One of the very best regions in the UK to capture the night skies is the Cairngorms and here is the heavenly proof.
Talented award-winning photographer Graham Hazlegreaves has shared with Highland News & Media some of his stunning images which, incredibly, were taken from his back garden in Boat of Garten.
Graham has captured these photographs of the hidden beauty of the universe using his technical know-how and specialist astrophotography camera equipment.
Of course it helps to know where to look – the sun and moon can’t exactly be missed and several of the Solar System’s planets are easy enough to see but pretty much everything else is not visible to the naked eye other than as pin pricks in the vast sky given the unimaginable massive distances from the earth.
Some of the galaxies are millions of light years away.
Graham said: “We are blessed in the Badenoch and Strathspey area with dark skies which allow the beauty of the night sky to be visible to us.
“I remember when, as a child, growing up on the Wirral seeing dark skies full of stars.
“My imagination was captured by the Apollo Missions and especially the moon landings.
“I was fascinated by science and nature and through my photography I see the world and space in a new light.”
Graham added: “My astrophotography journey started about three years ago when I mounted my camera and 400mm lens on a tripod and captured my first image of the Orion Nebula in the constellation of Orion, the Hunter.
“The image showed a blue–purple image of the nebula.
“It wasn’t much to look at but it inspired me to find out more about astrophotography.
“I made baby steps with my digital camera and progressed onto a tracking mount that allowed me to capture longer exposures which allowed me to capture more details in the nebulae.
“Eventually I progressed to my current equipment.”
The professionally trained photographer captures all sorts of the images of the natural world which he said ‘for me covers just about everything between macrophotography and astrophotography’.
The technical part
Graham’s main telescope is a William Optics Zenithstar 61 II and Achromatic Refractor. Attached to it is a specialist astrophotography camera, the ZWO 294 MC Pro, it is a one-shot colour camera.
The smaller telescope mounted piggy-back on the Z61 is a William Optics Guide scope with a ZWO 290mm mono camera.
The rig is mounted on equatorial mount which ,in concert with the guide scope and camera, tracks the target very accurately accounting for the rotation of the earth.
The system is orchestrated by a minicomputer enabling Graham to take very long exposures of the order of five to 10 minutes.
Graham explains: “Long exposure times are needed to capture the very low levels of light reaching the camera from deep space.
“I capture a series of exposures and in bespoke software I integrate the images producing a detailed image of a faint nebula and galaxies many hundreds, thousands, and in the case of galaxies, millions of light years distant from earth.”
A bit of explanation
Put simply, a nebula is a giant cloud of dust and gas in space.
A galaxy can have millions or billions of stars.
The nearest large galaxy to earth, Andromeda, is 2.5 million light-years away. So, we see Andromeda as it was 2.5 million years in the past.
The universe is filled with billions of galaxies.
Looking to the future
Graham said: “My journey into astrophotography has been one of discovery and wonderment which has clearly been helped by the dark skies we enjoy over the strath.
“But we should not take those skies for granted and we should strive to use lighting systems that do not pollute the night sky.
“If we can protect the night skies, then further generations may well be inspired by the marvels that exist in the universe.”
• All images are copyright to Graham Hazelgreaves. If you would like to see more of hiss stunning work check out his website at https://ghazlegreaves.myportfolio.com/
.
Do you want to respond to this article? If so, click here to submit your thoughts and they may be published in print.
One of the very best regions in the UK to capture the night skies is the Cairngorms and here is the heavenly proof.
Talented award-winning photographer Graham Hazlegreaves has shared with the Strathy some of his stunning images which, incredibly, were taken from his back garden in Boat of Garten.
Graham has captured these photographs of the hidden beauty of the universe using his technical know-how and specialist astrophotography camera equipment.
Of course it helps to know where to look – the sun and moon can’t exactly be missed and several of the Solar System’s planets are easy enough to see but pretty much everything else is not visible to the naked eye other than as pin pricks in the vast sky given the unimaginable massive distances from the earth.
Some of the galaxies are millions of light years away.
Graham said: “We are blessed in the Badenoch and Strathspey area with dark skies which allow the beauty of the night sky to be visible to us.
“I remember when, as a child, growing up on the Wirral seeing dark skies full of stars.
“My imagination was captured by the Apollo Missions and especially the moon landings.
“I was fascinated by science and nature and through my photography I see the world and space in a new light.”
Graham added: “My astrophotography journey started about three years ago when I mounted my camera and 400mm lens on a tripod and captured my first image of the Orion Nebula in the constellation of Orion, the Hunter.
“The image showed a blue–purple image of the nebula.
“It wasn’t much to look at but it inspired me to find out more about astrophotography.
“I made baby steps with my digital camera and progressed onto a tracking mount that allowed me to capture longer exposures which allowed me to capture more details in the nebulae.
“Eventually I progressed to my current equipment.”
The professionally trained photographer capture all sorts of the images of the natural world which he said ‘for me covers just about everything between macrophotography and astrophotography’.
The technical part
Graham’s main telescope is a William Optics Zenithstar 61 II and Achromatic Refractor. Attached to it is a specialist astrophotography camera, the ZWO 294 MC Pro, it is a one-shot colour camera.
The smaller telescope mounted piggy-back on the Z61 is a William Optics Guide scope with a ZWO 290mm mono camera.
The rig is mounted on equatorial mount which ,in concert with the guide scope and camera, tracks the target very accurately accounting for the rotation of the earth.
The system is orchestrated by a minicomputer enabling Graham to take very long exposures of the order of five to 10 minutes.
Graham explains: “Long exposure times are needed to capture the very low levels of light reaching the camera from deep space.
“I capture a series of exposures and in bespoke software I integrate the images producing a detailed image of a faint nebula and galaxies many hundreds, thousands, and in the case of galaxies, millions of light years distant from earth.”
A bit of explanation
Put simply, a nebula is a giant cloud of dust and gas in space.
A galaxy can have millions or billions of stars.
The nearest large galaxy to earth, Andromeda, is 2.5 million light-years away. So, we see Andromeda as it was 2.5 million years in the past.
The universe is filled with billions of galaxies.
Looking to the future
Graham said: “My journey into astrophotography has been one of discovery and wonderment which has clearly been helped by the dark skies we enjoy over the strath.
“But we should not take those skies for granted and we should strive to use lighting systems that do not pollute the night sky.
“If we can protect the night skies, then further generations may well be inspired by the marvels that exist in the universe.”
• All images are copyright to Graham Hazelgreaves. If you would like to see more of hiss stunning work check out his website at https://ghazlegreaves.myportfolio.com/
.
Do you want to respond to this article? If so, click here to submit your thoughts and they may be published in print.
The Scottish Nature Photography Awards celebrate nature, wildlife and landscape photography in Scotland through annual photography and video awards and events, including the award that celebrates photographic books.
And the competition asks members of the public to choose – and vote for their favourites.
The seventh biennial Favourite Scottish Nature Photography Book Vote is now open – find the link below.
The eight diverse books shortlisted for the 2022 award showcase Scottish nature and landscape through the visual storytelling of the photographers who have set themselves the challenge of capturing everything from the elusive otter to the beaches circling Scotland.
The books offer reasons to linger over their pages for anyone who loves Scottish nature and the art of photography.
The public vote will close at noon on Wednesday, March 1 and the result will be announced later that month.
Courtesy of the publishers, everyone who takes part in the online vote will be entered into a free prize draw for one lucky individual to win the entire shortlist of books.
The shortlisted books are:
Chasing the Deer: The Red Deer Through The Seasons by Neil McIntyre (Sandstone Press)
Dark Edinburgh by Scott Liddell (Obverse Books)
Hebridean Journey The Magic of Scotland’s Outer Isles by Brigid Benson (Birlinn Ltd.)
IN this DAY and AGE The Outer Hebrides by John Kippin and Nicola Neate (Kerber Verlag)
Puffins: Life On The Atlantic Edge by Kevin Morgans (Sandstone Press)
The Beaches Of Scotland by Stacey McGowan Holloway (Vertebrate Publishing)
The Secret Life Of The Otter by Andy Howard (Sandstone Press)
Thunder Road – Voices From The Cape Wrath Trail by David Lintern (Dusk Press).
The Scottish Nature Photography Awards celebrate nature, wildlife and landscape photography in Scotland. Photographers from all over the world are drawn to and inspired by Scotland’s landscape and natural heritage.
Three of the eight titles come from Ross-shire-based Sandstone Books.
Their title, The Secret Life Of The Cairngorms by Andy Howard, was the winner of the last competition in the series, held in 2020.
At the time, Andy Howard said: “I’m privileged to do what I do for a living, to spend time in the company of wildlife, to photograph and then write about these encounters is a joy.
“My job is simple, to record and share the beauty of the wildlife found in Scotland.”
You can have a closer look at each book here: http://www.scottishnaturephotographyawards.com
INVERNESS Camera Club president Owen Cochrane’s wife Evelyn took him on an African photo safari to celebrate a big birthday – and was bitten by the photography bug to the extent she is now also winning prizes for her pictures.
Owen has been club president for seven years, and ordinarily enjoys photographing nature, landscapes and rugby.
But for his landmark 60th birthday, Evelyn helped him celebrate with a Pangolin Photo Safari on ther River Chobe in Botswana.
As part of the trip, Evelyn received expert photographic tuition, and on her return joined Inverness Camera Club – winning first and second place prizes for her images.
She said: “I wouldn’t say I was a photographer just yet, but I enjoy the creative aspect of the camera.
“Two of my African images won prizes as well another on the theme of power where I took a shot of a battery made from two limes. It’s probably not that good technically, but it was a bit off the wall.
“I think we have been bitten by the safari bug as we are now planning a third African trip.”
Owen, a global IT leader for Johnson & Johnson, said: “My parents gave me a camera for my 21st birthday, but it was only when we came to live in Inverness 10 years ago that I really took up photography seriously.
“Evelyn has always referred to herself as a ‘photography widow’ and has been known to sit in the car with a book while I go out taking pictures. But thanks to this trip she now loves it, and is taking some amazing photographs.”
In Botswana the Cochranes were able to get close to animals such as baboons and giraffes on the Chobe River including one encounter that was just a bit too close for comfort.
Owen said: “An elephant decided to wander in our direction. The guide told everyone not to move, but I had my camera trained on the elephant in silent mode.
“The elephant came closer and closer to the Jeep, to the point where it was so close that my camera could no longer focus about a metre away.
“The elephant nudged the vehicle a little bit, enough to make it move, flapped its ears and wandered off. We could all breathe again!”
Following the couple’s first trip in June, they again travelled to Botswana to attend the Chobe Birding Festival.
Owen added: “Since the first trip I have done lots of presentations at different camera clubs, and have recommended this experience. We were treated so well and the tuition was exceptional.”
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