Rai on a book, does not believe in “spoon-fed” images. 

“I do not like to stage my photographs. I like them to be smooth and free-flowing, almost candid. I want the viewer to relate to the images, as one would to real life,” says the photographer who counts Kolkata and Old Delhi among his most favoured spots to practise his craft. “There is life on the streets there,” he smiles.

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Machine Gun Kelly THIRSTS over fiancee Megan Fox’s very sexy bikini photos on Instagram

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Megan Fox got back to nature in a new photo shoot shared on Instagram, and her fiance Machine Gun Kelly responded with a rather thirsty comment in response to the sexy bikini snaps. 

The actress, 37, who recently covered up a pelvic tattoo of her ex-husband Brian Austin Green, appeared to be very close to her own natural state as she posed in a tree. 

The Emo Girl rapper was quick to type out: ‘If this is what a wild animal looks like, i’d let it maul me,’ marking his first public comment since their rumored relationship woes. 

The Transformers actress adapted a sort of Jane of the Jungle persona while scantily clad in a Oséree string bikini. 

The swimwear company was tagged in the series of sexy snaps by Megan’s makeup artist Jenna Kristina. 

Back to nature: Megan Fox, 37, got back to nature in a new photo shoot shared on social media, appearing to be very close to her own natural state as she posed in a tree wearing a green string bikini

Back to nature: Megan Fox, 37, got back to nature in a new photo shoot shared on social media, appearing to be very close to her own natural state as she posed in a tree wearing a green string bikini

Thirsty comment: The Emo Girl rapper typed out, 'If this is what a wild animal looks like, i'd let it maul me'

Thirsty comment: The Emo Girl rapper typed out, ‘If this is what a wild animal looks like, i’d let it maul me’

‘The forest is my oldest friend,’ the model wrote next to the posting as she appeared to crawl across a wide tree branch.

The green bikini is difficult to see in that photo, but displayed more prominently on another, in which she sat on the branch by hugging the tree’s trunk.

Her long dark hair was styled in very loose waves with blonde pieces added for textures. A silk butterfly was added to her lustrous mane for decoration. 

The Tennessee-born beauty shared a video from the photo shoot, so fans could watch as she flawlessly moved from one pose to another. 

Back in February, Fox shared a cryptic post which she captioned as, ‘You can taste the dishonesty / it’s all over your breath,’ which are lyrics from Beyonce’s track, Pray You Catch Me. 

The post sparked rumors that there was trouble within their relationship. Shortly after, the pair were seen at a marriage counseling office. However, the stars appear to be working things out.

In May, the couple were seen stepping out together in London, and last month in June, the actress supported MGK at a concert in Berlin.

Megan can also be seen on the big screen next in the upcoming Expend4bles.

She has teamed up with Expendables veterans Sylvester Stallone, 77, and Jason Statham 55,  to take on an arms dealer with enough man power to supply his own private army. 

The actress has shared a trailer from the action adventure on social media.

50 Cent is joining the fun, as is Andy Garcia. 

Jungle queen: The Transformers actress adapted a sort of Jane of the Jungle persona, dressed scanty Oséree string bikini

Jungle queen: The Transformers actress adapted a sort of Jane of the Jungle persona, dressed scanty Oséree string bikini

Forest: 'The forest is my oldest friend,' the model wrote next to the posting as she appeared to crawl across a wide tree branch.

Butterfly: Megan's long dark hair was styled in very loose waves with blonde pieces added for texture. A silk butterfly was added to her lustrous mane for decoration

Forest: ‘The forest is my oldest friend,’ the model wrote next to the posting as she appeared to crawl across a wide tree branch. Her long dark hair was styled in very loose waves with blonde pieces added for texture. A silk butterfly was added to her lustrous mane for decoration

Video: The Tennessee-born beauty shared a video from the photo shoot so fans could watch as she flawlessly moved from one pose to another

Video: The Tennessee-born beauty shared a video from the photo shoot so fans could watch as she flawlessly moved from one pose to another

Working it out: In May, the couple were seen stepping out together in London, and last month in June, the actress supported MGK at a concert in Berlin; couple seen in February in LA

Working it out: In May, the couple were seen stepping out together in London, and last month in June, the actress supported MGK at a concert in Berlin; couple seen in February in LA

Expend4bles opens in theaters September 22. 

The Teen Choice Award winner has also completed work on the futuristic sci-fi film, Subservience.

The plot focuses on a man who buys a domestic SIM to help care for his family, only to have the artificial intelligence gain awareness and turn deadly. 

Megan traveled to Bulgaria to shoot the project for her Till Death director SK Dale.  

The mom of three, who shares sons Noah, 10, Bodhi, nine, and Journey, six, with her ex-husband, has also leant her voice talents to the animated Naya Legend of the Golden Dolphin. 

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Colourful new discoveries from the early days of photography, 1980 | Photography

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A nude woman reclines on a tumble of fabric, a flower in her hair and bracelet on her wrist, frankly challenging the viewer with her gaze. It’s almost Manet’s Olympia, but not quite. This photograph is an Autochrome, the process invented by Auguste and Louis Lumière in 1904 and explored by the Observer Magazine on 2 November 1980, with recently unearthed images from the French Photographic Society.

Autochrome was an early answer to frustration at the limitations of photography in capturing the colour and complexity of real life and its secret was an ‘unlikely ingredient’: potato starch. ‘Minute grains of starch were dyed in primary colours, carefully mixed and held on a glass plate with silver bromide solution.’

It was instantly popular and the Lumière brothers struggled to meet demand, particularly from the Pictorialists, pioneers who viewed photography as an art form full of possibility rather than a documentary process. They appreciated Autochrome as it ‘gave an effect of shimmering colour reminiscent of that achieved by the most laborious Impressionist techniques – a kind of painless Pointillism’.

The influence of the Impressionists and their forebears does shimmer through these dreamy, painterly images. A white-shirted worker bending in a hayfield feels composed by Millet, painted by Morisot. Women wash clothes on a sun-dappled riverbank, one cross-legged girl in red staring curiously at the camera, in the kind of scene beloved of Pissarro.

Extra-long exposure times – 30 times longer than black and white – meant discomfort was an inevitable part of the process: a woman in a wide-brimmed hat topped with an extravagantly large and droopy red flower perches uneasily on the edge of a cornfield holding a bouquet of wildflowers. And there’s a reminder that the ‘tranquil beauty’ and ease of this gilded fin-de-siècle came at a human price: against the bulk of a dresser filled with blue and white plates, a maid in a blue apron droops in sleep, feather duster falling from her hand.

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Megan Fox CLIMBS up a tree in a barely-there green bikini for a very sexy photo shoot

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Megan Fox gets back to nature as she CLIMBS a tree in a barely-there green bikini for a very sexy photo shoot

Megan Fox got back to nature in a new photo shoot shared on social media.

The actress, 37, who recently covered up a pelvic tattoo of her ex-husband Brian Austin Green, appeared to be very close to her own natural state as she posed in a tree. 

The Transformers actress adapted a sort of Jane of the Jungle persona while scantily clad in a Oséree string bikini.

The swimwear company was tagged in the series of sexy snaps by Megan’s makeup artist Jenna Kristina. 

‘The forest is my oldest friend,’ the model wrote next to the posting as she appeared to crawl across a wide tree branch.

Back to nature: Megan Fox, 37, got back to nature in a new photo shoot shared on social media, appearing to be very close to her own natural state as she posed in a tree wearing a green string bikini

Back to nature: Megan Fox, 37, got back to nature in a new photo shoot shared on social media, appearing to be very close to her own natural state as she posed in a tree wearing a green string bikini

The green bikini is difficult to see in that photo, but displayed more prominently on another, in which she sat on the branch by hugging the tree’s trunk.

Her long dark hair was styled in very loose waves with blonde pieces added for textures. 

A silk butterfly was added to her lustrous mane for decoration. 

The Tennessee-born beauty shared a video from the photo shoot, so fans could watch as she flawlessly moved from one pose to another. 

Megan can be seen on the big screen next in the upcoming Expend4bles.

She has teamed up with Expendables veterans Sylvester Stallone, 77, and Jason Statham 55,  to take on an arms dealer with enough man power to supply his own private army. 

The actress has shared a trailer from the action adventure on social media.

50 Cent is joining the fun, as is Andy Garcia. 

Jungle queen: The Transformers actress adapted a sort of Jane of the Jungle persona, dressed scanty Oséree string bikini

Jungle queen: The Transformers actress adapted a sort of Jane of the Jungle persona, dressed scanty Oséree string bikini

Forest: 'The forest is my oldest friend,' the model wrote next to the posting as she appeared to crawl across a wide tree branch.

Butterfly: Megan's long dark hair was styled in very loose waves with blonde pieces added for texture. A silk butterfly was added to her lustrous mane for decoration

Forest: ‘The forest is my oldest friend,’ the model wrote next to the posting as she appeared to crawl across a wide tree branch. Her long dark hair was styled in very loose waves with blonde pieces added for texture. A silk butterfly was added to her lustrous mane for decoration

Video: The Tennessee-born beauty shared a video from the photo shoot so fans could watch as she flawlessly moved from one pose to another

Video: The Tennessee-born beauty shared a video from the photo shoot so fans could watch as she flawlessly moved from one pose to another

Expend4bles opens in theaters September 22. 

The Teen Choice Award winner has also completed work on the futuristic sci-fi film, Subservience.

The plot focuses on a man who buys a domestic SIM to help care for his family, only to have the artificial intelligence gain awareness and turn deadly. 

Megan traveled to Bulgaria to shoot the project for her Till Death director SK Dale.  

The mom of three, who shares sons Noah, 10, Bodhi, nine, and Journey, six, with her ex-husband, has also leant her voice talents to the animated Naya Legend of the Golden Dolphin. 

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Global Computational Photography Market Expected to Reach $40.88 Billion by 2027, Driven by Technological Advancements and Growing Smartphone Market

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Company Logo

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Global Computational Photography Market

Global Computational Photography Market

Global Computational Photography Market

Dublin, July 14, 2023 (GLOBE NEWSWIRE) — The “Computational Photography Global Market Report 2023” report has been added to ResearchAndMarkets.com’s offering.

The global computational photography market is experiencing robust growth and is projected to reach $40.88 billion by 2027, according to this report. The market grew from $13.52 billion in 2022 to $16.69 billion in 2023, with a compound annual growth rate (CAGR) of 23.5% during this period. The market is expected to continue its upward trajectory at a CAGR of 25.1% from 2023 to 2027.

Major players in the computational photography market include Apple, Light, Nvidia, Qualcomm, Samsung Electronics, Adobe, Nikon, Sony Corporation, LG Corp, Canon, Algolux, Almalence Inc., HTC, Xperi Corporation, Lytro, Pelican, Movidius, Oppo, Intel, Corephotonics Ltd., Leica Camera AG, and Raytrix.

Reasons to Purchase:

  • Gain a comprehensive global perspective with the most detailed report available, covering 50+ geographies.

  • Understand the market’s response to the impact of COVID-19 and how it is recovering.

  • Assess the influence of the Russia-Ukraine war on agriculture, energy, and mineral commodity supply and its direct and indirect impact on the market.

  • Measure the impact of high global inflation on market growth.

  • Develop regional and country strategies based on local data and analysis.

  • Identify investment opportunities in growth segments.

  • Outperform competitors using forecast data and insights into market drivers and trends.

  • Understand customer preferences based on the latest market shares.

  • Benchmark performance against key competitors.

  • Support internal and external presentations with reliable high-quality data and analysis.

Computational photography refers to the use of digital software to enhance photos captured by cameras. It is extensively used in digital cameras, particularly in smartphones, to automate settings and improve shooting capabilities. By utilizing image processing algorithms, computational photography enhances image clarity, reduces motion blur, adds simulated depth of field, and improves color, light range, and contrast.

The market is categorized into different types of computational photography, including single- and dual-lens cameras, 16-lens cameras, and other types. Single-lens cameras utilize a prism system and mirror to allow photographers to see through the lens and capture images accurately. Dual-lens cameras, on the other hand, employ two sensors to capture high-quality pictures and provide additional elements.

Computational photography is offered through camera modules and software in smartphone cameras, standalone cameras, and machine vision cameras. It finds applications in various fields such as 3D imaging, augmented reality imaging, virtual reality imaging, mixed reality imaging, digital imaging, and more.

Technological advancements play a crucial role in shaping the computational photography market. To stay competitive, companies are continuously investing in innovation. For instance, in 2020, Qualcomm Technologies launched the Qualcomm QCS610 and QCS410 system-on-chips, which incorporate powerful artificial intelligence and machine learning capabilities into mid-tier camera segments.

North America dominated the computational photography market in 2022, accounting for the largest market share. However, Asia-Pacific is expected to witness the fastest growth during the forecast period. The market analysis covers regions such as Asia-Pacific, Western Europe, Eastern Europe, North America, South America, the Middle East, and Africa.

The report also provides country-specific analysis for Australia, Brazil, China, France, Germany, India, Indonesia, Japan, Russia, South Korea, the UK, and the USA.

The growth of the smartphone market is a significant driver for the computational photography market. Rapid improvements in smartphone camera technology, including the integration of 3D technology sensors for high-quality photography, are fueling the demand for computational photography. According to the India Brand Equity Foundation, the domestic smartphone market in India is projected to reach $80 billion by 2025-26, contributing to the growth of the computational photography market.

The computational photography market encompasses revenues generated by entities through in-camera computation of digital panoramas, high-dynamic-range images, and light field cameras. The market value includes the value of related goods sold by the service provider or included within the service offering. Only goods and services traded between entities or sold to end consumers are included.

Key Attributes:

Report Attribute

Details

No. of Pages

200

Forecast Period

2023 – 2027

Estimated Market Value (USD) in 2023

$16.69 billion

Forecasted Market Value (USD) by 2027

$40.88 billion

Compound Annual Growth Rate

25.1%

Regions Covered

Global

Key Topics Covered:

1. Executive Summary

2. Computational Photography Market Characteristics

3. Computational Photography Market Trends And Strategies

4. Computational Photography Market – Macro Economic Scenario
4.1. COVID-19 Impact On Computational Photography Market
4.2. Ukraine-Russia War Impact On Computational Photography Market
4.3. Impact Of High Inflation On Computational Photography Market

5. Computational Photography Market Size And Growth
5.1. Global Computational Photography Historic Market, 2017-2022, $ Billion
5.1.1. Drivers Of The Market
5.1.2. Restraints On The Market
5.2. Global Computational Photography Forecast Market, 2022-2027F, 2032F, $ Billion
5.2.1. Drivers Of The Market
5.2.2. Restraints On the Market

6. Computational Photography Market Segmentation
6.1. Global Computational Photography Market, Segmentation By Type, Historic and Forecast, 2017-2022, 2022-2027F, 2032F, $ Billion

16 Lens Camera

6.2. Global Computational Photography Market, Segmentation By Offering, Historic and Forecast, 2017-2022, 2022-2027F, 2032F, $ Billion

6.3. Global Computational Photography Market, Segmentation By Product, Historic and Forecast, 2017-2022, 2022-2027F, 2032F, $ Billion

  • Smartphone Cameras

  • Standalone Cameras

  • Machine Vision Cameras

6.4. Global Computational Photography Market, Segmentation By Application, Historic and Forecast, 2017-2022, 2022-2027F, 2032F, $ Billion

7. Computational Photography Market Regional And Country Analysis
7.1. Global Computational Photography Market, Split By Region, Historic and Forecast, 2017-2022, 2022-2027F, 2032F, $ Billion
7.2. Global Computational Photography Market, Split By Country, Historic and Forecast, 2017-2022, 2022-2027F, 2032F, $ Billion

For more information about this report visit https://www.researchandmarkets.com/r/7shr7

About ResearchAndMarkets.com
ResearchAndMarkets.com is the world’s leading source for international market research reports and market data. We provide you with the latest data on international and regional markets, key industries, the top companies, new products and the latest trends.

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CONTACT: CONTACT: ResearchAndMarkets.com Laura Wood,Senior Press Manager [email protected] For E.S.T Office Hours Call 1-917-300-0470 For U.S./ CAN Toll Free Call 1-800-526-8630 For GMT Office Hours Call +353-1-416-8900

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Best camera for astrophotography in 2023

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If you’re planning to shoot the night skies, you’ll need the best camera for astrophotography. Tim Coleman and the AP team make some picks.

Finding the best camera for astrophotography can be a complex matter. Night-sky photography is a tricky discipline. It requires a lot of standing around in cold fields late into the night, not to mention precise exposure calculation and a fair amount of post-capture editing. It’s a fair bit more complicated than pointing and shooting, that’s for sure.

However, if you have the patience, the rewards for astrophotography can be nothing short of spectacular. Using a camera to document the splendour of the night sky is incredibly rewarding, not to mention addictive. In this guide, we’ll help you find the camera that will allow you to get started shooting the stars.

We have a complete essential guide to astrophotography and night photography, if you would like to know more of the ins and outs of how it works – whereas here, we are focusing on cameras. First up, let’s look at the key factors when choosing a camera for astrophotography.

How to choose the best camera for astrophotography

Ideally, your camera in hand will be weather-sealed, easy to navigate in the dark and even operate with gloved hands. Some high-end cameras feature illuminated buttons which can prove useful, but more importantly you’ll need a way to obtain sharp focusing.

Autofocus is less helpful for astrophotography and most well-practiced astrophotographers use manual focus with live view magnification to be sure, edging a fraction close than infinity to get those white blobs in the sky as small (sharp) as possible. However, there are some cameras that make this easier for you, so have a look at cameras with Starry Sky AF.

You’ll want to attach a fast aperture, wide-angle lens to the camera in order to maximise image brightness and capture the night sky in its glory, plus shoot at a relatively high ISO and ideally in RAW format. A full-frame camera will, in general, perform better in low light than APS-C and Micro Four Thirds cameras, plus there are more full-frame wide angle lenses to choose from than APS-C ones. For additional suggestions, check out our guide to the best lenses for astrophotography.

Otherwise, there’s a balance to strike between high-resolution for large-scale pictures, and lower resolution for superior low-light image quality – a general rule of thumb for cameras of a similar age. A resolution in the region of 20-30MP is popular.

DSLRs remain the most popular camera type for astrophotography, though mirrorless cameras do have a few advantageous features, which we’ll cover in detail below. Along these lines, we’ve put together the best cameras from the big brands for astrophotography, including budget second-hand options and some with some dedicated astrophotography features that you may well have never heard of before.

Still trying to decide between DSLR and mirrorless? Have a look at our guide to DSLR vs Mirrorless.


If you’re in a hurry, here’s a quick list of our picks of the best astrophotography cameras, as well as links for where the get a great price on each one:

Read on to find out more about each camera in our full list…


Our picks of the best cameras for astrophotography:

Best Pentax camera for astrophotography: Pentax K-1 II

Pentax K-1 II Full-frame DSLR

Pentax K-1 II Full-frame DSLR

At a glance

  • 36.4MP full-frame sensor
  • ISO 100-819,200
  • 5-axis shake-reduction
  • GPS with Astrotracer
  • Illuminated buttons
  • Price: $1,796 / £1,899

Everything about the Pentax K1-II is perfectly suited to low light workings. It’s a rugged, weather-resistant DSLR with vari-angle screen and illuminated buttons. It’s also a high-resolution 36.4MP full-frame stills-shooter boasting excellent dynamic range and low light performance. But there’s more to the K-1 II that makes it a top choice for astrophotography.

Pentax ingeniously paired sensor-based shake reduction and GPS to create a feature it calls Astrotracer. Astrotracer utilises GPS data to match the position of the stars in the sky and shift the camera sensor to counter for the Earth’s rotation accordingly, and therefore keep those stars nice and sharp rather than trailing. Simply put, no other camera feature designed for astrophotography can maximise image brightness and clarity better than Astrotracer.

The K1-II represented a modest update from the original Pentax K-1 which will also give you everything you need for astrophotography, including Astrotracer, for half the price. If there’s one common point of weakness, it’s limited choice of wide-angle lenses.

For more options have a look at the best Pentax DSLRs.

Pros:

  • Powerful Astrotracer functionality
  • Rugged DSLR build
  • Good price for full frame

Cons:

  • Cheaper K-1 offers similar proposition
  • Limited wide-angle lens selection

Best Olympus camera for astrophotography: OM System OM-1

The OM-1 has Starry Sky AF - perfect for astrophotography - Andrew Fusek Peters with the Olympus OM-1

The OM-1 has Starry Sky AF – perfect for astrophotography – Andrew Fusek Peters with the Olympus OM-1

At a glance

  • 20MP stacked Micro Four Thirds sensor
  • Stabilisation up to 8 stops
  • IP53-rated weather-proofing
  • Starry Sky AF
  • Price: $2,199 / £1,999

The flagship OM System OM-1 offers photographers the best low-light image quality capability of any Micro Four Thirds camera, and some clever features that aid astrophotography to boot. Most astrophotographers go slow and steady with manual focus and tripods, but the latest and greatest tech in the OM System OM-1 camera makes other methods possible, including Starry Sky AF.

Starry sky taken with the Olympus OM-1 with Starry Sky AF (Crop)

Starry sky taken with the Olympus OM-1 with Starry Sky AF (Crop, photo: Joshua Waller)

Having made its debut in the E-M1 III, Starry Sky AF uses an algorithm to scan the scene for small points of light (the stars) to acquire focus. It’s night sky focusing made easy, and crucially we’ve found the mode entirely reliable in both speed and accuracy.

Otherwise, you have all you need for night-time adventures; an IP53-rated weather-proofed body, vari-angle touchscreen and the best image stabilisation around. And let’s not forget how much smaller and lighter the Micro Four Thirds system is compared to full-frame – those excellent wide-angle lenses come in at a fraction of the heft. Pixel peep and low light image quality won’t quite compare with full-frame cameras, though.

The OM System OM-5 also includes Starry Sky AF, and IP53 weather-sealing, so is another more-affordable option well worth looking at. 

Pros:

  • Starry sky AF and stabilisation makes hand-held astro shooting possible
  • IP53 weatherproofing
  • Small and light system

Cons:

  • Raw sensor quality falls short of alternatives

Read our OM System Olympus OM-1 review


Best Canon camera for astrophotography: Canon EOS R6

Best cameras for low-light, Canon EOS R6

The advanced AF system on the EOS R6 works in very low light. Photo credit: Andy Westlake

At a glance

  • 20MP full-frame sensor
  • ISO 50-204,800 (extended)
  • 3in fully articulated touchscreen
  • 3.69m-dot EVF, 0.76x magnification
  • Price: $2,000 / £1,899 (used)

Arriving alongside the flashy Canon EOS R5 and its 45MP sensor, the EOS R6 was pitched as more of an enthusiast all-rounder, with a more modest resolution of 20MP. This makes it an excellent choice for our purposes as astrophotographers, as we don’t have too many pixels increasing the noise on the sensor. Indeed, the EOS R6 is very good in low light, controlling noise well even at higher ISO settings. It’s comparable to two of the most all-time popular cameras for astrophotography, the Canon EOS 6D and EOS 6D Mark II DSLRs, though the EOS R6 is perhaps even better for recovering detail from shadows.

Battery life on the EOS R6 is okay-ish, CIPA-rated to 380 shots per change, though it can be USB-charged, which softens the blow somewhat. Some astrophotographers may have liked a top LCD screen to better keep an eye on battery levels, but that’s a small thing really. The RF lens-mount is expanding nicely too with impressive wide-angles like the RF 15-35mm f/2.8L IS USM. We’d like to see Canon open the mount up to third-party manufacturers, but they’re still being draconian about this for now. Ah well.

Canon has since released a successor to this camera in the form of the Canon EOS R6 Mark II, and the original R6 has been accordingly discontinued. However, the main updates in the Mark II are in its autofocus, which astro shooters don’t need to bother about too much, so we’re recommending you save yourself some cash and pick up one of the many EOS R6 cameras available on the second-hand market.

Pros:

  • Very good low-light performance
  • Good second-hand price

Cons:

  • No top LCD
  • Battery life isn’t amazig

Read our Canon EOS R6 review.


Best Nikon camera for astrophotography: Nikon D780

Nikon D780 - Photo: Michael Topham / AP

The Nikon D780 is an advanced, capable DSLR. Photo credit: Michael Topham

At a glance

  • 24.5MP full-frame sensor
  • ISO 100-51,200
  • 2.36m-dot tilt screen
  • AF sensitivity -7EV
  • Price: $2,196 / £2,299

Replacing the D750, the Nikon D780 boasts an excellent low light performance thanks to its 24MP full-frame sensor and ISO 100-51,200 sensitivity. Nikon’s most ‘modern’ DSLR, the D780 offers clear live view on its large 3.2in tilt screen with a 23x manual focus magnification, in-camera 4K time lapse, shutter speeds up to 900 seconds and a robust interval shooting experience and exposure smoothing, ideal for creating star trails.

You also get DSLR sturdiness with weather-sealed body, excellent battery life and an optical viewfinder with 100% coverage. It’s a shame that illuminated buttons are missing since you get them on the D850, but otherwise this is a highly capable astrophotography camera benefitting from the extensive choice of Nikon F-mount lenses.

With the same sensor and many common strengths, the original mirrorless Nikon Z6 is a solid alternative for a much lower price.

Pros:

  • Does great in low light
  • Expansive F-mount lens selection
  • Ruggedly weather-sealed

Cons:

Read our Nikon D780 review


Best Fujifilm camera for astrophotography: Fujifilm X-T5

Fujifilm X-T5 review

Fujifilm X-T5 review. Image credit: Andy Westlake

At a glance

  • 40MP APS-C sensor
  • 1.84m-dot 3-way tilting screen
  • Exposure dials
  • 3.69m-dot OLED EVF with 0.8x magnification
  • 7EV stabilisation
  • Price: $1,699 / £1,699

A gorgeous mirrorless camera designed for stills photographers first, the Fujifilm X-T5 offers a lot to the astrophotographer. Its on-body controls are intuitive to use, its beefy 7-stop stabilisation system impresses, and it delivers pretty impressive battery life of up to 740 shots per charge (you can of course expect this to drop a bit if you’re repeatedly shooting extra-long exposures). Image quality from the X-T5 is dazzling thanks to its 40.2MP APS-C X-Trans CMOS 5 HR sensor, which is the same model as on the more expensive Fujifilm X-H2.

Choosing a Fujifilm X body as your astrophotography camera also has a distinct advantage, namely the X-mount lens range. This is not the most expansive selection of lenses on the block, but it is absolutely stuffed with super-sharp large-aperture zooms and primes that are absolutely perfect for astro work. We recommend the XF 8-16mm f/2.8 R LM WR as a good starting point.

If the X-T5 is too pricey for you, it could be worth hunting down its predecessor, the X-T4, which also has delightful on-body controls and a high-quality APS-C sensor. Its resolution and stabilisation lag behind the X-T5’s, but otherwise it’s a highly compelling alternative that could potentially be picked up at a significant discount on the used market.

Pros:

  • Fantastic handling
  • Very good body life
  • Gorgeous image quality

Cons:

  • Resolution on the high side for astro
  • Expensive for APS-C

Best Sony camera for astrophotography: Sony A7 IV

Sony Alpha A7 IV in use, and tested by Andy Westlake

Sony Alpha A7 IV in use, tested by Andy Westlake

At a glance

  • 33MP full-frame sensor
  • ISO 100-51,200
  • 1.44m-dot vari-angle screen
  • 5-axis image stabilisation
  • Price: $2,498 / £2,399

Sony’s all-rounder series, the original A7 is now in its fourth iteration and the A7 IV represents a solid option for astrophotography. The 33MP full-frame sensor strikes an optimum resolution balance for large and clean night images, with an excellent dynamic range and shadow detail recovery – a key concern for dark sky snappers.

Handling wise, all boxes are ticked; there’s the 3in vari-angle screen, weather-resistance and image stabilisation. And despite its small stature, making your way around the camera in the dark is done easily enough thanks to the large controls.

If you’re priced out of the A7 IV, the A7 III can be had for about 60% of the cost, and is a decent alternative because its low light image quality is equally impressive.

Pros:

  • Optimal sensor size/resolution balance for astrophotography
  • Good, tactile handling
  • Weather-resistant body

Cons:

  • On the expensive side
  • No in-camera Raw conversion

Read our review of the Sony Alpha A7 IV


Best Panasonic camera for astrophotography: Panasonic Lumix S5

Panasonic Lumix S5 - 24MP full-frame mirrorless camera, MT

Panasonic Lumix S5 – 24MP full-frame camera tested by Michael Topham / AP

At a glance

  • 24.2MP full-frame sensor
  • 1.84m-dot vari-angle screen
  • Weather-resistant
  • Dedicated timelapse mode
  • Price: $1,697 / £1,599

If you’re starting out in astrophotography and have no ties to other camera brands, then the Panasonic Lumix S5 is worth looking into. It’s a brilliant all-rounder with very competitive price tag to boot and particularly good deals can be found. For the modest outlay you get a compact and tough full-frame mirrorless camera with excellent low light image quality.

For almost every perceived ‘flaw’, there is an answer. Battery life is OK, but the S5 can be charged via USB while in use. The EVF isn’t the best in town, but the vari-angle touch screen provides clear viewing. Lens choice is limited compared to DSLRs, but there is the wider-than-normal and affordable 20-60mm full-frame kit lens, the excellent 16-35mm F4 lens and further lens options available from Sigma and Leica. Being a Panasonic, the video features are extensive too, with a dedicated timelapse mode on the drive mode dial.

Panasonic has since released a pretty excellent update in the form of the Lumix S5 II, where the big headline addition was phase-detection autofocus, as well as unlimited video recording times. Astrophotographers can probably save themselves some cash by sticking with the original Lumix S5, whose big sensor and ISO range are more or less the same.

Pros:

  • Good price for full-frame mirrorless
  • USB charging
  • Great kit lenses

Cons:

  • Fewer overall lens options in L-mount system

Read our Panasonic Lumix S5 review


Best camera under £1000 for astrophotography: Pentax K-70

Pentax K-70 DSLR with green bg

Pentax K-70 DSLR

At a glance

  • 24MP APS-C sensor
  • Astrotracer (needs GPS unit)
  • Shake reduction
  • Weather-sealed
  • Price: $576 / £699

Bang for buck, the Pentax K-70 is undisputed for astrophotographers. It packs many pro-feeling features despite being positioned as an enthusiast camera with a modest $576 / £699 body only price. Headline features include a 24MP APS-C sensor with ludicrous ISO 100-102,400 sensitivity, weather-resistant body operable down to -10°C (unusual for this level of camera), optical viewfinder with 100% coverage (again, unusual), vari-angle screen, shake reduction up to 4.5EV and access to features like Astrotracer via an optional GPS unit.

There are also the little things to be found here that experienced astrophotographers will appreciate, like the comfortable grip and well-spaced controls that are easy to operate even for gloved hands. This is a camera tailor-made for the outdoors and photographing the night skies. There’s even a “night mode” LCD setting to make it easier to use in low-light.

Pros:

  • Very impressive high-ISO performance
  • Hardy, weather-resistant body
  • Option to attach GPS Astrotracer unit

Cons:

  • Live View is slow and awkward
  • No touchscreen

Read our Pentax K-70 review


Best camera under £500 for astrophotography: Canon EOS 6D

Canon EOS 6D full-frame DSLR with dark background (AP image)

Canon EOS 6D full-frame DSLR with dark background (AP)

At a glance

  • 20.2MP full-frame sensor
  • ISO 100-25,600
  • AF sensitivity -3EV
  • Built-in GPS
  • Used price approx. $399 / £399

If you look into the camera of choice for Astronomy Photographer of the year entrants, there’s one camera that pops up again and again, year after year: the Canon EOS 6D. It’s a 10-year old camera (from 2012) that proves you don’t need the latest and greatest kit to create award-winning astrophotography pictures. What makes the EOS 6D so popular? Perhaps it’s the 20MP full-frame sensor and ISO 100-25,600 sensitivity that performs really well in low-light. Or maybe it’s the excellent choice of EF-mount wide-angle, fast aperture lenses.

Now superseded by the Canon EOS 6D II which boasts a higher 26MP resolution and modern conveniences such as a vari-angle screen, image stabilisation and 4K timelapse, a second-hand EOS 6D can be had for anything between 250-500 depending on the condition. Absolute bargain.

Pros:

  • Fantastic second-hand price
  • Loads of EF-mount lenses
  • Very good low-light performance

Cons:

  • No stabilisation
  • Fixed LCD screen

Read our Canon EOS 6D Review


Best dedicated camera for astrophotography: Nikon D810a

Nikon D810A - designed specifically for astrophotography

Nikon D810A – designed specifically for astrophotography

At a glance

  • 36.3MP full-frame sensor
  • ISO 200-12,800
  • H-alpha ‘astro’ filter
  • Sensitive to 656nm wavelength
  • Used price approx. $2,700 / £2,700

The Nikon D810a is a modified version of the 36.3MP full-frame D810, made specifically with astrophotography in mind. The ‘a’ denotes astrophotography and tells us that the filter in front of the sensor allows H-alpha emissions, also known as an infrared cut filter. What you get is a camera 4x more sensitive to the hydrogen-alpha wavelength, bringing out the true clarity and colours of the night sky.

Now discontinued, you’ll need some luck finding a D810a on the second-hand market, but they do appear now and again, from around $2400-2800 (with similar prices in £GBP). Canon also produced its own mirrorless astro-converted camera, the Canon EOS Ra. However, it has long since been discontinued, and frankly, good luck finding one.

Pros:

  • Dedicated astrophotography camera
  • Superb full-frame quality

Cons:

  • Tricky to find, and pricey when you do

Find out how Goran Strand uses the Nikon D810A.

An alternative to buying a camera dedicated to astrophotography, a service like www.lifepixel.com can convert a regular camera by replacing the standard low-pass filter with one that allows H-alpha emissions. Conversion could breathe new life into a camera otherwise gathering dust, or you could pick up a second-hand DSLR specifically for modification at a much lower price than a dedicated one.


Text by Tim Coleman, with contributions from Jon Stapley.


Once you had a look at the different camera options, you’ll find some great tips on our guide on how to photograph the night sky as well as more articles on astrophotography.


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30 Photos With Misleading Captions That Completely Shift Your Perspective

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Neuroscientist Patrick Cavanagh suggests that our perception of reality is not a direct reflection of the world around us. Instead, what we see is a constructed narrative, shaped by our brains.

Our brain has a remarkable ability to create visual interpretations that may not align with objective reality. This phenomenon becomes evident in the collection of images presented below. It is truly astonishing how our brain functions, as it compensates for missing information by filling in gaps, even if the resulting perception might be incorrect.

The “Misleading Thumbnails” subreddit showcases a series of images that challenge our initial interpretations. By adding deceptive captions to these images, our brain’s perception can be completely altered.

With their slogan “Not always what you think,” this page prompts us to question our perception. The thumbnails and accompanying captions induce a complete turnaround in our brain’s understanding, leaving us uncertain about what we are truly seeing.

Let’s explore these 30 examples of misleading thumbnails and captions that drastically reshape our brain’s perception. Take a moment to observe each picture before reading the caption, and observe how your brain’s perspective shifts when confronted with the caption compared to your initial perception.

Scroll below and enjoy yourself. All photos are linked and lead to the sources from which they were taken. Please feel free to explore further works of these photographers on their collections or their personal sites.

#1. Frozen Turkeys

Misleading Captions That Change How We See

Image Source: wingstop_wingslut

#2. Cheeseburger Without Bread

Misleading Captions That Change How We See

Image Source: MrCheesLlams

#3. Squid Ink Dough vs. Normal Dough

Misleading Captions That Change How We See

Image Source: PM_YOUR_BEST_JOKES

#4. Pulled Teeth

Misleading Captions That Change How We See

Image Source: bmp709

Misleading Captions That Change How We See

Image Source: yellayahmar

#6. This Flawless Egg

Misleading Captions That Change How We See

Image Source: Friggin_Bobandy

#7. The Clearest Water In The World

Misleading Captions That Change How We See

Image Source: I_AM_NOT_MAD

#8. Water Waste Disposal

Misleading Captions That Change How We See

Image Source: instilledbee

#9. Musical Notes

Misleading Captions That Change How We See

Image Source: somenerdnamedtom

#10. Woman Licking Baby’s Head

Misleading Captions That Change How We See

Image Source: sirfool

#11. Baby Deer Chilling On A Chair

Misleading Captions That Change How We See

Image Source: ricrdvc

#12. My Pet Pinecone

Misleading Captions That Change How We See

Image Source: rivkinnator

#13. Microscopic View Of A Flesh Eating Maggot

Misleading Captions That Change How We See

Image Source: shizney1

#14. My Hand After Gardening

Misleading Captions That Change How We See

Image Source: Golf911

#15. A Close-Up Photo Of My Sewing Needle Collection

Misleading Captions That Change How We See

Image Source: WeAreClouds

#16. After Double Amputee Surgery, Woman Caresses What’s Left Of Her Legs

Misleading Captions That Change How We See

Image Source: howdy77777

#17. This Guy Has A Massive Afro

Misleading Captions That Change How We See

Image Source: sleeplessaddict

#18. Vibrant Sandals

Misleading Captions That Change How We See

Image Source: Manderelli

#19. A Nug Of Weed

Misleading Captions That Change How We See

Image Source: Jammie114

#20. Rare Madagascar Spider

Misleading Captions That Change How We See

Image Source: TheJokr

#21. Screaming Human Heads

Misleading Captions That Change How We See

Image Source: rivkinnator

#22. Person Running Through The Snow

Misleading Captions That Change How We See

Image Source: Sap0ten

#23. Fried Chicken

Misleading Captions That Change How We See

Image Source: OwenJthomas89

#24. Bring Your Child To Work Day

Misleading Captions That Change How We See

Image Source: flycreature75

#25. Lost Black Handbag Found At The Beach

Misleading Captions That Change How We See

Image Source: QuietTwiddler24

#26. New Daft Punk Member

Misleading Captions That Change How We See

Image Source: cid03

#27. This Throw-Blanket On A Couch

Misleading Captions That Change How We See

Image Source: dangusted

#28. Succulent

Misleading Captions That Change How We See

Image Source: zoglog

#29. Got My Shiny Blue Ball Stuck In A Tree

Misleading Captions That Change How We See

Image Source: TheGameLord_YT

#30. Broken Chair

Misleading Captions That Change How We See

Image Source: starpiece

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