Frederick photographer Brodie Ledford featured in national competition | Arts & entertainment

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Brodie Ledford says it was a Christmas gift he’d bought for his wife that led to his career in photography.

The 41-year-old Frederick native always loved video cameras and taking photos, but it wasn’t until he purchased a camera for his wife, Dara, a fine arts major in college with a focus on photography, that he became enamored with the art form.

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Asia-Pacific’s Largest Photography Fair Will Host Its Inaugural New York Edition Next Fall

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Photofairs, Asia’s largest photography fair, will make its debut in New York next year.

Event organizer Creo has announced the first Photofairs New York will take place from September 8–10, 2023 at the Javits Center, just next door to the Armory Show. Held in partnership with Angus Montgomery Arts, the fair will showcase photography, film, and virtual reality works, spotlighting about 100 international galleries. Exhibitor applications are now open.

“We have great admiration for the Armory Show and its long-standing track record,” Creo CEO Scott Gray told Artnet News. “Bringing the unique offerings of the two fairs together under one roof will be mutually beneficial.” The Javits Center, he said, is “a purpose-built exhibition center well suited to the requirements of galleries and visitors alike.”

According to Jeff Rosenheim, the Metropolitan Museum of Art’s photography curator, the city itself is likely to be receptive. “New York’s enthusiasm for photography is almost unbounded,” he noted in Creo’s press release. “This will bring new energy to the fall season in New York.”

The 2017 edition of Photofairs Shanghai at the Shanghai Exhibition Centre. Photo by Simon Song/South China Morning Post via Getty Images

Gray founded Creo in 2007 as the World Photography Organization, a company whose roster now encompasses the Sony World Photography Awards, Sony Future Filmmaker Awards, and Photo London. He currently also serves as CEO of Angus Montgomery Arts, which oversees India Art Fair, Taipei Dangdai, and Art Düsseldorf, among other fairs.

“Creo has since grown in scope, furthering its mission of developing meaningful opportunities for creatives and expanding the reach of its cultural activities to film and contemporary art,” Gray explained.

In 2014, Creo launched the now-signature Photofairs Shanghai. Between 2017 and 2019, the group tried hosting two rounds of a San Francisco edition, but gave up after learning it cost more than $1 million to produce.

Photofairs New York will organize exhibitors into four sections. “Galleries” will encompass all exhibitors chosen by Creo’s Selection Committee, comprising of international galleries, and the fair’s Advisory Group of international collectors—who will also cultivate an audience of buyers for the event. International fair partner Meta Media Group will expand the fair’s global footprint.

Photo courtesy of Photofairs New York.

Meanwhile, the “Platform” section will hold space for booths by galleries that have logged less than eight years in the business and artists aged under 35. “Screen” will showcase galleries working in new technologies such as VR and NFTs. “Film” will focus on moving image as a medium.

Since photography has gone from a technically specialized skill to a widely embraced medium, Gray reflected, “I believe there is demand for a new fair in photo-based works and new technologies, which really reflects current market trends and explores how we interact with digital culture.” Creo is looking to further embrace experimental practices and seminal photographers alike—and catch both seasoned and emerging collectors.

 

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UNCG photography students working to share view of the world through the eyes of the blind

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GREENSBORO, N.C. (WGHP) — Tens of thousands of people drive or walk by a large rick building on West Gate City Boulevard in Greensboro every day. Many, with no knowledge of what goes on inside. But under that roof, hundreds of people with a similar impairment found a new way of navigating the workforce.

“Some people have gone through some things, some people have experienced some great lifestyle changes,” said Sherrie Thompson, a receptionist at the operation.

The business is Industries Of The Blind, a non-profit that’s secured several large contracts since its first one-million-dollar contract in 1962. Presently, workers construct anything from pens to items for the U.S. Army. Its mission statement is “To provide opportunities for employment and personal development for people who are blind or visually impaired to achieve greater independence.

“I still have a very good memory of how things used to be,” Thompson said.

When she was 19, Thompson said she was a freshman in college, engaged, with a baby on the way. In a matter of three weeks, an overabundance of fluid on her brain and spine stole her sight.

“I’ve had to experience not-so-good things, but to be where I am now, I wouldn’t trade it for anything, honestly,” she said.

While Thompson and colleague Michelle Torain both lost their vision after being able to see for much of their lives, their stories are dramatically different.

“I woke up on February the 14, 2013, I woke up blind,” Torain said. “I cried for three days. I shut my door and I cried for three days. Just cried, cried, cried.”

Torain said she lost her vision due to hereditary Type 2 Diabetes. While also out of her control, her first major life challenge happened about 48 years earlier.

“When I was three months old my mother gave me away,” she detailed.

It was a cold October night, when she said her birth mother left her on her father’s sister’s doorstep. She said her aunt kept hearing a crying child, and after checking her house, opened the door to find Torain with her one bottle and a blanket. Her aunt’s dog had found her first and laid on top of her to protect her from the cold.

“How I got saved was by that dog. That dog laid on top of me and kept me warm,” she said.

Though Thompson and Torain’s life stories have few mutual details, both were about to share them with students who meet just across the train tracks running behind Industries Of The Blind.

“They’re talented students,” Thompson said. “I want to see how they’re going to put their minds to it.”

Industries of the Blind has teamed up with students at UNC Greensboro to create pieces of art demonstrating what the world looks like through the eyes of the visually impaired. This year, they’re doing so through photography.

“We start talking and it’s like how do I transform that into something physical,” said UNCG senior Jenna Futrell, who’s been paired with Thompson.

The students interview the employees, learning about their lives and perception of the world in an attempt to bring it to light, even though their view has long been dark.

“I still have a very good memory of how things used to be,” Thompson said, saying her every day is similar to waking up in your room at night, trying to make your way through the room with only shadows as guides.

“I can see shadows, I can see the light,” Torain said, glancing up at the light FOX8 used while interviewing her.

“You want to make sure it’s perfect because it is about someone else,” Futrell said.

The students will complete their projects in a few weeks. Once they’re completed, they’ll be put up on the side of the Industries Of The Blind building, just as previous students’ projects have been.

“It just brings tears to my eyes when I talk about this story, because it hurts me. It really hurts,” Torain said. “It hurts.”

For more information about Industries of the Blind, click here.

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The Human-Nature Relationship | Vogue

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Eleonora Strano

Eleonora Strano is a Franco-Italian photographer based in France. Her work explores themes such as isolation and invisibility whether it is geographical, cultural, environmental, social, political or visual. Her images are often imprinted by nostalgia, memory and time. In 2019, her work was exhibited at Espace de l’Art Concret in Mouans-Sartoux, as part of “Des marches, démarches” curated by FRAC PACA, and has been part of Jeune Création in Romainville, Circulation(s) in Paris and the 37th edition of the Festival international de mode, de photographie et d’accessoires in Hyères. She was nominated as one of the 31 women photographers to watch for in 2019 by the British Journal of Photography, one of the 250 photographers of 2020 by the PhMuseum, and has been listed as one of the 150 emerging European photographers of 2021 by GUP Magazine. Eleonora Strano is a member of Eyes on Talents, Hans Lucas, Women Photograph and Blink, and works in the South of France. In parallel to her work with the media as a photojournalist, she develops artistic projects among which is a photographic commission launched by Université Côte d’Azur in Nice, Villa Arson and Académie 5 about biocontrol. She is currently working on her next project about shipwrecks, memory and the Anthropocene in Saint-Pierre et Miquelon for which she was the recipient of the BnF grant Radioscopie de la France.

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