Prolific BK Wildlife Photographer Finds Peace from Pain in Prospect Park

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After suffering a debilitating workplace injury in 2004, Jeffrey Jones discovered solace from the physical pain in watching the marvelous and resilient wildlife of Prospect Park.

Almost 20 years ago, Jeffrey Jones suffered a debilitating workplace injury that left him with four steel rods in his back and in daily, excruciating pain.

He was prescribed painkilling drugs like OxyContin and Percocet, but he knew the medication wasn’t for him. It wasn’t until he started visiting Prospect Park in 2009 that Jones found true relief — in the beauty of nature and the park’s wildlife. 

“Ever since, I’ve been coming and sitting by the water, you know, I find that it gives me so much peace,” he said. “Just watching the birds be birds; sometimes I forget that I am in pain.”

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Jeffrey Jones in Prospect Park. Photo: Jessy Edwards for BK Reader.

Not long after that, he got his first camera so he could capture the beautiful moments he observed, in order to share his joy with others.

That turned into a serious hobby, and today, Jones can be found at Prospect Park every single morning, seven days a week, photographing the birds and wildlife of the park on his digital camera with a range of different lenses. 

“As soon as I get here, everything else goes blank, and I just focus on the miniature,” he said. “I forget everything.” 

Jones is a self-described “bushman” and an animal-lover who grew up surrounded by pet monkeys, chickens, dogs and rabbits on a farm in Barbados.

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A photograph of a Glossy Ibis by birdwatcher and photographer Jeffrey Jones. Photo: Jeffrey Jones for BK Reader.

On a recent Friday, Jones took BK Reader on a walk of his typical route — a long-lens camera slung over his shoulder — pointing out the feathered, shelled and webbed-toed characters of the park he knows so well: A great blue heron, a black cormorant flying low and graceful over the lake, a small but vocal bullfrog hiding in the lily pads.

As he walked, he bumped into fellow park local Sarah Wagner, and the pair discussed how many recently-hatched swan cygnets had survived after one was found with a fishing hook in its mouth and required rescue.

“Jeffrey helps us enormously with rescues,” Wagner said. 

Jones said he worries about the human impact on the wildlife of the park and is the type to dig a hole and bury a dead bird or raccoon he finds on the path or step in if he sees people harming animals.

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A photograph of a Great Egret by birdwatcher and photographer Jeffrey Jones. Photo: Jeffrey Jones for BK Reader.

“I’m not just a photographer — I’m an animal lover first,” he said.

The resilience of the natural world also inspires him, he said. Two years ago, he saw a turtle get one of its feet bitten off by another turtle. Two years later, that turtle has recovered and is still living his best park life (Jones has the photographic evidence to prove it). 

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Image of Jones’ back. Photo: Provided/Jeffrey Jones.

Recalling the damage to his own body makes him cry. Jones said he was employed as an ironworker in 2004, when he jumped in to prevent another employee from being injured and took the impact himself.

He suffered two broken vertebrae in his lower back, a pinched nerve in his neck and two herniated discs, he said. He also had to have his right rotator cuff removed. The injury has left him unable to do hard manual work. However, he has recently been working in the movie industry on the set of “Billions.”

He is also trained in reiki — an energetic healing practice — and loves to chat with fellow parkgoers and make joyful connections, he said.

While the amateur photographer could easily build a profile for himself with his impressive daily wildlife captures, that’s not why he does it, he said.

“I don’t have a website; I don’t sell photography. That is not my purpose. The purpose really is to make people smile.”

One of his biggest goals as a photographer certainly seems to be to make his youngest daughter smile.

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Birdwatcher and photographer Jeffrey Jones said he does it to make people smile. Photo: Jeffrey Jones for BK Reader.

After one day showing her a photo of a bird pooping that had her in fits of laughter, he decided to make a photo book for his kids, entirely dedicated to birds doing their business. Jones is now on his third book in the series. 

The books are an act of love and patience, he said.

“Sometimes it takes me four days to get one bird,” he laughed. “I can show you some amazing bird poop photos.” 



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Photography Services Market Is Estimated To Surpass $56 Billion At 5.7% Cagr Amid Growing Demand By 2032 End

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(MENAFN- EIN Presswire)

Photography Services Market -amr

The photography services industry is mostly driven by the increasing demand for high-quality visual content across various industries

PORTLAND, 5933 NE WIN SIVERS DRIVE, #205, UNITED STATE, July 7, 2023/einpresswire.com / — According to a new report published by Allied Market Research, titled,“photography services market ,” The photography services market was valued at $32.6 billion in 2022, and is estimated to reach $56 billion by 2032, growing at a CAGR of 5.7% from 2023 to 2032.

The photography services industry is mostly driven by the increasing demand for high-quality visual content across various industries, the rise of social media and online marketing, advances in technology, and the availability of photographic service education and training results in photography services market trends. As businesses and individuals continue to prioritize visual content, the photographic service market is expected to continue to grow in the coming years which surges the photography services market share.

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However, one of the major problems hindering the expansion of the photographic service market is the increase in competition. Market competition can also lead to prioritizing quantity over quality. As companies compete to offer the lowest prices, they may need to make adjustments in quality and customer service for the photography services market growth. This can lead to dissatisfied customers who may turn to other vendors for their photography needs. Additionally, increased competition could lead to the commoditization of photography services, with companies offering similar services and packages. This can make it harder for businesses to stand out in the photography services market size.

The photography services market analysis on the basis of type, end-user, and region. By type, the market is divided into commercial photographic service and consumer photographic service. Further, the consumer photographic service segment is classified into wedding photographic service, portrait photographic service, wildlife photographic service, and others. As per end user, the market is divided into individual and commercial. Region wise, the market is divided into North America (U.S., Canada, and Mexico), Europe (UK, Germany, France, Italy, Spain, Russia, and the Rest of Europe), Asia-Pacific (China, Japan, India, Australia, South Korea, and Rest of Asia-Pacific), and LAMEA (Brazil, Argentina, UAE, South Africa, Saudi Arabia, and Rest of LAMEA).

By type, the market is divided into commercial photographic service and consumer photographic service. The consumer photographic service segment held the major share of the market in 2022 and is expected to grow at a significant CAGR during the forecast period. Commercial photographic service is the practice of creating photographs for use in commercial contexts, such as advertising, marketing, or sales. Commercial photographers may work on a variety of projects, including product photographic service, fashion photographic service, architectural photographic service, and editorial photographic service which increases the photography services market demand.

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By end user, the market is divided into individual and commercial. The individual segment held the major share in the market in 2022 and is expected to grow at a significant CAGR during the forecast period. Individuals are a significant market segment in the photographic service industry, encompassing a wide range of consumers who purchase photographic service-related products and services for personal or professional use. Individuals in the photographic service market are often characterized by their desire for high-quality, personalized products and services that reflect their individual tastes and interests. Individual trends in the photographic service market are constantly evolving and changing, driven by advances in technology, changing consumer preferences, and emerging cultural trends. One of the key trends in recent years has been the rise of mobile photographic service, with many individuals using their smartphones as their primary photographic service tool. This has led to an increased demand for mobile photographic service accessories and apps that can enhance the quality of images captured on mobile devices.

By region, the market is divided into North America, Europe, Asia-Pacific, and LAMEA. The North America region held the major share in the market in 2022 and is expected to grow at a significant CAGR during the forecast period. The photographic service market in North America is a diverse and thriving industry, encompassing a wide range of products and services catering to a variety of clients and customers. North America is home to many of the world’s leading photographic service companies and businesses, including major camera manufacturers, photographic service equipment retailers, and large-scale photographic service providers. With a large and diverse customer base and a wide range of products and services on offer, the North American photographic service market is likely to continue to be a significant player in the global photographic service industry for years to come.

LIMITED-TIME OFFER – Buy Now & Get Exclusive 15 % Discount on this Report @checkout link :-

The major players operating in the market focus on key market strategies, such as mergers, product launches, acquisitions, collaborations, and partnerships. They also have been focusing on strengthening their market reach to maintain their goodwill in the ever-competitive market. Some of the key players in the photographic service market include Fisher Studios Ltd., Carma Media Productions, Bella Baby Photographic Service, Angle Platform, Shutterfly, LLC, Studio Alice Co. Ltd., Getty Images Holdings, Inc., Lifetouch Inc., Portrait Innovations Inc., and Cherry Hill Programs, Inc.

TABLE OF CONTENT :-
CHAPTER 1: INTRODUCTION
1.1. Report description
1.2. Key market segments
1.3. Key benefits to the stakeholders
1.4. Research Methodology
1.4.1. Primary research
1.4.2. Secondary research
1.4.3. Analyst tools and models
CHAPTER 2: EXECUTIVE SUMMARY
2.1. CXO Perspective
CHAPTER 3: MARKET OVERVIEW
3.1. Market definition and scope
3.2. Key findings
3.2.1. Top impacting factors
3.2.2. Top investment pockets
3.3. Porter’s five forces analysis
3.3.1. Bargaining power of suppliers
3.3.2. Bargaining power of buyers
3.3.3. Threat of substitutes
3.3.4. Threat of new entrants
3.3.5. Intensity of rivalry

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David Correa
Allied Analytics LLP
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Refined Fashion Art Photography Released by Tess Mann Haute Couture, Business News

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Extensive fashion art photography series by Barrett Dennison featuring select designs from the Tess Mann Haute Couture label has been released for public viewing.

The Tess Mann Haute Couture label recently launched an art photography series featuring select pieces from the label’s latest collection’s designs photographed by Barrett Dennison at The Parthenon in Nashville, Tennessee. Despite its initial intention of marketing fashion, this particular project has been recognized for its artistic value by several international publications, pushing the boundaries between advertising and art. As time has passed, fashion photography has evolved its own distinct aesthetic, where clothing and style are elevated through the use of captivating locations and narratives.

The current Tess Mann Haute Couture collection is titled New Discovery, a curated collection that has utilized designs from previous collections by Tess Mann and re-imagined based on clients’ feedback from over the years. The collection is now available for wholesale purchase to retail bridal stores internationally. Additionally, brides-to-be can work directly with the designer and purchase from Tess Mann’s atelier in Cookeville, Tennessee.

Several photos from this series still have not been released. Publications interested in covering the Tess Mann Haute Couture photo series at The Parthenon should reach out to the label’s PR management, Meredith Corning, by emailing meredith (at) meredithcorning (dot) com. 

“Location scouting for a fashion shoot began with the idea that the location needed to be grand in scale, romantic, and luxurious. The Parthenon, being close by in Nashville, Tennessee, came onto my radar relatively quickly. Its massive columns, beautifully designed bronze doors, and scale seemed to hit all the right points for a fashion shoot location. The Parthenon would set the scene to properly display the New Discovery collection and highlight the true haute couture collection at a level it deserved,” says Tess Mann, fashion designer for Tess Mann Haute Couture.

Photo Shoot Creative Team

Fashion Designer: Tess Mann Haute Couture

Photography: Barrett Dennison/El Osito Films

Creative Director: Tess Mann 

Lighting Specialist: Corey Allen 

Public Relations: Meredith Corning PR

Models: Haley McClaren, Joslyne Jackson and Shifa Maryyam

About Tess Mann Haute Couture: Tess Mann is the fashion designer behind the Tess Mann Haute Couture and Couture by Tess labels in addition to owning a bridal boutique under the name, Couture by Tess Bridal. Tess has been in the bridal industry since 2013. Prior to her formal entry into the industry, she had been designing since she was a young teenager, however chose a different career path in order to serve her country for over twenty years as a federal officer. In September 2018, Tess became a US Trademark Designer with her designs being protected by the US Patent Office. After serving the Memphis, Tennessee area for a little over six years in the bridal industry, Tess and her husband, Joe, opened Couture By Tess Bridal on 31 W. Broad Street in Cookeville, Tennessee in November of 2019.  Tess is also the talk show host of Couture Chats with Tess on Youtube where she interviews fashion, fine arts and event industry professionals in her bridal boutique’s parlor.

About Us: Tess Mann Haute Couture is a bridal label designed exclusively by Tess Mann, a Tennessee, USA-based fashion designer.

Contact Info:
Name: Meredith Corning
Email: Send Email
Organization: Tess Mann Haute Couture
Website: https://tessmannhautecouture.com/

Video URL: https://youtu.be/DST5GsZxhwY

Release ID: 89101725

If you detect any issues, problems, or errors in this press release content, kindly contact [email protected] to notify us. We will respond and rectify the situation in the next 8 hours.

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Prismáticos SV206 de Svbony – Cielos Boreales

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Recientemente he tenido la oportunidad de probar los prismáticos SV206 de Svbony. Estos prismáticos 10×50 se ajustan muy bien a las necesidades de un observador astronómico por tener una pupila de salida de 5mm y ser ligeros, además tienen una calidad óptica adecuada para la observación de los astros en condiciones de baja luminosidad.

No necesitamos grandes aumentos para iniciarnos en la observación astronómica de cielo profundo. Con estos prismáticos de 10 aumentos ya podremos disfrutar de la observación de cúmulos, nebulosas e incluso galaxias desde cielos oscuros. Realmente un buen cielo es el factor más importante para disfrutar de la observación pero incluso te puedes llevar una sorpresa si coges estos prismáticos y miras el cielo desde un entorno con contaminación lumínica ¡Verás muchas más estrellas de las que se ven a simple vista!

Yo habitualmente practico astrofotografía pero me gusta siempre tener a mi lado unos prismáticos sencillos para disfrutar del cielo mientras capturo imágenes. Ahora te voy a hablar de cómo rinden estos prismáticos SV206 de Svbony.

Características de los prismáticos SV206

El diseño óptico de estos prismáticos de tipo porro se basa en lentes BAK4 de cristal de bario ligero que es más caro que el BAK-7 que encontramos en los prismáticos de gama baja. El BAK4 tiene un índice de refracción más alto, y por lo tanto ofrece imágenes muy luminosas. Además la pupila de salida de unos prismáticos con óptica BAK4 ofrece una pupila de salida perfectamente redonda, algo que no ocurre en los BAK-7.

Las ópticas tienen además tratamiento FMC (Fully Multi-Coated), un recubrimiento múltiple de las superficies de vidrio que da una transmisión entre el 90-95% para mejorar la nitidez y el contraste.

Estos prismáticos son cómodos de utilizar gracias a su distancia ocular ajustable entre 60-70 mm, lo que permite ajustar la distancia interpupilar para conseguir una observación relajada. En el ocular derecho encontramos un ajuste de compensación de dioptrías (+-4D). El tamaño del ocular es de 23mm lo que lo hace cómodo de observar.

Otra característica de los SV206 es que ofrecen protección IPX6 de resistencia al agua y la humedad, algo importante para esas noches de observación invernales cuando sube la humedad ambiental. Para evitar la formación de vaho estos prismáticos están purgados con nitrógeno.

En general estamos ante unos binoculares con estructura robusta y ligera, gracias a su carcasa de goma, con un peso total de 1Kg.

Si queremos más estabilidad o descansar los brazos, estos prismáticos cuentan además con rosca para ajustar un trípode mediante tornillo UNC 1/4-20. También incluyen una correa para colocar al cuello y un paño de limpieza.

Un factor importante cuando compramos unos prismáticos es si se pueden colimar fácilmente y en el caso de estos SV205 no veo gomas que se puedan quitar para acceder a los tornillos de colimación. Supongo que habrá que desmontar alguna carcasa para poder hacerlo pero no parece algo trivial.

Pruebas realizadas con los SV206

Para comparar estos prismáticos y evaluar su calidad he realizado dos pruebas, una diurna y otra nocturna. En ambas pruebas he comparado los prismáticos SV206 con dos equipos de similares características, los Olympus 10×50 que uso habitualmente y con los que estoy encantado y los Bresser 10×50 que fueron mis primeros prismáticos astronómicos y que compré cuando no tenía presupuesto para nada mejor que cumpliera los requisitos mínimos.

prismáticos 10x50, entre ellos los prismáticos sv206 de svbony
Prismáticos utilizados en la comparativa. A la izquierda los Svbony, en el centro los Olympus y a la derecha los Bresser.

En la prueba diurna se evaluó el peso, el tacto y el manejo de los prismáticos. A nivel óptico se evaluó la reproducción de color y las aberraciones cromáticas, la nitidez y defectos de viñeteo o diferencias de campo aparente.

En la prueba nocturna se evaluó el peso y la comodidad de uso. A nivel óptico se evaluaron las aberraciones cromáticas, la nitidez y la luminosidad.

La prueba nocturna fue desarrollada una noche con Luna en fase creciente en un entorno semi-rural con bastante contaminación lumínica, no fueron las mejores condiciones.

Opinión de los SV206

Tras las pruebas realizadas lo primero que salta a la vista es que los SV206 son los más pesados de los 3 prismáticos comparados. Los Bresser pesan 784g, los Olympus 855g y los Svbony 1023g algo que los hace un poco más incómodos de sostener a pulso durante largos periodos de tiempo. En cuanto a dimensiones también los SV206 son los más grandes de los 3.

Podríamos decir que esta diferencia de peso podría deberse a la diferencia de lentes. De los 3 prismáticos comparados solo los SV206 afirman llevar las lentes BAK4. No obstante sigue habiendo 150g de diferencia entre los Svbony y los Olympus.

Tenemos que ser realistas, no estamos ante unos cristales BAK4 de pura cepa (los Schott Bak4 con designación oficial 569561). Lo que aquí posiblemente tenemos es el denominado «BAK4 chino» o designación 552634 que se equipararía en características al Schott PSK3 (552635), un cristal mucho más económico. El precio de estos prismáticos es la principal prueba de ello. No obstante estamos ante lentes perfectamente aprovechables y con muy buen rendimiento, sin ser excepcionales.

Si eres de esos observadores puntillosos y meticulosos está claro que tienes que ir a otra gama de prismáticos.

Bak4 vs BK7. Los prismáticos sv206 de Svbony tienen óptica Bak4.
Arriba los Svbony SV206 con Bak4 y abajo los Olympus presumiblemente con BK7.

En cuanto a luminosidad los SV206 han resultado claramente vencedores de la prueba presentando mayor transmisión de luz de manera notable con respecto a los Bresser y sutil con respecto a los Olympus.

En nitidez de imagen hay empate entre los Olympus y los Svbony. Ambos presentan imágenes muy bien definidas con estrellas puntuales en ambos casos. Hay algo que si me llamó mucho la atención y es que los bordes de los Svbony parecen «cortados» como si se hubiera querido reducir su campo de manera forzada para ocultar aberraciones en los bordes. Esto se aprecia claramente al comparar los campos de ambos prismáticos, siendo el del SV206 algo menor y produciendo un efecto de blackout periférico cuando intentamos observar hacia los bordes de la imagen.

Este tipo de apagón periférico es común entre los observadores que usan gafas pero en este caso yo no las estaba usando. En los Olympus el ocular es más pequeño que en los Svbony, donde gozamos de 23mm, me pregunto si tendrá algo que ver en este efecto observado y al tener un ocular tan grande terminamos viendo el «límite» del objetivo de 50mm.

Como digo, el SV206 carece de aberraciones en los bordes del campo de visión mientras que en los Olympus este efecto es bastante notorio.

En cuanto a reproducción de colores el SV206 me ha gustado mucho, quizá incluso más que los Olympus y si bien es perceptible una ligera aberración cromática cuando observamos objetos muy luminosos como la Luna hay que ser muy purista y casi ir a buscar el defecto para darse cuenta.

En general son unos buenos prismáticos para observación astronómica, con algunos puntos mejorables como el tamaño y el peso pero que rinden de manera aceptable y harán las delicias de cualquier observador astronómico bajo un cielo oscuro de calidad por un precio muy ajustado (80€ aprox frente a los 120€ de los Olympus). Si estás interesado en ellos aquí tienes el enlace a la tienda de Aliexpress.

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Artist Julien Tabet Reimagining Brands Erased From Existence

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Julien Tabet, a talented digital artist hailing from France, embarked on an extraordinary challenge over a year ago. With unwavering determination, he embraced the realm of 3D art, starting from scratch using Blender, and committed himself to create a unique image each day for a remarkable span of 365 days. The captivating series of images presented here represents a significant experiment in Julien’s quest to master the fundamentals of 3D composition and modeling.

Deep-rooted within Julien’s creative spirit is a profound fascination for post-apocalyptic landscapes, where the relentless force of nature reclaims our urban havens. In his imaginative vision, he conjures a world where iconic brands, once symbols of contemporary civilization, now stand abandoned, mere remnants of a distant era. These images, born from his personal exploration, bear no specific message but serve as a platform for his artistic enjoyment, growth, and practice. Julien warmly invites viewers to embrace their own interpretations and find personal meaning within the frames.

Step into Julien Tabet’s artistic journey, where skill and passion intertwine, as he unveils the extraordinary possibilities of 3D artistry. Explore the remnants of a lost civilization, where nature reigns supreme, and allow your imagination to roam freely among the images he has crafted with dedication and joy.

Scroll down and inspire yourself. Check Julien’s Instagram and Website for more amazing work.

You can find Julien Tabet on the Web :

#1 Adidas Origins

Reimagining Brands Erased from Existence by Julien Tabet

#2 Youtube Tube

Reimagining Brands Erased from Existence by Julien Tabet

#3 Fadebook

Reimagining Brands Erased from Existence by Julien Tabet

#4 McDownald

Reimagining Brands Erased from Existence by Julien Tabet

#5 Chilling Netflix

Reimagining Brands Erased from Existence by Julien Tabet

#6 Coca-Loca

Reimagining Brands Erased from Existence by Julien Tabet

#7 Rotten Apple

Reimagining Brands Erased from Existence by Julien Tabet

#8 Nikel

Reimagining Brands Erased from Existence by Julien Tabet

#9 WWTF

Reimagining Brands Erased from Existence by Julien Tabet

#10 Twitch On Its Prime

Reimagining Brands Erased from Existence by Julien Tabet

#11 Spot Hifi

Reimagining Brands Erased from Existence by Julien Tabet

#12 Adebo

Reimagining Brands Erased from Existence by Julien Tabet

#13 Pepsituation

Reimagining Brands Erased from Existence by Julien Tabet


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Powerful images from environmental photography prize show challenges and hope

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By Nell Lewis, CNN

(CNN) — A windswept Arctic fox, a murmuration of birds facing a snowstorm in the Himalayas, and a man and a boy in a flooded living room are among the images recognized in this year’s Prince Albert II of Monaco Foundation’s Environmental Photography Award.

The prize, in its third edition, hopes to deliver a conservation message and show the importance of preserving nature. “Photography is a powerful tool for giving a voice to threatened wildlife and biodiversity,” said jury president Sergio Pitamitz in a press release.

The jury, made up of seven professional photographers, chose the winning photos for each category from a total of 10,000 images, submitted by 2,300 photographers from across the world.

The award’s grand prize went to an image of a distressed elephant trying to defend itself after being struck by a freight train in the Lopé National Park in Gabon, on the west coast of central Africa. The animal’s hip was shattered beyond repair and after it died, the park director distributed the meat amongst the local community.

The photograph serves as a tragic reminder of the consequences of human-animal conflict, which is increasing due to habitat loss from human activities, such as agriculture and development. Photographer Jasper Doest from the Netherlands believes the image “has the power to inspire change.”

Pitamitz noted that this single elephant “represents his entire species in the grip of an uncertain future.”

“Doest was able to react in a split second to this sudden event, documenting his story and giving a voice to the forest elephants of Africa,” he added.

Other images show the positive elements of humans’ relationship with nature. In the “Change Makers: Reasons for Hope” category, one image shows elephants being lifted by a crane into a truck and transported from Liwonde National Park to Kasungu National Park, in Malawi, southeastern Africa. While the process looks peculiar, it’s part of a conservation initiative designed to maintain healthy habitats in the parks and establish stable and resilient elephant populations.

Another shows a fake rhino poaching scene at the Wildlife Forensics Academy in South Africa, as rangers are being taught to collect vital forensic evidence required to convict poachers in court.

The winning images are now being exhibited in Monaco on the Promenade du Lavotto, before touring internationally.

The-CNN-Wire
& © 2023 Cable News Network, Inc., a Warner Bros. Discovery Company. All rights reserved.

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Embassy of Peru unveils the first Peruvian Photography and Film Festival in Sri Lanka – Adaderana Biz English

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On June 30th, in collaboration with the Honorary Consulate of Peru in Sri Lanka and the Alliance Française of Kandy proudly inaugurated a photography exhibition featuring the renowned Lines and Geoglyphs of Nazca and Palpa, one of the most well-known UNESCO World Heritage Sites in Peru. On the same date, the First Peruvian Film Festival in Sri Lanka commenced, presenting six captivating films from July 1st to July 8th. The inaugural ceremony was graced by the presence of the Ambassador of Peru to Sri Lanka, Mr. Javier Paulinich, Mr. Satya Rodrigo, Director General of the Latin America and Caribbean Division of the Sri Lankan Ministry of Foreign Affairs, Mr. Tikiri Kobbekaduwa, former Governor of the Sabaragamuwa Province, Mr. Sabry Abuthahir, President of the Executive Committee of the Alliance Française of Kandy, and Mr. Romani de Silva, Honorary Consul of Peru in Sri Lanka.

“The Nazca Lines have left an indelible mark on world culture, stirring the curiosity and imagination of archaeologists, historians, and art enthusiasts alike. These magnificent ancient works, depicting various geometric shapes, animals, and stylized figures, are believed to have been created between 500 BCE and 500 CE. Among the countless individuals who have dedicated themselves to understanding and preserving the Nazca Lines, Maria Reiche stands as a luminary figure. This German-Peruvian mathematician devoted her life to studying and safeguarding these enigmatic lines, unraveling their mysteries and ensuring their conservation for future generations.”, said Ambassador Paulinich.

Following the inauguration, the film festival kicked off with the screening of the movie “Don’t Call Me Spinster,” directed by Ana María Alva Helfer. Throughout the week, the festival will also feature films such as “Deliciosa Fruta Seca” by Ana Caridad Sánchez, “Margarita” by Frank Pérez-Garland, and “Las Mejores Familias” by Javier Fuentes León. Additionally, documentary films “Peru’s City of Ghosts” and “Cities in the Clouds,” produced by Paul M. M. Cooper, will be showcased.

The Peruvian Photography Exhibition and Film Festival provide a unique opportunity for Sri Lankan audiences to immerse themselves in the vibrant cultural heritage of Peru. It celebrates the strong cultural ties between our two nations and showcases the rich diversity of Peruvian art and cinema.

Highlights from the Exhibition

Dignitaries and the gathering at the Peruvian Photography and Film Festival. Mr. Tikiri Kobbekaduwa – former Governor of the Sabaragamuwa Province also graced the event

From left to right – Mr. Javier Paulinich – The Ambassador of Peru to Sri Lanka, Mr. Satya Rodrigo – Director General of the Latin America and Caribbean Division of the Sri Lankan Ministry of Foreign Affairs, Mr. Fabio Subia Diaz, Head of Consular & Cultural Section, Embassy of Peru, New Delhi

Mr. Javier Paulinich – The Ambassador of Peru to Sri Lanka, presenting a gift from Peru to Mr. Sabry Abuthahir, President of the Executive Committee, Alliance Francaise de Kandy

 

Image Caption : Mr. Javier Paulinich – The Ambassador of Peru to Sri Lanka, ceremoniously opening the Peruvian Photography and Film Festival, held in Kandy, on the 30th June 2023



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The new Museum of Art & Photography (MAP) stirs up Bengaluru’s art scene | Architectural Digest India

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To protect the artworks and artefacts from ultraviolet light, the main galleries are opaque enclosures with temperature and humidity control.

Björn Wallander

To step into MAP’s premises is to be enveloped in this sense of quietude. Spread over five floors, its 44,000-square-foot area houses a café, a rooftop restaurant, an auditorium, a library, a conservation centre, and five galleries containing more than 60,000 works. MAP’s aim of democratizing art and culture has resulted in an exciting, and excitingly curated, mix of pre-modern, modern, contemporary, tribal, and popular artworks, along with photography, textiles, crafts, and design. To showcase this thrilling mix, Mathew & Ghosh created airy, column-free spaces through which people move fluidly, but at their own pace—at times pausing to reflect, at other times reaching out to touch objects helpfully marked out to indicate tactile exploration.

Björn Wallander

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Photographer Kristina Makeeva Captured Ballet Dancers In Breathtaking Surroundings

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Witness the seamless fusion of three art forms – dance, photography, and the enchanting backdrop of nature or architecture – in the mesmerizing world of ballet. This harmonious amalgamation elevates the pleasure and emotions experienced within each frame. As you delve into the captivating visuals, let the music of your imagination accompany every scene, resonating within your soul. Share your melodic interpretations in the comments, enabling others to embark on the same profound journey.

Within these frozen moments lies the allure of ballet, where movements transcend time and reality. Each unique frame encapsulates the ethereal essence of existence.

Join me in experiencing this magic. Ballet is my passion. Traveling fills me with joy. And capturing moments through photography is my ultimate bliss. Thus, each frame becomes the pinnacle of my euphoria.

Scroll down and inspire yourself. Check Kristina’s Instagram for more amazing work.

You can find Kristina Makeeva on the Web :

#1 Cappadocia, Model: Violetta Jirova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#2 Nikola-Lenivets, Model: Maria

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#3 Pink Lake Sasyk-Sivash, Model: Violetta

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#5 Canada, Model: Valeria Bespalova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#6 Cappadocia, Model: Elena Kopteva

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#7 Prague, Model: Violetta

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#8 Pink Lake Sasyk-Sivash, Model: Violetta

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#9 Baikal, Model: Elizaveta Lobanova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#10 Cafe Pushkin, Model: Evangelina Melnikova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#11 Bolshoi Theatre, Model: Darian Volkova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#12 Nikola-Lenivets, Model: Maria

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#13 Harrods, London, Model: Alisa Ester

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#14 Kenya, Model: Violetta Jirova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#15 Cafe Pushkin, Model: Julia Lipnitskaya

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#16 Baikal, Model: Elizaveta Lobanova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#17 London, Model: Violetta

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#18 Baikal, Model: Elizaveta Lobanova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#19 Lupin Fields, Model: Stanislava Postnova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#20 Lupin Fields, Model: Stanislava Postnova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#21 Komsomolskaya Station, Model: Darian Volkova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#22 Socotra, Model: Violetta Jirova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#23 Moscow, Model: Valeria Bespalova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#24 Mont Saint-Michel, Model: Evangelina Melnikova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#25 Netherlands, Model: Valeria Bespalova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#26 Model: Valeria Bespalova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#27 Montenegro, Model: Violetta

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#28 London, Model: Violetta

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#29 Maldives, Model: Valeria Bespalova

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva

#30 St. Petersburg

Ballet Dancers In The Most Beautiful Surroundings By Kristina Makeeva


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One of Photography’s Earliest Inventors Had an Ingenious Trick to Stop His Images From Over-Developing, Scholars Say

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A pioneer of photography may have used urine to create his historical images.  

That was one of the revelations a group of conservation experts from Brazil, Portugal, and the U.S. took away upon re-examining a series of what are believed to be among the oldest surviving photographic artifacts in the Americas, all created by the 19th-century artist, adventurer, and inventor Hercule Florence. 

A man of French-Italian-Monegasque origin who settled in Brazil, Florence was one of the first to permanently fix images onto paper using chemicals. His innovations in this area preceded those of Louis Daguerre and Henry Fox Talbot, two scientists widely credited with developing photographic technology, but came after the ground-breaking innovations of Nicéphore Niépce. 

Unlike those two scientists, who were internationally heralded in their time, Florence went comparatively unrecognized for his work. Fortunately, his achievements are getting an even greater shine now. 

Working out of the HERCULES Laboratory at the University of Évora in Portugal, the researchers recently applied a number of analytical techniques to three surviving graphic prints made by Florence: a decorative border for a masonic diploma and two design templates made for pharmacy labels. All three objects are nearly two centuries old.  

Photomicrography revealed that the paper Florence used to create the images was similar to that found in previous experiments of his. X-ray fluorescence, meanwhile, showed that silver nitrate or silver chloride was used for the diploma design and gold chloride was used for pharmacy labels. These materials proved crucial in the inventor’s quest to not only capture light, but to record it permanently.  

The early studies of Thomas Wedgwood and others likely led Florence to use papers coated with light-sensitive chemicals. On top of these he placed blackened pieces of glass with designs etched into them. 

This process created a positive image, but he still needed a way to stop the picture from continuing to darken when exposed to light. For this solution, he experimented with some unconventional materials.  

Through a technique called ATR-FTIR spectroscopy, the researchers identified a greater amount of protein in the pharmacy labels—a finding that suggests the presence of urine. In other words, to stop his pictures from developing, Florence peed on them. 

For the conservation experts, the finding speaks to the ingenuity of the 19th-century scientist, who worked without the resources of his European contemporaries.  

“What Hercule Florence accomplished is really a prehistory of photography,” said Art Kaplan, an associate scientist at the Getty Conservation Institute in Los Angeles, who co-led the research effort with António Candeias of the HERCULES Laboratory. “He was one step ahead, employing certain elements that were commonly used in the photographic process.”  

The analyzed photographs, Kaplan added, “are believed to be the only survivors of that time period.” 

 

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Bronze Statues and Artifacts From a Long-Buried Etruscan Site—Uncovered With the Help of a Garbage Man—Are Now on View in Rome 

 

Archaeologists Found an Ancient Marble Bust That May Have Belonged to Caligula at the Bottom of an Italian Lake 

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