Tibetan antelopes give birth to babies at nature reserve in Xinjiang -Xinhua

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ALTUN MOUNTAINS, July 15 (Xinhua) — The rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve has an average altitude of about 5,000 meters. Surrounded by snow mountains, the district is a natural shelter for Tibetan antelopes to avoid their natural enemies. The animal enters its peak season of reproducing in July. Thousands of baby Tibetan antelopes are born here every year. Guided by their mothers, the babies will learn basic living skills such as standing, walking and running within half an hour after birth. Tibetan antelopes are under the first-class protection of the country.

This photo taken on July 9, 2023 shows Tibetan antelopes and their babies at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 9, 2023 shows a Tibetan antelope migrating with its baby at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 8, 2023 shows Tibetan antelopes taking care of their babies at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 9, 2023 shows Tibetan antelopes at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 8, 2023 shows a Tibetan antelope feeding its baby at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 8, 2023 shows Tibetan antelopes and their babies at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 7, 2023 shows Tibetan antelopes migrating with their babies at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 9, 2023 shows Tibetan antelopes at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 7, 2023 shows Tibetan antelopes at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 8, 2023 shows a Tibetan antelope feeding its baby at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

This photo taken on July 8, 2023 shows Tibetan antelopes migrating with their babies at the rabbit lake district of the Xinjiang Altun Mountains National Nature Reserve in northwest China’s Xinjiang Uygur Autonomous Region. (Xinhua/Wang Peng)

Produced by Xinhua Global Service

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Funniest Pets In Photos, Finalists For Comedy Pet Photography Awards

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A cat performing its best victory pose, a smiling ferret and a flower-eating turtle are among the 25 comical images that made it to the shortlist for the Comedy Pet Photo Awards.

The funny pet photo is a global photo and video competition intended to “promote positive awareness of animal welfare issues and celebrate the incredible and hugely valuable contribution that pets can and do have on our lives,” the organizers explain.

MORE FROM FORBESThe Funniest Animals In Photos: 15 Finalists Of Comedy Pet Photography Awards

Created by professional photographers Paul Joynson-Hicks and Tom Sullam, the contest also seeks to encourage public engagement around animal welfare and “through the wonders of photography and film, we want to share the hilarious expressions, antics and naughty capers that your joyous pets get up to and share the love and laughter with the world.”

“Pets keep us fit, sane and grounded. They listen to us when no one else does; they know how to cheer us up and will do anything for us (unless we’re talking about cats, but they have special superpowers of their own that we dare not talk about).”

MORE FROM FORBESComedy Wildlife Photography Awards 2022: The Funny Winning Images

On the Gallery page, you can see all 25 finalists and if you fancy voting for your favorite click to the People’s Choice Award. The last date to vote is August 6.

The 2023 Comedy Pet Winners will be announced on August 11.

In the ‘Dogs-Who-Look-Like-Their-Owners Department’, there are Karin and her two Afghan Windhounds in Landstuhl, Germany.

“Alex and Max are two rescued kittens. Alex is the shy one; Max is the playful one,” Zoghzoghi said. “Together, they’re a lethally cute duo. I had more fun taking photos of these two than during my most adventurous wildlife photography trips.”

Two sisters from different litters — self-confident Crystal and cute baby Daisy — look to the future.

Big Boss is certainly the boss around the port, says Morinaga, nothing that he’s also gentle and kind.

Shadow was digging holes as normal at the beach, when all of a sudden he decided to show off his new technique.

This small, happy ferret named Boudicca enjoys her first outdoor walk at 2 1/2 months, in Amherst, Massachussetts.

His name is Oscar and he’s an Afghan greyhound clearly pleased with himself.

Beautiful Edgar’s favorite food is the leaf and flower of the dandelion. Here, she savors the flavor in Wymondham, England.

Happiness is achieved in the midst of hemp plants in Zurich, Switzerland. These plants, however, are for industrial use, not marijuana.

It looks like a perfect land 10.0 landing.

Misty the spaniel desperately wanted to play with Nala, the dignified older lady of the menagerie,” said Horstmanschof. “She wasn’t that keen and fortunately Misty was pretty bad at hide and seek.”

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Capturing the World from Above: Exploring the Art and Applications of Aerial Photography

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Aerial photography has revolutionized the way we see and understand our world. By capturing images from above, this unique form of photography offers a fresh perspective, unveiling breathtaking landscapes, revealing patterns, and providing valuable insights into various fields. In this article, we will delve into the art and applications of aerial photography, exploring its history, techniques, and impact on industries such as mapping, environmental monitoring, tourism, and filmmaking.

The History of Aerial Photography: The concept of capturing images from the air dates back to the mid-19th century, when the French photographer Gaspard-Félix Tournachon, known as Nadar, took the first documented aerial photograph in 1858. Since then, aerial photography has evolved significantly, progressing from manned balloon flights to the development of specialized aerial platforms like kites, pigeons, and eventually aircraft and drones. Technological advancements in cameras, lenses, and image stabilization have further enhanced the quality and versatility of aerial imagery.

Techniques and Equipment: Aerial photographers employ various techniques and equipment to capture stunning images from above. Traditional aerial photography involves using fixed-wing aircraft or helicopters equipped with high-resolution cameras. These platforms allow photographers to cover vast areas and capture detailed images with precision. However, the use of drones has democratized aerial photography, providing an affordable and accessible alternative. Drones equipped with cameras offer flexibility, maneuverability, and the ability to reach areas that were previously inaccessible, such as densely populated cities or remote natural landscapes.

Applications of Aerial Photography: 3.1 Mapping and Surveying: Aerial photography plays a vital role in cartography, surveying, and mapping. High-resolution aerial images are used to create accurate topographic maps, monitor land use changes, and aid in urban planning. These images provide valuable data for infrastructure development, disaster management, and environmental conservation efforts.

3.2 Environmental Monitoring: Aerial photography is instrumental in assessing and monitoring environmental conditions. It helps scientists and researchers study ecosystems, track changes in vegetation cover, detect deforestation, and monitor the impact of natural disasters. Aerial surveys also assist in wildlife conservation by tracking animal populations, migration patterns, and habitat changes.

3.3 Tourism and Marketing: Aerial photography has transformed the tourism industry by offering captivating images of destinations, landmarks, and natural wonders. These images entice travelers, allowing them to visualize their potential experiences and make informed decisions about their trips. Additionally, aerial photographs are extensively used in marketing campaigns by resorts, travel agencies, and hospitality businesses to showcase their offerings and attract visitors.

3.4 Filmmaking and Cinematography: In the world of filmmaking, aerial photography has revolutionized the way stories are told on the big screen. Aerial shots provide a cinematic perspective, capturing sweeping vistas, dynamic action sequences, and awe-inspiring aerial views. Filmmakers use aerial footage to enhance storytelling, evoke emotions, and create immersive visual experiences for the audience.

Ethical and Legal Considerations: While aerial photography offers remarkable opportunities, it also raises ethical and legal considerations. Privacy concerns arise when capturing images from above, and regulations regarding drone usage and airspace restrictions vary across countries. Striking a balance between capturing stunning visuals and respecting privacy rights is crucial, requiring responsible and ethical practices from aerial photographers.

Conclusion: Aerial photography has revolutionized the way we perceive the world, offering a unique perspective that was previously inaccessible. From its humble beginnings to the modern era of drones, aerial photography has become an essential tool in various industries, including mapping, environmental monitoring, tourism, and filmmaking. As technology continues to advance, the art of aerial photography will evolve, enabling us to capture even more stunning images and gain new insights into our planet. Embracing the potential of aerial photography while addressing ethical and legal considerations is essential for unlocking its full potential and ensuring a responsible and sustainable future for this remarkable art form.

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Local photography legend James Balog to be honored at the Boulder Environmental /Nature / Outdoors Film Fest – Boulder Daily Camera

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If you’re a stamp collector, then you know who James Balog is.

Balog, who will be honored at this year’s fourth-annual Boulder Environmental / Nature / Outdoors Film Festival (ENOFF), was the first-ever photographer to be commissioned by the U.S. Postal Service to create a full set of stamps.

Photographer, filmmaker, author and environmentalist James Balog will be honored with the first-ever Earth Angel award at the 2023 Boulder ENOFF. (Boulder ENOFF/Courtesy Photo)
Photographer, filmmaker, author and environmentalist James Balog will be honored with the first-ever Earth Angel award at the 2023 Boulder ENOFF. (Boulder ENOFF/Courtesy Photo)

Released in 1997, the iconic 15-stamp sheet features photos that Balog captured of animals found on the United States Fish and Wildlife Service endangered species list, including stunning portraits of the Florida panther, Hawaiian monk seal and the Wyoming toad.

Unsurprisingly, Balog is not just a hero within the philatelist community — he is also known for his work documenting major global events for some of the top publications in the world, including National Geographic, The New Yorker and Vanity Fair. His photography is the star, muse and subject of two award-winning films “Chasing Ice” and “The Human Element.” Balog, the director and founder of the Earth Vision Institute and the Extreme Ice Survey, is also the author of more than nine books depicting crucial ecological issues.

He’s an all-around environmentalist — who just so happens to call Boulder home. A jewel in Boulder’s crown, one could say.

Balog’s name will be attached to yet another achievement — this weekend he will be honored as the inaugural recipient of the Earth Angel award at Boulder ENOFF.

Although Balog has received numerous accolades, including an Emmy Award and a Sundance Award for cinematography, he said that receiving the Earth Angel award remains an honor and a privilege.

Renowned Boulder photographer James Balog works at Columbia Glacier in Alaska for the 2012 climate change film, "Chasing Ice."

James Balog/Extreme Ice Survey

Renowned Boulder photographer James Balog works at Columbia Glacier in Alaska for the 2012 climate change film, “Chasing Ice.” (Courtesy photo)

“This might be the first time since I was a little boy that anyone has ever called me an angel,” Balog said, laughing. “No, it’s very flattering, and I’m inspired by it, and delighted for it.”

The Earth Angel statuette was created to honor individuals in the community who have demonstrated acute awareness and continued dedication toward the Earth and the environment. Though festival organizers have attempted to hand out this award years prior, the pandemic and other setbacks delayed the ceremonies — until now.

“Balog was the perfect candidate to receive this award, given for the first time,” said Richard Paradise, ENOFF’s festival director. “We’d very much like to make the Earth Angel Award an annual thing, but I couldn’t think of someone better to be the first person at Boulder ENOFF to set the precedent. Balog’s films, especially ‘Chasing Ice,’ are iconic.”

“Chasing Ice” was released in 2012, and was based on Balog’s extensive and groundbreaking research on the planet’s rapidly receding glaciers. Before “Chasing Ice,” Balog’s artistic vehicle was mainly through photography, but then film changed that.

“I wanted to work in a different medium that could touch audiences in a different way,” Balog said. “And really, basically, as I look back over the long arc of my working life — which is now almost 45 years in image making, I’m a storyteller.”

The fourth-annual Boulder ENOFFA kicked off Thursday and will run through Sunday. Balog will be in good company as several directors, cinematographers and fellow storytellers will visit the Dairy Arts Center for a celebration of environmental filmmaking.

Since its inception in 2019, the Boulder ENOFF has showcased films from creators from all over the world, highlighting a number of serious issues facing not just the planet, but humankind as well.

Hundreds of people watch lava flows in Iceland in "Untitled James Balog Documentary," which screened at the Boulder International Film Festival in 2018. Balog is being recognized for his environmental advocacy at this weekend's Boulder ENOFF. (Courtesy photo)

James Balog / Courtesy photo

Hundreds of people watch lava flows in Iceland in “Untitled James Balog Documentary,” which screened at the Boulder International Film Festival in 2018. Balog is being recognized for his environmental advocacy at this weekend’s Boulder ENOFF. (Courtesy photo)

In recent years, Boulder has emerged as an up-and-coming hub for environmental filmmaking, attracting talented filmmakers and enthusiasts from around the world. With its breathtaking natural surroundings and a community deeply committed to environmental stewardship, Boulder provides an ideal backdrop for filmmakers seeking to tell compelling stories about our planet’s challenges and solutions — and Balog agrees.

“There has been a remarkable amount of high-quality documentary filmmaking that has come out of the Denver/Boulder area, considering the size of these towns and the fact that we don’t have a long history of there being a filmmaking community like there is in L.A. or New York,” Balog said. “There has been a lot of good work that’s coming out of this community, and I have been saying to people — there really should be a film about that.”

The Boulder ENOFF perhaps encapsulates that creative filmmaking spirit in the most Boulder way possible — with a film festival that exclusively celebrates love and dedication to the great outdoors.

This year’s lineup consists of more than eight full-length films, as well as several film shorts. From a breathtaking documentary capturing the wonders of Texas’ unique ecosystems in “Deep in the Heart,” to a thought-provoking narrative shedding light on the taboo surrounding nuclear energy in “Nuclear Now,” the festival’s film lineup is carefully curated to captivate and inspire audiences.

"Patrick and the Whale" is the closing film for the Boulder Environmental / Nature / Outdoors Film Festival (ENOFF) and will be screened at the Dairy Arts Center on Sunday. Directed by award-winning marine cameraman Patrick Dykstra, the documentary submerges viewers deep into the ocean. (Courtesy photo / Boulder ENOFF)
“Patrick and the Whale” is the closing film for the Boulder Environmental / Nature / Outdoors Film Festival (ENOFF) and will be screened at the Dairy Arts Center on Sunday. Directed by award-winning marine cameraman Patrick Dykstra, the documentary submerges viewers deep into the ocean. (Courtesy photo / Boulder ENOFF)

Of all the screenings in the lineup, Balog said he is looking forward to seeing one in particular: “Patrick and the Whale,” which will also be featured as the festival’s closing film. Directed by Patrick Dykstra, the gorgeously shot documentary submerges viewers deep into the ocean, where the award-winning marine cameraman Dykstra attempts to understand and befriend the complex creature, the sperm whale.

To check out the entire lineup for the Boulder ENOFF, and to purchase tickets, visit boulderenoff.org.

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25 Funny Finalist Photos From The Comedy Pet Photography Awards 2023

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Spreading happiness and laughter in our lives is something we all deserve. And the good news is, you don’t have to search far and wide to uplift your spirits. Just take a closer look at your beloved pets, and you’ll discover the countless shenanigans they get up to and the hilarious moments they create! However, capturing these priceless moments requires a combination of camera skills, immense patience, and a sprinkle of good fortune.

For the fifth consecutive year, the Comedy Pet Photography Awards is ready to brighten up your screens. This year, they have unveiled their shortlist of 25 finalists for 2023, and we’re thrilled to present you with these captivating photos that will compete for the top honors.

Scroll down and enjoy yourself. Check their website for more information.

You can find more info about Comedy Pet Photography Awards:

#1 A life changing event by Michel Zoghzoghi

Comedy Pet Photography Awards 2023 Finalists

Alex is the shy one. Max is the playful one. Together they form a lethally cute duo. I had more fun taking photos of these two than during my most adventurous wildlife photography trips.

#2 Porsz Barking by Chris Porsz

Comedy Pet Photography Awards 2023 Finalists

In March 2019 I was sat in the Union Sq New York dog run when I spotted a lady with a pink bag on her hand ( to keep her hand clean) throwing a ball to her dog which was sat down facing her. The dog then launched itself and flipped in mid air to face me and snap! As you can see the lady with her hand on her head was as surprised as me and I think she is saying phew! I have searched in vain via the NY media to find the owner so that I can send her a copy. No joy so I am hoping this Pet Comedy competition can help me find the mystery woman and her leaping dog. You never know!

#3 The big Boss by Kenichi Morinaga

Comedy Pet Photography Awards 2023 Finalists

Big Boss is the Boss around here.He is gentle and kindness just big.

#4 Kylians sleep by Katia Pillonel

Comedy Pet Photography Awards 2023 Finalists

Kylian could not sleep in another bed. Maybe he dreamt of jungle…

#5 When digging a hole gets serious by Sophie Boynton

Comedy Pet Photography Awards 2023 Finalists

Shadow was digging holes as normal at the beach, when all of a sudden he was showing off his new technique! Luckily the camera was at the ready for this crazy position!

#6 Victory by Kazutoshi Ono

Comedy Pet Photography Awards 2023 Finalists

Perfect landing pose, right?

#7 The three Greys by Klaus Peter Selzer

Comedy Pet Photography Awards 2023 Finalists

Karin and her two dogs. Don’t they all look almost the same? …

#8 Albert Einstein by Masayoshi Yamamoto

Comedy Pet Photography Awards 2023 Finalists

He sticked out his tongue at me as famous Einstein’s photo.

#9 The 498th round of Hide and Seek was getting a bit old by Kim Horstmanshof

Comedy Pet Photography Awards 2023 Finalists

Misty the spaniel desperately wanted to play with Nala, the dignified older lady of the menagerie. She wasn’t that keen, fortunately Misty was pretty terrible at hide and seek

#10 Football free kick by Kenichi Morinaga

Comedy Pet Photography Awards 2023 Finalists

The pressure of football and waiting for free kick.

#11 So this is the source of happiness by Corinna Mooser

Comedy Pet Photography Awards 2023 Finalists

That explains so much (Don’t worry, it’s just regular hemp for industry)

#12 The first outdoor walk by Darya Zelentsova

Comedy Pet Photography Awards 2023 Finalists

Tiny happy ferret Boudicca (only 2,5 month old!) enjoys her first outdoor walk.

#13 Oscar by Lana Polyakova

Comedy Pet Photography Awards 2023 Finalists

Yes, his name is Oscar. He is an Afghan greyhound and is very pleased with himself

#14 Bidule as goalkeeper by Felix Larcher

Comedy Pet Photography Awards 2023 Finalists

We ware playing with our cat named Bidule, with a ballpaper !

#15 Keep your eye on the ball by Gill Woodcock

Comedy Pet Photography Awards 2023 Finalists

#16 Pop up by Kazutoshi Ono

Comedy Pet Photography Awards 2023 Finalists

He seems to pop out of the autumn leaves, doesn’t he?

#17 Ball Play Silhouette by Christine Johnson

Comedy Pet Photography Awards 2023 Finalists

Bobby reaching for the ball against a beautiful sunset. We were taking photos of Bobby as the sun was quickly setting and disappearing behind the hill. I was changing the setting on my camera, to keep the detail on a black dog against a nice sky and soon realised, just go with the simple option and shoot him as a silhouette.

#18 Zorro reborn by Karl Goldhamer

Comedy Pet Photography Awards 2023 Finalists

The avenger of the poor is back, but this time as a dog and not on a horse, but in a car! The obligatory black mask is a must, of course.

#19 A lovely couple by Lana Polyakova

Comedy Pet Photography Awards 2023 Finalists

I couldn’t get past this couple!

#20 Little Daisy and her big future by Darya Zelentsova

Comedy Pet Photography Awards 2023 Finalists

Two sisters from different litters: self-confident Crystal and cute baby Daisy

#21 Is it a seal or a dog by Monyque Macedo Dos Santos

Comedy Pet Photography Awards 2023 Finalists

There’s a hiding place under the sofa where Louis (the dog) likes to hide, that day I took his tennis ball from “his place”, he got angry and put his head out through the hole barking asking for his ball back, that’s when he turned into this angry seal, and I decided to register the moment.

#22 Edgars Dandelion by Jonathan Casey

Comedy Pet Photography Awards 2023 Finalists

Beautiful Edgar’s favourite food are the leaves and flowers of dandelions. Here she is seen taking her time to savour the flavour.

#23 Who are you by Udo krauss

Comedy Pet Photography Awards 2023 Finalists

Our cat Lilly played with a mouse, we saved the mouse and our dog Amy was fascinated by the mouse

#24 My face when my crush says Hi by Kerstin Leichtenmüller

Comedy Pet Photography Awards 2023 Finalists

We tried to get a dreamy autumn photo of Milo – instead of lying a bit on his side he rolled around like crazy. His family loves this shot because it shows his personality better than any other picture

#25 Flying Poodle by John Young

Comedy Pet Photography Awards 2023 Finalists

This is Barney our toy poodle, caught mid-flight whilst running.


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The Nature Conservancy Presents “Nature’s Canvas: Photo Contest Exhibition” Unleashing creativity to help protect the beauty of nature, Business News

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HONG KONG, July 14, 2023 /PRNewswire/ — The Nature Conservancy’s (TNC) “Nature’s Canvas: Photo Contest Exhibition” will commence in mid-July at Pacific Place. The exhibition will showcase the award-winning photographs from TNC’s annual Global Photo Contest. Just as artists use canvas to create paintings, our planet is nature’s canvas, and the photographs on display highlight this by capturing the beauty of breathtaking landscapes, intricate ecosystems, and thriving plants and wildlife. TNC hopes that this event will give visitors an opportunity to connect with the beauty and wonder of nature and learn more about the importance of environmental protection and nature conservation efforts.

The Nature Conservancy “Nature’s Canvas: Photo Contest Exhibition”
The Nature Conservancy “Nature’s Canvas: Photo Contest Exhibition”

Each year, TNC organizes an annual Global Photo Contest across six categories (Landscapes, People & Nature, Climate, Water, Plants & Fungi, and Wildlife). Participation in the 2022 contest was the highest ever, with over 100,000 entries from 196 countries. The winning photographs were selected by a judging panel made up of distinguished experts, including renowned conservation photographer Ami Vitale and the celebrated host of the YouTube channel “Brave Wilderness,” Coyote Peterson. The overall Grand Prize winner is a photograph taken by Chinese photographer Li Ping, who waited an entire night by a roadside parking lot to capture this stunning dawn scene. The aerial shot depicts a desolate road in Tibet with erosion gullies extending outwards on both sides of the road to form the shape of a large tree.

The diversity of images from around the world gave a glimpse into our fragile planet and all the life that inhabits it. The contest itself was a mesmerizing odyssey and we are left with a profound message of how interconnected all of us are and what it means to our own survival to intermingle with wildness. 
—Ami Vitale, Guest Judge

This year’s photography contest featured a new Climate category, which provided photographers with the opportunity to capture the devastating effects of climate change on communities and ecosystems worldwide and inspire hope through images of local solutions and collective action. The winning entry in this category was taken by Sandesh Kadur from India and features the Sarada superba lizard at a wind farm in Satara, India. Researchers believe the wind farm has led to behavioral and morphological changes in the lizard due to reduced predation.

In addition to the global entries, the exhibition also includes a dedicated “Hong Kong Highlights” section, displaying selected past entries from local photography enthusiasts. These photographs showcase the natural beauty of Hong Kong’s urban landscapes and serve as a reminder to the public to cherish and protect them.

TNC believes photography can help save the world. According to Lulu Zhou, Director, Strategic Partnerships (Asia Pacific) and Hong Kong Program Lead at The Nature Conservancy, These photographs from around the world show our profound interconnectedness with each other and this beautiful planet. A single photograph can reveal nature’s endless beauty but also the challenges we face. These images awaken our infinite wonder for the natural world and remind us of our responsibility to protect the lands and waters that allow future generations to inhabit the world shown in these compelling photographs and continue to enjoy the splendor of nature.

During the exhibition, TNC will provide visitors with beautifully designed wildlife postcards that they can send or display to share their love of nature in a unique and meaningful way. Visitors can write heartfelt messages about their passion for the environment and mail the postcards to themselves, loved ones, friends or family. Simply fill out the postcard and drop it in the designated mailbox at the exhibition. TNC will help mail them out. This simple act allows visitors to spread their love for nature and inspire others to take action to protect our precious planet.

The Nature Conservancy is organizing the “Nature’s Canvas AR challenge” to encourage the public to unleash their creativity. This contest combines AR technology with the beauty of nature to showcase an ideal healthy natural environment. To participate, simply visit the exhibition and position camera in front of the exhibition title board near the entrance, follow the instructions to complete your artwork, and share it to your social media platforms with the hashtag #natures_canvas and tag @tnc_hk. Don’t forget to write an encouraging message or slogan for nature. The five most beautiful and meaningful artworks will win the contest and receive a TNC environmental gift pack, which includes a custom-made woolen notebook, a set of animal-themed postcards, and a TNC environmental bag, etc. Don’t miss the chance to visit the exhibition and create your ideal nature art using AR technology.

The exhibition was made possible by generous sponsors, including L’Oréal Hong Kong, Pacific Place, and Samsung (in alphabetical order). TNC welcomes the public to bring their family and friends to experience the beauty of life through these photographs, reignite their passion for nature and the environment and take action for conservation together.

Are you feeling inspired to showcase your photography skills, unleash your creativity, and help protect the beauty of nature by joining the TNC Global Photo Contest 2023? Keep your eyes peeled for the announcement and entry guidelines to ensure you don’t miss out on the opportunity to be part of this thrilling event.

The Nature Conservancy Natures Canvas: Photo Contest Exhibition details:
Venue: Park Court, Level L1, Pacific Place (near Shiro)
Date: 13-26.07.2023
Time: 10:00 – 22:00

For media photos, please download from the Link

#TNC #tnchk #TNCphotocontest #PhotoContest #NaturesCanvas #TNCphotocontest #natures_canvas

About The Nature Conservancy 

The Nature Conservancy (TNC) is the world’s leading international conservation non-profit organization dedicated to protecting natural places and preserving life on Earth for future generations. TNC follows a science-based conservation approach to create innovative solutions to global conservation challenges and enable nature and people to thrive together. We are currently addressing climate change at an unprecedented scale by protecting lands, waters, and oceans in sustainable ways, providing food and water resources, and helping cities become more sustainable. Our projects span 76 countries and territories, using collaborative approaches with local communities, governments, private sector and others, to carry out various conservation projects and activities, including biodiversity conservation, forest conservation, marine conservation, climate change, and sustainable land use. In addition to the photo contest, TNC also organizes various community projects and educational activities, aiming to promote public awareness and action towards environmental protection and sustainable development and to raise public awareness of natural environments and wildlife. TNC was awarded the 2019 Lui Che Woo Prize – Prize for Sustainable Development. For more about TNC’s work in the Asia Pacific region, please visit: The Nature Conservancy (tnc.org.hk)

If you also care about environmental protection and wildlife conservation, please support TNC’s work, participate in our community projects and activities, and work together to protect the natural environment and wildlife, follow TNC Hong Kong’s social platforms for more environmental conservation information:

Facebook: TNC_HK
Instagram: @tnc_hk
Twitter: @TNC_HK 

#TNC #tnchk #PhotoContest

The Nature Conservancy “Nature’s Canvas: Photo Contest Exhibition”
The Nature Conservancy “Nature’s Canvas: Photo Contest Exhibition”



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What is the rule of thirds in photography?

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 What is the rule of thirds?

What is the rule of thirds?

Watch video: What is the rule of thirds?

At the heart of all photography is composition. There are a number of different ‘rules’ when it comes to composing an image, but the most well known – and arguably the most useful – is the rule of thirds.

• See the Digital Camera World A-Z Dictionary of photography jargon

Of course, when it comes to composition, it’s helpful to remember the pirate code: these rules are more like guidelines. So you don’t have to obey them to a tee, and you don’t even have to obey them at all. However, the rule of thirds in particular is a great place to start when framing your shots.

Speaking of guidelines, the easiest way to understand the rule of thirds is to turn on the literal guide lines in your camera. This varies by manufacturer, but these are typically found in the ‘display’ area of your camera’s menu system, and is often described as ‘3×3 grid’ – for obvious reasons!

As you can see, the principle is fairly straightforward: your frame is divided into thirds, both horizontally and vertically, which gives you a 3×3 grid. By positioning the point or points of interest in your composition along these guidelines, or where they intersect, your image should achieve a sense of balance.

This is because when we look at an image, our eyes are not necessarily drawn to the center; rather, they tend to naturally gravitate to one of the four points where the guidelines intersect. This holds true whether you’re shooting in portrait or landscape orientation – and, indeed, whether you’re shooting a portrait or a landscape image.

Image 1 of 4

Placing the horizon in the center of the frame gives no point of focus…

Placing the horizon in the center of the frame gives no point of focus…

Image 2 of 4

… but placing it along the lower or upper third creates balance

… but placing it along the lower or upper third creates balance

Image 3 of 4

Similarly, a portrait in the middle of the frame can feel lost…

Similarly, a portrait in the middle of the frame can feel lost…

Image 4 of 4

… but placing a point of focus where the guidelines intersect achieves great results

… but placing a point of focus where the guidelines intersect achieves great results

When shooting a portrait, it can be easy to position your subject’s head in the middle of the frame. The result is that the viewer’s gaze darts around the image, unsure of what it should be focused on.

However, when you apply the rule of thirds, you can position points of interest – such as the closest eye – on one of the intersections, which immediately makes the image feel more balanced, and the viewer instinctively knows where to look.

Similarly with landscapes, it’s all too easy to place the horizon right in the center of the composition. It’s very bland and too even, and the viewer’s eye is left scanning the frame looking for something interesting. However, using the rule of thirds and placing the horizon along one of the guidelines immediately gives the shot a sense of equilibrium. And again, the rule is just as applicable when you’re shooting vertically as it is when shooting horizontally.

Like any rule, the rule of thirds can be bent or even broken. But whether you’re just starting out in photography, or you want a good starting point for your composition, the rule of thirds is pretty hard to beat.

You might be interested in the best cameras for landscape photography, and the best lenses for landscapes. If you’re more of a people person, check out the best camera for portraits and the best lenses for portraits too.

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Photo Contest Exhibition” Unleashing creativity to help protect the beauty of nature

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HONG KONG, July 14, 2023 /PRNewswire/ — The Nature Conservancy’s (TNC) “Nature’s Canvas: Photo Contest Exhibition” will commence in mid-July at Pacific Place. The exhibition will showcase the award-winning photographs from TNC’s annual Global Photo Contest. Just as artists use canvas to create paintings, our planet is nature’s canvas, and the photographs on display highlight this by capturing the beauty of breathtaking landscapes, intricate ecosystems, and thriving plants and wildlife. TNC hopes that this event will give visitors an opportunity to connect with the beauty and wonder of nature and learn more about the importance of environmental protection and nature conservation efforts.

The Nature Conservancy “Nature’s Canvas: Photo Contest Exhibition”

The Nature Conservancy “Nature’s Canvas: Photo Contest Exhibition”

Each year, TNC organizes an annual Global Photo Contest across six categories (Landscapes, People & Nature, Climate, Water, Plants & Fungi, and Wildlife). Participation in the 2022 contest was the highest ever, with over 100,000 entries from 196 countries. The winning photographs were selected by a judging panel made up of distinguished experts, including renowned conservation photographer Ami Vitale and the celebrated host of the YouTube channel “Brave Wilderness,” Coyote Peterson. The overall Grand Prize winner is a photograph taken by Chinese photographer Li Ping, who waited an entire night by a roadside parking lot to capture this stunning dawn scene. The aerial shot depicts a desolate road in Tibet with erosion gullies extending outwards on both sides of the road to form the shape of a large tree.

The diversity of images from around the world gave a glimpse into our fragile planet and all the life that inhabits it. The contest itself was a mesmerizing odyssey and we are left with a profound message of how interconnected all of us are and what it means to our own survival to intermingle with wildness. 
—Ami Vitale, Guest Judge

This year’s photography contest featured a new Climate category, which provided photographers with the opportunity to capture the devastating effects of climate change on communities and ecosystems worldwide and inspire hope through images of local solutions and collective action. The winning entry in this category was taken by Sandesh Kadur from India and features the Sarada superba lizard at a wind farm in Satara, India. Researchers believe the wind farm has led to behavioral and morphological changes in the lizard due to reduced predation.

In addition to the global entries, the exhibition also includes a dedicated “Hong Kong Highlights” section, displaying selected past entries from local photography enthusiasts. These photographs showcase the natural beauty of Hong Kong’s urban landscapes and serve as a reminder to the public to cherish and protect them.

TNC believes photography can help save the world. According to Lulu Zhou, Director, Strategic Partnerships (Asia Pacific) and Hong Kong Program Lead at The Nature Conservancy, These photographs from around the world show our profound interconnectedness with each other and this beautiful planet. A single photograph can reveal nature’s endless beauty but also the challenges we face. These images awaken our infinite wonder for the natural world and remind us of our responsibility to protect the lands and waters that allow future generations to inhabit the world shown in these compelling photographs and continue to enjoy the splendor of nature.

During the exhibition, TNC will provide visitors with beautifully designed wildlife postcards that they can send or display to share their love of nature in a unique and meaningful way. Visitors can write heartfelt messages about their passion for the environment and mail the postcards to themselves, loved ones, friends or family. Simply fill out the postcard and drop it in the designated mailbox at the exhibition. TNC will help mail them out. This simple act allows visitors to spread their love for nature and inspire others to take action to protect our precious planet.

The Nature Conservancy is organizing the “Nature’s Canvas AR challenge” to encourage the public to unleash their creativity. This contest combines AR technology with the beauty of nature to showcase an ideal healthy natural environment. To participate, simply visit the exhibition and position camera in front of the exhibition title board near the entrance, follow the instructions to complete your artwork, and share it to your social media platforms with the hashtag #natures_canvas and tag @tnc_hk. Don’t forget to write an encouraging message or slogan for nature. The five most beautiful and meaningful artworks will win the contest and receive a TNC environmental gift pack, which includes a custom-made woolen notebook, a set of animal-themed postcards, and a TNC environmental bag, etc. Don’t miss the chance to visit the exhibition and create your ideal nature art using AR technology.

The exhibition was made possible by generous sponsors, including L’Oréal Hong Kong, Pacific Place, and Samsung (in alphabetical order). TNC welcomes the public to bring their family and friends to experience the beauty of life through these photographs, reignite their passion for nature and the environment and take action for conservation together.

Are you feeling inspired to showcase your photography skills, unleash your creativity, and help protect the beauty of nature by joining the TNC Global Photo Contest 2023? Keep your eyes peeled for the announcement and entry guidelines to ensure you don’t miss out on the opportunity to be part of this thrilling event.

The Nature Conservancy Natures Canvas: Photo Contest Exhibition details:
Venue: Park Court, Level L1, Pacific Place (near Shiro)
Date: 13-26.07.2023
Time: 10:00 – 22:00

For media photos, please download from the Link

#TNC #tnchk #TNCphotocontest #PhotoContest #NaturesCanvas #TNCphotocontest #natures_canvas

About The Nature Conservancy 

The Nature Conservancy (TNC) is the world’s leading international conservation non-profit organization dedicated to protecting natural places and preserving life on Earth for future generations. TNC follows a science-based conservation approach to create innovative solutions to global conservation challenges and enable nature and people to thrive together. We are currently addressing climate change at an unprecedented scale by protecting lands, waters, and oceans in sustainable ways, providing food and water resources, and helping cities become more sustainable. Our projects span 76 countries and territories, using collaborative approaches with local communities, governments, private sector and others, to carry out various conservation projects and activities, including biodiversity conservation, forest conservation, marine conservation, climate change, and sustainable land use. In addition to the photo contest, TNC also organizes various community projects and educational activities, aiming to promote public awareness and action towards environmental protection and sustainable development and to raise public awareness of natural environments and wildlife. TNC was awarded the 2019 Lui Che Woo Prize – Prize for Sustainable Development. For more about TNC’s work in the Asia Pacific region, please visit: The Nature Conservancy (tnc.org.hk)

If you also care about environmental protection and wildlife conservation, please support TNC’s work, participate in our community projects and activities, and work together to protect the natural environment and wildlife, follow TNC Hong Kong’s social platforms for more environmental conservation information:

Facebook: TNC_HK
Instagram: @tnc_hk
Twitter: @TNC_HK

#TNC #tnchk #PhotoContest

The Nature Conservancy “Nature’s Canvas: Photo Contest Exhibition”

The Nature Conservancy “Nature’s Canvas: Photo Contest Exhibition”

Cision

Cision

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SOURCE The Nature Conservancy



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Nothing Phone (2) review: One of the coolest phones of the year

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I’ve been using the Nothing Phone (2) for the past few weeks, and I’m wildly impressed.

You may have heard of Nothing, the startup that launched in 2021 with big ambitions about the future of technology and design. The company, founded by Carl Pei (who also co-founded OnePlus), focuses on unique design and well-rounded feature sets for each of its products, while letting the technology fade into the background. That began with wireless earbuds (the recent Nothing Ear (2) are quite good) and later carried over to phones, starting with the Phone (1).

That device launched internationally and was never intended for the United States. It was a mid-ranger that received decent reception from reviewers, but it couldn’t garner much hype in the West simply because you couldn’t buy it.

Now we have the Phone (2), which is officially available in the United States through Nothing’s website. The company is taking things up a few notches. Its design has been refined, the specs are much more powerful, the cameras have been revamped and — best of all — it starts at $599.

I’ve been testing it for the past few weeks, comparing it to my Pixel 7 Pro and iPhone 14 Pro Max. I wanted to see if it could hold up against the big dogs, despite it being from a company with zero experience selling a phone in the U.S. And beyond some important issues that come with every new company, they hit it out of the park.

So, what is it like to use? Let’s find out.

Nothing Phone 2 product card

If you’re looking for an affordable Android phone that stands out from the pack — while also offering excellent performance and cameras for the price — the Nothing Phone (2) belongs on your radar.

The Phone (2) looks a lot like the Phone (1) with its flat sides and transparent glass backplate. However, it’s still a wildly unique smartphone compared to the rest of the market. No other phone looks like the Phone (2), especially in the United States where the only interesting phone designs are ones that fold in half. Nothing has given the standard brick smartphone a much-needed face lift, and I’m here for it.

Admittedly, the Phone (2) looks like an iPhone 14 Plus when the screen is off. The flat sides further aid in the illusion, but I don’t think this is a big deal. I’m a huge proponent of flat sides on smartphones, thanks to their more premium feel, so I’m glad Nothing kept them around for its second generation.

Nothing Phone (2) CNN-7

Nothing uses pillowed glass on the back with gentle curves, which makes it a very comfortable device to pick up and use for hours on end. That’s also thanks to its weight. At 201 grams, it’s lighter than the Pixel 7 Pro (212 grams) and iPhone 14 Pro Max (240 grams) but a tad heavier than the Galaxy S23 Plus (196 grams). It hits a sweet spot I can only describe as “premium-ly light,” where it’s not too light to feel cheap and not too heavy to be unpleasant.

Of course, the boldest design choice Nothing has made with the Phone (2) is the Glyph Interface, which is a fancy name for all the LEDs on the back.

So, what does the Glyph Interface do? A lot, actually. Flip the phone on its face and it’ll silence sounds and vibrations, alerting you of new notifications with unique light patterns. You can use custom light patterns for specific contacts when they message or call you, and you can force the top right corner Glyph to remain lit up when an important notification arrives.

The Glyph Interface also works as a flashlight, a fill light for photos and even as a light show for your music through a neat hack. A lot of this was available on Phone (1), and with Phone (2), Nothing wanted to improve things by increasing the number of LEDs and LED segments.

This allows for more precision and accurate representations of certain features, like volume. Now, when you increase or decrease the volume of the device, the Glyph will light up and let you know how high or low it is. This same functionality also works for timers (perfect for avid enthusiasts of the pomodoro method) and even third-party apps like Uber for tracking your ride’s distance from your location.

Nothing Phone (2) CNN-17

There’s a lot of versatility in the Glyph Interface, with a little something for everyone. It all works really well, although I didn’t get a chance to test the Uber integration. My favorite features include the persistent LED for important notifications, the light show and Glyph Composer for fun light shows at night and the neat charging indicator at the bottom for checking how full my battery is.

Is any of this necessary? No, I don’t think so. But it does encourage you to use your phone a little less to stay on top of things. A quick glance at whatever is making the phone light up will tell you whether to pick it up while everything else can be ignored. I didn’t find it distracting or difficult to get on board with, either; something about it felt very natural, which is all you can ask for from a feature like this.

It’s not life-changing, but it’s a very cool addition to this already unique smartphone. Just make sure you pick up a screen protector for it since you’ll be laying your phone face down far more often than not.

Flip the Phone (2) around and you’ll be greeted with its 6.7-inch display. It features a 2412 x 1080 resolution that keeps everything nice and sharp, an OLED panel for inky black levels and vibrant colors, and a peak brightness of 1,600 nits, which makes it easy to see even in direct sunlight.

Nothing Phone (2) CNN-1

Nothing also includes a 120Hz refresh rate, which makes the screen feel smooth and responsive. It’s the same refresh rate as many other flagship smartphones, down to the LTPO technology that allows the refresh rate to drop down to 1Hz when you aren’t interacting with the screen.

It’s a beautiful display to look at, and it’s perfect for everything from watching movies to scrolling on social media. But here’s the most beautiful part of it all: it’s totally flat. Nothing didn’t curve the sides to make the device feel thinner, which means there aren’t any weird drop-offs or light reflections to be seen. It’s just a simple, flat screen, and I absolutely love it. It’s a breath of fresh air in a market full of Android phones that try to catch your eye with curves and slopes around their displays.

Nothing Phone (2) CNN-10

I’ve been taking a lot of pictures with the Phone (2), testing to see if they can stack up against the big dogs and give you great photos and videos for your collection. Surprisingly enough, they absolutely can.

The Phone (2)’s camera system is a meaningful upgrade over the Phone (1). It still uses a 50MP, f/1.9 main camera and 50MP, f/2.2 ultra-wide camera for the back, but pairs them with a new 18-bit Image Signal Processor (ISP) that can capture 4,000 times more camera data. That’s fancy talk for better exposure, color, detail — you name it. Nothing also includes Advanced HDR, which combines eight RAW frames captured with varying exposure levels and blends the best elements of each photo into the final image. It’s similar to how a lot of other camera phones work and is another big upgrade over the Phone (1), which could only blend three frames.

So, how do the photos look? See for yourself.

With its improved HDR, processing techniques and Motion Capture 2.0 for better shots of moving subjects, the Phone (2) can capture stellar photos. I was specifically impressed with its ability to balance saturation and contrast; it reminded me a lot of the Pixel 7, which is one of the biggest compliments I can give. That also means it’s not oversaturated, so those worried it would follow in Samsung’s footsteps can rest easy.

Compared to my iPhone 14 Pro Max, the Phone (2) was able to keep up in a variety of settings, from broad daylight at Rockefeller Plaza in New York to nighttime with cocktails at a rooftop bar. I’ll admit that the Phone (2) does struggle a bit to keep highlights in check (it’s a lot more willing to let them blow out than other phones I’ve tested), but it’s a minor nitpick in an otherwise excellent capturing experience.

Speaking of taking photos at nighttime, the Phone (2) was able to do that just fine. These images won’t take the crown from the Pixel’s astrophotography mode anytime soon, but each photo I got was detailed enough to encourage shooting some more. I can’t say that about every phone I use, let alone those from totally new companies.

Video quality is pretty decent. It’s a $600 Android phone, so my expectations weren’t very high to begin with, but I was happy with the clips I captured. Colors were well saturated and vibrant, while exposure and contrast were well-balanced. I did notice a few dropped frames if I moved around a lot, but it only happened a couple of times. And for the record, the videos I shot couldn’t beat what my iPhone is capable of, but it’s very good for a flagship, let alone one that costs well below $1,000.

As a side note, the Phone (2) supports shooting at up to 4K resolution and a smooth 60 frames per second, and you can freely switch between the main camera and ultra-wide while recording. I also found selfies taken with the 32MP shooter on the front to be perfectly good enough for Instagram and Snapchat.

Nothing’s Camera app is as easy to use as any you’ve tried in the past; it’s fast, responsive and shutter speed is top-notch. There’s a pro shooting mode for those who want to lock in precise camera settings before capturing, and you can even use the Glyph on the back as a fill light for your subject, which looks a lot more natural than the LED flash.

Overall, the Phone (2)’s cameras are very solid and reliable. While they won’t top the Galaxies, Pixels and iPhones of the world, they’re in the same ballpark in terms of quality and shooting modes. I’m really impressed with what Nothing has pulled off here.

Nothing wants the Phone (2) to be a flagship, and in order to do that, it has to pack in the right specs to get those great performance levels you look for in a high-end phone. I’m happy to report that’s just what Nothing has done here.

Nothing Phone (2) CNN-12

The device ships with last year’s Snapdragon 8 Plus Gen 1 processor that, admittedly, isn’t the latest chip you can get. However, just like the Moto Razr+, the processor can still deliver a serious punch when it comes to performance. I have yet to slow this phone down; I’ve thrown numerous games at it, multitasked a bunch and sporadically captured photos at the same time, all while the device kept chugging along with no issue. It feels just like using any other high-end phone that came out this year, so if speed is a point of interest to you, the Phone (2) will suit you well.

Here’s how the Phone (2) stacks up against other phones on Geekbench 6, a popular benchmarking app that can give you a ballpark idea of how powerful a phone is.

Nothing Phone (2)

iPhone 14

Google Pixel 7

Processor

Snapdragon 8+ Gen 1

Apple A15 Bionic

Google Tensor G2

Geekbench 5 (single-core performance)

1,674

2,181

1,426

Geekbench 5 (multi-core performance)

4,382

5,052

3,726

I’d also like to credit the Phone (2)’s great performance to the 12GB of RAM included in my review unit. It gives the device extra headroom to juggle all the stuff in the background, which, in turn, leads to better performance in whatever app you’re currently using. Nothing also ships a model with 8GB of RAM if you’d like to save some money, but I recommend getting one with 12GB if you plan on having the phone for an extended period of time.

The 4,700mAh battery inside can easily last all day on a full charge. The Snapdragon 8 Plus Gen 1’s efficiency, coupled with Nothing’s system-level optimizations, have resulted in reliable endurance that has gotten me through plenty of 16-hour days with 30% to 40% left in the tank.

Plenty of people have asked me whether the Glyph interface drains the battery, and the answer is no. Even when I’m using it as a flashlight throughout the day, you’re only looking at a difference of around 2% to 3% percent, which is basically nothing.

Nothing Phone (2) CNN-3

When it’s time to juice back up, the Phone (2) supports 45W fast charging over USB-C. That’s proper fast charging, mind you. Companies like Google and Apple think 20W-30W charging is fast, but by today’s standards, that’s absolutely nothing, especially when phones like the OnePlus 11 exist with 80W charging. Phones need to start at 45W to be considered fast in this day and age, so it’s nice to see Nothing include that spec here.

While there’s no wall charger in the box, the Phone (2) does ship with a USB-C cable that includes transparent end caps. It’s a minor detail, but it adds to the whole transparent aesthetic of the Nothing brand, and I dig it.

The device also ships with 15W wireless charging, as well as 5W reverse wireless charging (perfect for juicing up your Ear (2) earbuds on the go).

Nothing OS 2.0 is fast and responsive — and can help with smartphone addiction

Nothing’s skin on top of Android isn’t as intricate or overwhelming as something like Samsung’s One UI or OnePlus’ OxygenOS. Instead, it alludes to the experience of the Google Pixel and Motorola-branded handsets with minor tweaks and additional features to the core Android experience, which instantly makes this one of my favorite skins on Android to date.

Of course, you wouldn’t know it from the home screen. Nothing OS 2.0, the latest version of the company’s skin atop Android 13, aims to make your home screen more useful and less distracting by using a monochromatic design language. It’s completely optional, but if you turn it on, all your app icons will switch to simpler black and gray designs.

Nothing Phone 2 review software

Nothing sees this as an opportunity to take power away from certain apps that play on smartphone addiction by drawing you in with colorful icons (*cough* Instagram and TikTok *cough*). So instead of opening your phone to do something important and finding yourself scrolling through social media for an hour, Nothing hopes you’ll look for the app you need and not feel tempted to dive into something else when you go back to the home screen.

The best part? These icons apply to every app on your phone, so there aren’t any inconsistencies. In addition, you can toggle off the names of each app if you’d like, so that you don’t even have to look at certain words like “Twitter,” “Instagram,” “Threads” or “Facebook.”

I must admit, this is an incredibly useful feature. More often than not, I fall victim to the vibrancy of the Instagram logo on my home screen, which prompts me to “check it real quick” (read: for at least 25 minutes that I don’t have) the second I’ve finished whatever work I was doing. With Nothing’s monochromatic icons, that temptation is almost nonexistent, to the point where I’m on my phone for at least a half hour less every day.

Nothing also revamped a lot of its widgets with its dot matrix fonts and stylings, both of which have also crept into more areas of the Phone (2)’s software. You can add widgets directly to the lock screen for glanceable information, too.

I’d also like to point out the Experimental features section of the settings app. Why? Because it has some very cool stuff inside! There’s native support for AirPods (yes, those AirPods), system-level integration with the Tesla app, enhanced touch response for games, and third-party app support for the Glyph Interface. All these features will be a bit buggy — they’re experimental for a reason — but it’s cool to see Nothing shipping such unorthodox features.

Finally, let’s talk software support. Nothing is promising up to three years of major OS upgrades and four years of security patches. That’s a year or two behind other flagship Android phones, but it’s still long enough where you can keep using the Phone (2) well after you’ve purchased it.

Zoom is a bit limited on the Phone (2). Nothing provides a 2x button that crops into the frame and uses the center megapixels for a full-quality photo, but once you go past that, you’ll notice details and clarity aren’t as sharp. It caps off at just 10x which, admittedly, will be enough for some people. Personally, I would’ve liked to see a proper telephoto camera to round out the experience. I guess we’ll just have to wait for Phone (3).

Water and dust protection could be better

Nothing Phone (2) CNN

Nothing wants the Phone (2) to compete on every level with other flagships, but there’s one area that it doesn’t quite hold up: water resistance.

The Phone (2) has an IP54 certification, which is slightly better than the IP53 rating on the Phone (1). However, most other phones have an IP68 certification, which gives them far better resistance against submersion. You’ll be okay against light splashes or rain showers with the Phone (2), but I’d be extremely careful about carrying it around the pool.

There’s no two ways about it: the stereo speakers on the Nothing Phone (2) are pretty bad. I won’t go as far to call them terrible, but they lack definition and can get very tinny at high volumes. Granted, they do have a touch of bass which a lot of other smartphones lack, but you’ll be much better off with a Bluetooth speaker or headphones if you want to enjoy your music.

This is an area where you can tell Nothing had to start cutting costs.

The Phone (2) is certified to work on both AT&T and T-Mobile, but it’s not technically certified for Verizon. It’ll work on the Big Red carrier, mind you, but neither Nothing nor Verizon will tell you it’s officially supported.

It costs a lot of money to get a smartphone certified by carriers, and there’s a good chance Nothing didn’t want to hand over the millions of dollars required for the red checkmark. Keep this in mind if you plan to pick up the Phone (2) and use it with your Verizon plan.

Nothing Phone (2) CNN-2

The Phone (2) is a solid, reliable phone to use, but it’s still a bit of a risk.

Nothing doesn’t have a large presence in the U.S. whatsoever, and your only avenue of customer support is going through their website directly if you experience a problem with your device. You can’t take it to the Geek Squad at Best Buy, you can’t run to your carrier to ask questions — you’re at Nothing’s mercy, and it’s largely unclear whether that’s a good thing.

You also can’t use the Phone (2) before you buy it. Most people like to check out the latest iPhone or Galaxy at a carrier store before plunking down their credit cards to purchase it, but that experience can’t carry over to the Phone (2). Outside of a few pop-up kiosks around the world (and Nothing’s retail store in London), there’s really nowhere to test drive the device before you pull the trigger.

It’s also worth mentioning that Nothing doesn’t have any financing options for the device, there are very few accessories being made for it outside of a clear case and screen protector, and there are no trade-in offers.

These are all problems that arise when you’re dealing with a new company. If you buy a phone from a more established brand with retail presence, you can sleep soundly knowing you can pay for it how you want, check it out before you buy it and go to practically any online retailer for a case. The Phone (2) is extremely limited in all of these areas, which may scare a lot of people away from buying it.

So, should you buy the Nothing Phone (2)?

I’ve never tested a phone quite like it, to be honest. For its first attempt at a smartphone that’s available in the United States, Nothing has done an excellent job. Everything here feels polished, refined and cohesive, almost to the point where you’d think Nothing has been in the smartphone game for a decade. It’s quickly become of my favorite phones of the entire year.

That being said, it may be a tough sell for certain people. You’ll have to be all-in on supporting a much younger brand, one that doesn’t have the same customer support channels or carrier availability as the big dogs. Accessories, financing options and third-party retail support are also greatly limited.

Nothing Phone (2) CNN-5

It’s also worth mentioning that competition is extremely stiff right now. The Pixel 7 is often discounted as low as $400 these days. The same goes for the Galaxy S23, and there are even other phones like the Pixel 7a that offer flagship experiences for less than what the Phone (2) costs.

The focus of the Phone (2) is unique design, minimal software, excellent overall performance and a chance to stand out in the growingly similar smartphone market. At $599, the barrier for entry isn’t too steep, and I think it’s worth considering — as long as you’re cool with the growing pains that come with a new company.

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Artist Michael Alfano Creates Mind-Bending Sculptures Along Boston Harborwalk

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Delve into the realm of profound artistic expression with sculptor Michael Alfano, whose creations transcend the literal to explore abstract concepts of humanity. Alfano’s art seamlessly blends familiar shapes with a surreal presentation, igniting a sense of curiosity and inviting deep contemplation.

Intriguingly, Alfano’s sculptures employ the power of negative space, skillfully drawing attention to the intangible aspects of existence. Accompanied by thought-provoking quotations, his artwork enriches the viewer’s experience, encouraging introspection and initiating meaningful conversations. Ultimately, his aim is to inspire transformative change through the medium of art.

Centered around the human form, Alfano’s sculptures come to life through a meticulous creative process that encompasses sketching, clay modeling, and casting. The artist’s remarkable works have found their place in esteemed galleries, museums, and private collections worldwide, leaving an indelible impression on those fortunate enough to encounter them.

Today, we invite you to embark on a visual journey through a selection of captivating face sculptures from Alfano’s renowned “Boston Harborwalk” series. Immerse yourself in the gallery below and behold the astonishing masterpieces that transcend traditional boundaries of artistic expression.

Scroll down and inspire yourself. Please check Michael’s Website and Instagram for more amazing work.

You can find Michael Alfano on the web:

#1 Liquid Sunshine

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#2 Blown

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#3 Stroke of Genius.

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#4 Homo Cosmos

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#5 Self Reflection

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#6 Three Futures

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#7 Cosmic Vision

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#8 Turning Heads

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#9 Gates of Transcendence

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#10 Questioning Mind

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#11 Blown

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#12 Anthropocene

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#13 Fused

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano

#14 Winged Foot

Sculptures At Boston Harborwalk by Michael Alfano

© Michael Alfano


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